A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Ensemble InterContemporain is viola player Garth Knox's string and percussion performance group, here called upon by John Zorn to present new interpretations of his "Book of Angels" Masada compositions, in nine magnificent recordings of great depth and intimacy.

The duo of French pianist Sophie Agnel and sax player Daunik Lazro traces back to their work in the quartet Qwat Neum Sixx; here the two as a duo are caught live at the "DOM" Cultural Centre, in Moscow in 2016 for 6 improvisations, contemplative to explosive dialog, inspired by the Russian novel "The Master and Margarita" by Mikhail Bulgakov.

Martin Archer introduces a new sextet based on Chicago's AACM approach to free improvisation, in a 2-CD set of 6 large works divided into 5 or 6 chapters each, presenting character themes, rhythm ideas, composed duets, and improvised instructions; superb!

The Architek Percussion ensemble is a Montreal quartet performing works by Canadian composers, using percussion, drums, sampling, electronics and synth in wonderfully odd ways, here with two guest performers presenting works composed and mixed by Elliot Britton.

A uniquely voiced dialog between two skilled improvisers -- Christiane Bopp on trombone and Jean-Luc Petit on bass clarinet & soprano sax -- bringing experience and technique to improvisations that push their instruments into extreme territory yielding fantastic and original language while keeps their listeners on the edge of their seats.

Two large works of improvisation using electric guitar, synth and alto saxophone from the trio of Augustin Brousseloux, Jean-Marc Foussat, and Quentin Rollet, complex and evolving works with a psychedelic edge, blending experimental, rock and jazz into something truly unique.

Free improvisation recorded in Nova Scotia from the trio of Arthur Bull on electric guitar, John Heward on drums, and Adam Linson on bass, inspired by the beauty of the day and the substantial house in which they recorded to create these four impressive instant compositions.

Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.

The trio of Jean-Marc Foussat on synthesizer, Claude Parle on accordion, and Joao Camoe on alto violin in three electroacoustic improvisations in a dialog of unusual approach balancing serious performance skills with quirky humor, "well mental" music indeed.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

A wonderfully eccentric, complex and surprising set of extended improvisations between French clarinetist & saxophonist Jean-Luc Petit and synth and electronics artist Jean-Marc Foussat, ranging from intensive and detailed interactions to beautiful soundscapes, as the two show great compatibility and intent in their approach to free-form improvisation.

Emilie Girard-Charest is a Montreal cellist, composer and improviser, here presenting 5 works, one of her own and 4 from Fredrik Gran, Sergio Castrillon, Maxime Corbeil-Perron and Joane Hetu, using extreme techniques and electroacoustic accompaniment in both joyful and terrifying ways.

Juxtavoices is an anti-choir of 30 voices whose repertoire includes original compositions and arrangements of classic modernist poems and found texts, here in a CD/DVD release with a reinterpretation of early an Cabaret Voltaire recordings and a terrifying ascent into hell.

Heard in our catalog on albums from Improvising Beings and Another Timbre, here we have a stunning solo album of improvised violin from Viennese violinist Irene Kepl, showing a great range of style and technique while keeping the music playful and interesting, invoking a quote from Trisha Brown: "Dancing on the edge is the only place to be."

A live recording at 28 rue Dunois, in Paris, France in 1984 from the trio of Daunik Lazro on alto sax, Joelle Leandre on double bass and voice, and George Lewis on trombone, a trans-Atlantic enounter of creative inventiveness and innovative vision, a great document of three persistent masters captured early in their incredible careers.

Synth improviser Jean-Marc Foussat and double bassist Fred Marty join their names and playing together for an absolutely impressive album of exploratory improv, Foussat taking their music into hallucinatory territories while Marty provides both a solid anchor and flights of textural nuance; supberb.

The free improvising trio of Makoto Sato on drums, Jean-Francois Pauvros on guitar and Jean-Marc Foussat on synthesizer & voice in a studio album of unique electro-acoustic dialog recorded in Paris in 2013.

Lisbon's Nuova Camerata brings together a mix of improvisers and contemporary classical players--Carlos Zingaro, Joao Camoes, Ulrich Mitzlaff, Miguel Leiria on string with Pedro Carneiro on marimba--for a set of improvisations bridging both disciplines in passionate and unexpected ways.

Composed between 1926 and 1939, "Mikrokosmos" was Bela Bartok's attempt to solve certain technical problems in the art of piano playing, here adapted by the 5-piece Quartetski into a fascinating series of progressive exercises and etudes, oddly enough presented without a piano.

Montreal's Quatuor Bozzini string quartet worked with composer Christopher Butterfield, who wrote two of these pieces ("Trip" and "Fall") specifically for QB, alongside three other works from 20 years of composing that use unusual instructions and scores for the performers.

A small group setting where each performer brings a composition to the session, with Discus family members Martin Archer on saxophones, Corey Mwamba on vibraphone, Seth Bennet on double bass, and Peter Fariclough on drums, for jazz that balances melodic and formidable free improvisation.

Superlative large group jazz from UK pianist/composer Keith Tippett, presenting a series of lyrical and accessible compositions inspired by themes from Irish folk music, in a new Octet with alumni of the Royal Academy of Music's jazz programme and long-time Tippett collaborators.

Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).

A captivating compilation from electronic composer Michel Banabila recorded between 2005-2016, a combination of studio, live and theatre recordings remixed into two continuous tracks of sound, with collaborations including Oene Van Geel and Rutger Zuydervelt (Machinefabriek).

Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

On the cover: Run The Jewels, hiphop's 24 carat duo of El-P and Killer Mike; interview with Russian composer and Tarkovsky collaborator Edward Artemiev; Lisbon's new jazz vanguard; + Dubplates & Mastering's Rashad Becker Invisible Jukebox; views, news, reviews, &c.

Two exemplary solo sets from the truly distinctive and commanding French double bassist and vocalist Joelle Leandres recorded at Vancouver Jazz Festival, Western Front, Vancouver, Canada, in June 1995 and at The Ibleo Jazz Festival in Ragusa, Italy in October, 1994.

Bay area trumpeter and bandleader Johntson in a set of original compositions performed with Ben Goldberg, Sheldon Brown, Devin Hoff and Smith Dobson.

A beautifully building release of guitar and percussion, one long track that adds intensity from lovely minimalism to Fripp-ian chords and driving drum work.

Recording in Cologne, Germany, the quartet of Arne Deforce on cello, Deborah Walker on cello, Erik Drescher on flute, and Dafne Vicent Sandoval on bassoon realize NY composer Phill Niblock's work of acoustic drone, using long sustained notes to create a seething combination of harmonic interactions with an ominous tone, ending somewhat abruptly to reveal its layers.

Joker brings together 12 vocalists, many core members of the Ambiances Magnetiques/Musique Actuelle collective including Joane Hetu, Jean Derome, Diane Labrosse, Michel F Cote, Lori Freedman, &c, performing unusual works of voice and narration composed by Joane Hetu.

Joane Hetu and Jean Derome formed Nous percons les oreilles 20 years ago, merging their expansive musical interests in idiosyncratic improvisation and orchestration using saxophones & wind instruments, objects, voice, melodica, and piano, here in their 4th astonishing album.

On the cover: Run The Jewels, hiphop's 24 carat duo of El-P and Killer Mike; interview with Russian composer and Tarkovsky collaborator Edward Artemiev; Lisbon's new jazz vanguard; + Dubplates & Mastering's Rashad Becker Invisible Jukebox; views, news, reviews, &c.

Joker brings together 12 vocalists, many core members of the Ambiances Magnetiques/Musique Actuelle collective including Joane Hetu, Jean Derome, Diane Labrosse, Michel F Cote, Lori Freedman, &c, performing unusual works of voice and narration composed by Joane Hetu.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.

A delicate album of melodic free playing from trumpeter Jean-Luc Cappozzo and his partner Cecile Cappozzon piano, covering the work of Charles Mingus ("Pithecantropus Erectus", "Goodbye Porkpie Hat") and Mal Waldron ("No More Tears," "The Seagulls of Kristiansund").