From the late 1990s to the early 2000s, drummer Jerome Bryterton & double bassist Damon Smith toured & recorded with legendary German multi-reedist Wolfgang Fuchs, who was a great influence on both musicians, here presenting a tribute to the late improviser through 11 recordings titled with quotes from Fuchs, and released with a bookmark from an improvisation workshop in Oakland.

Explorative improvisation, from mysteriously quiet moments to scrabbling and determined conversation, configured as trios and quintets by Rebecca Novak on piano, cornet, radio & glassware, Danny Kamins on baritone saxophone, Sandy Ewen on guitar, Damon Smith on double bass and Jerome Bryerton on percussion, all bringing unique moments through extended techniques, objects & radio.

A fun and lyrical jazz album that references a host of culture and style, performed in collaborations with the NAD core of keyboardist and "soundmaster" Nicola C. Salerno and guitarist Roberto Zorzi and artists including the ROVA Saxophone Quartet, presenting original compositions and eclectic covers from Ornette Coleman, Chocolat, and even Pink Floyd's "Interstellar Overdrive"!

Four decades into their project, the SF Bay Area saxophone quartet ROVA of Bruce Ackley (soprano & tenor), Steve Adams (alto & sopranino), Larry Ochs (tenor) and Jon Raskin (baritone) continue expanding their magnificent repertoire with original compositions, collective improvisations, and a piece from Glenn Spearman (Cecil Taylor, Double Trio) arranged by Larry Ochs.

Without bowing to genre restrictions, Gabriel Zucker's indie jazz orchestra The Delegation combines free jazz, chamber forms, avant song structures and experimental layering & transitions, as his large work in four sections of three movements each, explores time and the competing impulses of a backwards-looking nostalgia and a forwards-looking futurist belief in progress; innovative & stunning!

Boston's Leap of Faith Orchestra core duo is multi-reedist David Peck (PEK), also a multi-instrumentalist and keeper of Evil Clown's massive arsenal of unusual percussive instruments, and LOFO's drummer Steve Niemitz, also performing on a diverse percussion set, here in a quartet with synth player Eric Woods and cellist Glynis Lomon, captured from a 2021 live-streamed concert.

Exploring chaotic rhythms on metallic instruments, this is an extended septet version of the Boston free improvising ensemble in a complex improvisatory journey of reeds, synths and percussion, performed by PEK on reeds, Mike Caglianone on saxophones, Boob Moores on trumpet & keyboards, Mike Gruen on bass, Steve Niemitz on drums and real time signal processing from Joel Simches.

An offshoot of the Boston-area collective Metal Chaos Ensemble featuring multi-reedist PEK, also on percussion & electronics, Eric Woods on analog synth and Bob Moores on space trumpet, guitar and electronics, with guests Grant Beale on guitar & electronics and William Middlemiss Jr on guitar and electronics, in an electronic and clamorous extended improvisation.

Turbulence, the extended horn section for the Boston-based free improvising ensemble Leap of Faith Orchestra, here with leader PEK, plus Michael Caglianone, Zack Bartolomei, Bob Moores, and Eric Dahlman, all playing instruments from their arsenal of percussive instruments and devices, including recently added electroacoustic devices expanding the band's sound.

A meditative and expansive improvisation from the Boston-based collective Turbulence, a precursor to Leap of Faith Orchestra led by Evil Clown leader David Peck, here performing on a variety of clarinets, saxophones, flutes, winds and percussive devices, in a quartet with Bob Moore on trumpets and percussion, Duane Reed on baritone horn and Melanie Howell-Brooks on contrabass clarinet.

First performed in 1982, Morton Feldmans' monumental composition for piano and violin dedicated to peer John Cage creates a distinctive environment of instrumental interaction where patterns are subtly varied in a virtual suspension of time as the music drifts and reflects, beautifully rendered in this 2021 recording by pianist Judith Wegmann and violinist Andreas Kunz.

A group of scenes from the life of an "agent" in composer Robert Ashley's 1987 work, revived in 2021 with this new studio recording featuring mezzo soprano Kayleigh Butcher taking over the role of The Agent formerly inhabited by baritone Thomas Buckner, plus Brian McCorkle as Interrogator No. 1, Bonnie Lander as Interrogator No. 2 and Paul Pinto as Interrogator No. 3.

A live album at the Cafe de Paris in 2019, and the recording debut of the international quartet Diaphane of Frantz Loriot on viola, Raphael Loher on piano, Carl Ludwig Hübsch on tuba and Carlo Costa on percussion, heard here in an extended and fully free improvisation using unusual techniques and objects to extend the pallet of their acoustic instruments.

Based in NY but born the Netherlands, sound artist Flin Van Hemmen's title refers to observations from his hometown of Nijmegen, the concept focusing his work, with many samples originating from his previous Casting Spells & The Coves album, along with new field recordings and studio work, resulting in richly detailed worlds of sound and momentum.

An unusual quintet of prominent New York improvisers--Peter Evans on trumpet, Tim Dahl on bass violin, Matt Nelson on tenor saxophone, and Ron Stabinsky on bass--performing Nandor Nevai's compositions: two Quintets and the two part "Sap Gloves"--Nevai performing on tenor sax, voice and conducting, blurring modern improv, chamber jazz and bizarre spoken word moments; outstanding and unsettling.

A series of collaborative electracoustic improvisations recorded remotely during the pandemic by long-time associates, electric guitarist Charles K. Noyes and multi-instrumentalist Elliott Sharp, here performing on arches h line (a 9-string double neck instrument), violinoid, triple course bass pantar, analog synthesizers, sax & bass clarinet.

Three expansive and stunning performances at Centro Cultural de Vila Flor as part of the Guimaraes Jazz 2020 festival by drummer and percussionist Pedro Melo Alves' expanded 23-piece Omniae Ensemble directed by Pedro Carneiro, adding electronics, voice and a diverse orchestration that gives his band both power but also flexibility to express an astonishing array of moods.

Conceived by saxophonist Kirstoffer Berre Alberts and Lasse Marhaug, who composed this large acoustic work for strings, percussion, blowing instruments, pipes (organ and accordion) and vocals, soliciting solo recordings created in isolation during the pandemic which they layered and blocked in the studio to create these two remarkable works of eccentric timbre, motion & pitch.

Referencing 60s free jazz (the band's name is from an Ornette Coleman album) and structuring their tunes with melodic heads that develop into intricate structures giving the players room for impressive soloing, this is the 5th album from the Scandinavian quintet of Andre Roligheten (winds), Thomas Johansson (trumpets), Oscar Gronberg (piano), Jon Rune Strom (bass), and Tollef Ostvang (drums).

L.U.M.E., aka the Lisbon Underground Music Ensemble directed by pianist Marco Barroso, is a big band with a chamber ensemble feeling, Barroso's upbeat and melodically sophisticated compositions driving the band by borrowing from a variety of jazz, funk and even cartoon-like styles to create a richly complex and compelling set of tunes that twist, turn and surprise.

Exploring dream-like instrumental states in electrified modern creative jazz, drummer and composer João Lencastre leads an octet featuring saxophonists Albert Cirera & Ricard Toscano, guitarists André Fernandes & Pedro Branco, pianist Benny Lackner and bassists João Hasselberg & Nelson Cascais through six original compositions of fascinating free-flowing forms.

Presented as a a tribute to past jazz masters John Coltrane, Albert Ayler, Don Cherry and Charlie Haden, Rotterdam's Ritual Habitual trio led by double bassist Gonçalo Almeida with drummer Philipp Ernsting and Riccardo Maronga on tenor sax, bass clarinet & synthesizers, create a sense of ritual through deep repetition of modern creative jazz rooted in free jazz tradition.

The first duo album by pianists Sten Sandell and Lisa Ullén, recorded in their home country of Sweden, performing eight freely improvised piano works which include the two-part "Double Music" and two-part "Onyx", each recording contrasting complex interplay of discord and harmony with beautiful passages of introspection and intellectual depth; a remarkable merging of masterful talent.

Drawing on genres blurring avant jazz, compositional forms, experimental rock and their uniquely twisted sense of humor, the Portuguese trio of guitarist Andre Silva, bassist Filipe Louro, and drummer Pedro Alves (also credited for screams!) present their sophomore album, a strange and compelling set of delirious improvisations in three Parts organized across 13 tracks.

Translating to "Eulogy of the Shadows", the free improvising duo of violinist Carlos Zingaro and percussionist Pedro Carneiro performing on marimba with a damper pedal, structure their work as though emerging out of the dark night, each step subtly increasing the glow of luminescence through intensity of interaction until receding again into obscurity; sublime.

The third release in Portuguese guitarist Luís Lopes' Love Song Project is a solo album performed on a nylon-stringed acoustic guitar, six beautifully peaceful and introspective improvisations revealing a calm side to Lopes' often assertive electric guitar work, instead allowing harmonics and notes express his curiosity of life and love of music.

Essentially written by Philadelphia multi-instrumentalist D. Liedel, who handles most of the parts on this unusual blend of rock, electronics, jazz, pop punk and a number of unlikely genres, presenting strange songs that take sharp turns into twisted realms, neatly layering each piece into a heady brew that's hard to pin down, but a great deal of fun trying.

Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.

Exploring how a composition can provide a sense of weightlessness, and influenced by the music of gamelan, krautrock, Tony Conrad & Arnold Dreyblatt, composer Alex Zethson structured these works to influence the 13 performers in his ensemble into a state of intense focus and listening as they strike, bow and pluck their instruments, creating an ecstatic sense of infinite motion.

Exploring the sonic and visual territory of water, centering on concepts of metamorphoses and breathing underwater, pianist Joshua White and trumpeter & flugelhorn player Steph Richards also employ resonating water vessels and percussion as they present three fluid and introspectively fathomed works in multiple movements: "Sacred Sea"; "Sequoia"; and "Northern Lights".

Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.

Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics.

Two major works of evolving acoustic soundscape from Swiss violinist & composer Patricia Bosshard realized by the 27-member Orchestra des Nouvelles Creations, which includes Bosshard, Stephane Rives, Bertrand Denzler, &c.; "Sillon" employs a percussive pulse over 27 independently transforming grooves; "Reflets" a harmonic composition for bowed strings, including three double basses.

Pandemic restrictions having cancelled their European tour, the Futari duo of pianist Satoko Fujii and vibraphonist Taiko Saito chose instead to develop a new collaborative album of improvisations exchanged by sound file, each intently listening to the other's recordings, their care and pensive responses creating an astounding and sublime album of stunningly beautiful music.

A compilation of improvised steel-string acoustic guitar works framed by pitch and intervallic restrictions, from French composer and guitarist Guillaume Gargaud, 17 succinct pieces that evade standard jazz vocabulary while integrating influences from Messiaen to Webern to Cecil Taylor, paced in contemplative and sophisticated style.

Exploring the details of everyday life as he examines the relationship between his environment and himself, microscopic audio explorer Éric La Casa investigates sounds beyond the threshold of auditory hearing, capturing barely perceptible sonic manifestations with incredible clarity and detail, constructing engaging works from these surprising and intriguing sounds.

A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes.

Circumventing pandemic lockdowns, the trio of husband & wife, pianist Satoko Fujii and trumpeter Natsuki Tamura, recorded this album at their home in Kobe, Japan using an internet connection to perform in real time with drummer/percussionist Takashi Itani in Tokyo, their joyful and sophisticated improvisation a testament to close listening and magnificent communication.

A 2004 quintet recording from Victoria Rooms in Bristol with the core of long-time collaborators Paul Dunmall on tenor sax, Paul Rogers on bass and Philip Gibbs, performing with two improvisers also well known for their work in compositional forms--Jonathan Impett on trumpet and Andrew Ball on piano--bringing unique perspectives to their far-ranging, advanced improvisation.

2021 reissue of this 2004 release on the DUNS label bringing together a uniquely voiced quartet with Paul Dunmall on tenor & soprano saxophones, virtuoso concertina player Simon Thoumire, John Edwards on double bass and Philip Gibbs on guitar, with both Dunmall & Thoumire performing on bagpipes on two tracks; a welcome reissue to a distinctive and thought-provoking album.

A solid modern jazz album in the Blue Note tradition with a Latin angle, the title a reference to Max Roach's 1960 protest album We Insist! Freedom Now Suite, evoked through strongly melodic tunes composed by Brooklyn saxophonist Kazemde George and performed with vocalist Sami Stevens, keyboardist Isaac Wilson, bassist Tyrone Allen II, and drummer Adam Arruda.

Bringing together four masterful players into the studio in NYC--Joe McPhee on saxophones, Michael Bisio on double bass, Fred Lonberg-Holm on cello and Juma Sultan on percussion--for a set of with one composition each from McPhee, Sultan and Lonberg-Holm, two collective improvisations, Charlie Haden's "Human Being" and Henry Grimes "For Django".

Following their Creative Sources album Wind Makes Weather, alto saxophonists Tim O'Dwyer and Georg Wissel, both employing preparations on their instruments, improvise a confluence of sonic rivers evoking, exploring and reflecting waterways from around the world, captured in concert at the cinema hall of the cultural center Alte Feuerwache, in Cologne.

Canada's leading avant music magazine in their Fall 2021 issue, with articles on Understory (Nicole Rampersaud, Parmela Attariwala, and Germaine Liu), Frank Denyer, Taylor Brook, record & live reviews, plus a 14 track CD with pieces from Rocío Cano Valiño, Understory Show One: Gabriel Dharmoo/SlowPitchSound/Lan Tung, Frank Denyer, Nick Storring, &c.

A solo album from Belfast double bassist Alan Niblock, known for his own group Ambient Forces, and his work in a trio with Paul Dunmall and Mark Sanders (Dark Energy), on his own demonstrating a powerfully warm approach to the large strings, augmented and transformed through preparations and objects, improvising in a flowing continuum of rich strategies and concepts.

A new collective trio of New York luminaries from bassist Trevor Dunn, guitarist Miles Okazaki and drummer Dan Weiss, Okazaki and Weiss having collaborated in Weiss' own Large Ensemble and Dunn a part of Weiss' Starebaby, here in a set of unbridled and unorthodox collective improvisations, with alto saxophonist John Zorn joining the trio on two tracks.

A superb 2009 concert at Command House, in Chatham, UK from the trio of saxophonist Evan Parker, double bassist John Edwards, and late drummer/percussionist Tony Marsh, a single 36 minute improvisation of cohesive and energetic free jazz where all three pull together as a nearly telepathic unit, plus two extended duo sections between Edwards and Marsh and a Marsh solo.

An unapologetically political album from double bassist William Parker in collaboration with poet Patricia Nicholson, confronting injustice and inequality through spoken word set over Parker's compositions, performed with James Brandon Lewis on tenor saxophone, Devin Brahja Waldman on alto saxophone, Francisco Mela on drums, vocals, Melanie Dyer on viola and Gerald Cleaver on drums.

French electroacoustic composer and innovator Eliane Radigue's final work made with feedback material from 1970, five pieces that strip away at the familiar, deconstructing and decomposing classical works into mesmerizing drones, or creating rich pulsating works of sound with intense harmonic development and controlled feedback, a powerful opus of sound.

Recorded at the 2019 Salon fur Klang+Kunst, in Krailing/Munich, this consummate and creative meeting of multi-reed & brass improviser Udo Schindler and double bassist Thomas Stempkowski was performed as a dedication to bassist Simon H. Fell who passed from cancer in 2020; sadly Stempkowski also died during the production of this album, making this both a farewell and a memorial.

Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure.

Concentrating on the lower end of their instruments, Udo Schindler and double bassist Wilbert de Joode improvise live at DasKihotzky_wagnisARt and at the 99th Salon für Klang+Kunstover in Munich, for 10 parts of their "[LowToneStudies]", Schindler performing on bass clarinet, f-tuba and tubax (a contrabass saxophone), occasionally complementing their lower end with soprano sax.

Led by bass clarinetist Tobias Schirmer and harmonica player Matthias Broede, also on piano, with Jan Roder on bass and drummer Bernd Oezsevim, this German quartet blends contemporary jazz through four original Brode compositions and two collective improvisations, performed with melodic intent and tight, quick interaction as recorded live at Tito's Zentrifuge in Berlin.

The longstanding Canadian duo of alto saxophonist Francois Carrier and drummer Michel Lambert recorded this expressively energetic album of five dynamic free improvisations at Soda Acustic in Barcelona in a quartet with two South American electric guitarists living in Spain: Argentinian guitarist Pablo Scvarzman and Colombian guitarist Diego Calicedo.

An unusually contemplative solo record from New York pianist Matthew Shipp, belying the intricately subtle density of his inventive approach to solo piano improvisation, with an innate lyricism through unusual motive and direction; perhaps one of the most succinct and concise albums Shipp has released, and a beautiful reflection of his creative intentions.

After Bartok and Messiaen, trombonist & composer Steve Swell takes his sextet with Marty Ehrlich (winds), Sam Newsome (sax), Jim Pugliese (marimba), Ellen Christi (voice) and Gerald Cleaver (drums) into an exploration of Italian composer Luciano Berio with a diverse set of works reflecting Berio's vast curiosity and ovouer; a spectacular collection from a fantastic band.

The intersection of Austrian violinist, vocalist and sound artist Mia Zabelka and Canadian sound artist and multi-instrumentalist Glen Hall, using recordings of live improvisations, electronics and unusual applications of software to structure fourteen compositions of accomplished playing and startlingly unpredictable sound, a magnificent and often breathtaking journey.

Brazilian singer Moreno Veloso recorded these songs from a songbook developed from his favorite artists, inspired while singing his children to sleep during pandemic, selecting lyrical songs that he performs accompanying himself on acoustic nylon-string guitar, recording the album in a corner of his living room, giving the album a beautiful intimacy and sincerity.

One of Corbett vs. Dempsey's Black Cross Solo Sessions, Ken Vandermark recorded these twelve succinct, insightful and technically superb solo recordings at his home during pandemic lockdowns, part of a new book of compositions for solo reed instruments, each piece dedicated to an artist across multiple disciplines, including Joe McPhee, Anthony Braxton, Samuel Beckett, &c.

One of Corbett vs. Dempsey's Black Cross Solo Sessions, Joe McPhees approaches his album recorded during pandemic lockdown in his home through tenor sax, voice, water, objects and field recordings, the center of the album a cycle of compositions by Charles Mingus, alongside works by Carla Bley and influences by Joni Mitchell, and a virtual symphony of saxes on the title track.

Extremely personal and passionate, cellist Okkyung Lee recorded this album after separation from her instrument for months as she traveled to Korea to be with her dying father during pandemic; the 9 pieces are layered with strings, instrument sounds, voice and with profound timing, creating an intensely beautiful album reflecting the anguish and loss of the time.

Two recordings from naTo in Leipzig, Germany, the first an energetic free jazz romp from the Big Bad Brötzmann Trio of Peter Brötzmann on tenor sax & taragato, Oliver Schwerdt on piano & percussion and Christian Lillinger on drums & percussion; then a furtively powerful double bass duo between John Edwards and John Eckhardt, a tour de force of extended technique and deep sound.

One of two albums marking trumpeter Wadada Leo Smith's 80th birthday, and showing his creative and technical skills still in peak form, here in a trio for the first time uniting independent collaborators, pianist & keyboardist Vijay Iyer and drummer Jack DeJohnette, in compositions from each of the performers plus one collective improvisation.

Inspired by Don Cherry's 1966 Symphony For Improvisers and intended to illustrate the profound cultural contributions Chicagoans & Midwesterners have made, trumpeter Leo Smith's presents four expansive symphonies, three performed with Henry Threadgill (sax & flute), John Lindberg (bass) and Jack DeJohnette (drums), the fourth with Jonathon Haffner (sax) plus Smith, Lindberg and DeJohnette.

A set of succinct string improvisations using extraordinary technique and concentration with a chamber improvisation feeling, recorded at Vivaldisaal in Berlin from the quartet of Portuguese father & son improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, and Berlin performers Julia Brussel on violin and Klaus Kurvers on double bass.

An introspectively lovely and reflective album of electroacoustic composition through minimal electronics, piano, samples and electronics, from the collaboration of Italian sound artists Michelangelo Decorato and Leo Cicala, with trumpeter Luca Calabrese joining on one piece; sophisticatedly languid, alluring and detailed ambient music.

A play on the Percaso band name "Day & Taxi", the trio of Christoph Gallio on soprano & alto saxophones, Dominique Girod on double bass and Dieter Ulrich on drums & bugle recorded this extended improvisation, a combination of scrambling, determined expression and post-bop creative jazz, part of the series "Life At The Zoo" at Studio the Zoo in Berne, Switzerland.

A duo of free and spaciously building exchanges between Dutch drummer George Hadow (Zwerv, The Blue Lines Trio) and Belgian guitarist Dirk Serries (A New Wave of Jazz), in an extended dialog of great technical skills and creative use of their instruments, performing live at the 2021 JazzBlast event held in the chapel Groels Kapel in Bocholt, Belgium.

Post-pandemic, the electroacoustic IKB ensemble returned to the stage in 2021 at O'Culto da Ajuda in Lisbon with some of Portugal's finest improvisers performing under the direction of violist Ernetso Rodrigues, to express in sound the large rainforest beetle Titanus Giganteus, represented in an extended collective improvisation of restraint fueled by masterful and creative skill.

Led by Sydney, Australia double bassist and composer Elsen Price, the Inlay Ensemble with violist Carl St. Jacque and violinist Susie Bishop merges contemporary composed and improvisational styles in an album with each piece reflecting a distinct mood based off a single motif, creating unique perspectives that the ensemble develops through improvisation.

Recorded live in 2019 at Burgbachkeller in Zug, Switzerland, the international trio Jorge's Orbe creates tapestries of sound, bringing together free improvisers from three different parts of the world: Switzerland through trombonist George Francis Marti, Japan through pianist Tsukiko Amakawa, and Spain through Pelayo Fernandez Arrizabalaga on turntables and voice.

Italian and Portuguese musicians meet in the studio in Berlin for a set of studio free improvisations, from Creative Sources father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello meeting trombonist Davide Piersanti and vocalist Ligia Liberatori for twelve exceptionally open, informed and unusual conversations.

With a history of collaboration in the Lisbon improvisation scene through bands including Variable Geometry Orchestra, IKB, Isotope Ensemble, &c., guitarist Abdul Moimême (performing on two guitars simultaneously) and electronics artist Carlos Santos join with Chicago cellist & electronic improviser Fred Lonberg-Holm for five elaborate alien soundscapes of impressive detail and skill.

Two extended acoustic improvisations of reductionist approaches recorded in the studio in Parede, Portugal in 2021 from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Andre Hencleeday on piano and Joao Valinho on percussion, guided by a poem from Rodrigues as they slowly and exquisitly explore a "Closed Window" and an "Open Window".

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.

The first album from the duo of American composer & violinist Jordan Dykstra and Dutch composer Koen Nutters, developed by exchanging material of ambient & spacious nature using slow chord development, field recordings, viola, pitch pipe, crotales, piano EBow and electronic programming, the resulting work diverse and constantly evolving through fascinating details.

Applying techniques that Michael Pisaro uses in his audio compositions to song formats, this album presents 11 new versions of songs from his 2013 Human Ear Music album, here reworked for clarity and recorded under the artistic direction of the Lille-based pianist Barbara Dang and six members of the Muzzix collective (Bellefont, Cruz, Orins, Pruvost & Pruvost).

Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.

Five pieces composed as a diary manifest in song from Bay Area cellist and singer Theresa Wong, reflecting on her time in Venice through labyrinthine melodic and rhythmic pathways, adding piano and the Japanese 5-string tonkori instrument to add exotic flavor to each eclectic song, blurring genres as Wong's impressions and expression lets each song lead where it must.

[Bonus Edition] Bay Area experimental music scene legend and multi-disciplinary artist Barabara Golden celebrates her 80th birthday presents works created between 1980-2020, including performances by Robert Ashley, Maggi Payne, Chris Brown, WIGband with Johanna Poethig, George Lewis, William Winant, Mary Oliver and texts by Melody Sumner Carnahan.

Bay Area experimental music scene legend and multi-disciplinary artist Barabara Golden celebrates her 80th birthday presents works created between 1980-2020, including performances by Robert Ashley, Maggi Payne, Chris Brown, WIGband with Johanna Poethig, George Lewis, William Winant, Mary Oliver and texts by Melody Sumner Carnahan.

Merging gritty and angular guitar work with versatile and creative drumming, the duo of Finish guitarist Heikki Ruokangas and North Carolina multi-instrumentalist Landon George show their diverse interests in both technically assertive playing and beautifully misty environments, through eleven concise works including two parts of "Chaos", a "Rainy Day" and a "Rainy Eve".

Part of Tzadik's Spectrum series, the Downtown NY trio of electroacoustic improviser and composer Ikue Mori, pianist Brian Marsella performing on electric keyboards and synths, and classical percussionist Sae Hashimoto on a wealth of marimbas, drums, bells, shakers and chimes, composed these intricately fascinating works by exchanging tracks composed in their home studios.

Six beautiful, fragile and mysterious works for piano in combinations with other orchestral arrangements and solo, including pitch-based compositions and a graphic work directed by photographs, performed by members of Apartment House in duos, quintets & sextets; works initially commissioned by Another Timbre and Philip Thomas and here performed on piano by Siwan Rhys.