Pianist & improviser Steve Beresford performing on prepared piano, toys & electronic, percussionist Valentina Magaletti and bass player Pierpaolo Martino are heard in this cataclysmically interesting album based around Beresford's compositions, each piece a vignette that merges elements of free improv, rock, sound & avant structures in inventive and compelling ways.

After twenty years playing together, the Sealed Knot trio of Burkhard Beins on amplified percussion, Rhodri Davies on amplified lap harp, and Mark Wastell on dual 32 past tam tams, gongs & nepalese singing bowls, performed live at Cafe OTO to record this beautifully captured, contemplative concert of tone, texture and ringing sound, like a 20-year dream reflected.

Two extremely compatible guitarists are heard in two live recordings in Tokyo, Japan, at OTOOTO and at Permian, in 2017 & 2018, using unusual tunings, extended techniques and a patient sense of space and momentum that allows each of their contributions to resonate distinctively while maintaining a confident dialog of connected abstraction and exploration.

A uniquely eccentric free improv album by Fred Frith on electric guitar and Lol Coxhill on soprano sax, originally released in 1983 on the French AAA label, the album assembles recordings from the "Musiques de Traverses" Festival 1981, 1978 concerts in Sainte Croix, in Poitiers, and at M.J.C. Aliénor D'Aquitaine in Limoges, plus additional material from 1999 in Munchen & London.

Swedish saxophonist Martin Kuchen in trio with bassist Per Zanussi and drummer Raymond Strid, challenging and urgent jazz from a trio concerned with the state of our world.

Restricted by pandemic, bassist John Edwards took compositions for Remote Viewers written by Dave Petts along with recordings from himself and saxophonists Caroline Kraabel, Sue Lynch, Adrian Northover & David Petts, using digital compositional methods to maintain Petts' concepts while manipulating and inverting each piece in wonderfully riotous and unexpected ways.

An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.

Bass clarinetist Chris Cundy, uses the studio as a performance tool for accompaniment along with pre-recorded tapes, as he contrasts two different composers--Cornelius Cardew & Ton de Leeuw and their compositions titled "Mountains", alongside a Cardew graphic score piece, and 2 work for 5 bass clarinets, from Thanos Chrysakis and John Cage, the latter from his Numbers series.

Five CDs with unique and joyfully creative aspects of saxophonist and composer Trevor Watts' work, from concerts and studio settings in the UK, US and South Americal in configurations of Trevor Watts Moiré Music Group, with the Enjambre Acustico Urukungolo, Trevor Watts' Moiré Music Drum Orchestra, and duos with Jamie Harris, and with Marc Hewins.

Seven succinct dialogs between two masterful rhythm improvisers--bassist Bernard Santacruz and drummer Michael Zerang--whose previous work with Jeff Parker, Joelle Leandre, Douglas Eward and Jean-Luc Cappozzo is distilled to this intimate setting, employing innate lyricism and unique approaches to their instruments to fascinate and captivate their listeners.

Investigating the continuity of our perceptions through sound--the one sense that flows continuously into our awareness--through a concert at Baza Club in Krakow, Poland in 2018 between alto saxophonist Keir Neuringer and acoustic bass guitarist Rafał Mazur, using magnificent technique as they tentatively then boldy exchanges waves of the past, present and future.

Four settings with improvising bass guitarist Rafal Mazur, 4 CDs, the first a solo studio recording of two extended improvisations; the 2nd a duo with clarinetist Guillermo Gregorio; the 3rd a live concert at Baza Club in Krakow with trumpeter Artur Majewski; the 4th a quintet session with Gregorio, Satoko Fujii (piano), Natsuki Tamura (trumpet), Ramon Lopez (drums).

Picking up where the 2013 Clean Feed album Tone Hunting left off, the quartet of Anna Kaluza on alto saxophone, Artur Majewski on cornet, Rafal Mazur on acoustic bass guitar, with drummer/percussionist Vasco Trilla replacing Kuba Suchar, the refreshed quartet is heard live at the University of Zielona Gora, Poland for an informed 6-part free improvisation.

The title referring to the spatial arrangement where sounds of different frequency are processed in the brain, New York trombonist Steve Swell and Austrian Elisabeth Harnik performing inside and out of the piano, are captured live at Martinsschlossl, in Vienna, Austria in 2019 for 8 free improvisations of immense creative drive and ebullient rapport.

The 4th album on Another Timbre from a series of pieces by composer Antoine Beuger, each acknowledging a cultural or intellectual figure, here titled for philosopher, musicologist, educator and one-time member of the French Resistance, Vladimir Jankélévitch, represented by Beuger in a large dramatic work performed by the Apartment House sextet.

The 2nd Code Girl release from guitarist Mary Halvorson presents an embraceable and ambitious set of songs from 8 poetic forms for which Halvorson composed words & music, 3 of which are sung by Robert Wyatt, the others by Amirtha Kidambi, in a band with Thumbscrew members Michael Formanek (bass), Tomas Fujiwara (drums), plus Maria Grand (sax) and Adam O'Farrill (trumpet).

An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.

A superb trio of NY improvisers and composers whose collective work bridges the divide between free playing and jazz tradition, a kind of avant swinging bebop.

This reissue of the 1983 Saturn Research LP presents two aspects of the Sun Ra Arkestra, the first side with the 80's classics "Nuclear War" along with "Retrospect" and "Makeup"; the second side presenting the extended and more experimental "A Fireside Chat with Lucifer", a 20 minute well balanced, open framework that allows for both melodic soloing and extended free exchanges.

Two innovators of free vocal improvisation come together for a concert at Santa Chiara Nuova Church during the 2015 ImprovvisaMente festival in Lodi, Italy, setting aside Chen's cello and electronics to focus on pure voice interactions, each using their unique language and technique in a single 37 minute performance of intrepid, inexplicable and unique improv.

A set of informed avant/abstract acoustic and electroacoustic improvisations recorded in the studio in Austria in 2019, from the transatlantic trio of Euro free jazz legend, trombonist Matthias Muller, Quebec bassist Eric Normand on electric bass, and innovative trumpeter Petr Vrba also deploying electronics, the trio's interaction focused on patient and inspired sonic detail.

Jean-Luc Guionnet composes for the Le Grand Groupe Régional d'Improvisation Libérée (GGRIL) directed by bassist Éric Normand, with an 11-piece ensemble recording in the studio for a work of tension and release through fitful sections that explores contrast and unison, space and contraction, guided by a wonderful sense of mystery and surprise.

Exploring the jazz tradition through 12 tone serial tone row scales, along with graphic scores & other variations, from UK composer Trevor Taylor, also on drums & vibraphones, in a quintet with Shanti Paul Jayashina on trumpet, Josh Ison on saxophones, Dan Banks on piano, and Jose Canha on Double Bass, in a set of tunes that beautifully balance freedom and lyricism.

The other side of Paul Dunmall's characteristic saxophone work is heard here on the alto flute, bringing Dunmall together with fellow flutist Neil Metcalf and the rhythm section of James Owston on bass and Tymek Jozwiak on drums for four exceptional improvisations that focus more on interaction and less on soloing, showcasing all four through sophisticated performance.

Extremely well paired in their unusual approaches to their instruments both acoustic and electronic, this live recording between Udo Schindler on reed & brass instruments and Jaap Blonk improvising with his voice and using computer electronics, results in eight diverting and inspired recording of extreme creative approaches and impressive technical skill.

A superb concert of masterful collective improvisation captured live at LOFT Cologne in 2018 from the trio of Luc Houtkamp on tenor saxophone & clarinet, Steve Beresford on piano & objects, and Martin Blume on drums & percussion, in three extended improvisations, thoughtful work building to periods of powerful passion while maintaining a reflective introspectiveness.

A convergence of reeds across the range of clarinets, from double bass clarinet to piccolo clarinet, in this live recording at Udo Schindler's 88th SALON fur Klang+Kunst in Krailling/Munich between reedists Schindler and Ove Volquartz, with particular emphasis on the deepest of reeds, the most challenging of clarinets, handled masterfully by both players.

Portuguese guitarist Marcelo Dos Reis and trumpeter Luís Vicente, Icelandic pianist Kristján Martinsson and Dutch drummer Onno Govaert release their 2nd album, moving from the studio to a live concert at Salão Brazil in Coimbra in 2018, performing six collective improvisations of explorative and technically advanced, cutting edge free improv.

Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.

Double bassist Joshua Abrams provides the compositions for this studio album performed with Ari Brown on tenor sax, Jeff Parker on guitar and Gerald Cleaver on drums, an exceptional quartet of master improvisers who balance lyrical and soulful playing with explorative impulse, fueled by an empathetic responsiveness that only a long history of collaboration can engender.

An epic journey through diverse improvisational approaches within a composed framework, using heavy percussion of unusual & world origins, electronics, rock/groove elements and prepared mixes created from samples, from the Boston duo of David Peck (PEK) on reeds & an arsenal of devices & sources, and Yuri Zbitnoff on drums & percussion, with narration points along the way.

Originally released in 3 LPs as Live in Egypt on Thoth Intergalactic and then as the Saturn albums Dark Myth Equation Visitation, Nidhamu & Horizon, this set reissues and expands the 1971 Sun Ra tour recordings: The Mena House Hotel in Giza; a concert at Hartmut Geerken's in Heliopolis; a live Cairo TV channel broadcast; and a concert at Cairo's the Ballon Theatre.

A suite of short pieces for solo piano subtitled "Images and Impressions for Piano", composed by John Zorn and performed by frequent Zorn interpreter Stephen Gosling, the works inspired by the sketches of English painter J.M.W. Turner, embracing influences including Ligeti, Scriabin, Bach, Glass, Debussy, Bartok, Berio, Feldman, Xenakis, Schoenberg &c.

Revisiting two of Archie Shepp's 1969 recordings released on the BYG label as Blasé, and title track to Yasmina, three tracks featuring the vocals of Jeanne Lee, with four band configurations including Dave Burrell, Malachi Favors, Lester Bowie, Roscoe Mitchell, Sunny Murray, Philly Joe Jones, &c., beautifully remastered to bring to light Shepp's pan-stylistic impulses.

Bringing together two essential and impeccably remastered 1960's Cecil Taylor albums — Cecil Taylor Unit Structures and Cecil Taylor Unit Mixed — presenting both traditional influences and Taylor's unique approaches to modern jazz, featuring two septets with musicians including Jimmy Lyons, Henry Grimes, Archies Shepp, Ted Curson, Andrew Cyrille, Roswell Rudd, Sunny Murray, &c.

The Red Trio of pianist Rodrigo Pinheiro, bassist Hernâni Faustino and drummer Gabriel Ferrandini mark their 10th anniversary as a trio on this 2-CD set of an outstanding concert in Lisboa, PT, joining forces with the 13-member Celebration Band, whose members include John Butcher, Ernesto Rodrigues, Luis Vicente, Sei Miguel, Rodrigo Amado, Mattias Stahl, Carlos Santos, &c.

The fourth volume in the NoBusiness Records Sam Rivers Archive series is this live recording from Hamburg, Germany during River's 1979 tour of Europe, with the multi-instrumentalist performing on tenor & soprano saxophones, flute & piano in a quartet with Joe Daley on tuba, euphonium, Dave Holland on bass, cello, and Thurman Barker on drums.

Reissuing The Necks' pianist Chris Abrahams' 2004 solo album, a unique set of recordings that reflects both on his improvisational life and his explorative nature, recorded using a Positive Organ, Forte Piano, DX 7 and an acoustic piano, each piece evoking distinct sonic environments and approaches to playing and compositions that makes sense in the overall presentation.

A beautifully hypnotic album of wind music, especially on the Pan-Ney, an instrument developed by Berlin composer Werner Durand, along with electronics and a piece using the talking drum as performed by Marika Falk, presenting early works from the 1990s that bridge both improvisation and composition with an embraceable sound that reveals underlying complexity.

English experimental composer and musical performer John White recorded the pieces on this 2 CD retrospective set between 1980 and 1995, a combination of serious, popular and novelty pieces, often exploring areas of contradiction, particularly linear and rhythmic, within an unlikely sound-world in which parameters such as volume, timbre, texture and speed remain fixed.

First introduced at the "Konfrontationen" festival in Nickelsdorf in 2006, German pianist and composer Georg Graewe's Sonic Fiction Orchestra developed these diverse works of jazz, fusion-tinged, and chamber improv during a residency at the 2018/19 Porgy & Bess in Vienna, recording in the studio in 2020 for this impressive album, particularly the large "Redshift E" composition.

A 10-album collection in a solid box set of vocal and instrumental suites recorded expressly for this set between late 2018 and early 2020, with women's voices at its core (both on voice & other instruments), taking a vast view of music from around the globe through free improvisation and re-imagined sonic collage, performed by groupings of extraordinary performers.

American pianist Marilyn Crispell joined London Improviser's Orchestra saxophonist & clarinetist Harry Smith and AMM drummer Eddie Prévost for this 2012 concert at London's Cafe OTO, playing in a melodic free jazz mode of passionate interaction and deep communication, resulting in an unforced and naturally masterful set of thoughtfully lyrical improvisation.

Though not well documented, free jazz legendary pianist Cecil Taylor's working band for 3 years in the late nineties was this quintet of Harri Sjostrom on soprano saxophone, Tristan Honsinger on cello, Teppo Hauta-aho on double bass, and Paul Lovens on drums, cymbals & gongs, heard in this energetic concert at Tampere Jazz Happening in Finland, 2018.

A series of ominous duos on the dark side from NY improviser Jeremiah Cymerman on clarinets & pedals, and Charlie Looker (Extra Life, Psalm Zero) on guitars & piano, each of the five pieces exploring murky caverns of warmly bleak environments rendered through Looker's deep piano & guitar work, perforated by cracks of light through Cymerman's riffs & exclamations.

The first album as a bandleader from Chicago tenor saxophonist Gerrit Hatcher in a full quintet of well-known Chicago improvisers -- cornetist Ben LaMar Gay, tenor saxophonist Keefe Jackson, bassist Katie Ernst, and drummer Julian Kirshner -- in an album that would fit well in the ESP/Ayler free-jazz mode, tipped off by a cover of Charles Tyler's "Man Alone".

Chicago saxophonist and Kettle Hole label leader Gerrit Hatcher joins with West Coast saxophonists Rob Magill (Weird Cry Records, Dreamcolour) and Japanese saxophonist based in Los Angeles Patrick Shiroishi, for five collective free improvisations of informed saxophone interaction; three approaches to the horn that complement and contrast in fascinating ways.

The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation.

A retrospective of the work of guitarist and one-time Captain Beefheart Magic Band member Gary Lucas, in two CDs, the first devoted to songs recorded with Lucas' psychedelic jazz-rock band Gods and Monsters, the second devoted to solo works, rarities and collaborations, with an incredible list of performers reflecting Lucas' diverse 40-year career.

A truly unique duo album of sax and drums from Chicago reedist Mars Williams and Spanish percussionist Vasco Trilla, using their immense technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended technique; a beautifully balanced album.

The UK ensemble Apartment House commissioned this work from composer & experimenter Jim O'Rourke based on their performance of other O'Rourke works, here interpreting a new graphic score designed like a sonic mobile, creating a minimal yet episodic piece of flexible interpretation as the performers whistle, hum and quietly sing in combination with bowed harmonics.

Drummer Tomas Fujiwara composed these compositions specifically for his trio with Patricia Brennan (vibraphone) and Tomeka Reid (cello), beautifully orchestrated for the unique combination of instruments and the extraordinary technique of each player, resulting in lyrical improvisation performed with a clarity appropriate for each piece's dedication.

Meeting in France in 2017 for the Festival Météo de Mulhouse, Evan Parker alternating between soprano and tenor saxophones and Matthew Shipp on acoustic piano, present an epic extended improvisation that naturally evolves through several sections, followed by a brief post-script, each musician attentively focused as they support the clarity of each other's playing.

A brilliant example of trans-Atlantic collective free improv from the quartet of New York free jazz heavies Matthew Shipp on piano, Joe Morris on double bass, Gerald Cleaver on drums, and UK tenor saxophonist Paul Dunmall, playing in the tradition of ecstatic and extended free jazz in a nearly hour long live performance recorded at Roulette in Brooklyn in 2012.

Founded in 1967 by pianist Misha Mengelberg, drummer Han Bennink, and saxophonist & clarinetist Willem Breuker, this double CD documents the earliest years of the ICP collective through live & studio recordings from 1966-71, with an impressive cast of jazz and contemporary compositional players creating a delightfully diverse set of approaches to improvisation.

A lost gem from of British free sax and drums & percussion duo of saxophonist Larry Stabbins and percussionist Roy Ashbury, originally released in 1976 on the Bead Label, their interplay including masterful and extended techniques from Stabbins and an array of chimes, chains, wood blocks, shakers, and bowed cymbals augmenting Ashbury's kit; captivating dialog.

Part of flutist Claire Chase's project to commission a modern body of work for the instrument, this 4-CD set features 17 works by 15 composers, including the multi-part album-long composition "Pan" by Brazilian-born Marcos Balter, with works for the entire flute family from piccolo to contrabass flute; participants include Tyshawn Sorey, Vijay Iyer, Pauline Oliveros, &c.

Recording of the premiere performance of Hermann Nitsch's large-scale symphony for full orchestra, brass ensemble and choir, in five movement, composed for the 155th Action of the Orgien-Mysterien-Theater, and performed in 2018 as the first action to be staged in the Nitsch Museum, Mistelbach, coinciding with the occasion of Nitsch's 80th birthday.

Tenor saxophonist Albert Ayler's 1966 quintet brought a unique orchestration to his music, heard in these live performances in Berlin, Lörrach, Paris & Stockholm in November of 1966, four concerts presented chronologically as performed with the exemplary playing of brother Donald Ayler on trumpet, Michel Samson on violin, William Folwell on bass, and Beaver Harris on drums.

Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.

Killick Hinds plays a custom-made 38 string harp guitar in twelve diverse solo tracks inspired by the pacifist writer Munro Leaf with resonant tones that are at times exciting and others hypnotic.

The follow-up to NY drummer/composer Dan Weiss's 2018 release Starebaby is an unconventional compounding of electric jazz, doom metal, electronic music, and improvisation, performed with Matt Mitchell on piano & Prophet 6, Craig Taborn on piano, Fender Rhodes & synthesizers, Ben Monder on guitars, and Trevor Dunn on electric bass.

Recorded at the same time and influenced by the recording of their 2020 album The Anthony Braxton Project, the NY Thumbscrew trio of Tomas Fujiwara on drums, Mary Halvorson on guitar, and Michael Formanek on double bass & electric bass present 9 original compositions, three pieces from each of the musicians, of melodically inclined forward thinking, creative jazz.

Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.

Performing four of avant composer Alvin Lucier's works composed between 1991 and 2004, the Montreal-based Quatuor Bozzini (Clemens Merkel on violin, Alissa Cheung on violin, Stephanie Bozzini on viola, and Isabelle Bozzini on cello) focus on Lucier's works of sonic exploration, including the intensely harmonic interactions of the album's title work.

On their 6th recording as a trio concept, The Fire! trio of Mats Gustafsson (sax), Johan Berthling (bass guitar) and Andreas Werlin (drums) add to their energetic approach to free improvisation through Mats Gustafsson performing on both baritone sax and flute, and by the addition of guests Goran Kajfes on quartertone trumpet and Mats Aleklint on trombone and sousaphone.

Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.

The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.

A remarkable tour de force of solo piano improvisation on this self-released album from Virginia-based but New York-associated pianist Joel Futterman, recording in the studio in 2009 for a three-part series of exploratory and profoundly masterful improvisations, captivating with intense and technical passages that yield to lyrically beautiful and expansive playing.

An almost hour long "Rhizome" of free improvisation and a brief "Renewal" from the duo of Joel Futterman on piano and Ike Levin on tenor sax & bass clarinet, performing live at Constellation in Chicago in 2017, for a wonderfully evolving work of suspense, release, technical brilliance and exuberant expression, a dialog that only two such frequent collaborators can evoke.

A duo improvisation recorded at Shichoshitsu Jinbo-cho, in Tokyo, Japan between no-input mixing electracoustic improviser Toshimaru Nakamura and Doubtmusic label leader and member of mn and MNK, Jun Numata on guitar, oscilator, radio, in a varied and turbulent affair of extreme electronics, sound and noise that takes the listener on a wild ride.

Zorn's compositions on this album bridge the worlds of contemporary compositional and fully improvised jazz, Zorn conducting a quartet with Stephen Gosling's piano and Sae Hashimoto's vibraphone parts fully notated, while drummer Ches Smith and bassist Jorge Roeder provide an improvisational rhythm section, bringing to life these dynamic and lyrical works.

John Zorn's Gnostic Quartet of Bill Frisell on guitar, Carol Emanuel on harp, John Medeski on organ, piano & Fender Rhodes, and Kenny Wollesen on vibraphone perform Zorn's melodic compositions dedicated to one of Zorn's earliest mentors, Ennio Morricone, through nine compositions of "beautiful harmonies, a driving rhythmic pulse and stunning lyricism."

The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.

Two quartets performing two live concerts from 1963 led by John Coltrane on tenor & soprano saxophones, the first at the Newport Jazz Festival with McCoy Tyner on piano, Jimmy Garrison on double bass and Roy Haynes on drums, the second at Birdland with Elvin Jones on the drums, plus 2 studio recordings with that quartet at Van Gelder Studio in the same year.

Having worked together for 40 years starting in the 80's in the Downtown NY scene, guitarist Fred Frith and electronic artist Ikue Mori recorded this album in Germany, using studio time left after recording the music for a radio play by Werner Penzel, using that work as an influence for these exceptional improvisations on home made instruments, toys and electronics.

Working in a Derek Bailey vein of solo guitar improvisation, Portland, Maine improviser E. Jason Gibbs presents 14 performances on the acoustic guitar, cohesive pieces of confident development that reference not only the London improviser, but also shades of Americana and a unique voice and set of strategies uniquely his own.

Pianist Alexander Hawkins' six movement composition is realized by the UK Riot Ensemble, known primarily for their work with notated contemporary music, adding Evan Parker's incredible soprano sax soloing, and filtered through Matthew Wright's live electronic processing, resulting in this amazing hybrid masterwork that bridges modern 21st Century forms.

The 10th album from The Rempis Percussion Quartet, the dual-drumming free improvising collective quartet of Dave Rempis on alto & tenor saxophones, Ingebrigt Haker Flaten on bass, and Tim Daisy & Frank Rosaly on drums, celebrating their 15th anniversary as a working band through this exhilarating concert captured during their 2019 European Tour at AMR in Geneva, Switzerland.

Bringing an innate lyricism to free improvisation in the piano trio format, albeit a thoroughly modern take on that format where all performers are equal and active participants, from Aki Takase on piano, Christian Weber on bass, and Michael Griener on drums, performing five Takase originals, one from Griener & Takase, and 8 collective works.

French voice artist and composer Yannick GuŽdon living in Brussels composed this extended work, the title translating to "insistence on possibilities", realized with cellist Deborah Walker and violist Cyprien Busolini, Guédon merging extended utterance into long string drones, contrasted with silence, as the piece moves through very specific placement.

Sharing compositional credits with the title translating to "the cooked", the trio of Andreas Nordheim on cornet, Ole Schmidt on clarinets, and Chris Weinheimer on flutes, with pianist Jan Gerdes guesting on one piece, present 16 recordings of minimalist harmonic and tonal development, mysterious and haunting works are taxonomically named by their location.

Various facets of German composer and experimenter Florian Wittenburg's interests, in two iterations of two pieces and two compositions, using voice, vibraphones and ringing bowls, treated electronically to emphasize unique characteristics of sound from warmly rich to mysteriously fragile, balanced with space and careful timing; a valuable introduction to his work.