Brought together originally as the rhythm section for John Abercrombie, the trio of pianist Marc Copland, bassist Drew Gress and drummer Joey Baron have continued on as a performing trio, heard here in NYC for a lyrical set of standards, popular tunes, and originals including pieces by Coltrane, Hancock, Lennon-McCartney, Cole Porter, and John Abercrombie.

Containing the majority of minimalist composer Morton Feldman's compositions for solo piano, 3 CDs of short works and 2 for the magnificent "For Bunita Marcus" and "Triadic Memories", performed by one of the foremost interpreters of Feldman's work, Philip Thomas, and presented in a sturdy 5-CD box set with a 52 page booklet of notes from the performer and artwork.

The ninth album from the enduring trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi, recorded in 2015 at Tokyo's SuperDeluxe, with both Ambarchi and O'Rourke performing on drums and percussion, O'Rourke also using a Hammond Organ and Ambarchi on flute, while Haino asserts himself on guitar, electronics and voice, in 2 groove-based pieces and 2 side-long epics.

Mysteriously evolving improvisations from the trio of Chris Dowding on trumpet, Sylvia Hallett on violin, bicycle wheel & saw, and Dave Ross using a self-designed time modulator, in two recordings from St. Paul's Church in Marylebone and one at Camouflage in Norwich, ea-improv that has a natural feeling and beautifully paced development; fascinating.

Since 2009 the UK & European ea-improvising quartet Speak Easy with two remarkable vocalists, Phil Minton and Ute Wasserman (also on birdcall whistles), Thomas Lehn on analog synthesizer and Martin Blume on drums & percussion, have startled and amazed listeners, as heard here in this extended performance at the 2016 Festival Konfrontationen in Nickelsdorf.

The 8th release on Confront's Core series of factory-pressed CDs brings together improvisers Max Eastley, Fergus Kelly and Mark Wastell, employing electroacoustic devices, invented instruments, metal percussion, a piano frame and tam tam to create a rich and mysterious sound world, darkly hopeful emanations in a nighttime traversal across unknown lands.

One part of New York improvising guitarist and composer Joe Morris' "Instantiation" project, where each part is uniquely composed with specific notated and operational components making each impossible to perform the same way twice, here in a studio recording with clarinetist Dan O'Brien, bassist Brad Barrett, and violinist Elinor Speirs.

In November 2018, the groove-oriented Turkish electric improvising quartet Konstrukt of saxophonist & electronic artist Korhan Futaci, guitarist Umut Caglar, double bassist Apostolos Sideris, and drummer Berkan Tilavel, met with Chicago multi-reedist Ken Vandermark in Instanbul, recording these improvisation, a mix of muscular playing and psychedelic interaction.

After his recent work interpreting the American Songbook, guitarist Bill Orcutt returns to his own compositions in an album cleanly recorded through a Fender Twin in Orcutt's living room, with three pieces multi-tracked, the rest simply pure Orcutt, reflecting beautiful blues-tinged lyricism, jarring interwining of notes, and impressive passages of superb virtuosity.

Starting with a pipe organ, adding metal tubes, PVC tubes, a wind machine, guitar strings, a bass string, a resin thread, metal and glass percussion, and a bow, Maja SK Ratjke developed this unusual instrument for a live performance in Jo Stromgren's ballet "Sult" ("Hunger"), taking the instrument to the studio for this extraordinarily interesting album of keys and song.

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook and Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music.

Recorded during their 2018 European tour, the 3rd album from the Kodian Trio of Andrew Lisle on drums, Dirk Serries on guitar, and Colin Webster on alto saxophone, is influenced by their active traveling and performing, evoking those experiences in inventive free jazz with experimental intention, from the boisterously energetic to the introspectively reflective.

Previously a trio under their own names releasing the album "Threnody", the grouping of saxophonist Martin Kuchen (Angles), Johan Berthling (Fire!, Angles) and Steve Noble (St. Francis Duo, SFQ) now take the name Threnody as they burn through four extended improvisations of quickly shifting rhythm and dynamic and intensity; a remarkably passionate album.

50 years after saxophonist Peter Brotzmann's Octet recorded the legendary "Machine Gun" album, the trio of Berlin pianist, composer Alexander von Schlippenbach and Dutch percussionist Han Bennink commemorated the album at Lila Eule in Bremen, the concert heard here so successful that the trio decided to release the album and continue on as a working trio.

An album of alien soundscape and un-anticipatable rhythm with seductive brass sonority floating above, from the Swiss trio of trumpeter Tom Arthurs, Isambard Khroustaliov on electronics, and Julian Sartorious on drums & percussion, contrasting complex and strangely aberrant sonic and rhythmic environments with lyrically virtuosic trumpet work.

A lyrical album of original compositions from New York pianist Zack Clarke, in an acoustic jazz piano trio with double bassist Kim Cass and drummer Dre Hocevar, recording in the Systems Two studio in Brooklyn for nine pieces of both optimistic and mercurial temperament, a great example mixing virtuosic form and perceptive communication in a classic configuration.

Legendary New York trumpeter Ted Daniel, whose skills were honed in the 70s Loft Scene, in his 4th Duology album with the trio of Michael Marcus on clarinets and Henry Grimes on bass and violin, the leader also performing on French hunting horn, an album of varied mood and intensity that sits firmly in the free jazz legacy of daring harmonies and melodies.

While staying in the village Poschiavo in Switzerland at the Uncool Artist Residency program with his wife and son, drummer/composer Harris Eisenstadt composed more than 50 single-line, three-system unison compositions and multi-voice tunes, flexible to be arranged for any size group, as heard in this all-star quartet configuration of his Canada Day ensemble.

The 2nd release on Clean Feed by drummer Joao Lencastre's Communion, a shape-shifting ensemble here configured with 2 New York improvisers from Lencastre's associations over 15 years in NYC--pianist Jakob Sacks and bassist Eivind Opsvik--for 10 studio recordings which include the 4-part "Magnetic Frequency", blurring lyrical avant jazz and chamber forms; beautiful.

Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive.

A remarkably varied and unique approach to prepared piano that French pianist Eve Risser refers to as "piano droit", heard in her performance at FGO Barbara, in Paris on an upright piano, chosen for its specific mechanical qualities that allow Risser to generate a surprising amount of rhythmic variety, as she performs a single work mixing composed and improvised elements.

Turning to one third of his more familiar Red Trio setting, percussionist/drummer Gabriel Ferrandini enlists bassist Hernani Faustino and tenor saxophonist Pedro Sousa (Sousa/Berthling/Ferrandini, PeterGabriel Duo) to perform 9 Ferrandini compositions named after streets in Lisbon leading from Ferrandini's house to his studio and then to ZDB.

Vancouver composer, guitarist and Oud player Gordon Grdina leads his quartet of Satoshi Takeishi on drums, Russ Lossing on piano & clavinet, and Oscar Noriega on alto sax and bass clarinet, through five intricate, through-composed pieces of incredible interaction, with outstanding and consummate solos from introspective to ecstatic; eclectic and exemplary.

Twelve percussion solos from incomparable Japanese percussionist living in Consequence, New Mexico, Tatsuya Nakatani, a dramatic presentation starting with bowed and resonant cymbals and developing into active sections of intense drumming using bowls and found objects to create complex and unique percussive environments filled with detail, mystery and excitement.

Two 10-minute percussion solos from incomparable Japanese percussionist living in Consequence, New Mexico, Tatsuya Nakatani, a dramatic presentation starting with bowed and resonant cymbals and developing into active sections of intense drumming using bowls and found objects to create complex and unique percussive environments filled with detail, mystery and excitement.

The third book in New York improvising bassist William Parker's interview with other improvisers, here with 33 interviews, 29 works of art by Jeff Schlangler and 13 photographs by Jacques Bisceglia; interviews include Steve Dalachinsky, Pheeroan Aklaff, Hamiet Bluiett, Craig Harris, Gerry Hemingway, Jason Kao Hwang, Ingrid Laubrock, Joe McPhee, &c.

A deluxe 2 album release: "Glassware" on CD was composed by Swiss saxophonist Christoph Gallio for a commission by the Art Council Of The Canton Aargau, performed with Raphael Loher (piano), Ernst Thoma (synth), Dominique Girod (bass), and Nicolas Stocker (drums); then reworked into something creatively experimental in the 2 LP "As If You Were Here"; engaging and spellbinding!

Blending live improvisation with studio composition & production, NY-based Dutch drummer, pianist and composer Flin van Hemmen spent 3 years making recordings with guitarist Todd Neufeld, double bassist Eivind Opsvik and himself, transforming them with layering, studio effects, processors and field recordings to create these intensely fascinating compositions.

After six years of composing primarily for solo viola, NY violist and violinist Jessica Pavone formed the J. Pavone String Ensemble as an extension of the sonic discoveries of her solo music, exploring tactile experience that expand on the themes of her solo work while also integrating a deeper understanding of the effects sound has on the listener.

Saxophonist and composer Crowmeat Bob's ensemble, Judge Schreber's Avian Choir, is a project name he's used to present his large ensemble pieces involving composition, improvisation, and conduction, here in a conducted collaboration with 15 bowed string players, a heavy metal rhythm section and Bob's own overdubs on reeds and guitar.

Recorded during the same tour as their Aerophonic album "Strandwal", the quartet of Nate Wooley on trumpet, Dave Rempis on saxophone, Pascal Niggenkemper on bass, and Chris Corsano on drums are heard live at Het Bos in Antwerp, Belgium for 2 side-long, cutting-edge improvisations of incredible technique, creative drive, and impressive inventiveness.

The project of baritone saxophonist Hanne De Backer, originally a duo and extended to a quartet for this second album, with fellow baritone saxophonist Marc De Maeseneer, electric and experimental bassist Raphael Malfliet, and vocalist Agnes Hvizdalek, recording at the 2018 Summer Bummer Festival in Belgium, and at Rabbit Field Studio in That should be Hoboken, Antwerp.

The Boston-are duo of reedist PEK and percussionsit Yuri Zbitnov cover a wide range of sonorities, always with the presence of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds and the horns of PEK, here in a sci-fi epic, with Eric Woods on modular synth and Englephone, Mike Gruen on bass, and Joel Simches with real-time signal processing.

Exploring chaotic rhythms on metallic instruments, the Metal Chaos Ensemble was formed in 2015 by multi-instrumentalist/reedist PEK and percussionist Yuri Zbitnov, using the "Evil Clown Arsenal" of exotic and unusual percussive instruments including gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds, here in an extended set with guest Moouse Traore on Djembe.

Evil Clown mastermind David Peck (PEK) in a double album of solo work, 1st pure solo, then in a long work accompanied by his own prepared mixes, using clarinets, saxophones, English horn, goat horn, tarota, bamboo, Chistmas & alto flutes, slide whistles, sheng, Melodica, Akai Wind controller, moog subsequent, gongs, brontosaurus & tank bells, Englephone, and delay.

String Theory is the extended string section of the Leap of Faith Orchestra, with David Peck (PEK) on reeds, Glynis Lomon on cello, and in this performance at Outpost 186 in Cambridge, MA, joined by violinist Elinor Speirs and pianist Eric Zinman, the latter also playing inside the piano with mallets, while Peck and Glynis add cymbals and wood & metal instruments.

Examining the music of Puerto Rico through a very personal relationship, drummer Frank Rosaly assembled a group of percussionists along with trombonists Jeb Bishop & Nick Broste, bassist Nate McBride, pianist Ben Boye wind player Cameron Pfiffner, and Dutch avant-free vocalist Jaap Blonk, all using electronics and voice as they push the boundary of genre and concept.

After a 13-year hiatus KoenjiHyakkei is back with a thrillingly joyful album of unexpected song and extended, masterful instrumental sections that turn on a pin point, referring and redefining prog and RIO forms with honest enthusiasm, in a quintet with Tatsuya Yoshida on drumming, Sakamoto Kengo on bass, Koganemaru Kei on guitar, Yabuki Taku on keys and Komori Keiko on sax.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

John Zorn continues his recording series improvising on large church organs with these three improvisations from St. John the Divine in New York City, a meditative place of worship dedicated to the author of the Book of Revelations, as Zorn evolves three powerfully introspective works, the longest opening to "The Doors of Perception".

Brazilian percussionist Cyro Baptista's Banquet Of The Spirits takes on the 9th volume of composer John Zorn's Book Beri'ah, "Yesod", from his Masada series, here in jubilant rhythms of strong Latin influence and rich Sephardic melodies, performed in a quartet with Shanir Ezra Blumenkranz on accordian, Brian Marsella on piano & vibraphone, and Tim Keiper on drums.

Recording in Slovenia during his 2019 residency at the Ljubljana Jazz Festival at the secular Gallus Hall, after Slovenian churches prevented his using their organs, accusing Zorn of believing in supernatural powers, this 8th volume of John Zorn's Hermetic Organ series finds Zorn playing the saxophone simultaneously with the organ, using his feet, hands and elbows.

With three percussionists--JC Maillard, Franco Pinna, and Thierry Aprino--Maillard also playing bass & stringed instruments, plus vocalist and frequent Zorn collaborator Sofia Rei, Zorn's series "The Book Beri'ah" presenting the final 92 compositions in his Masada series initiates with this compellingly beautiful and propulsive album of song.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Derek Bailey's Company Week between June 29th and July 3rd in 1982 brought together a superb set of free and open-minded improvisers--including Keith Tippets, Phillip Waschmann, George Lewis, Julie Tippets, Fred Frith, &c--performing "Epiphany" (sides A & B) as a continuous work for all musicians, and "Epiphanies" (sides C & D), shorter pieces of smaller groupings.

To mark the 90th anniversary of his birth, Transversales Disques is reissuing electraoustic composer and pioneer Luc Ferrari's 1989 work "Photophonie", along with "Il etait une fois" (1973), "Trans-Voices" (1992), and "Leica" (1977), in a great overview of his work as co-founder of the GRM and with French Radio's Groupe de Musique Concrete.

The Gnostic Trio of guitarist Bill Frisell, vibraphonist Kenny Wollesen and harpist Carol Emanuel, one of composer John Zorn's most lyrical, sophisticated and embraceable bands, takes on the 7th volume of Zorn's "Book Beri'ah", presenting the final 92 compositions of his Masada songbook in a multi-volume set, here with 9 enchanting pieces of rich melody and dialog.

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook with Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music.

Merging the US band Low of Alan Sparhawk (guitar, voice), Mimi Parker (voice, drums), Zak Sally (bass) and Ed Coxon (violin, viola) with Ashley Wales of the UK band Spring Heel Jack, in an EP of lush slow moving and beautiful songs, structurally interesting pieces of beautiful abstraction; unavailable for two decades and lovingly reissued now on the Treader imprint.

This active quartet project brings together two Chicago players--drummer Tim Daisy and reedist Vandermark--with two European players--Christof Kurzmann on pooll & electronics, and Jasper Stadhouders on bass--in their 9th album, recording in the studio in Austria for an innovative album blurring the lines between fierce free jazz and inventive experimental ea-improv.

An impressive lineup of legendary players in this much-need reissue of guitarist Derek Bailey's 1976 Music Improvisation Company album 1968-1971", exploring innovative free and electroacoustic improvisation in these 1969 & 1970 recordings with Evan Parker on soprano saxophone & amplified auto harp, Hugh Davies on live electronics & organ, and Jamie Muir on percussion.

Daphne Oram & Vera Gray's "Listen Move & Dance" series of BBC programs were devised as a radical new technique to help British schoolchildren learn how to dance, Gray's sections arranging short adaptations of classical pieces by Bartok, Stravinsky, Shostakovich, contrasted with Oram's electronic section, adding a sci-fi/Dr. Who element for the more imaginative children...

The long-running West Coast-based Secret Chiefs project, here in it's third iteration as an octet, takes on John Zorn's "Book Beri'ah" in its 10th volume, presenting 12 of the final Masada compositions in energetically exciting and virtuosically superb renderings, genre-mashing rock, jazz, fusion, ethnic and avant forms, a superbly compelling and joyful album.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.