Japanese guitarist and daxophone player Kazuhisa Uchihashi joins forces with Berlin-based composer and free improvising analogue modular synthesizer player Richard Scott for an album of unique orchestration, the daxophone "humanizing" the playing with unusual voicing.

Three free improvisations at the burning heart of the Japanese Free Improv scene from the trio of Junji Hirose on sax, Yoshinori Mochizuki on bass, and Ironfist Tatsushima on drums, balancing two tracks of frenetic playing with a lowercase extended instrumental piece.

NY Composer and percussionist Harris Eisenstadt furthers his exploration into long-form composition and unusual instrumentation in his 20th release as a bandleader, with a spectacular improv ensemble including Nate Wooley, Jeb Bishop, Han Roberts, Anna Webber, &c. &c.

Pianist Matt Mitchell, a member of saxophonist Tim Berne's Snakeoil, releases a solo album of Berne compositions, taking the reedist's typically frenetic material into unexpected territory, revealing dark beauty and intensely introspective aspects to Berne's music.

Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow.

Japanese Steelpan player Yoshio Machida's 11th solo album, performed on the metal slit drum, made from a small gas tank tuned to the C scale over 2 octaves, which he takes into warm territories of rich overtones and melodic invention influenced by Kora, Gamelan, Kulintang and Myanmar musics.

Composer John Zorn's Simulacrum ensemble of Trevor Dunn (bass), John Medeski (keyboards), Kenny Grohowski (drums), Matt Hollenberg (guitar), and Sara Serpa (voice) in their 6th album of heavy improv, celebrating the 500th anniversary of the passing of painter Hieronymus Bosch.

Adventurous/Leventuruos is a good description of the articulate, sophisticated, and exciting trio work that Israeli pianist Daniel Sarid, double bassist Gilad Abro, and drummer Ziv Ravitz present, in 8 dynamic pieces that balance free, rapid and lyrical jazz.

Italian drummer and percussionist Tiziano Tononi leads a large ensemble performing the music of American Rock Band The Allman Brothers, who Tononi cites as a major influence in his life for both their style, and for incorporating jazz, blues, southern rock and New Orleans cross-rhythms.

The 2nd release in a new series of small groups drawn from members of the Discus Music family, where the group meets, writes, rehearses and records in one single session, here developing ten compositions from all four players edited into a continuous sequence of structure and improvisation, embracing melody, texture and pure abstraction.

An absolutely impressive album blending advanced/progressive rock forms with improvisation, starting from collective improvisation and layering in the studio to create a sophisticated psychedelic music, the second album from this ensemble that is headed by Martin Archer (reeds & keys), Chris Bywater (keys & synth), and Steve Dinsdale (drums & percussion).

With a 20 year history, double bassist Carlos Bica's trio Azul with Frank Mobus and Jim Black have developed a romantic, lyrical style that balances unusual textures and agressive playing with melodic style in wonderfully natural ways, here in their 6th alluring album.

NY pianist Zack Clarke initiates his album in the electronic realm, resolving to jazz trio work with Henry Fraser on double bass and drummer Dre Hocevar, in an album interspersed with electronics and free playing, an appealing blend of traditional and experimental approaches.

Fiction, folklore and everyday sounds fuel the compositions of NY pianist Angelica Sanchez, with her trio of Michael Formanek on double bass and Tyshawn Sorey on drums, the band explores concepts of lucid dreaming, backyard birds, novels, mythical creatures and ancient structures, in a magnificent album of inspired free improvisation.

New York alto saxophonist Michael Attias presents his new quartet with Aruan Ortiz on piano, John Hebert on bass and Nasheet Waits on drums, in his sixth album as a leader, a lyrical album dealing with the theory of elasticity and the concept of equality in music.

The unique orchestration of this trio, with Tony Malaby on sax, Mat Maneri on viola, and Daniel Levin on cello, givs a distinct character to the highly informed improvisations from these commanding players, who recorded this album at Three's Brewing in Brooklyn in 2015.

A live recording of drummer/composer Harris Eisenstadt's Canada Day band performing as a quartet with trumpeter Nate Wooley, saxophonist Matt Bauder, and bassist Pascal Niggenkemper, recorded at SUMP during their 2016 European tour, an exemplary set of free playing over a great set of original compositions, including a large work in 3 sections and 5 parts.

A live recording from Jazz Festival Ljubljana in 2016 from Slovenian guitarist Samo Salamon leading a trans-national sextet with Julian Arguelles (sax), Achille Succi (bass clarinet), Roberto Dani (drums), Pascal Niggenkemper (bass), and Christian Lillinger (drums) through a series of complex harmonic and rhythmic compositions named for colors.

With members of Sao Paulo Underground, Pharoah and The Underground, and Chicago Underground, cornetist/electroacoustic artist Rob Mazurek leads a quintet with Mauricio Takara (drums), Thomas Rohrer (winds), Philip Somervell (piano) and Guilherme Granado (keys) through a unexpected confluence of styles to create an otherworldly blend of spiritual music.

Draksler's interest in poetry drives this 2-CD release, with a chamber octet of improvisers and orchestra players, with 2 vocalists, two reedists (inc. Ab Baars), violin, piano, double bass, drums & orchestral percussion, performing Draksler's compositions for the words of Pablo Neruda and Andriana Minou.

Trespass trio with Martin Kuchen on saxophone, Per Zanussi on double bass, and Raymond Strid on drums & percussion, tell us instrumental narrative through compassionate, impassioned and unorthodox writing and playing, about Romania's Pitesti Prison, where for 4 years around 1950 totalarian authorities practiced brainwashing experiments on the inmates.

Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.

A darkly ritualistic, scrabbly album of darkly ritualistic improvisation from the Portuguese trio of saxophonist Mestre Andre, also on electronics, percussion, mbira and voice, double bassist Bernardo Alvares and drummer/percussionist Raphael Soares.

Bringing to light an excellent concert from 1977 in San Marcello, Portugal, and studio recordings at Ictus Studio, Pistoia, Italy from the same year, between UK free improvising master saxophonist Evan Parker on soprano & tenor, and Italian percussionist Andrea Centazzo on drums, percussion, and electronics.

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

An assertive album of free playing from the trio of Peter Van Huffel on alto sax, Roland Fidezius on electric bass, and Rudi Fischerlehner on drums, giving the music punk-jazz overtones in sound and rhythmic approach while clearly adhering to the heavy free jazz styles of the European masters.

Primarily a bass and guitar duo between Portugese natives Joao Hasselberg, on double bass and electric, and electric guitarist Pedro Branco, here in their second album together of delicately sophisticated string improvisations, joined by a a great set of collaborators to expand the duo to trio and quartet.

The 2nd volume in Sun Ra's "Discipline" series was recorded during the same sessions as 1972's Impulse release "Space Is the Place", with Sun Ra on electronic keyboards and Moog, and a large band including Marshall Allen, John Gilmore, Danny Davis, Akh Tal Ebah, June Tyson, &c.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.