A much-needed reissue of the 2002 release from the quartet of Peter Brotzmann (reeds), Joe McPhee (sax, pocket cornet, trumpet), Kent Kessler (double bass) and Michael Zerang (drums & percussion) recording in the studio for incredible free improvisation from four titans.

A great duo recording on clarinets and terrogoto from multi-reedist Frode Gjerstad and legendary free jazz musician Peter Brotzmann, incredible free improvisation from two masters.

Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.

Portuguese stoner rock band Black Bombaim and German free jazz saxophonist Peter Brotzmann recorded this album live at Estudios Sa Da Bandeira in Portugal, a power trio + 1 of uncompromising and burning improvisation, a less common but completely rewarding setting for Brotzmann.

An amazing collection of concepts described in John Steven's manual "Search and Reflect" and recorded in workshops and concerts primarily in the 70s, with participants including Trevor Watts, Evan Parker, Paul Rutherfod, Ian Brighton, Nigel Coombes, John Russell, Lindsay Cooper, &c.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

A superb example of European Free Jazz tradition, modern and amazingly creative, from the quintet of pianist Oliver Schwerdt and reedist Peter Brotzmann performing on tenor sax, tarogato & clarinet, with Christian Lillinger on drums & percussion and dual double bassists in John Edwards and John Eckhardt, performing a 50+ minute free masterpiece at club naTo in Liepzig, 2017.

A companion 3" CD to the Karacho! album, with an additional dynamic improvisation from the same concert, the Big Bad Brotzmann Trio bringing together master multi-reedist Peter Brötzmann, here on tenor saxophone & clarinet, with pianist Oliver Schwerdt, also playing percussion & little instruments, and drummer/percussionist Christian Lillinger.

A beautiful 228 page limited edition hardcover book chronicling the last decade of artwork by saxophonist Peter Brotzmann, created spontaneously while on the road or between tours using materials at hand; featuring essays by Brotzmann, Thomas Milroth, John Corbett, Markus Muller, Sotiris Kontos, Stephen O'Malley, Heather Leigh and Karl Lippegaus.

Authoritative and playful free improvisation in the European Free Jazz style, this 1978 album on Misha Mengelberg and Han Bennink's Instant Composers Pool (ICP) label, included the pianist and drummer along with Peter Brotzmann, Peter Bennink and Evan Paker on sax, Paul Rutherford on trombone, and Derek Bailey on guitar, in a much-need reissue of this seminal album.

An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.

A rare recording for Milford Graves in 2002 and a spectacular meeting between three free jazz legends--Peter Brotzmann on sax and clarinet, William Parker on bass and Doussn'Gouni, and Graves on drums and voice--recording in the front room of CBGBs for four magnificent and passionate improvisations, a wild affair captured by the Eremite Mobile Unit and finally released as a double LP.

A fierce display of raw free improvisation from a concert that closed the open-minded and essential New York City venue Tonic in 2007, from the the Full Blast trio of Peter Brotzmann on reeds, Marino Pliakas on electric bass, and Michael Wertmuller on drums, playing to a receptive and excited crowd, with Brotzmann speaking to the audience before the final burner.