Recorded by Agusti Fernandez himself, these are lovely dialogs between the pianist and Derek Bailey on electric; rich and reserved conversation with free improv's elder statesman.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

Reissue of Derek Bailey's 2nd Incus LP from 1974, fully remastered to bring Bailey's uniquely personal improvisation style clearly into the 21st century.

From Bailey's live recordings at The Arts Theater in May 1987, excellent groupings of players inc. Barre Phillips, Carlos Zingaro, Tristan Honsinger, Lee Konitz, Steve Noble &c.

London veteran improvisers, saxophonist Lol Coxhill and clarinetist Alex Ward, met at the Incus HQ in 2010 to record these 7 extraordinary dialogs, described as a 1 Act work in 2 scenes with 6 characters!

The original incredible duet of alto saxophonist John Zorn and guitarist Fred Frith in live duets of amazing strength and communication, awe inspiring improvisation.

Free improvising guitarist Derek Bailey in duo with tap dancer Will Gaines, whose percussive dancing can be heard clearly, while Bailey plays guitar and Gaines "raps" in a sort of vaudevillian approach; a unique item even in Bailey's catalog!

Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton; outstanding!

2013 reissue of the seminal London & European Free Improv trio release from 1970 with two additional tracks, making an amazing release showing the relationships between established jazz forms and the emerging modern language.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

A reissue of the 1981 Incus LP of guitarist Derek Bailey with one-time King Crimson percussionist Jamie Muir ("Larks Tongues in Aspic"), also a member of Bailey's Music Improvisation Company, an album of hovering harmonics from Bailey's feedback amidst Muir's kitchen-sink collection of items that creates a unique and riveting complement to Bailey's playing.

Guitarist Derek Bailey organized "Company Week" sessions to help musicians break out of their familiar patterns by having them play in varying combinations over several nights, here with Pat Thomas (electronics & keyboards), Paul Lovens (percussion), Paul Rogers (bass), Buckethead (guitar), Yves Robert (trombone), Vanessa Mackness (voice), John Zorn (saxophone), & Alexander Balanescu (violin).

Guitarist Derek Bailey organized "Company Week" sessions to help musicians break out of their familiar patterns by having them play in varying combinations over several nights, here with Pat Thomas (electronics & keyboards), Paul Lovens (percussion), Paul Rogers (bass), Buckethead (guitar), Yves Robert (trombone), Vanessa Mackness (voice), John Zorn (saxophone), & Alexander Balanescu (violin).

Bailey meets with two percussionists from the South African jazz exodus in a London bar, starting with crowd sound as Bailey and the percussion weave their way into the sound, restrained yet multitimbral music with Bailey's unique approach to open improvisation and microtonal playing, a unique album from Bailey's vast catalog.

Twenty years after recording his classic LP "Solo Guitar", guitar improviser and legend Derek Bailey sat down again to record these seven tracks, pure Bailey in his idiosyncratic and non-idiomatic approach to free improvisation, a style that has influenced generations and left a recording legacy sure to influence generations more to come.

Three concerts at Vancouver's Western Front, two from 1978 and one from 1996, from the duo of West Coast free improvising guitarist Henry Kaiser and Vancouver saxophonist John Oswald, early yet mature examples of the profoundly great music each artist has gone on to create using astounding and extreme techniques.

Flute and acoustic guitar duets recorded in a variety of places under widely varying conditions in 1994 and 1995 between guitarist Roger Smith and flutist Neil Metcalfe, including recordings from Metcalfe's flat to concerts in Hollywell to a proper studio in London showing many facets to these free improvisers strong rapport and creative skills.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Unreleased recordings from Derek Bailey's Company project, recorded at the BBC in 1983 with a stellar set of performers including Evan Parker (clarinet), Hugh Davies (electronics), Jamie Muir (percussion), Joelle Leandre (bass), J.D. Parran (winds), John Corbett (trumpet), Vinko Globokar (trombone), Ernst Reijseger (cello), and Peter Brotzmann (reeds).

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

London's Otoroku label keeps this magnificent album in print with a 2021 reissue of the 1982 Incus release featuring Evan Parker performing solo on soprano saxophone, using the natural resonance of the Church Of St. Jude-on-the-Hill, in Hampstead London as he explores upper tones and high frequency split tones in a technically brilliant display.

Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.