Teaming up with Norwegian keyboard player Ståle Storløkken of Elephant9 & Supersilent and drummer Ole Mofjell, guitarist Hedvig Mollestad Thomassen introduces her new trio with this double album of live recordings from three separate concerts in Oslo and Stavanger, Norway, in dynamic performances of blistering, building prog and jazz fusion-oriented rock forms.

Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.

Commissioned by the Vancouver artist-run center Western Front, NY saxophonist & composer Darius Jones developed this project during a succession of Western Front residencies between 2019 - 2022, culminating in this concert with fellow New Yorker, Gerald Cleaver (drums), and some of Canada's finest improvisers: Jesse Zubot (violin), Joshua Zubot (violin), Peggy Lee (cello) and James Meger (bass).

The latest album from the NY-based Telepathic Band of Daniel Carter on saxophones, trumpet & flute, Patrick Holmes on clarinet, Matthew Putman on keyboards, Hilliard Greene on bass and Federico Ughi on drums, explores spontaneous themes and aural landscapes through studio improvisations recomposed to create five fascinating compositions of perceptive, ecstatic jazz.

Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.

A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.

"Both Giesriegl and Gratkowski are responsible for the sound in the gearbox. It deals with an extreme range of vocalisms, which are often composed of elements of spoken language, which are part of the sound ensemble. He draws from an al...

Horatiu Radulescu's String Quartet No 4, opus 33 (1976-87) performed by the Arditti String Quartett at IRCAM/Centre Pompidou Paris in 1996.

Verge Music founder Daniel Kernohan aka Dee Kay and radio host Dan Lander developed this album of electroacoustic interaction between 1987-1989 in a dilapidated row house on "the wrong side of the tracks" in Toronto, using "instruments, toys, stuff, sound" to create an amusing, sometimes startling, and insightful series of interactions; unpredictable and interesting.

A compilation attempting to cover a wide spectrum of modern electroacoustic experimentation from the Greek Thirsty Leaves label, presenting Giorgos Christianakis, Shanyio, Fastus, Xu(e), Gusev K.P., Steven Sandberg, John Daly, Moody Alien, Zenjungle, KR Seward, & James Ross.

The album art represents the intensity of this Swedish duo's Industrial music, from keyboardist Carl Westholm (Carptree, Avatarium, Krux, Candlemass) and bass player Gustaf Hielm (Pain of Salvation, Meshuggah, Mats/Morgan, Tiamat, &c), using electronics, field recordings, pulsing rhythms and synthetics to develop a complex and dark world of menacing force.

A gorgeous album of acoustic improvisation from Anthony Pateras performing on a prepared piano and Stephen O'Malley on steel string acoustic guitar, recorded live with no overdubs during O'Malley's residency at La Becque on Lake Geneva in the summer of 2021, slowly interacting through resonant harmonics and percussive tones that glide and fill the air with contemplative sound.

Furious free improvisation fueled by dual electric guitars from Masayuki Takayanagi, leader of New Direction Unit, and Akira Iijima who provides walls of chaotic feedback, pushed on at high intensity by drummer/percussionist Hiroshi Yamazaki, captured in a 1983 live performance at Kid Ailack Hall in Toyko, remastered and reissued as a double 45RPM 12" gatefold album.

Long out of print on both the Incus label where it was released in 1975, and on Evan Parker's psi imprint, this is a much needed reissue of the original configuration of this legendary album of UK free improvising guitarist Derek Bailey in concert with saxophonist Evan Parker on tenor and soprano, performing live at Wigmore Hall in London on 14 February 1975; essential.

A reissue of the 1981 Incus LP of guitarist Derek Bailey with one-time King Crimson percussionist Jamie Muir ("Larks Tongues in Aspic"), also a member of Bailey's Music Improvisation Company, an album of hovering harmonics from Bailey's feedback amidst Muir's kitchen-sink collection of items that creates a unique and riveting complement to Bailey's playing.

Recorded a month after Outspan No 1, this album was captured live at 1974 Ost-West-Festival in Nurnberg, Germany from the legendary, masterfully amusing and absolutely serious trio of Peter Brötzmann on alto saxophone, tenor saxophone, clarinet, Fred Van Hove on piano, Han Bennink on drums, clarinet, homemade junk, everything, anything.

Derek Bailey's Company Week between June 29th and July 3rd in 1982 brought together a superb set of free and open-minded improvisers--including Keith Tippets, Phillip Waschmann, George Lewis, Julie Tippets, Fred Frith, &c--performing "Epiphany" (sides A & B) as a continuous work for all musicians, and "Epiphanies" (sides C & D), shorter pieces of smaller groupings.

A previously unreleased, excellent improvised piece with two soprano saxophones from a concert in June 1977 in Basel, Switzerland when Steve Lacy invited Joe McPhee to join him to close his set.

Titled for the film by Rob Christopher — Roy's World: Barry Gifford's Chicago, — whose soundtrack includes segments of this album, vibraphonist and composer Jason Adasiewicz's lyrically upbeat album is performed in a quintet with Chicago mainstays, Jonathan Doyle on saxophones, Josh Berman on cornet, Joshua Abrams on bass and Hamid Drake on drums.

The Finnish duo of Niko-Matti Ahti and Marja Ahti, merging musique concrète with narrative elements in an album titled Nokivesi (soot-water) that presents a two-part work using a collage approach to acousmatic sound and documentary elements of elderly people, through themed field recordings along with modular synthesizer and digital processing.

A stunningly beautiful suite from Richmond, VA drummer and composer Scott Clark, poetic songs rendered by Laura Ann Singh in a sextet with Bob Miller on trumpet, flugelhorn, J.C. Kuhl on bass clarinet, tenor saxophone, Michael McNeill on piano and Adam Hopkins on bass, in four sublimely passionately compositions presented in studio recording and live versions.

Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).

Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).

Improvisations from graphic scores that influence the structural framework for these five pieces from New York-based artist & composer Nickolas Mohanna, who uses a varied palette of percussive devices alongside electric guitar and computer, including hammered notes and brushed cymbals to create pulsing and immersive shapes that emerge and submerge in each floating work.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Reissuing and remastering this exceptional 1969 album from avant-garde jazz pioneers Art Ensemble of Chicago as Lester Bowie (trumpets, horns & bass drum), Joseph Jarman saxophones, reeds, winds keys), Roscoe Mitchell (saxophones, reeds, winds, sirens, bells & whistle), and Malachi Favors (bass, banjo & sitar), adding two bonus tracks: "Tthinitthedalen" Parts 1 & 2.

Percussionist Sheldon Suter steps out from groups including Musique Brute, Big Bold Back Bone, Marco von Orelli 6 or Jurg Wickihalder Orchestra for a seductive album of solo percussion, using zithers, portable turntables, a shruti box and harmonica in immersive works intermixing six pulsing and serene lullabies with five ominous nocturnal environments.

The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

With a septet of women improvisers and contemporary performers, composer and violinist Jessica Pavone's long-form collective improv compositions are titled after innovations made by women throughout history to circumvent obstructions to their freedoms, revealed through string and bassoon orchestration that balances harmony, dissonance, drone and disruptive experimentation.

"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!

Using the resonance of the parking garage under the Jazz Cat in Monterey Park, California, Japanese-American multi-instrumentalist Patrick Shiroishi recorded nine solo improvisations, interacting with the environmental sound and reverberant ambiance through contemplative, curious and explosive moments, at times augmenting his saxophone with the metallic notes of a glockenspiel.