Free improvising guitarist Derek Bailey in duo with tap dancer Will Gaines, whose percussive dancing can be heard clearly, while Bailey plays guitar and Gaines "raps" in a sort of vaudevillian approach; a unique item even in Bailey's catalog!

2013 reissue of the seminal London & European Free Improv trio release from 1970 with two additional tracks, making an amazing release showing the relationships between established jazz forms and the emerging modern language.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Three concerts at Vancouver's Western Front, two from 1978 and one from 1996, from the duo of West Coast free improvising guitarist Henry Kaiser and Vancouver saxophonist John Oswald, early yet mature examples of the profoundly great music each artist has gone on to create using astounding and extreme techniques.

Unreleased recordings from Derek Bailey's Company project, recorded at the BBC in 1983 with a stellar set of performers including Evan Parker (clarinet), Hugh Davies (electronics), Jamie Muir (percussion), Joelle Leandre (bass), J.D. Parran (winds), John Corbett (trumpet), Vinko Globokar (trombone), Ernst Reijseger (cello), and Peter Brotzmann (reeds).

London's Otoroku label keeps this magnificent album in print with a 2021 reissue of the 1982 Incus release featuring Evan Parker performing solo on soprano saxophone, using the natural resonance of the Church Of St. Jude-on-the-Hill, in Hampstead London as he explores upper tones and high frequency split tones in a technically brilliant display.

Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

Virtually unprecedented for the time, Evan Parker's 1976 solo soprano saxophone album captures Parker's prowess and unusual harmonic approach to the saxophone in a 1975 concert at the Unity Theatre in London and in the FMP studio the same year, using the instrument in startling ways as he captivates his listeners through a unique revelation of logic, drama and staggering skill.

The French trio of Louis-Michel Marion on double bass, Jacques Didonato on clarinet, and Philippe Berger on viola are heard in a live recording at Radio France, on June 12th, 2017, freely improvising in understated and rich layers of harmonics and tone, actively subdued interactions in an extended excursion of introspective chamber-oriented improvisation.

An epic journey in free vocal improvised music from the trio of vocalist Anna Gadt with Zbigniew Chojnacki on accordion & live electronics and Krzysztof Gradziuk on drums, performing live in the studio in Nieport, Poland, with arrangements, deconstructions and original music by Anna Gadt, along with the theme from "Monumentum pro Gesualdo" by Igor Stravinski.

In tribute to late free jazz pianist Cecil Taylor, the West Coast/Vancouver trio of guitarist Henry Kaiser, alto saxophonist John Oswald and vibraphonist Paul Plimley explore the intention of Taylor's singular style in six anagrammatically titled improvisations, with Chicago violinist Tracy Silverman joining for the massive "Oceans Felons Salad", and Scott Amendola joing for "fir loom".

Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.

Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble.

Two performances by one-off groups, both featuring Evan Parker (saxophones) and Paul Rogers (double bass) -- a 1983 trio studio recording with percussionist Jamie Muir, and a 1991 quartet gig with percussionist Mark Sanders and visiting trombonist Wolter Wierbos.

A reissue of the 1981 Incus LP of guitarist Derek Bailey with one-time King Crimson percussionist Jamie Muir ("Larks Tongues in Aspic"), also a member of Bailey's Music Improvisation Company, an album of hovering harmonics from Bailey's feedback amidst Muir's kitchen-sink collection of items that creates a unique and riveting complement to Bailey's playing.

Recorded by Agusti Fernandez himself, these are lovely dialogs between the pianist and Derek Bailey on electric; rich and reserved conversation with free improv's elder statesman.

Bailey meets with two percussionists from the South African jazz exodus in a London bar, starting with crowd sound as Bailey and the percussion weave their way into the sound, restrained yet multitimbral music with Bailey's unique approach to open improvisation and microtonal playing, a unique album from Bailey's vast catalog.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

Reissue of Derek Bailey's 2nd Incus LP from 1974, fully remastered to bring Bailey's uniquely personal improvisation style clearly into the 21st century.

Twenty years after recording his classic LP "Solo Guitar", guitar improviser and legend Derek Bailey sat down again to record these seven tracks, pure Bailey in his idiosyncratic and non-idiomatic approach to free improvisation, a style that has influenced generations and left a recording legacy sure to influence generations more to come.

Guitarist Derek Bailey organized "Company Week" sessions to help musicians break out of their familiar patterns by having them play in varying combinations over several nights, here with Pat Thomas (electronics & keyboards), Paul Lovens (percussion), Paul Rogers (bass), Buckethead (guitar), Yves Robert (trombone), Vanessa Mackness (voice), John Zorn (saxophone), & Alexander Balanescu (violin).

Guitarist Derek Bailey organized "Company Week" sessions to help musicians break out of their familiar patterns by having them play in varying combinations over several nights, here with Pat Thomas (electronics & keyboards), Paul Lovens (percussion), Paul Rogers (bass), Buckethead (guitar), Yves Robert (trombone), Vanessa Mackness (voice), John Zorn (saxophone), & Alexander Balanescu (violin).

From Bailey's live recordings at The Arts Theater in May 1987, excellent groupings of players inc. Barre Phillips, Carlos Zingaro, Tristan Honsinger, Lee Konitz, Steve Noble &c.

London veteran improvisers, saxophonist Lol Coxhill and clarinetist Alex Ward, met at the Incus HQ in 2010 to record these 7 extraordinary dialogs, described as a 1 Act work in 2 scenes with 6 characters!

The original incredible duet of alto saxophonist John Zorn and guitarist Fred Frith in live duets of amazing strength and communication, awe inspiring improvisation.

Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton; outstanding!

Flute and acoustic guitar duets recorded in a variety of places under widely varying conditions in 1994 and 1995 between guitarist Roger Smith and flutist Neil Metcalfe, including recordings from Metcalfe's flat to concerts in Hollywell to a proper studio in London showing many facets to these free improvisers strong rapport and creative skills.