French composer Herve Boghossian pays hommage to electronic composer Eliane Radigue while asserting his own approach to continuous electronic sound in textures and pulsations, using a laptop recording feedback, plus harmonicas, drums, brooms, tuner and voice.

A live recording at Belfast's Sonic Arts Research Centre during the Translating Improvisation: Beyond Disciplines Beyond Borders colloquium, from the intrepid improvising trio of Matthew Bourne (piano), Steve Davis (drums) and Dave Kane (double bass).

Beautifully slow drifting compositions for clarinet, ARP 2600, piano and prepared piano from the duo of Anthony Burr and Anthony Pateras, drawing on Cage and Feldman in these expansive and tranquil works that create beautiful and quietly exotic sound environments.

A live recording at the Jazzfest Trondheim, Trondelag Senter for Samtidskunst, in May 2015 from the freely improvising duo of John Butcher and contrabassist Michael Duch, a superb extended concert of incredible reed technique and concept anchored by Duch's flexible bass work.

The Japanese trio of Hirose Junji on tenor saxophone, Innocence label founder Uchihashi Kazuhisa on guitar, and Yoshida Tatsuya on drums, initiating Magaibutsu's "Improv Session Series" with this on-fire album of controlled chaos, recorded live at Foxhole in Kichijoji.

Two concert improvisations for unamplified voice recorded in Canberra, Australia at the 2015 SoundOut Festival and in Tokyo, Japan at the Kid Ailack Art Hall in 2014, using extended vocal techniques and leveraging the room acoustics and social space between Kahn and the audience.

Canada's premier new music magazine in their 125th issue, articles include Ayo Leilani; Ocean Bug and Bird Songs; Gabriel Dharmoo; crys cole; Thin Edge New Music Collective; plus a CD with tracks from Witch Prophet; Gabriel Dharmoo; Tim Brady; crys cole; Marc Saba; &c. &c.

Drawing from Xenakian architextures, Carterian set theory, Carnatic music, sharp-edged pointillism & orchestrational symbiosis, pianist Anthony Pateras steps back from electronic music for chamber-oriented improvisations with trumpeter Scott Tinkler & voilinist Erkki Veltheim.

Following their 2015 album "Songs for children who don't want to sleep", the quartet of Yan Pittard on guitar & oud, Mitsuru Nasuno on bass, Maki Nakano on vocals, and Tatsuya Yoshida on drums present this soundtrack album, which translates to "the creative urge".

The Japanese improvising rock trio of Kazuto Shimizu on keyboards, Nasyuno Mitsuru on bass, and Yoshida Tatsuya on drums performing live at Club Goodman in Akihabara, Japan, 2016 for technically superb, fast paced, turn-on-a-dime, joyful prog-oriented playing.

Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.

The results of years of collaboration between the Cremaster electroacoustic improvising duo of Ferran Fages and Alfredo Costa Monteiro with pianist Sophie Agnel, in a remarkable album of fragile yet rich tones and tonal punctuations, a feast of timbral possibilities.

The debut album by the British Improvised Music trio Bay's Leap of clarinetist Noel Taylor, pianist Clare Simmonds and cellist James Barralet, presenting 11 spontaneously improvised compositions that bridge avant jazz and contemporary classical chamber music.

Sicilian pianist Tommaso Vespo assembled the multinational sextet of Antonio Aiella (bass), Noel Taylor (clarinet), Antonio Longo (drums), Nicola Hein (guitar), Ricardo Teje (saxophone), and Tommaso Vespo (piano), blending lyrical jazz, chamber, and free improvisation.

A live recording from the Casa Del Popolo club in Montreal, Canada, named because Gjerstad was upset that Air Canada had messed up his sax in transit, which he played regardless; his frustration pushed him into an overwhelmingly amazing set of smoking free jazz!

Drummer Paal Nilssen-Love's Large Unit recorded this ecstatic, Brazilian influenced material in 2015 after a mammoth European and North-American tour, hours after their performance at the 2015 Oslo Jazzfestival with an extended line-up with Brazilian percussion players.

Assembling a wide range of percussive instruments accumulated through world travels, from Korean gongs to scrap metal sheets from Ethiopia, Paal Nilssen-Love presents an intense and wide-ranging solo percussion tour-de-force, recorded in Oslo by frequent collaborator Lasse Marhaug.

Japanese Koto virtuoso Michiyo Yagi joins the longstanding duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations, driving the traditional Japanese instruments into non-idiomatic and percussive extremes.

Madrid multi-instrumentalist and cross media artist Edith Alonso in an album of prepared solo electric bass improvisations, a four part work of muscular and shadowy sound, dark vibrations with crepitating edges making a sinister and cathartic dungeon of sound.

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials.

Double-bassist Carlo Costa, originally from the Canary Islands and who has worked with Tim Berne, Tomas Fujiwara, Ingar Zach, Wade Matthews, &c. in a solo album of solid and unusual bass technique including plucking, bowing and scraping, in his 9-part series of "Doors".

A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring.

The incredible Fire! Orchestra in a 21-piece rendition performs in the studio for an ecstatic album of free improvisation and song, with an amazing lineup including Mats Gustafsson, Mette Rasmussen, Johan Berthling, Hild Sofie Tafjord, Lotte Anker, &c. &c.

The incredible Fire! Orchestra in a 21-piece rendition performs in the studio for an ecstatic album of free improvisation and song, with an amazing lineup including Mats Gustafsson, Mette Rasmussen, Johan Berthling, Hild Sofie Tafjord, Lotte Anker, &c. &c.

An epic, hypnotic work for three choirs, three pairs of noise musicians, and church organ, to be performed in a cathedral or similar location with musicians surrounding the audience, here from a live performance at the Huddersfield Contemporary Music Festival 2012.

Violinist Clemens Merkel interprets compositions by Wolfgang von Schweinitz's "Sonata for Violine Solo"; Antonie Beuger's "Unwritten Page"; Bruno Madema's "Piece Pour Ivry"; and Thomas Stiegler's cycle "Kammerkomplex" ("quasi una fantasia", "gran partita" and "sonata facile").

German composer Alfred Zimmerlin presents 3 pieces that balance compositional and improvisational approaches, with a 7-part work for strings, a large Klavierstruck work for microtonal piano, and an improvised chamber work, "Klarinettenquintett," with Jurg Frey on clarinet.

Zorn's Book of Angels series presenting the Masada composition books performed by a wide variety of groups, here with AutorYno, a wild power trio of three Paris avant rockers, taking Masada into heavy rock territory blanding Metal, Punk, Thrash, Dub and Surf rock.

The unexpected and open-minded quartet of Pauline Oliveros, Roscoe Mitchell, John Tilbury and Wadada Leo Smith performing live in Italy at the Angelika Festival in 2011, presenting the three part improvised work "Nessuno"; delicate, virtuosic, rewarding music from 4 masters.

Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".

A superb program of string trios from minimalist composers Beat Keller, Tom Johnson, and Joseph Kudirka, from cinematic to spacious sound work, as realized by the trio of Julia Schwob on violin, David Schnee on viola, and Nicola Romano on cello.

Pushing the envelope on minimalism, Manfred Werder's 3 scores for "2003" present just 6 tones, the instructions telling 3, 2 or 1 performers to play a pitch or sound for 3-7 seconds twice during the performance; realized by Erik Carlson, Stephanie Richards, and D. Edward Davis.

An extended electroacoustic piece recorded in 2011 and named as an apt description of the bubbling, dense and intense flow of sound Chrysakis generates using electronic devices, acoustic sounds and field recordings, an absorbing work of audio flux and percolation.

Known mostly as a masterful improviser, this 2015 live performance of her 2009 work for a tenet crosses compositional and improvisation boundaries, reflecting on her 40 year career while bringing out new subtleties from its original release, here with a superb set of performers.

Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Chicago free improvising mainstay Fred Lonberg-Holm's Stirrup trio with Nick Macri on double bass and Charles Rumback on drums crosses genres and grooves in an album balancing lyrical and hard-grooved tunes, with Lonberg-Holm taking up guitar on a number of tracks.

Percussionist Michel Blanc's astounding 12-part work was composed around news events that occurred between 1972-89, in a tour-de-force of music drawing from improvised music, RIO oriented rock, and concrete sound; with Marc Ducret, Annabelle Playe, Anne Gimenez, & Antonin Rayon.

A recording of two London based improvisers of different generations communing in the resonant surroundings of the 100 Years Gallery, with drummer Noble creating glittering bell and gong like tones over which guitar Thompson hangs fractured harmonics and strange bending chords.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.