"When is someone considered to be an "enfant terrible"? Or a "bad boy"? What characterizes an "enfant terrible", what distinguishes a "bad boy" from others, from normal ones (?!)? Are they within music composers/musicians who go their own way unwaveringly, who support their ideas, regardless if others think it amateurish, simplistic, bad, eccentric or whatever?"-Steffen Schleiermacher, from the liner notes