Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

The soundtrack from the film of the same name by Nicolas Humbert & Werner Penzel for which Frith composed this album, this features an excellent cross-section of Frith's music, including compositional and band work; the title comes from the Skeleton Crews (Frith/Cora) piece of the same name.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

The idiosyncratic master of the guitar, this album is pure Fred Frith, playing solo acoustic guitar over a range of styles including classical, blues, folk, gypsy and free improvisation.

Taking Rock In Opposition into difficult territory, Peter Blegvad and John Greave's song cycle is a perplexing and rewarding album blending literature with rock and jazz forms, performed in an ensemble including Carla Bley and Michael Mantler; an intricate masterwork.

Guitarist Gordon Hall in an album of instrumental journeys and vocal work, a series of independent spatial experiences with structural nuance and improvisation.

This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.

Henry Cow captured in concert between their "In Praise of Learning of Learning" and "Western Culture" releases. in concerts that featured Robert Wyatt in his last public performances.

Odd popster Gerard Herman in songs using a combination of poetry, canned beats, field recordings, home made instruments, excerpts from his radio shows and other musique concrete elements.

A Canadian quintet led by double bassist Bret Higgins (Zebrina) merging latin, R&B, soul, film soundtracks, jazz and more into moody and infectious grooves, lyrical and upbeat music that borrows freely from a variety of world and folk styles in exuberant ways.

"HORKESKART" acted as a conceptual & unique choir group from 2000 to 2006, based in Belgrade.

Instrumental post rock inspired by a torturous ocean journey: the sounds of hurricanes funneled through violins, guitars, drums, & effect pedals; nice squid cover!

The Japanese trio of Hirose Junji on tenor saxophone, Innocence label founder Uchihashi Kazuhisa on guitar, and Yoshida Tatsuya on drums, initiating Magaibutsu's "Improv Session Series" with this on-fire album of controlled chaos, recorded live at Foxhole in Kichijoji.

Eyal Maoz, James Ilgenfritz, and Lukas Ligeti make up Hypercolor, the NYC-based spastic jazz-rock hybrid whose ridiculous artsong craftsmanship alternately revels in complexity or brazen simplicity, favoring entropy and near-disaster over order or tidiness.

Referencing the work of French artist and composer Yves Klein, this large group of Creative Sources regulars perform the 4 part Monochrome Bleu Sans Titre, a subtle and rich work of acoustic and electronic improvisation.

The Ich Bin Nintendo trio of Christian Skar Winther (guitar & voice), Magnus Skavhaug Nergaard (bass) and Joakim Heibo Johansen (drums) take their improvised noise music into the post-punk world with demanding and energetic music that voices it's power and exultation.

A live recording of this quartet from the Iwate Prefecture in the Tohoku region of Japan, improvised an29730d impressive rock from Yoshida Tatsuya (drums), Nasuno Mitsuru (bass), Kita Naoki (violin) and Murakami Naoki (guitar).

The New York trio of trumpeter Kirk Knuffke, bassist Max Johnson and Ziv Ravitz recording mostly original compositions in the studio, modern improvisation blending melodic and free improvisation in excellent ways.

Sarah June sings and plays all instruments on goth-tinged folk americana songs; for fans of the Cranes, PJ Harvey, or Joanna Newsom.

The dynamic duo of drummer Yoshida Tatsuya (Ruins, Korekyojin, Koenji Hyakkei) and guitarist Uchihashi Kazuhisa (Altered States, Ground Zero) meet in the studio with pianist Mishiba Satoshi for ten multi-tracked rock improvisations of great diversity, power and beauty.

Guitarist Uchihashi Kazuhisa (Altered States, Ground Zero) and drummer Yoshida Tatsuya (Ruins, Koenji Hyakkei) return for a 3rd duo release, a DVD & CD of their amazing improvisations.

The 4th improvisation release of drummer Yoshida Tatsuya (Ruins, Koenji, &c) and guitarist Uchihasi Kazuhisa (Altered States) is a DVD audio release presenting 36 remarkable live tracks from 6 concerts recorded 2004-2012.

Magaibutsu drummer Yoshida Tatsuya and Innocence/Altered States guitarist Uchihashi Kazuhisa in a genre-shifting and inspired duo from two of Japan's most active rock improvisers.

Brothers John and Robert Kidney play stripped down, guitar-based narrative songs that are occasionally accompanied by the harmonica or tenor sax, and are rooted in the blues.

The Korekyojinn power rock trio of drummer Yoshida Tatsuya, guitarist Kido Natsuki and bassist Nasuno Mitsuru in their 4th album of intense, complex, and exultant rock.

A 2014 reissue of this 2006 release, adding a complete 10.5 minute version of "Kaleidoscope", and an amazing "Yes Medley", from the trio of drummer Yoshida Tatsuya, bassist Nasuno Mitsuru, and guitarist Kido Natsuki.

Korekyojinn (Yoshida Tatsuya, Nasuno Mitsuru and Kido Natuski) in their 7th release, joined by violinist Akihisa Tsuboy, recorded live at Tokyo's Koenji High, Lush, and Missions from 2008-2010.

The 5th studio album from the trio of Tatsuya Yoshida (Ruins alone / Koenji Hyakkei), Kido Natsuki (Bondage Fruit / Salle Gavoux), Nasunomitsuru (Altered states / Umbeltipo), avant-progressive instrumental rock, melodic and complex rock performed at breakneck speed.

Drummer Yoshida Tatsuya's amazing improvising progressive rock band Korekyojinn in a CD and DVD release with guests including Hoppy Kamiyama and Uchihashi.

Incredible hybrid of styles from Houle, Zubot & Co., incorporating electro-acoustic, improvisation, folk-inspired melodies, samples and odd dialogue.

Recorded among the Alps, "Refugio" is Laboule's (Paolo Novellino) disclosure of an ancient, dusty and seaside soundscape where it's possible to discover the necessary asylum to grow and find a refuge for melancholy.

Drummer Luther Gray's Lawnmower bridges jazz and rock with blues-tinged sonic underpinning from dual guitarists, with saxophonist Jim Hobbs lyrical and unique voice leading the way.

An unusual set of pop compositions from Brussels-based Le Ton Mite, short vignettes blending compositional and folk elements into lovely miniatures, graced with a personal and idiosyncratic style reflected in the collage art covering the album.

Compellingly lyrical music with a klezmer influence from this Washington, DC trio, blending rock, world music, math rock, klezmer, reggae, noise, ambient and jazz into wonderful groove-based works, here in their 3rd album after 5 years, with a host of guests.

NY-based Arto Lindsay's diverse career includes No Wave band DNA, Ambitious Lovers with Peter Scherer, acclaimed Brazilian-tinged pop records, and improvising with a great set of Downtown NY players, much of which is presented in this excellent cross-section of his work to date.

Instrumental and song work from Chris Cutler (Henry Cow, &c.) and Steve MacLean (Dr. Nerve) with Julie Thompson as vocalist, subtle non-linear songs created using unusual processes.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

Maksymenko, founder of the Swedish Beefheart influenced band Kraljursastalten, in a solo release with that band, and with Henry Kaiser, Drumbo French, Sten Standell, &c.

Massacre with Fred Frith, Bill Laswell and Charles Hayward in an album collecting live recordings from Frith's private archives, documenting their 1999 European tour and 2008 performances, spectacular improvised rock.

Tenor saxophonist Nicolas Masson's quartet mixes influences as far-ranging as Ornette Coleman, Black Sabbath, Wayne Short, Warne Marsh and Olivier Messiaen.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

Guitarist Nick Millevoi leads an ensemble that includes Jamie Saft on Hammond Organ, Ches Smith on drums, Johnny Deblase on bass, Dan Blacksberg on trombone and June Bender on violin, for an album equally embracing and subverting a wealth of rock and jazz forms.

Reissue of this long lost record joining Bill Golonis (The Work) with members of Ne Zhedali and Bing Selfish himself in a set of unusual and oddly literate songs.

Another strong instrumental rock album, blending heavy prog, free jazz and psychedelia with forceful and technically excellent guitar work from leader Mollestad, backed by fellow Norwegians Ellen Brekken on bass and Ivar Loe Bjornstad on drums; keeping the 70s alive!

The eclectic and gifted solo pop artist R.Stevie Moore's first LP, recorded by himself from 1974-76 around Nashville; strange, compelling, sometimes brilliant, always engaging!

Under the name "Caught on Tape", Sonic Youth guitarist Thurston Moore and John Moloney from Sunburned Hand of the Man deliver a set of heavy duos that swing through quiet dynamics and thick riffs, evoking both free/out jazz and beautiful SY-like rock moments.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

2 CDs expanding work from Milanese ethnomusicographers Musci & Venosta's self-titled album, plus pieces form "Water Messages on Desert Sand" and "Urban & Tribal Portraits", plus their soundtrack for Theodore Carl Dreyer's silent movie "Vampyr" recorded with Chris Cutler.

Sean Lennon & Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side.

Montreal interdisciplinary artist Alexis O'Hara releases her 1st music album with Montreal luminaries Bernard Falaise, Michel F. Cote, Alexandre St-Onge - intelligent and sophisticated vocal music.

From 1972 to 1982 OM put rock music through improvisational processes with fascinating results; almost 20 years later the band is back with these superb studio recordings.

West Coast multi-reedist and founding member of the Rova Sax Quartet Larry Ochs leads this impressive free improvising quintet patterned after the New York Contemporary Five, with the superb lineup of Nate Wooley, Harris Eisenstadt, Pascal Niggenkemper, and Ken Filiano.

Following their 2015 album "Songs for children who don't want to sleep", the quartet of Yan Pittard on guitar & oud, Mitsuru Nasuno on bass, Maki Nakano on vocals, and Tatsuya Yoshida on drums present this soundtrack album, which translates to "the creative urge".

P (Yann Pittard on oud and guitar & vocals), Y (Tatsuya Yoshida on drums & vocals) and N (Mitsuru Nasuno on bass & vocals) performing Arabian Progressive Pop Improvisation, an unusual melding and orchestration of arabic progressions and melodic prog rock.

A live recording from Warsaw and Berlin of John Zorn & Bill Laswell's Painkiller project performing with drummer Yoshida Tatsuya, an epic hour long suite surrounded by two short hardcore blasts of searing intensity.

An eclectic collection of mostly improvisational songs that use sampling and other electronic processing on raw instrumental material, that is then combined with new improvisation to reshape the material even further.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

"Surreal slabs of processed sound float by each other in brilliant high fidelity, from the man behind much of the documentation of Bug Incision's live activites..."

The only recording of the short-lived and still phenomenal version of Ubu after Allen Ravestine left to be replaced by Eric Drew Feldman, with Chris Cutler on drums.

London's Remote Viewers in their 13th release, quoting W.H. Auden in an album of excellent structured improvisation with David Petts, Caroline Kraabel, Sue Lynch & Adrian Northover (saxes), John Edwards (bass & drums), and Rosa Lynch (keys and percussion).