With many participants from Ensemble Musique and the Montreal Musique Actuelle scene, composer and multi-instrumentalist Jean Derome directs an ensemble into the exploration of electricity and "Resistances", blending electronics, turntable, 60 Hz hums and other electronics into an orchestra of improvisers executing his dynamic 16 movement composition.

A wonderfully inventive and enjoyable solo guitar album from Montreal guitarist Bernard Falaise, a member of Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups, here mostly focused on acoustic guitar with open turning fed into effects pedals, alongside pieces for electric guitar, glockenspiel and melodica; magnifique!

Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.

Multi-instrumentalist improviser Harutaka Mochizuki releases this solo album performing on saxophone, performing two extended improvisations that explore the instrument as a whole, producing unusual sounds from the physical and mechanical aspects of the horn alongside more traditional playing, using an expanded range of dynamics to build tension and interest.

Aishi Oyauchi is a free improvising alto saxophonist in the tradition of Kaoru Abe and who hails from the same first generation of Japanese free improvisers from the 1960s; this album finds him performing on alto and soprano sax at Performing Art Center, using space and abrupt diversions alongside unusual tone and technique with percussive asides.

A remarkable album of electronic composition from sound experimenter and improviser Thanos Chrysakis, ten stunning compositions that explore a diverse set of tones across a broad spectrum of rich deep timbre and beautiful high frequency ringing, bell-tones at times taking the focus, at others providing a rotating basis for ethereal experiments; sophisticated and engaging!

Bridging folk traditions with modern aesthetics, the duo of Evan Baker on guitar and Austin Glover on violin, both contributing songs, sing about everyday events, music, and life, the songs having a bluesy and even early Kinks feel at times, made unique through a cappella moments and languid instrumental sections.

Using circular breathing and continuous sound, the Montreal duo of clarinetist and saxophonist Philippe Lauzier and Pierre-Yves Martel on viola da gamba, objects & feedback is a concentrative album of understated but definitive sound that develops with a profound level of precision and control, using suspense, tension, release and confidence in each other's unusual dialog.

Montreal multi-wind instrumentalist Pierre Labbe (Les Projectionnistes, L'Orkestre des Pas Perdus, Papa Boa) leads an insanely talented and quirky quartet with guitarist Bernard Falaise, drummer Pierre Tanguay, and narrator/storyteller Michel Faubert, creating a captivating album that transcends language in it's superb pacing, development, and artistry.

Montreal's six-piece Cordame and composer Jean Felix Mailloux arrange and interpret 18th century composer Erik Satie's work "17 Variations" in celebration of his 150th birthday, adding a lilting swing and beautiful features allowing the orchestration of piano, harp, violin, cello, double bass, and percussion to improvise over these enduring melodies.

One long-form sound composition each from Argentinian guitarist and sound artist Alan Courtis and San Francisco experimenter Thomas Dimuzio, each developing their track using sound sources provided by the other artist, which they manipulated, layered and morphed into these fascinating side-long works, presented together on green translucent vinyl.

Canada's premiere creative and new music magazine in their 129th issue, Winter 2017/18, with Geronimo Inutiq on the cover, plus articles on University of Victoria's music department, reedist Karen Ng, Hans-Joachim Roedelius, Kamancello, Quasar saxophone quartet, Biophilia, Spool, and an 11-track CD with music from those artists and more.

Perhaps the most exceptional of the "road' albums from the Henry Cow Box Set, this 1976 Trondheim concert found the band missing bassist John Greaves and singer Dagmar Krauss, so instead of their set list they shut off the lights and gave the audience pure improvisation using EA and concrete approaches, heard in spectacular detail in Bob Drake' remaster.

Using layers of bass clarinet in microtonal harmonies and micropolyphonies, Montreal bass clarinetist Philipe Lauzier (Sainct Laurens, Quartetski, Toiture and Not the Music) creates a mesmerizing set of textural and tonal environments, rich and slowly unfolding pieces that hold interest in the intersections of saturated timbre, tone and unforeseen harmony.

Using layers of bass clarinet in microtonal harmonies and micropolyphonies, Montreal bass clarinetist Philipe Lauzier (Sainct Laurens, Quartetski, Toiture and Not the Music) creates a mesmerizing set of textural and tonal environments, rich and slowly unfolding pieces that hold interest in the intersections of saturated timbre, tone and unforeseen harmony.

Translating to "this is not", the experimental Montreal trio of Michel F. Cote, Alexandre St-Onge and Bernard Falaise have for 20 years experimented in sound, bridging rock, experimental and improvised forms, here in a 3-CD retrospective of studio works from the last 16 years with collaborators Jean Derome, Ellwood Epps, Sam Shalabi, Philippe Lauzier, and Christof Migone.

A mix of Afro-Cuban, Middle Eastern, jazz and rock traditions fuel the rich rhythmic and spiritual music of the trio of Elaine Edwards (The Moors) on saxophone and flute, Ken Edwards on bass and voice, and Jamie Harris on percussion and voice, referencing the powerful Arabian mythical demon "Afrit" and the insterstellar clouds of dust that make up a nebula.

Peter Blegvad expands his trio with Henry Cow alumni, drummer Chris Cutler and bassist John Greaves, this time with Karen Mantler on keys and chordal instruments, and Bob Drake on guitar, voice and percussion, reworking songs from his solo career and work with Slapp Happy, alongside new numbers of classic Blegvad wordplay, wit, depth and humor; like the label, Recommended!

The UK's Delta Saxophone Quartet of Chris Caldwell, Peter Whyman, Graeme Blevins and Tim Holmes, known for their interpretations of compositional and popular music, take on the music of David Bowie, particularly focused on his Berlin years, and also connected pieces from Brian Eno's ambient output, and Brecht's "Alabama Song" in reference to Bowie's "Baal" album.

Sharing guitarist Andy Moor of The Ex, this quartet's first album established them as a truly alternative and intelligent rock band that incorporated free playing, a band literate and technically skilled but upholding a punk/no-wave drive and determination, with political and socially conscious attitudes, and superlative upbeat and danceable music.

With packaging embellished by 5 images of Paul Dunmall's wood engravings, this album catches the saxophonist on soprano, alto and tenor in the company of saxophonist Frank Paul Schubert on soprano and alto, with Sebastiano Dessanay on bass and Jim Bashford on drums, performing live at Lamp Tavern, in Birmingham for an album of intertwining reeds and solid rhythmic support.

Recording at Jazz at the Fringe in Bristol in 2017, saxophonist Paul Dunmall shows his Coltrane influence in three extended improvisation with the trio of long-time collaborator Tony Orrell on drums and percussion, and bassist and trumpeter Percy Pursglove, in a concert that presents masterful playing, impressive creative asides, and insightful soloing.

Dark Tree's Southern California archive series adds this phenomenal session from multi-woodwind player Vinny Golia's Wind Quartet with clarinetist John Carter, trombonist Glenn Ferris, and cornetist Bobby Bradford, recorded fairly early in their careers in 1979 live at Century City Playhouse in LA for two sets of exploratory, dexterous and astounding jazz.

Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin Decanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing.

The Belgian creative improvising quartet Kabas of Jan Daelman on flute, Thijs Troch on piano, Nils Vermeulen on double bass, and Elias Devoldere on drums for a 2-CD release, one album in studio with trumpeter Luis Vicente (Deux Maisons, Chamber 4), and one live at Portugal's SMUP with both Vicente and percussionist Carlos Godinho (Variable Geometry Orchestra).

Australian / Polish composer Dominik Karski presents several works for flute performed with collaborators Ewa Liebchen on piccolo, flute, alto flute, bass flute, tam tam, Rafal Jedrzejewski on flute, alto flute, bass flute and tam tam, and Zofia Dowgiatto Zynch on harp, including the 4-part "Veiled Voice", "Glimmer", and two parts of "Streamforms".

Four solo saxophone improvisations, two on tenor and two on soprano, using remarkable technique and concentration from Swiss improviser Christian Kobi performing live in Tokyo and Osaka in 2017, plus a live quartet improvisation with flutist Wakana Ikeda, violinist Yoko Ikeda, and guitarist Taku Sugimoto for an open-approached performance of detailed, minimal improv.

The uniquely voiced free improvising Kodian Trio formed of saxophonist Colin Webster using aggressive techniques and unusual approaches to his horn, electric guitarist Dirk Serries (vidnaObmana) throwing spiky lines in forceful and unorthodox dialog, and in-demand UK drummer Andrew Lisle providing underpinning and punctuation, in six far-ranging and impressive tracks.

Guitarist Bill Frisell joins forces with producer/arranger Kramer for an exploration of the legendary song writing teams that were developed in the legendary Brill Building at 1619 Broadway in New York City, where songwriters like Paul Simon, Burt Bacharach, Neil Diamond, Doc Pomus, Al Kooper, & Carole King created some of American culture's most endearing work.

Clarinetist and bass clarinetist Peter Kuhn defines his "intentions" with his trio of bassist Kyle Motl and drummer Nathan Hubbard, recording in the studio in 2017 for an album of determined, informed and demanding free improvisation, a reflection of Kuhn's life and his direction to create superb modern jazz music with power, release, and inventive joy.

A great example of Downtown New York modern improvisation that takes unexpected twists and turns, from the collective quartet of bassist Brandon Lopez, a frequent collaborator with Nate Wooley and Ivo Perelman, tenor saxophonist Matt Nelson ( tUnE-yArDs), vibraphonist Andria Nicodemou (Thread Ensemble, Taylor Ho Bynum), and Gerald Cleaver (Veil of Names, Uncle June, &c).

A collective free improvising trio active on the London jazz scene for the last few years, comprised of Kurt Weil interpreter, pianist Vladimir Miller whose first quartet was formed in 1987; double bassist Pierpaolo Martino, who studied with Joelle Leandre and Mark Dresser; and saxophonist Adrian Northover known for The Remote Viewers and London Improvisers Orchestra.

A masterful concert recorded at Sant'Anna Arresi Jazz Festival in Sardinia, Italy in 2005 between Chicago AACM legendary saxophonist and composer Roscoe Mitchell, performing on alto and soprano saxophones, and New York pianist Matthew Shipp, a member of Mitchell's Note Factor for 10 years, here presenting a 7 part work, pushing and challenging each other to great heights.

Under-recorded but legendary Japanese free improvising saxophonist Aishi Oyauchi in a double CD, performing on alto saxophone, soprano saxophone, and piano through 52 untitled and inventive pieces, from a few seconds in length to several minutes, presented as 7 composite tracks; part of the Armageddon Nova Series exploring radical free improvisation.

The 2nd volume in New York free improvising basist William Parker's "Conversations" series, more than 500 pages with 32 interview between William Parker and artists including Marshall Allen, Tim Berne, Wadada Leo Smith, Mark Dresser, Henry Grimes, &c &c, plus a CD excerpting those interviews and punctuated with duos between Parker and saxophonist Kidd Jordan.

An absolutely phenomenal example of free improvisation, both on cello and on voice, from French improviser Didier Petite performing live at La Plantation, in Beijing, China in 2016, showing profoundly great skill, a fount of creative impulse and ideas, and wonderfully idiosyncratic vocals and songs to accompany himself; an inspiring and delightful record.

Two trios, "Black" with cellist Chris Eubank and violist Dan Ruccia, and "White" with trombonist Jeb Bishop and saxophonist Laurent Estoppey, each with the foundation of bassist David Menestres, balancing experience in free improvisation and compositional music to create an exciting hybrid, a chamber collective of tumult and control.

Polyorchard founder and double bassist David Menestres leads the quartet of Jeb Bishop on trombone, Shawn Galvin on percussion, and Laurent Estoppey on saxophone, using skills drawn from both improvisation and compositional music to present six free dialogs showing intent listening amongst the four as they create complex, interweaving, sophisticated statements; impressive!

A collection of more than two hundred Hebrew religious chants compiled and published by cantor Abraham Berenstein in 1927 in Vilna, Poland (today Vilnius, Lithuania), re-composed by Arturas Bumsteinas using fragments of melodies found found in the Berenstein's book, with electronics recorded on the old Russian analogue synthezier Polyvox then mixed in EMS.

Exceptional improvisation with a dark underpinning and masterful technique from the Berlin-based collective trio of Simon Rose on baritone and alto saxophones, Willi Keller on drums, and Jan Roder on double bass, recording in the studio and mixed by Olaf Rupp, for an intense ride through seven recordings with titles like "Human Head" or "That Metal Smell".

Multi-reedist Udo Schindler is captured live at Ars Musica, in Stemmerhof, Munich performing on clarinet, soprano sax, and euphonium in a trio with sound artists Korhan Erel and trombonist Sebastiano Tramontana, a uniquely voiced concert that places intricate reed and brass playing against unusual electronic interactions, balancing energetic and spacious moments.

Polish composer and recorder player Dominik Strycharski wrote these pieces in response to a work for the recorder by composer Louis Andriessen that he dedicated to Frans Bruggen: "Melodie"; Strycharski response is "Harmonie", performed in a duo with pianist Sebastian Zawadzki to demonstrate the impracticability of harmony in its purest forms.

Rich sonic atmospheres from subterrene, aka Grant Stewart, a member of the 910 Noise collective, using slowly evolving and dovetailing drones that resonate and reveal shimmering beauty, deeply controlled and maintaining aural interest without any sense of impatience, maintaining a steady hand that reveals hidden harmonics amongst beautiful clouds of sound.

Blending Serbian ethnic flavors, rich experience in both improvised and compositional/symphonic music, with inventive and creative free improvisation, viola player Szilard Mezei's leads his trio with double bassist Ervin Malina and drummer Istvan Csik through seven original compositions, two of which were captured live in performance in Novi Sad.

Merging France's Nautilis Ensemble with musicians from Chicago created this large improvising orchestra, here in a new suite composed by Rob Mazurek and dedicated to Great Lake Michigan and the devestation of thousands of shipwrecks over many centuries, using historical data, first hand accounts of shipwrecks off both shores, magical realism and steampunk aesthetics.

Saxophone solo improvisation omnibus by three free saxophonists from around the globe: Lao Dan from China recording in an underground bomb shelter in an agressive solo performance; US ex-pat Rick Countryman from the Philippines in a traditional yet extremely free jazz exposition; and London's Colin Webster on baritone sax for an exploration of extended techniques.

Hubert Zemler is a classically educated percussionist who works with both symphony orchestras and improv, here performing 3 works, his own 4-part "Pupation of Dissonance", revealing an incredible knowledge and exultation in approaches to solo percussion, alongside Steve Reich's "Music for Pieces of Wood" and Per Norgard's study in drifting pulses and overlapping accents, "Waves".

The second volume of Rutger Zuydervelt AKA Machinefabriek's soundtrack for System Era's Astroneer game, a sci-fi exploration and adventure game, in discrete tracks presenting the themes and melodies that are played continuously in reaction to the action of the player in the game.

Guitarist Raphael Roginski reinterprets the music of the Kurpi region of Poland, performed with vocalist Genowefa Lenarcik who was born in 1940 in the village of Krobia, part of the Kurpi region, and is the daughter of folk singing legend Stanislaw Brzozowy; together they bring out the rich heritage of this region, expanded by the natural sounds of the forests of Northeaster Poland.

A fully and freely improvised duo from Chicago artists Nick Mazzarella on alto saxophone and Tomeka Reid on cello, using flowing and long lyrical lines with an unhurried sense of depth and richness even in the most complicated of runs, and playful inventiveness throughout, opening the album with a tribute to the duo work of Julius Hemphill and Abdul Wadud.

For more than 20 years Brazilian tenor saxophonist Ivo Perelman and New York pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this first volume of 6 albums brings the two together with frequent collaborator William Parker for a 6 part work, fittingly dedicated to Saturn's largest moon, "Titan".

For more than 20 years Brazilian tenor saxophonist Ivo Perelman and New York pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this second volume brings the duo together with legendary drummer Bobby Kapp, whose nimble and relaxed approach showcases himself and the duo of Pereleman Shipp with grace.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 3rd volume brings David S. Ware's (or Shipp's Trio) rhythm section the studio for a turbulent and ultimately fiersome album of free improv that only such long relationships can invoke.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 4th volume celebrating that partnership adds another long-term compatriot, NY bassist Michael Bisio, for a 10 part series of improvisations exploring a diverse set of approaches.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 5th volume celebrating that partnership brings the duo together with bassist William Parker and drummer Whit Dickey, where the long-term bonds of all 4 players push each to great heights.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 6th volume bring us back to the core, evoking the planet Saturn in a 10-part series of duos between these two masterful players, showing fire and angular playing in mid-tempo exploration.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 7th and final volume brings legendary drummer Andrew Cyrille together with the duo in a subtle album propelled by Cyrille's authoritative rhythms and superb interaction of all three players.

Her 10th solo album is a welcome addition to composer, singer, and multi-instrumentalist Amy Denio's catalog, introducing 16 new songs, instrumental works, and general quirky superlative music that looks at life with a sharply optimistic eye and a joyful melody in her heart, taking delight in the banal and focusing criticism on the inane; wonderful!

The second album from this Norwegian electric improvising power trio, using dark rhythmic grooves over which guitar, electric piano, amplified objects, no-input mixing board, and pianet emerge, creating hypnotic states that lead to exultant moments through sinuous melody, building and releasing intensity while maintaining a consistent gauzy undertone.

Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.