Longtime collaborators Abbott and Dadge release their first album together, a dizzying array of ideas and sounds recorded live at the monthly Calgary based Bug Incision concert series.

Bassist Babin's Benzene band mixes free improvisation with rock overtones, tight changes giving way to excellent solos from all members of this exceptional quartet.

The Calgary duo of Chris Dadge on violin and acoustic guitar, and Scott Munro on violin and partial trombone, performing live in Edmonton, Canada.

Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.

Chris Dadge (drums, percussion) and Andre Bourgeois (saxophones) play two sets of mostly straightforward free jazz with reasonably fixed outlines throughout the structure of each piece.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

Canadian saxophonist Francois Carrier in a trio with bassist Pierre Cote and drummer Michel Lambert, plus pianist Bobo Stenson performing live at the 2002 Vancouver Jazz Festival.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

Debut recordings and first recorded document of the duo of resonator guitarist Cody Oliver and drummer/percussionist Chris Dadge performing a live broadcast at CJSW studios in Calgary.

A live recording of a solo performance from percussionist/Bug Incision label leader Chris Dadge live at Weeds Cafe in Calgary on percussion, violin, and acoustic guitar.

Drummer and percussionist Chris Dadge plays a personal set that was recorded live and includes a variety of percussive stylings varying from minimal ideas to junk-oriented textural play.

The 3rd solo drumset album from Bug Incision operator Chris Dadge, an album of sharply focused workouts vascillating between a handful of densities, operating in simple, clear structures.

DarkBlueWorld is Elizabeth Fischer's essential rock vehicle for collaborations with noted Canadian musicians, including Tony Wilson, Peggy Lee, Amy Denio, Jesse Zubot, &c &c.

Out free improvising vocalist Viviane Houle's debut solo release in duos with a veritable who's-who of Vancouver's finest improvisers including Peggy Lee, Jesse Zubot, &c. &c.

The first in a series of releases from Bug Incision's archive of late saxophonist Dan Meichel, from recordings in Calgary in 2008 showing Meichel's articulately heavy style against Dadge's inventive drumming and percussion.

This Calgary based trio with Jay Crocker on guitar & electronics, J.C. Jones on trombone and Eric Hamelin on drums & percussion, mix free bop with small sound electronic improv.

The Bent Spoon Duo of Chris Dadge and Scott Munro met bassist Eric Normand (Tour De Bras, Ambiances Magnetiques) while Normand was on tour to record these ragged electro-acoustic improvisations.

David Payne (Fossils, Slut Mouth, Middle James Co.) solo offers a wasted take on the acoustic guitar, which is mangled, scraped, rubbed, fingered, bent, and subjected to a variety of preparations.

The Vancouver based Bent Spoon Duo of Scott Munro on viola, trombone, electronics & zither and Chris Dadge on percussion meets Toronto's Nilan Perera on electric guitar, performing at Weeds Cafe in Calgary, for a rich interactive release of free improvisation.

The UK and Vancouver meet for a second release under the Way Out Northwest name - British saxophone master John Butcher with bassist Torsten Muller and drummer Dylan van der Schyff - recording for Sonarchy Radio.

The first recording of Tony Wilson's music inspired by the plight and lives of the homeless and drug addictied in Vancouver's Downtown Eastside, in a band with P Carter on trumpet, Jesse Zubot on violin, Peggy Lee on cello, Russell Sholberg on bass and Skye Brooks on drums.

Tony Wilson Sextet's was formed almost 20 years ago to perform his original compositions and arrangements, here performing Benjamin Britten's Lachrymae and 4 original works.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Singer/songwriter Julie McGeer leads a band of some of Western Canada's foremost players from the jazz and indie scene including Peggy Lee, JP Carter, Paul Rigby, Cole Schmidt, Darren Parris & Barry Mirochnik in an embraceable album combining jazz, indie pop and folk roots.

Recording on Calgary, CA guitarist Cody Oliver's old resonator guitar, this set of untitled solo recordings finds Oliver playing every inch of the guitar, using the body, pickups, strings and natural resonance as equal partners in exploring unusual territory.

Vancouver based cellist Peggy Lee leads the Film in Music project with a cast of superb improvisers including Dylan van der Schyff (drums), Torsten Muller (bass), Jesse Zubot (violin), &c, writing compositional drama for the 8 band members as as a basis for adventurous improv.

The 4th album in 14 years from this instrumental Vancouver 7-piece avant rock band exploring both heavy and beautiful sonic environments; the band shares members with The Tony Wilson 6Tet, Dark Blue World, Aeroplane Trio, with Drip Audio leader Jesse Zubot on violin.

The transatlantic string trio of Amsterdam-based cellist Tristan Honsinger (also on voice) with Montreal free improvisers violinist Joshua Zubot and double bassist Nicolas Caloia in an album of informed improvisation that bring an upbeat approach to authoritative dialog which is both sharp-witted and irreverent, but never less than engaging.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Named for the moment when a Peregrine Falcon falls from flight to attack its prey, the Vancouver duo of Gordon Grdina on guitars, oud, electronics and Kenton Loewen on drums and percussion present a heavy album of improvised rock with raw energy, riveting technique and powerful grooves with an Arabic influence and essence; of interest to King Crimson fans.

Presented at the Vancouver International Improvisation Festival and the Vancouver International Jazz Festival, guitarist Ron Samworth's conceptual work explores the life and dreams of a dog, with narration from Barbara Adler and an incredible ensemble including cellist Peggy, keyboardist Wayne Horvitz, trumpeter JP Carter, drummer Dylan van der Schyff, etc.

A richly refined and sophisticated album drawing on improvisation, experimenation and rock elements from the collaborative Vancouver ensemble Sick Boss of core members guitarist Cole Schmidt, bassist James Meger and drummer Daniel Gaucher, with guests including guitarist Tony Wilson, cellist Peggy Lee, trumpeter JP Carter, synth player Tyson Naylor, &c. &c.

Multi-instrumentalist improviser Novak, who has worked with Tim Daisy and Tatsuya Nakatani, in an eclectic and complex solo release of colliding genres.

Formed in 2002 as a quartet, then in 2005 as the trio of Chris Dadge (percussion, trumpet, bass), David Laing (bass & trombone), and Scott Munro (sax, melodica, &c), then as the duo of Dadge & Monro in 2008; 2016 found the trio together again in Calgary for the closing of the Emmedia performance space, their entire set of unique collective improv captured for this CD.

During guitarist Joe Morris' stay as a visiting scholar at University of Calgary, Morris joined the Chris Dadge / Jonathon Wilkes duo, first on stage and then in the studio to record this first-rate album of collective improvisation, merging idiosyncratic percussive activity, abstract and lyrical sax declarations, and profound and pointillistic guitar work.

The second issue in the 40th anniversary year of Canada's foremost magazine exploring new music in composed, improvised, experimental and other unusual musics, articles including Peggy Lee, Circuit Bending, composer Maria de Alvear, an article on the Bug Incision label, plus a 14-track CD with tracks to accompany the articles, plus album reviews, live reviews, &c. &c.

Recording two days after their concert in British Columbia, BC at Alternator Centre for Contemporary Art's Skin And Bones Music Series, the trio of pianist Matthew Shipp, guitarist Gordon Grdina and bassist Mark Helias captured these collective improvisations at Afterlife Studios in Vancouver BC, titling their album after their well-received concert.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

Frequent collaborators, Canadian drummer and experimentalist Eric Hamelin joins Chris Dadge, who more typically performs as a drummer/percussionist, in a duo with Dadge on violin, as the two create wonderfully active environments of sound that follow conceptual paths embracing electroacoustic methodology through two pieces performed live in the studio.

Early recordings from Lab Coast (Chris Dadge and David Laing) from an odd session of improvisation recorded to cassette and restored for the band's debut release.

The Leaney-Dadge duo has been working together since 2006; this release is taken from a series of weekly sessions in Mount Pleasant, Calgary, using extended instrumentation including trumpet, percussion, zither, recorder, and piano.

The Vancouver duo of Cody Oliver and Chris Dadge is joined by multi-instrumentalist Scott Munro (Bend Spoon Duo) for a mix of acoustic and electronic improvisation to create unusual and interesting sonic environments and improvised discourse.

The premiere encounter of the uniquely orchestrated trio of two legendary string improvisers--Gordon Grdina on guitar & oud, and Mat Maneri on viola--with drummer Christian Lillinger (New Old Luten, Punkt vs. Plastik, EUPHORIUM_freakestra) recording in the studio in Vancouver, BC for three impressive, innately lyrical, dexterous and magnificent conversations.

During his 2018-19 Canadian tours, Tim Olive joined Vancouver residents Joda ClŽment and Mathieu Ruhlmann for two trio performances, after which they went into the studio to record these four detailed improvisations using synthesizer, harmonium, glockenspiel, field recordings, feedback, magnetic pickups, preamps, octave generators, ukelin, cymbal, tapes, and objects.

Chris Dadge & Rachael Wadham, who toured in 2007 in support of Peter Evans, play piano and percussion augmented with found objects, violin, percussion and junk.

Two exemplary solo sets from the truly distinctive and commanding French double bassist and vocalist Joelle Leandres recorded at Vancouver Jazz Festival, Western Front, Vancouver, Canada, in June 1995 and at The Ibleo Jazz Festival in Ragusa, Italy in October, 1994.

The 4th release by The Peggy Lee Band and the 1st with the band expanded from a sextet to an octet, with 3 horns and 2 guitars blending beautifully for a warm, full sound.

"Crude Jazz" from the Toronto trio of Jean Haynes on ukulele, Jean Martinon suitcase, and Ryan Driver on street-sweeper bristle bass, lovely bare-bones jazz using makeshift instruments, captured live in Vancouver.

A document of bassoonist Sara Shoenbeck's collaborations recorded between 2019-2021 in recording studios across North America, showing the inspired curiosity she brings to improvisation through a diverse set of duos performed with Harris Eisenstadt, Nicole Mitchell, Nels Cline, Roscoe Mitchell, Matt Mitchell, Mark Dresser, Wayne Horvitz, Peggy Lee and Robin Holcomb.

Vancouver guitarist Tony Wilson in his 1st solo release recorded in an island cabin, showing his influences from Leadbelly, Fahey, Coltrane, and Ribot.

Rich in lyrical playing and creative freedom, Vancouver cellist Peggy Lee's 6th album expands on her goal to explore different strategies for improvisation within composition, featuring the unique voices of her ensemble including Brad Turner (trumpet), Jon Bentley (sax), Jeremy Berkman (trombone), Ron Samworth & Tony Wilson (guitars), Andre Lachance (bass) and Dylan van der Schyff (drums).

In tribute to late free jazz pianist Cecil Taylor, the West Coast/Vancouver trio of guitarist Henry Kaiser, alto saxophonist John Oswald and vibraphonist Paul Plimley explore the intention of Taylor's singular style in six anagrammatically titled improvisations, with Chicago violinist Tracy Silverman joining for the massive "Oceans Felons Salad", and Scott Amendola joing for "fir loom".

CD & concert DVD of this well-conncected Vancouver acoustic jazz trio, who make delicate and combustible music while twisting and contorting their instruments in unusual ways.

The fifth album by composer and cellist Peggy Lee with her gifted band of Canadian musicians playing a range of creative arrangements varying from haunting melodies to energetic sonic voyages.

Vancouver mainstay, guitarist and composer Tony Wilson leads Longhnad, performing the energetically twising and turning, genre-spanning music of composer and saxophonist Peder Long, a mentor to Wilson while studying at Malaspina College, in a band with Vancouver collaborators Russell Sholberg (bass), Skey Brooks (drums), Jesse Zubot (violin) and Joshua Zubot (violin).

A wild improvising band from Vancouver in their 3rd release of episodic compositions based around instrumental rock forms, six "sick" and wide-ranging pieces that blend rock, jazz, chamber music and inventive forms in magnificent way, from JP Carter on trumpet, Joshua Zubot on violin, Peggy Lee on cello, Cole Schmidt on guitar, James Meger on bass, synths and Dan Gaucher on drums.

The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory.

A series of intimate duets between Syrian-born, Vancouver-based oud, ney, flamenco guitar and singer Emad Armoush with aA series of intimate duets between Syrian-born, Vancouver-based Emad Armoush performing on oud, ney, flamenco guitar and song, with clarinetist Francois Houle, violinist Jesse Zubot, trumpeter JP Carter, drummer/percussionist Kenton Loewen and cellist Marina Hasselberg--Houle, Zubot and Carter also adding electronic layers--as Armoush reinvents Arabic tradition alongsie original compositions. Francois Houle, violinist Jesse Zubot, trumpeter JP Carter, drummer/percussionist Kenton Loewen and cellist Marina Hasselberg--Houle, Zubot and Carter also adding electronic layers--as Armoush reinvents Arabic tradition alongside original compositions.

The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Drawing from Moravian folk songs transcribed by her great-grandfather, vocalist Julia Úlehla leads the Vancouver ensemble Dálava in a haunting and emotionally charged set blending Czech and English vocals with experimental improvisation, as Aram Bajakian, Peggy Lee, and Joshua Zubot weave a deeply layered, otherworldly sonic journey that bridges ancestry and avant sound.