Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

The fifth release from the international power trio of Dave Rempis (sax), Fred Lonberg-Holm (cello & electronics) and Paal Nilssen-Love (drums) in a rewarding release of heavy grooves, offset by introspective soundscapes and moments of quiet beauty.

Pianist, vibraphonist, and composer Karl Berger presents his 2nd release in a trilogy of Tzadik CDs that started with the solo "Strangely Familiar", here in a trio with Joe Fonda on bass and Harvey Sorgen on drums, lyrical free bop jazz in 7 rich and distinctive movements.

Bay Area free improvisers Ernesto Diaz-Infante (acoustic guitar), John Shiurba (electric guitar), Karen Stackpole (percussion) and Kyle Bruckman (oboe, english horn & suona), crossing acoustic and electronic boundaries in unpredictable improvised collective compositions.

The trio of Kyle Bruckmann, setting his oboe aside for minimoog; Scott Rosenberg on sax and winds; and Michael Zerang on percussion, in an unusual and unpredictable release of electroacoustic improvisation that amuses as much as it impresses.

An absolutely essential extension to the late Lindsay Cooper's discography, 2 CDs collecting rare works from projects and groups including recordings with Alfred Harth, Phil Minton, Robert Wyatt, David Thomas, Connie Bauer, Fred Frith, Chris Cutler, &c. &c.

Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.

Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.

The duo of Berlin clarinetists Kai Fagaschinski and Michael Thieke (The Magic I.D.) create rich, evolving soundscapes using tones and odd interjections in unison and in dissonance, dark works of subtle beauty in unique sound oriented compositions.

Three bassists converged on WNUR Studios, in Evanston, Illinois in 1998 to record these tracks, finally released after 16 years: 5 freely improvised trio sessions, 6 miniatures suggested by Kowald and performed by the trio, and 6 duos between Kowald and Lonberg-Holm.

Saxophonist Jonas Kullhammar leads various groupings of Carl Bagge on piano, Torbjorn Zetterberg on bass, Johan Holmegard on drums, Bernt Rosengren on sax, Goran Kajfes on cornet & Mattias Stahl on vibes in this soundtrack album for the motion picture "Gentlemen".

Pianist Mathias Landaeus leads his trio with Johnny Aman on bass and Jonas Holgersson on drums through five original pieces, a mazurka by Chopin, and Leonard Cohen's "Hallelujah", an eclectic take on the piano trio blending modern techniques with both traditional and creative compositions.

Four realisations of composer John Lely's simple but brilliant composition 'The Harmonics of Real Strings', a very slow glissando along the full length of one bowed string, performed by Anton Lukoszevieze; one realization for each string of the cello.

Composer Liza Lim presents 3 lesser known works: "The Compass" for orchestra with solo parts for flute and didgeridoo; "Pearl, Ochre, Hair String" featuring a cello solo using a guiro bow; and "The Guest" written for recorder soloist Jeremias Schwarzer.

Percussionist Juan Pablo Carletti leads a trio with Tony Malaby on sax and Christopher Hoffman on cello, beautifully unfolding jazz that balances light and dark, melodic and free approaches with textural percussive work.

A solo electric guitar soundtrack to James Nares' film "Street" performed by Thurston Moore, freely improvising in a dynamic and impressive performance recorded live at the Rubloff Auditorium at the Art Institute of Chicago, Chicago, Illinois.

Dark, edgy and superb electric guitar work from Joe Morris in a trio with Stave Lantner on electric keyboard and Jerome Deupree on drums, the final part of what Morris calls "Big Loud Electric Guitar Trilogy" that started with "Sweatshop" and "Racket Club", following the Hendrix legacy.

Free-sound found-improvisation using percussion, voice and objects from the duo of Don Nichols and Bryce Beverlin II , both of the percussion quartet Quadrivium, in a limited 3" CD of four exuberant works.

Paal Nilssen-Love's Large Unit of some of Norway's brightest young improvisers in a 4 LP box set with a bonus CD & flexi disc, recorded live during their 2014 tour, performing Nilssen-Love's compositions that focus on interaction, free improvisation, sound, dynamics and energy.

Chicago cellist and composer Tomeka Reid was commissioned to create original music for the first documentary of the Imagists, mid 60's Chicago post-surrealists artists who exhibited together; Reid reworked the music into a fully realized suite for this CD release.

Free improvisation using the jazz idiom as a jumping off point from the trio of pianist Chris Abrahams (The Necks), bassist Mike Majkowski, and drummer James Waples, superb technical playing with a melodic intent and excellent pacing.

These 1972 trio recordings of pianist Alexander von Schlippenbach's Trio with Evan Parker on tenor & soprano sax, and Paul Lovens on drums recording at the Workshop Freie Musik at the Acadamy of the Arts, Berlin, were found in the FMP archives and are issued for the first time ever.

Stockhausen's late 60s composition "Mantra" was a return to his intricately systematised approach to musical construction, expanding the possibilities and potentialities of the serial principle to allow for more melodic and embraceable compositions.

The 2nd release from the Montreal free improvising trio Joshua Zubot (violin), Bernard Falaise (guitar) and Isaiah Ceccarelli (drums/percussion) is a magnificent example of open-minded improvisation using unusual and sparkling approaches to sound and discourse.

On tour for their album "Boot!", the Scandinavian free-jazz monsters of Mats Gustafsson (sax), Paal Nilssen-Love (drums) and Ingebrigt Haker Flaten (bass) teamed up with Thurston Moore of Sonic Youth fame at London's Cafe OTO to produce some heavy improvised thunder.

A multi-national trio from Slovenia (Bostjan Simon-sax), Norway (Stephan Meidell-guitar, bass & electronics) and Portugal (Luis Candeias-drums) bringing a diverse set of modern influences including electronics, alternative rock and sound/noise to excellent free improvisation.

Swiss pianist/composer Luzia von Wyl and her Ensemble of jazz and classical performers presents von Wyl's compositions that borrow from modern and early jazz, chamber music and world sources, in works that draw on her experiences traveling and performing through the world.

The free improvising quartet of Nate Wooley (trumpet), Dave Rempis (sax), Pascal Niggenkemper (bass), and Chris Corsano (drums), bridging ridiculously great technical skills with creative curiosity and forward thinking concepts for superb results.

In celebration of his 60th Birthday, Zorn asked his most acclaimed vocal collaborators to write lyrics to select compositions from his vast musical catalog, peformed by an all-star band of Zorn regulars, presented in a beautiful box set of 7" records and a 32-page book.

Zu reveals their dark side with Jacopo Battaglia & Thomas Luca Mai performing on electronics and Massimo focused on guitars, plus guest Luca Tilli on cello; the recordings were sent to Oxbow's Eugene S Robison, resulting in this mysterious and disturbing release.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

UK multi-reed master Evan Parker brings an all-star electroacoustic septet to the 2014 Victoriaville Festival for the massive and wonderfully detailed two part composition "Seven", performed with Peter Evans, Okkyung Lee, George Lewis, Ikue Mori, Sam Pluta, and Ned Rothenberg.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Composer Ryoko Akama releases a 2 disc set of 23 scores in the crossroads of minimalism and sound compositions, quiet and loud, performed in a sextet with the composer herself plus Christian Muller, Cristian Alvear, Cyril Bondi, Stefan Thut, and d'incise, each section like a page in a notebook related to place, space, time or location.

Influential Swedish and New York jazz pianist and composer Mathias Landaeus & his House Of Approximation quintet in 9 original Landaeus compositions.

Saxophonist Jonas Kullhammar's Swedish quartet with Torbjorn Gulz (piano), Jonas Holgersson (drums) & Torbjorn Zetterberg (bass) with an album cover delivering the Beatles' iconic message that the quartet is disbanding, while delivering a rock solid album of superb modern jazz.

A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.

The unique Biota collective continues with this beautiful album of layered and organized sound work, a beguiling mix of acoustic and electronic instrumentation that flows in unique and exquisite ways, belying the incredible detail to process and mixing.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

On tour for their album "Boot!", the Scandinavian free-jazz monsters of Mats Gustafsson (sax), Paal Nilssen-Love (drums) and Ingebrigt Haker Flaten (bass) teamed up with Thurston Moore of Sonic Youth fame at London's Cafe OTO to produce some heavy improvised thunder.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.