"Tournesol", or "Sunflower" in French, is the trio of Benjamin Duboc (double bass), Julien Loutelier (percussion) and Julien Desprez (electric guitar), freely improvising in four tracks that use unusual techniques to create massively dark and riveting sound environments.

Ernesto Rodrigues leads a 16 piece orchestra of strings, reeds, winds, voice, brass, accordion, electric guitar, electronics and percussion through the elaborately restrained work "Chelodnis Nigra", rewarding the careful listener with fascinating layers of sound.

The long-running trio of Paul Hubweber on trombone, Paul Lovens on drums, and John Edwards on double bass in an album releasing a radio concert from Croatia in 2003, and another from Klangbrucke in 2009; highly attuned free improv with near-telepathic dialog from three masters.

With members of IKB, Variable Geometry Orchestra, and LIO, the free improvising/chamber quartet of Ernesto Rodriguge (viola), Bernardo Alvares (bass), Roland Ramana (trumpet), and Nuno Torres (sax), were captured live at Estrela for an intense and introspective concert.

A 46-member orchestra of electroacoustic improvisers performing live at St. George's Church in Lisbon in 2015, for an extended and dynamic tapestry of sound conducted by leader Ernesto Rodrigues, with an impressive list of artists familiar to those following the CS label.

Newly Distributed in 2021: A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

Newly Distributed in 2021: Composer and jazz master Anthony Braxton performing on piano in a septet with saxophonists Jackson Moore and Andre Vida, bassist Eivind Opsvik and drummer Mike Szekely, exploring the compositions of Lennie Tristano plus peers Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca, &c.

Married and working as a duo since 1987, Swiss pianist Hildegard Kleeb and trombonist Roland Dahinden have a rare telepathic link in their freely improvised duos, informed by their work with Anthony Braxton, Alvin Lucier, John Cage, Pauline Oliveros, Christian Wolff, &c. &c.

Irish guitarist Christy Doran in a quintet with NY Downtown stars Hank Roberts (cello) and Marty Ehrlich (reeds), UK legend Ray Anderson (trombone) and Swiss sax master Urs Leimgruber, in recordings from 1989-1991 showing incredible melodic, technical and creative skills.

Citing their influences as Bill Frisell, Paul Motian, John Zorn, and Steve Lacy, the Brussels-based bassless jazz trio of Quentin Stokart (guitar), Mathieu Robert (sax), and Nicolas Chkifi (drums) play lyrical and intelligently restrained music.

The duo of saxophonist Christoph Erb, best known for his work with the Manuel Mengis Group 6, and French-Japanese violist Frantz Loriot, for five open-minded, technically fascinating and musically unique duos recorded in the studio in Switzerland, 2015.

2015 recordings of tenor saxophonist Ellery Eskelin's trio with Gary Versace on organ and Gerry Hemingway on drums, an ebullient set live at the Jazz Festival in Willisau, Switzerland, sequencing Count Basie, Victor Young, Ernie Burnett, and Thelonious Monk tunes.

Unusual approaches to string improvisation from the quartet of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), Maria da Rocha (violin), and Miguel Mira (double bass), using extended techniques in subtle yet detailed discourse yielding unexpected qualities to their instruments.

Saxophonist Paulo Alexandre Jorge leads his Improbable Trio with Tom Wheatley on double bass and AMM/Matchless legendary percussionist Eddie Prevost in a six part album of ardent free improvisation on titles about Sex, Love, Death, Friendship, Art Beauty, Power Law, &c.

The trio of Richard Scott on modular synths, Emilio Gordoa on vibraphone & percussion, and Ute Wasserman on voice, in uniquely orchestrated free improvisations that focuses on sound interaction with detail and restraint, while still bringing a sense of wonder and exuberation.

An excellent jazz album using diverse styles bridging free and lyrical playing from the trio of Sergio Tavares (bass), Fabio Almeida (sax) and Joao Martins (drums), playing in and out of the jazz idiom and augmenting Almeida's sax with electronics in compelling ways.

A unique approach to solo reeds and winds from French multi-reedist Matthieu Prual, also on flute and ORLA Keyboard, maintaining lyrical and comprehensible approaches with strong technical skills in captivating and succinct statements, truly excellent work.

Two freely improvised works performed on cello, sine waves, cracklebox, bottle, synth, cornet and objects from the quartet of frequent collaborators Guilherme Rodrigue, David Area Guillermo Torres, and Tomas Gris, a mix of subtle improvisation and subsuming sound.

An extended and far-ranging acoustic free improvisation from the trio of Ernesto Rodrigues on viola, Phillip Greenlief on tenor sax, and Tom Wafford on violin, recorded live at the Gallery 1412 during the Seattle Improvised Music Festival of 2006.

A 5-part introspective improvisation from the trio of Creative Sources leader Ernesto Rodrigues on violin, viola, and electronics; Guilherme Rodrigues on cello, pocket trumpet, and radio; and Jassem Hindi on clarinet; subtle work with extended techniques and unexpected punctuation.

Strings and small percussion imbue this darkly beautiful set of extended improvisations from the Portugese trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Monsieur Trinite on small percussion; creative richly open soundscapes with intriguing interventions.

Remarkably detailed, slowly moving improvisation from the trio of Katsura Yamauchi on alto sax, Carlos Santos on electronics, and Ernesto Rodrigues on viola, harp and objects, a beautiful balance of acoustic and electronic sound in intensely concentrated music.

Exploratory free improvisation with an emphasis on strings from the trio of Ernesto Rodrigues on viola, Biliana Voutchkova on violin, and Micha Rabuske on flutes & sax, collective conversation with scraping and overblowing mutating their sound in interesting and curious ways.

The alto sax duet of Jean-Baptiste Rubin and Sakina Abdou sculpt sound material that draws on the acoustic resources of the space within which they play, captured here in various locations in Northern France by the keen ear of saxophonist/conceptualist Jean-Luc Guionnet.

A direct translation of this band's name is "unemployed shaman", the trio of Leo Ratherius (guitar), Marc-Antonie Moercant (drums) and Thomas Cockerel (bass) use trance-like rhythms to build sonic progressions like cathartic rituals, alongside open-minded improvisations.

The debut album of this focused and intrepid Chicago trio led by saxophonist Dave Rempis with young stalwarts Ryan Packard on percussion and electronics, and Netherlands transplant Albert Wildeman, for three extended improvisations recorded live and in the studio.

Joining noise rock and free jazz, the Louis Minus XVI quartet is fronted by two saxophonists--Adrien Douliez on alto and Jean Baptiste Rubin on tenor--with Maxime Petit on bass and Frederic L'homme on drums, in a balanced album of powerful and introspective compositions.

Following their 2013 release "Aphelion", the working trio of Dave Rempis on sax, Joshua Abrams on bass & clarinet, and Avreeayl Ra on drums release their 2nd collaboration in a 2-CD album of live and studio improvisations, adding Jim Baker on keys and electronics for the 2nd disc.

During multi-reedist Frode Gjerstad's tour of South America in 2015 he met with pianist Fabiana Galante and fellow reedist Luis Conde to record these excellent improvisations, all three using unusual and extended techniques to create these 8 captivating dialogs.

Live recordings from the trio of Paul Dunmall on soprano and tenor sax, Philip Gibbs on guitar, and Ashley John Young on double bass, performing at Cardiff University School of Music Concert Hall in 2016, a great example of concentrative, complex and lively interplay.

Frode Gjerstad returned to Chile after his 2013 Trio tour to meet with guitarist Ramiro Molina, both to sample the amazing fish recipes Molina introduced him to, but more importantly, to perform live and to record these delicate and sophisticated improvisations.

A lyrical and sincere dialog from the Scottish duo of Rob Hall on clarinets and Chick Lyall on piano, recoreded at the chapel in St Mary's Music School in Edinburgh, blending improvisation with chamber music, free jazz, contemporary classical and folk idioms.

Working together in various ensembles since the early 90s, Stefan Keune on sopranino, alto and baritone saxophone and Paul Lovens on drums and cymbals captured these three extraordinary improvisation in the studio in Brussels, Belgium and live Munich Underground in Germany.

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

Saxophonist Trevor Watts and pianist Stephen Grew improvised these pieces at a distance, Grew sending recordings of two separate solo concerts from Newcastle, which Watts improvised over resulting in these intricate and exuberant "Improvised Compositions".

Named for Shipwreck Studios, this is the first meeting between San Francisco Bay Area improvisers Darren Johnston (trumpet), Aaron Bennett (sax) and Lisa Mezzacappa (bass) with Chicago drummer Frank Rosaly, for 6 tracks of outstanding interactive and playful improvisation.

Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.

Bassist Jason Roebke leads his octet with Keefe Jackson, Greg Ward, Jason Stein, Josh Berman, Jeb Bishop, Jason Adasiewicz, and Mike Reed in a set of collaborative compositions, lyrical yet free improvisation from some of Chicago's finest players.

A very open album of improvisation, using an intensely responsive section of three drums and one bass, with Wooley in amazing form playing above the fray, from introspective reserve to seething runs, supported by a wicked undercurrent of astounding, criss-crossing rhythm.

Earle Brown conducts a chamber ensemble including John Tilbury on piano through a number of compositions, including versions of "October", "November", & "December", "Corroboree 1964 For Three Pianos", "Trio For Five Dances", and "Tracking Pierrot For Ensable".

Reissue of Italian improvising rock band of Jacopo Andreini (sax), Pino Montecalvo (bass), Carlo Lupori (drums), Efisio Biancofiore (guitar), Edi Leo (trumpet), active from 1993 to 2005, in their first demo tape recorded live in studio in 1994 plus two 7" split with NO and God Is My Co-Pilot.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The NY improvising trio of Mary Halvorson (guitar), Michael Formanek (double bass) and Tomas Fujiwara (drums) follow their "Thumbscrew" album with this impressive release of avant jazz, balancing melodic and technical playing with beautiful pacing and insightful interaction.

A unique approach to solo reeds and winds from French multi-reedist Matthieu Prual, also on flute and ORLA Keyboard, maintaining lyrical and comprehensible approaches with strong technical skills in captivating and succinct statements, truly excellent work.

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.