Two distinct yet emotionally connected works from pianist Marilyn Crispell, violinist Tanya Kalmanovitch a partner in both; first, a "Memoria" for Crispell's relatives who died in World War II, in spacious and moving character, Richard Tietelbaum adding mood through haunting electronics; and 7 piano & violin duos, from the masterfully eccentric to the beautifully reflective.

The second "Lacy Pool" directed by pianist Uwe Oberg and with drummer Michael Griener the common element, invites Rudi Mahall on clarinets as they interpret, or as Oberg describes it, "unlock" the music of Steve Lacy, in 9 compositions including "Trickles", "Cliches", "Ladies", &c., plus two Oberg compositions that fit into his pool of Lacy interpretations.

With two violins (Mat Maneri & Mark Feldman) and one viola (Jason Kao Hwang), Ivo Perelman initiates his 7-CD "Strings" series, freely improvising in an unusual collective setting as an illusionary string quartet, Perelman functioning as a virtual cello on the saxophone, another tenor instrument he played for years before turning to the sax; stunning.

The 3rd album of NY-based Brazilian tenor saxophonist Ivo Perelman's Strings series with Mat Maneri on viola adds trumpeter Nate Wooley, an unusual instrument for a string series, but in the adaptable creative intent of Wooley's playing the trumpet is found intertwining with the strings and Perelman's cello-like sax runs to create a remarkable complement in their collective voice.

Expanding on the trio setting of NY tenor saxophonist Ivo Perelman's "Strings 3" album, the 4th of the planned 7 CDs adds pianist Matthew Shipp to create a quartet that, while somewhat conventional on the surface, in practice emphasizes a string-like approach in both the woodwind and brass components, Shipp's perspective adding a unique dimension to the collective improvisation.

The second in Ivo Perelman's 7-CD "Strings" series with a core duo of Perelman on tenor saxophone and Mat Maneri on viola, are joined by Downtown NY cellist Hank Roberts on 7 of 9 tracks, and bass clarinetist Ned Rothenberg on 4; the addition of Roberts adds an emotional drive to their recordings, as Rothenberg brings spectacular technique and creative power.

Following their 2016 album "I Am Three, Mingus, Mingus, Mingus", the German trio of Silke Eberhard on alto saxophone, Nikolaus Neuser on trumpet, and Christian Marien on drums invited British improvising vocalist Maggie Nicols to further explore the works of jazz legend Charles Mingus in song and spoken word in a thoroughly enjoyable and worthy tribute to his work.

Born from the duo of Chicago flutist Nicole Mitchell and French bassist Joelle Leandre ("Sisters Where") and brought together by Myra Melford, this is the 2nd album from their Tiger Trio formation, joining profound skill, unusual creative intent, ferociously authoritative conversation, shrewd wit, and an innate sense of balance to 11 succinct collective improvisations.

The New York supergroup of Mary Halvorson on guitar, Tomas Fujiwara on drums, Benoit Delbecq on piano, and Taylor Ho Bynum on cornet & flugelhorn in a studio album with compositions from all 4 players, their friendship and history of working together bringing virtuosity, precision, freedom in exploration and exuberance to their collective conversations.

After more than 10 years of working together, bassist Joe Fonda and drummer Barry Altschul asked saxophonist Oliver Lake and trumpeter Graham Haynes to join in this quartet, their name taken from their first initials, as they present compositions from all four players, plus a poem from Lake, ending with two collective improvisations; a solid and dynamic start to a new quartet.

A diverse set of compositions from and performed by French composer Melaine Dalibert in his third solo piano album, presenting active rhythmic to introspective work, exploring harmonics and chord evolution; artwork by David Sylvian, and one piece composed for Sylvian, alongside pieces for elsewhere label leader Yuko Zama, Peter Garland and pianist Reinier van Houdt.

Presenting LA-based composer Michael Pisaro's recent work "Barricades", a 63-minute piece in 13 Studies for piano performed by Israeli-based pianist Shira Legmann, with electronics performed by Pisaro, punctuated by two electronic Interludes from Pisaro; a rich and reflective work enveloping and intertwining the electronics around solidly articulate piano expression.

"Letters and Folds", contains 6 interpretive pieces by French composer Bruno Duplant, realized in multiple layers by Dutch pianist & composer Reinier van Houdt; "Letters" are letter-form scores addressed to van Houdt containing letter sequences distributed across the page; each "Fold" is a response to each letter, combining piano with field recordings made on John Cage's 100th birthday.

The debut recording of New York double bassist Sean Ali's improvising string trio with violist Joanna Mattrey and cellist Leila Bordreuil, having worked together since 2015, each brings impressive technique and a somewhat twisted approach to their strings in a diverse set of extended improvisation from pensive and spacious to formidable density.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Formed in 1962, the New York Contemporary Five with Don Cherry on trumpet, Archie Shepp & John Tchicai on saxophones, Don Moore on bass, and J.C. Moses on drums, was short lived but their influence long-lasting, this live album from Copenhagen in 1963 a testament to their contribution to 60s free jazz, and a welcome addition to their scant discography.

Recording at Vortex Jazz Club in London in 2018, the As You Hear trio of renowned London and European free jazz pianist Veryan Weston with two younger generation improvisers, Pei Ann Yeoh (violin) and Beibei Wang (drums & percussion), here presenting a sophisticated concert of group improvisation, each collective improvisation named for a spice or seasoning.

A complete, powerful performance at London's Vortex club from the indefatigable quartet led by Canadian saxophonist Francois Carrier, featuring one of the finest European young piano virtuosos, Alexander Hawkins, one of the most in-demand bass players on the Euro/London free improv scene, John Edwards, and long running partner to Carrier, drummer Michel Lambert.

A formidable meeting of three powerhouses of modern creative improvisation of diverse backgrounds -- Filipina-American drummer/percussionist Susie Ibarra, legendary New York bassist William Parker, and Spanish pianist Agusti Fernandez, in a spirited, masterful and stunning live performance at the Joan Miro Foundation in Barcelona recorded in 1998.

Bringing separate collaborations together as a trio, Swedish saxophonist Martin Kuchen (Angles), who has worked separately with Catalan drummer Vascto Trilli and Polish guitarist Rafal Mazur, come together as Nobject, recording at Lodz-Art Inkubator during the sixth Musica Privata festival in Lodz, Poland, for 2 sets of fully free, sinuous and assertive improvisation.

An awe-inspiring concert between two of London's free improvisation legends, recording at Pardon To Tu [Teatr Nowy Clubroom] in Poland--percussionist Eddie Prevost and saxophonist Evan Parker on tenor sax--in an hour-long performance that starts with Prevost's reverberant bowed metal, as the two build and recede with profound concentration and masterful skill.

Argentinian improvisers Paula Shocron (piano) and Pablo Diaz (drums) invite masterful Argentinian clarinetist and Mivimiento Musica Mas founder Guillermo Gregorio to record these 14 collective improvisations in the studio in New York, drawing upon contemporary and jazz elements with virtuosic skill, revealing inventive and imaginative playing.

Splitting his time between Portugal and NY, tuba and euphonium player Ben Stapp's association with guitarist Joe Morris and cornetist Stephen Haynes started in 2011, including participating in their Improvisations series, leading to this trio performing Stapp's compositions with musical forms based on the narrative structure of his novel "Mind Creature Sound Dasein".

Three astonishing concerts on 3 consecutive nights at the Ad Libitum Festival 2017 in Warsaw, Poland from British bassist Barry Guy in 3 configurations: 1st in a duo with Spanish pianist Agusti Fernandez; 2nd in a trio with US pianist Marilyn Crispell and British drummer Paul Lytton; and 3rd in a double bass duo with French bassist Joelle Leandre.

Three concerts from 2016 & 2017 of different string duos anchored by Leandre's double bass, starting at rue Victor Masse 75009 in Paris in a double bass duo with Bernard Santacruz; then a bass and cello duo at Le Triton Les Lilas, France with Gaspar Claus; and completing the set, a performances at DZIK, in Warszaw, Poland with violinist and violist Theo Ceccaldi.

Recorded at the 2014 Ad Libitum Festival in Warsaw, pianist and composer Agusti Fernandez was invited to perform four concerts in celebration of his 60th birthday, choosing his working trio Aurora for once concert, a solo performance of "El Laberint de la Memoria", his electroacoustic Thunder trio, and a large ensemble conduction: "River, Tiger Fire".

Varying the instrument and proportions of acoustic or electric presentation straddling the foreground/background dynamic for each track, Appalachian Trance Metal guitarist Killick presents his first vinyl LP to extend his vast CD discography; a worthy and curious album of solo guitar, acoustic and electroacoustic work that belongs in any guitar enthusiast's collection.

An assertive album of free improv bringing together players from New York (drummer Weasel Walters), London (clarinetist & electric guitarist Alex Ward), and Chicago (trombonist Jeb Bishop), their previous shared projects and cross-genre intentions in rock, hardcore jazz and other experimental forms leading to this wonderfully quirky and masterful album of excoriating free jazz.

"Apsis" makes permanent this Chicago band's expansion from the trio of Dave Rempis on saxophones, Joshua Abrams on bass, and Avreeayl Ra on drums & percussion with pianist & synth player Jim Baker, first heard on "Perihelion", as the 3rd album demonstrates the power and articulate strength of all four through extended and energetic improvisations of great modern jazz.

Fall 2019 issue of Canada's premier music magazine covering contemporary, improvisation and experimental music, plus reviews of recordings, books, and events; this issue has articles on Ana Sokolovic, Charlie Morrow, Nadah El Shazly, Laraaji, Amy Brandon, William Kuo, Sami Blanco, Silla and Rise, Mystery & Wonder Records, including a CD with tracks from the same.

Led by Chicago percussionist and AACM member Kahil El'Zabar and founded in 1981, Ethnic Heritage Ensemble releases this album of Afro-centric spiritual jazz, El'Zabar's voice drawing us into the compelling rhythms and grooves he and cellist Ian Maksin provide as foundations for baritone saxophonist Alex Harding and trumpeter Corey Wilkes' profound soloing.

Led by Chicago percussionist and AACM member Kahil El'Zabar and founded in 1981, Ethnic Heritage Ensemble releases this album of Afro-centric spiritual jazz, El'Zabar's voice drawing us into the compelling rhythms and grooves he and cellist Ian Maksin provide as foundations for baritone saxophonist Alex Harding and trumpeter Corey Wilkes' profound soloing.

This Mexican Klezmer groups with three percussionists, and a number of guests on this album, blends rock, jazz, and funk with Klezmer and Mexican styles, an unusual hybrid to take on the 6th Volume of John Zorn's Book Beri'ah, "Tiferet", combining flute and horns with guitar riffs as they take on Zorn's complex melodies and themes of irresistibly warm grooves.

An octet version of the Boston improvising ensemble Leap of faith Orchestra, in a 3-part work using composer and multi-reedist, multi-instrumentalist David Pecks' timed segments, guiding the musicians through the piece while keeping the performance exuberantly controlled and intensely focused, finding unusual paths for creative statement.

The full Boston-area Leap of Faith Orchestra in its largest configuration performing a Frame Notation Score composed by PEK to guide the improvisation, this work based on the The Photon Epoch, a period in the evolution of the early universe, using a vast assemblage of instruments and devices to create a unique narrative in an energetic and wonderfully unpredictable journey.

Reed player, composer and multi-instrumentalist David Peck (Aka PEK) presents a string-oriented edition of his long-running Leap of Faith ensemble, where violinist Mimi Rabson and cellist Glynis Lomon make up half of the quartet, all taking on a vast arsenal of percussive instruments, and Yuri Zbitnoff sporting a set of "shiny new drums".

Performed by a core set of 7 players who frequent the Boston-area Evil Clown collective, this subgroup from the Leap of Faith Orchestra is caught live at Third Life Studios in Somerville, MA, in a drummer-less setting of rhythm from PEK's arsenal of percussive devices and instruments, for a diverse & extended work of transformations across highly varied sonorities.

A core trio setting for Boston's framework improvising Leap of Faith with David Peck (PEK) on clarinets, saxophone and assorted winds, Yuri Zbitnoff on drums & percussion, and Glynis Lomon on cellos and percussion, along with "2 gongs, a ton of Tibetan bowls and bells, various orchestral castanets, various seed pod and other wood rattles, and other small things".

For this performance the Leap of Faith trio of PEK on clarinets, saxophones, double reeds & flutes, Glynis Lomon on cello, aquasonic & voice, and Yuri Zbitnov on drums & percussion was joined by Jim Warshauer (reeds) and Eric Dahlman (trumpet, overtone voice) to perform two improvisations, including a long work featuring transformations across highly varied sonorities.

Formed in 2015 by reedist and multi-instrumentalist David Peck and percussionist Yuri Zbitnov to explore chaotic rhythms on metallic instruments, using the now extended arsenal of exotic percussive instruments the collective has amassed, in a 2-part album with Mike Gruen on electric bass creating a power trio of unusual rhythmic intention.

Jon Madof's 10-piece Zion80 ensemble exploring the Jewish tradition through the lense of afro-beat, funk, rock and jazz takeJon Madof's 1Jon Madof's 10-piece Zion80 ensemble exploring the Jewish tradition through the lenses of afro-beat, funk, rock and jazz, takes on John Zorn's 8th volume of his Book Beri'ah in 9 lyrically upbeat and effusive compositions that are rhythmically exciting and charged by superb soloing, a great album of irresistible beats and euphoric melody.0-piece Zion80 ensemble exploring the Jewish tradition through the lense of afro-beat, funk, rock and jazz takes on John Zorn's 8th volume of his Book Beri'ah in 9 lyrically upbeat and effusive compositions that are rhythmically exciting and charged by superb soloing, a great album of irresistible beats and euphoric melody.s on John Zorn's 8th volume of his Book Beri'ah in 9 lyrically upbeat and effusive compositions that are rhythmically exciting and charged by superb soloing, a great album of irresistible beats and euphoric melody.

Stephen Gosling performs solo piano works by John Zorn, 3 impressionistic pieces in the tradition of Debussy and Ravel paying tribute to legendary ballet dancer Nijinsky, to author Novalis who is credited with inventing the prose poem, and 3rd century poet Nossis, and a duo for piano & violin with Chris Otto inspired by the art of Hilma af Klint and the writings of Sigmund Freud.

Inspired by the life and thought of the spiritual figure Saint Francis of Assisi, John Zorn composed these ten guitar trios as a suite to be performed during a residency at the Frick museum in New York City, with guitarists Julian Lage and Gyan Riley, heard on his previous "Midsummer Moons" album, joined by guitarist Bil Frisell; contemplative and lyrical music.

Having supported Paul Dunmall, Evan Parker, Mikolaj Trzaska, Ken Vandermark, &c., the UK rhythm section of Olie Brice on double bass and Mark Sanders on drums joined forces for their own Somersaults trio with tenor saxophonist Tobias Delius (ICP), this second album an example of their buoyant, optimistically playful and melodically charged free improvisation.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.