Pedal Steel guitar innovator Susan Alcorn in a mostly solo release, beautifully performing 4 lush compositions by Astor Piazzolla, with bassist Michael Formanek joining for the Alcorn-penned "Suite for AHL".

This meeting of 5 EA-Improv heavyweights from Europe and the Pacific US happened during the MKM trio tour in Northern America 2010, capturing this extended performance at CalArts for 40 minutes of engaging, burbling electronics, pulses, and short wave introspection.

Clean Feed's side label Shhpuma presents a solo release from multi-instrumentalist Guilherme Goncalves (Gala Drop), dreamy and informed guitar-driven music borrowing from kosmische musik, Edgar Froese, or Loren Connors, in gorgeously paced lush instrumental music.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Deux Maisons (Two Houses) is a chamber jazz quartet bringing together French and Portuguese players of the current generation: from France, 2 brothers, Theo & Valentin Ceccaldi (violin and cello); from Portugal, Luis Vicente (trumpet) & Marco Franco (drums).

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Bassist Chris Lightcap's Bigmouth features 2 saxophonists--Chris Cheek and Tony Malaby, Craig Tabor on keys and Gerald Cleavers on drums, in 8 melodic tracks inspired by landmarks of NYC and influenced by jazz tradition, West African music, pop hooks, and more.

On the cover, Jean Derome. Inside: Walter Smetak; Barbara Hannigan; Ian Tung; Cris Derksen; Alex Zhang Hungtai; plus reviews of recordings and events, a label profile, essays, &c. &c.

A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, whose work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.

Ever-active bassist Pascal Niggenkemper in his first solo album of riveting and intriguing double bass work, from aggressive to contemplative and immersive improvisations using work using bass preparations to transform the instrument and make us rethink its potential.

The Portugese trio of Pedro Sousa (sax), Tiago Sousa (keys & percussion) and Travassos (tapes and electronics), using amplified objects and circuit bending amidst acoustic and electric sources that blends melodic sound sources in rich and unexpected ways.

Intermedia artist Ricardo Jacinto with Nuno Torres (sax), Ricardo Jacinto (cello), Andre Sier (electronics), Dino Recio (percussion), Nuno Morao (percussion, melodica) and Joao Pinheiro (percussion, vibes) in a structured improvisation in an electro-acoustic environment.

Portugese harpist Eduardo Raon uses harp, daxophone, electronics, voice & percussion to create dramatic music that applies his classical training to improvisational methods, using real-time electronic processing to create encompassing yet intricate and unusual sonic environments.

Rich string work from Adriana Sa on zither & electronics, To Trips on resonator guitar, and John Klima on electric bass, following graphical scores and using electronics sparingly, in an album that is extremely focused while seeming to ramble in gorgeous ways.

A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.

Frequent collaborators, Matthew Shipp (piano) and Michael Bisio (bass) are joined by fellow Downtown New Yorker Mat Maneri on viola create what they refer to as a chamber ensemble, performing the 15 improvised and inspired chapters of Shipp & Bisio's "Gospel".

Innovative arrangements in trumpeter Marco von Oreilli's quintet release, performed with trombonist Lukas Briggen, pianist Michael Wintsch, bassist Kasper von Gruningen, and drummer Samuel Duhsler, through 7 original and lyrical compositions that never fail to surprise.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

"The Invisible Story" was produced over a four year period, and completed just last ear: This work deals with the ideas of Bela Hamvas (1897-1968), a Hungarian literary figure whose fate was literally sealed by his country's history. In...

"It is probably not easy to be the son of Pino Minafra and try to find your musical identity. But there are advantages too: from early childhood Livio was hanging out with great musicians such as Sergey Kuryokhin, the whole of Italian I...

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Innovative and idiosyncratic Swiss pianist Michel Wintsch in a set of original compositions that combine ambient sound and intentionality, displaying great technical skills and a unique mind that embraces melody and the unexpected aspects of improvisation.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

Small promo hole punch in reverse sleeve

Composer, pianist and multi-instrumentals Joana Sa gives voice to texts by Goncalo M. Tavares as read by Rosinda Costa, where the text organizes the thoughts that filter the multiple, disorderly, eccentric, voluble mind described in Tavares' work.

The 3rd volume in NY guitarist Elliott Sharp's "Octal" project, using a Koll 8-string guitar/bass, an electroacoustic hollow-bodied guitar with 2 extra bass strings, presenting unedited improvisations of technical and sonic power.

Innovative and idiosyncratic Swiss pianist Michel Wintsch in a set of original compositions that combine ambient sound and intentionality, displaying great technical skills and a unique mind that embraces melody and the unexpected aspects of improvisation.