Anthony Braxton's first album as a leader, recorded in 1968 with Braxton performing on sax, clarinet, flute, bagpipes, accordion, bells & snare, in the company of trumpeter Wadada Leo Smith and violinist Leroy Jenkins, each taking on a variety of instruments as well.

Pianist and vocalist Marilyn Crispell's 2nd trio album from 1990 recorded live at Switzerland's Taktlos Festival in 1989, in the company of masterful free improvisers Reggie Workman on bass and Paul Motian on drums.

A wonderfully playful and buoyant duo between trombonist Sebi Tramontana and reedist Frank Gratkowski performing on bass clarinet, clarinet, and alto saxophone, performing live at Spanski Borci Theatre, in Ljubljana, Slovenia in 2016 over 15 concise and compelling dialogs.

Saxophonist Silke Eberhard leads her trio with Nikolaus Neuser on trumpet and Christian Marien on drums, through a distillation of well known and lesser known Mingus tunes, restricting each tune to its essence in 3-4 minute renderings focusing on Mingus' compositional strength.

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways.

Pianist Simon Nabatov plays the music of Thelonious Monk in a live concert from 1995, alternating those recordings with a 2013 concert of solo electroacoustic work, an unusual approach that focuses the melodic aspects of Monk while highlighting his eccentricity and intrepidity.

Saxophonist Ivo Perelman is the anchor for the 6 volumes of "The Art of the Improv Trio", here with Karl Berger on piano and Gerald Cleaver on drums in a lyrical album that flows with grace and thoughtfulness, from ballad introspection to uptempo excitement, an impressive start to the series.

The second volume of New York/Brazilian saxophonist Ivo Perelman's 6-part series "The Art of the Improv Trio" is the most unique of the set, with Mat Maneri on viola and Whit Dickey on drums for a series of thirteen shorter and more intricate works of great range and diversity.

The 4th volume in Brazilian/New York saxophonist Ivo Perelman's exemplary 6-part series "The Art of the Improv Trio" bring together bassist William Parker and drummer Gerald Cleaver for a 3-part set of free improvisation, beautifully flowing dialog of masterful playing.

The Berlin quartet of bass clarinetist Rudi Mahall, Nicola L. Hein on guitar, Adam Pultz Melbye on bass and Christian Lillinger on drums, using traditional and extended techniques in spontaneous compositions that blend free jazz and sound improvisation in truly unique ways.

The Swiss string trio led by violinist Harald Kimmig, with Daniel Studer on bass and Alfred Zimmerlin on cello, is joined by UK saxophonist John Butcher for a set of improvisations that build with a unique percussive vitality and burning intensity.

Japanese guitarist and daxophone player Kazuhisa Uchihashi joins forces with Berlin-based composer and free improvising analogue modular synthesizer player Richard Scott for an album of unique orchestration, the daxophone "humanizing" the playing with unusual voicing.

Three free improvisations at the burning heart of the Japanese Free Improv scene from the trio of Junji Hirose on sax, Yoshinori Mochizuki on bass, and Ironfist Tatsushima on drums, balancing two tracks of frenetic playing with a lowercase extended instrumental piece.

Tatsuya Yoshida's insanely complex and exhilarating rock project Ruins started around 1986, and bassist Ryuichi Masuda (also a member of Koenji Hyakkei) has been with him since the early days; this CD reissues the 1992 Shimmy Disc album, originally an LP, here with the CD bonus tracks.

Urgent and inspired free jazz from the Swedish/UK trio of Martin Kuchen on tenor and soprano sax, flute and retardophone, Johan Berthling on double bass, and Steve Noble on drums and percussion, recording a series of "Gate" improvisations, anguished laments of power and pulchritude.

Powerful and diverse duo recordings between trombonist Johannes Bauer and Peter Brotzmann on tenor & alto saxophone, Tarogato, & clarinet, recorded in Osaka, Japan in 1997, released as a tribute to Bauer, who passed away in 2016, part of Brotzmann's archive of unreleased material.

One of Chicago reedist Ken Vandermark's regular trios while in Austria, DEK is named for the letters of the 1st name of Vandermark, drummer Didi Kern and pianist Elisabeth Harnik, drawing inspiration from free improv, free rock, & cross-media projects of each member.

NY Composer and percussionist Harris Eisenstadt furthers his exploration into long-form composition and unusual instrumentation in his 20th release as a bandleader, with a spectacular improv ensemble including Nate Wooley, Jeb Bishop, Han Roberts, Anna Webber, &c. &c.

Pianist Matt Mitchell, a member of saxophonist Tim Berne's Snakeoil, releases a solo album of Berne compositions, taking the reedist's typically frenetic material into unexpected territory, revealing dark beauty and intensely introspective aspects to Berne's music.

Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Japanese Steelpan player Yoshio Machida's 11th solo album, performed on the metal slit drum, made from a small gas tank tuned to the C scale over 2 octaves, which he takes into warm territories of rich overtones and melodic invention influenced by Kora, Gamelan, Kulintang and Myanmar musics.

Silom is a Slovenian creative music trio using a variety of string, percussive, and melodic percussive instruments, focused on the acoustic aspects of complex evolving works that combine composed and improvised aspects to create rich music with ancient ethnic overtones.

Composer John Zorn's Simulacrum ensemble of Trevor Dunn (bass), John Medeski (keyboards), Kenny Grohowski (drums), Matt Hollenberg (guitar), and Sara Serpa (voice) in their 6th album of heavy improv, celebrating the 500th anniversary of the passing of painter Hieronymus Bosch.

Adventurous/Leventuruos is a good description of the articulate, sophisticated, and exciting trio work that Israeli pianist Daniel Sarid, double bassist Gilad Abro, and drummer Ziv Ravitz present, in 8 dynamic pieces that balance free, rapid and lyrical jazz.

Italian drummer and percussionist Tiziano Tononi leads a large ensemble performing the music of American Rock Band The Allman Brothers, who Tononi cites as a major influence in his life for both their style, and for incorporating jazz, blues, southern rock and New Orleans cross-rhythms.

The 2nd release in a new series of small groups drawn from members of the Discus Music family, where the group meets, writes, rehearses and records in one single session, here developing ten compositions from all four players edited into a continuous sequence of structure and improvisation, embracing melody, texture and pure abstraction.

An absolutely impressive album blending advanced/progressive rock forms with improvisation, starting from collective improvisation and layering in the studio to create a sophisticated psychedelic music, the second album from this ensemble that is headed by Martin Archer (reeds & keys), Chris Bywater (keys & synth), and Steve Dinsdale (drums & percussion).

With a 20 year history, double bassist Carlos Bica's trio Azul with Frank Mobus and Jim Black have developed a romantic, lyrical style that balances unusual textures and agressive playing with melodic style in wonderfully natural ways, here in their 6th alluring album.

NY pianist Zack Clarke initiates his album in the electronic realm, resolving to jazz trio work with Henry Fraser on double bass and drummer Dre Hocevar, in an album interspersed with electronics and free playing, an appealing blend of traditional and experimental approaches.

Fiction, folklore and everyday sounds fuel the compositions of NY pianist Angelica Sanchez, with her trio of Michael Formanek on double bass and Tyshawn Sorey on drums, the band explores concepts of lucid dreaming, backyard birds, novels, mythical creatures and ancient structures, in a magnificent album of inspired free improvisation.

New York alto saxophonist Michael Attias presents his new quartet with Aruan Ortiz on piano, John Hebert on bass and Nasheet Waits on drums, in his sixth album as a leader, a lyrical album dealing with the theory of elasticity and the concept of equality in music.

The unique orchestration of this trio, with Tony Malaby on sax, Mat Maneri on viola, and Daniel Levin on cello, givs a distinct character to the highly informed improvisations from these commanding players, who recorded this album at Three's Brewing in Brooklyn in 2015.

A live recording of drummer/composer Harris Eisenstadt's Canada Day band performing as a quartet with trumpeter Nate Wooley, saxophonist Matt Bauder, and bassist Pascal Niggenkemper, recorded at SUMP during their 2016 European tour, an exemplary set of free playing over a great set of original compositions, including a large work in 3 sections and 5 parts.

A live recording from Jazz Festival Ljubljana in 2016 from Slovenian guitarist Samo Salamon leading a trans-national sextet with Julian Arguelles (sax), Achille Succi (bass clarinet), Roberto Dani (drums), Pascal Niggenkemper (bass), and Christian Lillinger (drums) through a series of complex harmonic and rhythmic compositions named for colors.

With members of Sao Paulo Underground, Pharoah and The Underground, and Chicago Underground, cornetist/electroacoustic artist Rob Mazurek leads a quintet with Mauricio Takara (drums), Thomas Rohrer (winds), Philip Somervell (piano) and Guilherme Granado (keys) through a unexpected confluence of styles to create an otherworldly blend of spiritual music.

Draksler's interest in poetry drives this 2-CD release, with a chamber octet of improvisers and orchestra players, with 2 vocalists, two reedists (inc. Ab Baars), violin, piano, double bass, drums & orchestral percussion, performing Draksler's compositions for the words of Pablo Neruda and Andriana Minou.

Trespass trio with Martin Kuchen on saxophone, Per Zanussi on double bass, and Raymond Strid on drums & percussion, tell us instrumental narrative through compassionate, impassioned and unorthodox writing and playing, about Romania's Pitesti Prison, where for 4 years around 1950 totalarian authorities practiced brainwashing experiments on the inmates.

Primarily a bass and guitar duo between Portugese natives Joao Hasselberg, on double bass and electric, and electric guitarist Pedro Branco, here in their second album together of delicately sophisticated string improvisations, joined by a a great set of collaborators to expand the duo to trio and quartet.

An assertive album of free playing from the trio of Peter Van Huffel on alto sax, Roland Fidezius on electric bass, and Rudi Fischerlehner on drums, giving the music punk-jazz overtones in sound and rhythmic approach while clearly adhering to the heavy free jazz styles of the European masters.

Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.

A darkly ritualistic, scrabbly album of darkly ritualistic improvisation from the Portuguese trio of saxophonist Mestre Andre, also on electronics, percussion, mbira and voice, double bassist Bernardo Alvares and drummer/percussionist Raphael Soares.

Anthony Braxton's first album as a leader, recorded in 1968 with Braxton performing on sax, clarinet, flute, bagpipes, accordion, bells & snare, in the company of trumpeter Wadada Leo Smith and violinist Leroy Jenkins, each taking on a variety of instruments as well.

Two long-form compositions combining acoustic and electronic orchestration by Antoine Chessex, convoluted works that take unusual twists and turns from spirited interaction to beautiful sonic passages, performed at London's Cafe Oto by an ensemble including Dominic Lash, Andrew Sparling, Jerome Noetinger, &c.

A live recording in 2001 at Germany's The Loft from saxophonist & clarinetist Frank Gratkowski and his quartet with Wolter Wierbos on trombone, Dieter Manderscheid on bass, and Gerry Hemingway on drums, a superb example of the saxophonist's stature in the free improvising community, and the outstanding players he associates with.

An open and unconventional set from the duo of Mats Gustafsson on sax, piano & organ and iDEAL Fest found Joachim Nordwall on electric guitar and synth, recording at the Viennese Garnison7 studio in 2013, for six mysterious and spellbinding improvisations, particularly the extended and impressive title track.

Chicago free improvising cellist and electronicist Fred Lonberg-Holm and Poznan, Germany drummer, having worked together in larger group settings, met as a duo at MDK Dragon Club in Ponzan to record these four far-ranging improvisations of unusual textures, rhythms and sonic interactions.

Bringing to light an excellent concert from 1977 in San Marcello, Portugal, and studio recordings at Ictus Studio, Pistoia, Italy from the same year, between UK free improvising master saxophonist Evan Parker on soprano & tenor, and Italian percussionist Andrea Centazzo on drums, percussion, and electronics.

The 6th and final volume of tenor saxophonist Ivo Perelman's ambitious series exploring modern free improvisation in a variety of trio setting with differing players and configurations, here with Joe Morris on bass and Gerald Cleaver on drums in an extended and masterful 2-part recording that runs the gamut of lyrical and burning free jazz.

The 2nd volume in Sun Ra's "Discipline" series was recorded during the same sessions as 1972's Impulse release "Space Is the Place", with Sun Ra on electronic keyboards and Moog, and a large band including Marshall Allen, John Gilmore, Danny Davis, Akh Tal Ebah, June Tyson, &c.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.