Spacious improvisations from the French duo of guitarist Jean-Sebastien Mariage and double bassist David Chiesa, slowly unfolding discussions of subtle nuance and contemplative colors.
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Label: Creative Sources
Catalog ID: CS185
Squidco Product Code: 15038
Packaging: Jewel Tray
Recorded by Pierre-Henri Thiebaut at ecole Britten in Perigueux.
Jean Jacques Avenel-Sebastien Mariage
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• Show Bio for Jean Jacques Avenel
"Jean-Jacques Avenel, born 16 June 1948 in Saint-Nicolas-d'Aliermont ( Seine-Maritime ) and died 12 August 2014. He was a jazz bassist, a faithful companion to Steve Lacy, and participated in many other musical adventures. He was interested especially in African music, the kora and tradition Mandingo.
Jean-Jacques Avenel was self-taught, although he subsequently benefit from the lessons of Kent Carte. He began his career by participating in the free jazz movement, playing with Steve Waring, Colette Magny, Don Cherry, and with Noah Howard, the quartet of Frank Wright and Intercommunal Free Dance Music Orchestra training François Tusques. He also accompanies the saxophonist Daunik Lazro.
From 1975, he began to be associated with different formations led by Steve Lacy. Trio, sextet, quartet... But also the quintet consisting addition Lacy and Avenel, saxophonist Steve Potts, drummer Oliver Johnson and pianist Bobby Few, often with the singer Irene Aebi. A long collaboration begins. He accompanied Steve Lacy for nearly 30 years, performing in many festivals and other places in Europe and the United States, and participating in more than twenty albums recordings. He had also the opportunity to accompany Butch Morris in 1980, and David Murray in the 1990s.
He participated in the achievements of Michel Edelin and particularly in the quartet with Simon Goubert and Jacques Di Donato since 1995. More recently, he worked with young European pianists Benoît Delbecq, and Gael Mevel. And with American Mal Waldron and Australian Chris Cody. Plus work with Richard Galliano, George Lewis, Pharoah Sanders, Archie Shepp, Dino Saluzzi, Paul Bley, and other.
He also regularly collaborated with François Raulin. In 2000, at the 38th festival Roaring, Avenel, Raulin and Adama Drame together created the ARD trio, training mixing European jazz tradition and the Mandingo. Jean-Jacques Avenel passion for African music and plays the kora, in addition to the bass. In 2004, Avenel and Sissokho surrounded themselves Lansiné Kouyaté, Moriba Koita and Michel Edelin for Waraba project ( "the lion" in language Bamana ). Then in 2006, he formed the trio DAG Domancich and Simon Goubert.
He died of cancer August 12, 2014."-Wikipedia (translated by Google, assisted by Squidco) (https://translate.google.com/translate?hl=en&sl=fr&u=https://fr.wikipedia.org/wiki/Jean-Jacques_Avenel&prev=search)
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1. Kirch's Comet 13:10
2. Sarabat's Comet 14:51
3. Cheseaux's Comet 14:23
4. Lexel 5:19
5. Great Comet 8:11
sample the album:
"[...] the French duo of Jean-Sebastien Mariage (guitar) and David Chiesa (double bass) named Oort. The Oort cloud is apparently the name given to a particular cluster of comets, and so the four tracks here are each named after a particular comet themselves.
I have enjoyed the music made by both of these musicians before, but have somehow not really focussed on their individual work as each has been part of bigger groups I have listened to, with Mariage notably the guitarist in Hubbub. The four tracks here though, and in particular the opening thirteen minute Kirch's Comet are really very beautiful indeed. Mariage plays either electric guitar or a very clear and warm, closely miked acoustic, and Chiesa just plays bass with no treatments or trickery. The music they make though is very slow, and on the opening piece very sparse, little clusters of softly chiming guitar notes, bass thuds and short scurrying sounds from one or the other. The sensation is of stars on a clear the night sky, some bright and glowing, others distantly murky, but all carefully placed with a seemingly deliberate sense of arrangement to them. This piece, like all four are completely improvised, but there is a very nice sense of composed delicacy and restraint here. I am reminded of Sugimoto from a decade ago, perhaps his duos with Annette Krebs because of the sense of space and the juxtaposition of light and heavy sounds, but certainly that feel of stripped down, simplified blues mixing with other more abstract musical styles.
Oort is a very simple album, a set of recordings of two musicians listening to each other very carefully and then presenting understated, unadorned sounds that combine together to make the more complicated, but deceptively simple compositions presented here. The next three tracks use less silence- the slowness, the feeling of careful placement remains but the gaps between sounds reduce and the music flows easier as Chiesa adds bowed sounds to the fray and Mariage occasionally moves from the achingly beautiful plucked chimes to more percussively blunt struck sounds, but even at the music's most active it is anything but busy. It all feels very fragile, and I am reminded of a Calder sculpture, simple shapes revolving very slowly, their relationship to each other changing slightly, shadows cast across one another but somehow remaining spaced apart, working with one another yet maintaining a distance.
This CD really grabbed me as a very assured, considered work. I have no idea how much the duo have played together before but they sound perfectly in tune with one another, neither rocking the boat and yet both shaping and directing the music, the musical discussions vibrant and fluent, yet somehow never argumentative or aggressive. This is a CD likely to escape under the radar, but I encourage anyone with a taste for quiet, contemplative acoustic improvisation to give Oort a listen. With the lights down low and with a glass of something to hand on a quiet rainy night like this one it hits the spot for me perfectly."-Richard Pinnell, The Watchful Ear
Get additional information at The Watchful Ear
European Improv, Free Jazz & Related