A fiery and tightly woven 2004 quintet session led by alto saxophonist and composer Marco Eneidi, recorded before his move to Europe, with trumpeter Darren Johnston, guitarist John Finkbeiner, bassist Damon Smith, and drummer Vijay Anderson performing dynamic, sharply articulated compositions that balance exuberant improvisation with finely honed structure.

Celebrating the profound compositional legacy of Julius Hemphill through inventive string adaptations of his saxophone quartet and sextet works, violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin, and cellist Tomeka Reid channel Abdul Wadud's expressive spirit, transforming Hemphill's blues-inflected jazz into vividly textured chamber improvisations with lyrical intensity.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.

Recorded in 2005 and dedicated to Sun Ra and His Arkestra, this dynamic and lyrically inclined trio session brings together legendary trombonist Julian Priester with Canadian bassist Paul Blaney and drummer Jimmy Bennington, weaving spontaneous improvisations, expressive modern jazz, and a soulful rendering of "Mood Indigo" into a deeply rooted and timeless recording.

With a booklet of images showing the riverside location of the first performances of French guitarist Marc Ducret's sophisticated compositions reflecting tidal river flows & fluctuations by season, the four meticulous recordings on this album were captured in the studio with Fabrice Martinez on trumpet, flugelhorn & tuba, Christophe Monniot on saxophones and Samuel Blaser on trombone.

Ten years after their last release, Northern CaliforniaÕs Bristle returns with a richly inventive chamber jazz album blending virtuosic improvisation and playful composition, as saxophonists Randy McKean and Cory Wright join violinist/oboist Murray Campbell and bassist Lisa Mezzacappa in a dynamic, Threadgill-esque ensemble sound full of counterpoint, wit, and imaginative sonic twists.

A stunning second album from Swedish bassist and composer Vilhelm Bromander's Unfolding Orchestra, expanding on his acclaimed debut with richly textured, spiritually resonant compositions inspired by political urgency and environmental reflection, featuring a 13-piece ensemble delivering lush orchestrations, patient development, and profound, hopeful expression.

Baritone saxophonist Josh Sinton continues his deep engagement with Steve Lacy's saxophone etudes in this 2-CD release, presenting fifteen spontaneous solo improvisations on Couloir, alongside a meticulous yet personal interpretation of Lacy's Book of Practitioners Vol. 2 "W", a suite of six structured études that explore sonic character through repetition, variation, and improvisation.

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Blending cellist Miguel Mira's structural premeditation with the spontaneity of free improvisation, the trio of Mira, saxophonist Yedo Gibson, and drummer Felice Furioso crafts a richly textural and architectonically inspired session, recorded in Lisbon, where extended techniques and expressive interplay shape a dynamic sonic vision of figurative expressionism in sound.

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation.

Continuing NoBusiness' series of historic loft concerts at Sam Rivers' Studio Rivbea, alto saxophonist Jimmy Lyons leads a quintet featuring bassoonist Karen Borca, bassist Hayes Burnett, and drummers Henry Letcher and Syd Smart in two electrifying 1970s performances, delivering fervent free jazz marked by intricate interplay and dynamic improvisation.

Unearthed from Dave Burrell's personal archive, this long-rumored 1979 Paris session with legendary Ellington drummer Sam Woodyard finally emerges, presenting a rare and intimate duo performance sourced from a cassette dub of the original tape — an essential historical document capturing two master musicians in a spontaneous and deeply expressive exchange.

Expanding their intuitive interplay, the Marc Copland Quartet — featuring Robin Verheyen, Drew Gress, and Mark Ferber — explores harmonic depth and rhythmic layering through a dynamic set blending originals with reinterpretations of Monk and Kern, weaving lyrical free ballads, intricate compositions, and rich improvisational dialogs with great spontaneity, cohesion, and warmth.

A masterful solo piano performance from Marc Copland, recorded live in Lausanne as he duets with his own pre-recorded tracks, layering delicate yet harmonically rich improvisations in a deeply personal and intimate exploration of sound, blending standards by Monk, Coltrane, and Rodgers with originals, creating an introspective interplay that highlights his lyrical depth.

Bridging past and future, this 17th album from The Flying Luttenbachers is a punishing collection of modernist brutality, largely developed by Weasel Walter alone, yet culminating in a ferocious trio performance with Luke Polipnick and Charlie Werber captured in Chicago and NY; dense with asymmetrical riffs, death metal complexity, and avant-garde adaptations; savage!

A deeply expressive trio session recorded in New Jersey in 2024, where Robin Verheyen's fluid and lyrical saxophone lines intertwine with Drew Gress' subtle yet solid bass work and Billy Hart's masterfully restrained drumming, shaping an intimate and spacious album of striking original compositions along with a rendition a Harold Arlen/Yip Harburg piece and one from Marc Copland.

Bringing together French clarinetist Sylvain Kassap and bassist Benjamin Duboc with American trombonist Steve Swell and drummer Chad Taylor, this transatlantic quartet delivers eleven adventurous improvisations of shifting textures and rhythmic surges, culminating in Swell's closing tribute to clarinetist Perry Robinson in a vivid and unpredictable exploration of sound.

A tour de force third release from pianist-composer Satoko Fujii's trio This Is It!, recorded in Tokyo with long-time collaborator Natsuki Tamura on trumpet and kinetic percussionist Takashi Itani, blending angular composition, fierce improvisation, and creatively spirited interplay into inventive, high-energy, and emotionally rich performances.

Restoring and remastering three key sessions documenting the evolving creative relationship between Thelonious Monk and Sonny Rollins, alongside artists including Julius Watkins, Ernie Henry, Oscar Pettiford, and Max Roach, in a vital revisitation of formative collaborations that highlight Monk's unique brilliance and Rollins' early improvisational voice within shifting post-bop ensembles.

Pianist Simon Nabatov leads three shifting ensembles through eight distinct compositions in this richly orchestrated and stylistically diverse studio recording, blending chamber elements and jazz improvisation with musicians including Angelika Niescier, Shannon Barnett, Pascal Klewer, and Roger Kintopf, as Nabatov explores contrasting textures, political undercurrents, and tonal interplay.

Formed from a transatlantic friendship and deep musical rapport, the trio of clarinetist Christophe Rocher, bassist Joe Fonda, and drummer Harvey Sorgen create an inspired and richly expressive set of improvisations, balancing melodic clarity and spontaneous invention in a lyrical program that reflects themes of presence, connection, and creative renewal.

A stunning second album from Swedish bassist and composer Vilhelm Bromander's Unfolding Orchestra, expanding on his acclaimed debut with richly textured, spiritually resonant compositions inspired by political urgency and environmental reflection, featuring a 13-piece ensemble delivering lush orchestrations, patient development, and profound, hopeful expression.

Reuniting for two powerful studio sessions recorded in 2011 and 2013, tenor saxophonist Ellery Eskelin, organist Gary Versace, and drummer Gerald Cleaver form Trio New York, navigating an intuitive path between free improvisation and jazz standards with soulful depth, rich allusions, and a shared language that reimagines the classic organ trio.

Brooklyn trumpeter Adam O'Farrill leads a superb octet — Mary Halvorson (guitar), Patricia Brennan (vibes), Tomas Fujiwara (drums), and others — through dramatically inventive compositions inspired by the literature and arts of the 1930s, balancing angular rhythmic intensity, rich melodic lyricism, and expressive improvisational depth with adventurous sophistication.

Celebrating the profound compositional legacy of Julius Hemphill through inventive string adaptations of his saxophone quartet and sextet works, violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin, and cellist Tomeka Reid channel Abdul Wadud's expressive spirit, transforming Hemphill's blues-inflected jazz into vividly textured chamber improvisations with lyrical intensity.

A deeply expressive trio session recorded in New Jersey in 2024, where Robin Verheyen's fluid and lyrical saxophone lines intertwine with Drew Gress' subtle yet solid bass work and Billy Hart's masterfully restrained drumming, shaping an intimate and spacious album of striking original compositions along with a rendition a Harold Arlen/Yip Harburg piece and one from Marc Copland.

A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording.

Joe Henderson, alongside Kenny Dorham and Andrew Hill, revisits the essence of the 'New Thing' in jazz with the remasters and reissues of Our Thing to In 'N Out, showcasing mastery of both conservative and adventurous impulses through a sly blend of inside and outside tactics, marked by intricate solos and dynamic group interplay that highlight the evolving soundscape of early 60s Blue Note recordings.

NY Bassist-composer Joe Fonda leads an exceptional quartet featuring trumpeter Wadada Leo Smith, pianist Satoko Fujii, and drummer Tiziano Tononi in a profound tribute to his mentor Smith, skillfully blending compositional clarity with collective improvisation in a deeply resonant and lyrically intricate musical conversation that reflects inspiration, respect, and artistic integrity.

A fascinating debut from the trio GPS — clarinetist Guillermo Gregorio, saxophonist Jeff Pearring, and bassist Charley Sabatino — recorded in two sessions a year apart where they capture fourteen dynamic tracks of composed and spontaneous collective improvisation, blending intuitive interplay and diverse genre influences into a distinct, uncategorizable sound.

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

Inspired by the compositions of Pat Metheny, the Transcendence trio of pianist Bob Gluck, bassist Christopher Dean Sullivan, and drummer Karl Latham blends intent listening and explorative improvisational mastery into an expressive and dynamic performance, recorded in parallel with Gluck's book Pat Metheny: Stories Beyond Words in a heart-felt and sincere tribute to the guitarist's work.

A beautifully lyrical and introspective trio recording from saxophonist Rob Hall, keyboardist Tobias Weindorf, and guitarist Philipp van Endert, sharing compositional duties across a set of chamber-like modern jazz works recorded in Germany, where nuanced improvisation, melodic sensitivity, and a refined sense of space define this elegant and democratic debut from the pan-European Tret Trio.

Recorded at Birmingham's Custard Factory in 1999, tenor saxophonist Paul Dunmall leads drummer Mark Sanders, bassist Roberto Bellatalla, and guitarist John Adams through a set of Dunmall compositions, delivering lyrically expressive free jazz improvisations that blend dynamic interaction with inventive melodic exploration.

Italian composer and multi-instrumentalist Matteo Ciminari leads an adventurous sextet through a labyrinth of polyrhythms, dissonant harmonies, and unexpected textures, with virtuosic contributions from Maurizio Moscatelli, Simone Maggio, Mattia Borraccetti, Michele Sperandio, and Luca Orselli, creating an unpredictable yet lyrical fusion of progressive structure, free jazz, and playful experimentation.

The third volume in John Zorn's Bagatelles series features the explosive trio Trigger — Aaron Edgcomb on drums, Will Greene on guitar, and Simon Hanes on bass — tearing through Zorn's intricate compositions with fierce precision and raw energy, delivering a searing and radical interpretation of these works drawn from Zorn's expansive 2015 collection of 300 pieces.

The sixth chapter in the Downtown NY quartet of Matt Hollenberg (guitar), Brian Marsella (piano), John Medeski (organ), and Kenny Grohowski (drums), performing John Zorn's compositions inspired by Chaos Magick — an individualistic practice that values personal experience over tradition — expressed through intricate, soulful, and powerfully imagined works.

A far-ranging transatlantic trio session from pianist Simon Nabatov, bassist Mark Helias, and drummer Tom Rainey, capturing a dynamic fusion of composed and collective free jazz, as Nabatov's intricate compositions burst with frenetic energy, shifting between exuberant rhythmic interplay, explosive improvisation, and richly textured sonic landscapes in an electrifying set of performances.

Trumpeter Thomas Heberer, bassist Joe Fonda, and drummer Joe Hertenstein celebrate the centennial of pioneering German pianist Jutta Hipp with Hipp Hooray, a set of nine compositions inspired by her life and legacy, not as a recreation of her sound but as a vibrant and personal tribute, capturing the resilience, innovation, and artistic spirit of a musician whose influence transcended generations and borders.

An electrifying fusion of diverse musical traditions, this evening-length composition showcases the dynamic interplay of guitarists Karl Evangelista and David James, bassist Lisa Mezzacappa, vibraphonist Mark Clifford, percussionist Robert Lopez, drummer Jon Arkin, and Val Esway, seamlessly blending composed structures with spontaneous improvisation to capture the ensemble's innovative spirit.

Expanding the possibilities of the saxophone-bass-drums trio, multi-reedist and composer Cory Wright leads bassist Lisa Mezzacappa and drummer Jason Levis in his Green Mitchell Trio's long-awaited follow-up, recording in the studio in Oakland, California, weaving songful melodies, high-energy free improv, intricate dissonances, and kinetic interplay for five lyrically inclined conversations.

A masterful solo piano performance from Marc Copland, recorded live in Lausanne as he duets with his own pre-recorded tracks, layering delicate yet harmonically rich improvisations in a deeply personal and intimate exploration of sound, blending standards by Monk, Coltrane, and Rodgers with originals, creating an introspective interplay that highlights his lyrical depth.

Expanding their intuitive interplay, the Marc Copland Quartet — featuring Robin Verheyen, Drew Gress, and Mark Ferber — explores harmonic depth and rhythmic layering through a dynamic set blending originals with reinterpretations of Monk and Kern, weaving lyrical free ballads, intricate compositions, and rich improvisational dialogs with great spontaneity, cohesion, and warmth.

Drummer Sven-Åke Johansson leads his quintet of long-time collaborators and younger improvisers through his "Stumps" compositions in a live recording at Jazzfest Berlin in 2022, schematic works of shifting rhythmic and melodic variations that provide a vibrant foundation for spontaneous solos and ensemble interplay, showcasing Johansson's unique percussive drive and concise thematic structures.

Emerging Swiss drummer Samir Boehringer unites musicians from Switzerland and New York — Caleb Wheeler Curtis on stritch and trumpet, Hery Paz on tenor saxophone, and Kenneth Jimenez on double bass — in his debut 577 Records album, blending fixed patterns and open improvisation into a captivating and creative quartet performance.

The only album pairing pianist Cecil Taylor and saxophonist John Coltrane, recorded in 1958 with Kenny Dorham on trumpet instead of Taylor's preferred Ted Curson, creating a tense studio dynamic that fueled extraordinary performances, reissued with two bonus tracks from 1957 and 1961 sessions featuring Archie Shepp, Roswell Rudd, Steve Lacy, Charles Davis, and Billy Higgins.

The debut album from the Sonic Chambers Quartet — co-led by multi-reedists Byron Asher and Tomas Majcherski with bassist Matt Booth and drummer Doug Garrison — presents a deeply expressive and texturally rich orchestration merging American avant jazz tradition with European chamber influences, shaped through collaborative composition, adventurous improv, and a strikingly unified ensemble sound.

Pianist and vocalist Jackie Myers delivers a lyrically rich and microtonally innovative album recorded with an exceptional ensemble, including Bobby Watson, Rich Wheeler, Trent Austin, and members of the Fountain City String Quartet, blending spectral composition, soulful jazz vocals reminiscent of Billie Holiday, and detailed arrangements into an expressive and compelling release.

Documenting The Flying Luttenbachers' transition from a New York-based lineup to a Chicago trio, this blistering live-in-the-studio session captures Weasel Walter (guitar), Luke Polipnick (bass), and Charlie Werber (drums) unleashing complex, high-energy compositions with no overdubs, solidifying their raw and relentless approach to genre-blurring improv, as the band continues its evolution.

Bridging past and future, this 17th album from The Flying Luttenbachers is a punishing collection of modernist brutality, largely developed by Weasel Walter alone, yet culminating in a ferocious trio performance with Luke Polipnick and Charlie Werber captured in Chicago and NY; dense with asymmetrical riffs, death metal complexity, and avant-garde adaptations; savage!

Their third album in collaboration, pianist Sylvie Courvoisier and guitarist Mary Halvorson deepen their intuitive musical dialogue in a set of alternately composed pieces — melding percussive piano, swirling guitar effects, and poetic abstraction into a haunting, fluid, and visceral soundworld shaped by mutual experience, instinct, and a sense of sonic adventure.

Ran Blake presents eleven solo performances at Amsterdam's Bimhuis, interpreting a captivating selection of tunes, including works by Duke Ellington and Abbey Lincoln; followed by eight duos with electric guitarist David 'Knife' Fabris, continuing their collaborative legacy from albums such as Horace is Blue and Something to Live For, along with their releases on Soul Note and NoBusiness.

Emerging from an improv session during the pandemic, Natsuki Tamura (trumpet), Satoko Fujii (piano), and Tatsuya Yoshida (drums) formed Amanojaku, named after the contrarian demon of Japanese folklore, embracing a balance of composition, improv and mischievous interplay with a uniquely Japanese sensibility through virtuosic spontaneity and irreverent humor, captured live at Koen-dori Classics.

Alto saxophonist Steve Lehman leads his trio with bassist Matt Brewer and drummer Damion Reid, joined by tenor saxophonist Mark Turner, in a vibrant live homage to Anthony Braxton's small ensemble works, blending intricate modern jazz interplay with searing emotional expression in a bold, high-energy celebration of Braxton's enduring influence.

Saxophonist John Dikeman composed this diverse and expressively lyrical song cycle reflecting on colonization, and the double edged sword of religion which can lead to transcendence or tyranny, recorded in Amsterdam in a quartet with Marta Warelis on piano, Aaron Lumley on bass and Sun on Mi Hong on drums, presented in two extended improvisations.

Blending Swiss and Argentine heritage, violinist Sophie Lüssi, along with Sandra Weiss (sax & bassoon), Fridolin Blumer (double bass), and Andreas Wettstein (drums), crafts an improvisational sound rooted in jazz, tango, and folk traditions, shaped by her studies in Zurich and two decades in Buenos Aires, resulting in a music that is both technically brilliant and deeply expressive.

Revisiting and remastering two albums from Paul Bley's formative trio years with Steve Swallow on double bass and Pete LaRoca Sims on drums, recorded in Newark, NJ, from 1962-63 but unreleased until the 1980s on Savoy Jazz, as Bley explores Carla Bley's compositions alongside his own, reshaping the piano trio dynamic with a balance of free and lyrical approaches to jazz.

Recorded live in Lugano in 1984, Steve Lacy's trio with guitarist Barry Wedgle and bassist Jean-Jacques Avenel reimagines his compositions in an intimate and transparent setting, where Lacy's masterful soprano saxophone carves precise yet expressive lines, drawing on influences from poetry, Monk, and visual art to create a striking balance between structure and improvisation.

A stunning live performance from wild to instrospective from the 2019 Copenhagen Jazz Festival, where saxophonist Lotte Anker and two pianists — Jacob Anderskov and Kamil Piotrowicz — create a rare and extraordinary interplay of alto saxophone and dual grand pianos, blending frenetic intensity and dreamlike calm in an inspired and organically evolving dialogue of composed and improvised soundscapes.

Performing the lyrical compositions from the band's leader, this quartet — featuring Joe Fonda (bass), Michael Rabinowitz (bassoon), Jeff Lederer (clarinets & flutes), and Harvey Sorgen (drums) — explores a uniquely chamber-like soundscape, blending jazz and classical influences through intricately arranged compositions and inspired improvisations with a distinctively rich and unexpected ensemble voice.

Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.

Taking six years to compose through collaborative retreats, this five-part opus blends precision composition and improvisation, with saxophonists Nathaniel Morgan and Travis Laplante, guitarist Andrew Smiley, and drummer Jason Nazary crafting intense, cerebral jazz-rock influenced by art-rock, free jazz, and European experimentalism, resulting in a bold and immersive debut.

Captured live in Berlin in 1991, this album showcases John Lurie's Lounge Lizards at their creative peak, featuring Michael Blake, Steven Bernstein, and Bryan Carrott in a powerful ensemble blending jazz, avant-garde, and wit; recorded over several nights, it documents their evolution from satirical beginnings to a genre-defying force of sophisticated improvisation and bold musicianship.

Israeli trombonist Reut Regev and drummer Igal Foni join with legendary American composer and percussionist Doug Hammond, blending Hammond's reflective compositions and six-decade legacy — spanning blues, jazz, M-Base, and modernist works — with the boundary-pushing energy of the R*time quartet, for an engaging fusion of bold improvisation and musical insight.

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello.

The Gush trio — Mats Gustafsson on reeds and flute, Sten Sandell on piano, and Raymond Strid on drums — celebrate 30 years since their original formation, in extraordinary concerts at Alchemia and Manggha Hall in Krakow, joined by guests in three dynamic configurations — two sextets and a septet — for an unforgettable series of performances of irrepressible collective improvisation.

A unique entry in Paul Dunmall's discography, this album presents a 9-piece Birmingham-based ensemble with dual keyboards and electronics, evoking Dunmall's compositions and orchestrations into vibrant, groove-driven improvisation that shifts between cinematic atmospheres, fiery free jazz, and unexpected nods to rock, balancing tightly composed sections with exhilarating exploration.

Reissuing and remastering eight landmark albums released between 1956 and 1962, this collection traces iconoclastic pianist Cecil TaylorÕs evolution from bop-influenced beginnings to the groundbreaking free jazz forms he helped pioneer, featuring collaborations with Steve Lacy, John Coltrane, Kenny Dorham, Archie Shepp, Clark Terry, Roswell Rudd, and others, culminating in his trailblazing trio with Jimmy Lyons and Sunny Murray.

Setting three poems from prize-winning poet and visual artist Gregory Warren Wilson to music composed by pianist Paul Honey, each song based on the experiences and thoughts of people experiencing ice and snow, performed by the Delta Saxophone quartet of Christian Forshaw (soprano sax), Kathryn McGuiness (alto sax), Tim Holme (tenor sax) and Chris Caldwell (baritone sax).

Building on the strength of their debut, the London-based trio Aspyrian — featuring Robin Porter on tenor and soprano saxophones, Jack Gillen on guitar, and Matt Parkinson on drums — delivers six vibrant original compositions by Porter and Parkinson, embodying the band's name, derived from Old English, as they explore and discover with a spirited and inventive approach to their craft.

"Following his 2024 grant from the American Academy of Arts and Letters, Chicago saxophonist, percussionist, composer, and AACM legend Roscoe Mitchell recorded this quartet with bassist Damon Smith, guitarist Sandy Ewen, and drummer Weasel Walter, delivering nine uniquely fascinatingly approaches to free improv, bringing "Ruckus," "Ripples," "Shivers," and "The Final Bell."

Recorded during their UK tour at Steve Winwood Studio, the Samuel Blaser Trio's with guitarist Marc Ducret and drummer Peter Bruun's 2nd official release is a limited edition 10-inch blue vinyl, featuring a haunting interpretation of Blind Willie Johnson's "Dark Was the Night, Cold Was the Ground" along with original compositions by Blaser and Ducret, ending with a dynamic collective "Jam".

The debut release from NY bassist Max Johnson's new trio with Neta Ranaan on tenor saxophone and Eliza Salem on drums, featuring five Johnson compositions that explore the post-bop tradition, from the hard-driving "Barbarous Jape" to the sweeping ballad "Tiny Beautiful," plus an elegy originally written for mandolinist Matt Flinner"s trio, and our clear favorite, "Chestnut Squid"!

Superlative duo work from pianist Marilyn Crispell and drummer Harvey Sorgen, recording in the studio in Woodstock, NY, blending deeply attuned free collective dialogs with one composition from each artist, in an album of dynamic and evocative improvisation that moves from vivid storytelling to introspective meditations of vision and masterful artistry.

Covering favorite compositions, drummer Tyshawn Sorey arranges works from artists recent and classic, including McCoy Tyner ("Peresina"), Joni Mitchell ("A Chair in the Sky"), Brad Mehldau ("Bealtine"), or Vividry ("Your Good Lies"), performed with double bassist Harish Raghavan and pianist Aaron Diehl and recorded in the studio after developing each piece in live performance at The Village Vanguard.

Drawn from two absolutely energetic and exciting concerts in France, saxophonist and composer Steve Coleman's Five Elements ensemble — Jonathan Finlayson on trumpet, Sean Rickman on drums, and new electric bassist Rich Brown — blend spontaneous rhythmic and tonal transformations with Coleman's inventive, biologically-inspired compositions; exhilarating!

After their 2022 tour, the quartet of Michael McNeill on piano, Susan Alcorn on pedal steel guitar, Dave Ballou on trumpet, and Shelly Purdy on vibraphone and percussion recorded seven studio improvisations composed by McNeill, using a compositional framework inspired by the black and white keys of the piano (the 'barcode') to fuel their poetic and expressive impulses.

Returning to the electronic jazz approach of his album Multifariam, cellist Christopher Hoffman, composing with the core trio of Frank LoCrasto on keyboards and Bill Campbell on drums, is joined by luminaries such as Henry Threadgill, Ryan Scott, Anna Webber, and Alfred Colón on select tracks, releasing a lyrically compelling album that draws on a diverse range of influences.

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello.

Brooklyn-based saxophonist, composer, and bandleader Alfredo Colon's debut album presents an engaging set of enthusiastic works rooted in the blues tradition, featuring a cover of Delta blues singer Son House and performed with his Brooklyn quartet: Lex Korten (piano, Klavins Una Corda), Steve Williams (upright bass), and Connor Parks (drums), blending lyrical expression and balanced dynamics.

New York trumpeter Kenny Warren leads a trio with cellist Christopher Hoffman and drummer Nathan Ellman-Bell through eighteen Warren compositions that draw on diverse musical elements from around the globe — without being 'world music' — crafting succinct, creatively engaging works marked by eclectic references, unconventional time signatures, and a free-flowing lyrical spirit.

Assembling a new band from younger generation Portuguese improvisers — Jose Soares on alto saxophone, Eduardo Cardinho on vibraphone, and Gonçalo Neto on guitar & banjo — double bassist Carlos Bica presents original compositions along with work from Neto and collective arrangements from the ensemble, in a lyrical yet experimentally inclined album of modern jazz.

Having worked together as sidemen in various bands but never together as a duo, Ayler Records brought electric guitarists Noel Akchote and Philippe Deschepper together to record in the studio in Zurich, choosing an informed selection of jazz repertoire that includes works by each performer, and compositions from Paul Motian, Henri Texier, Steve Swallow and Ornette Coleman.