ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).
Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.
Five years after their debut release, Ceramic Dog, the power trio featuring Marc Ribot (guitar), Shahzad Ismaily (bass/electronics) and Ches Smith (drums), returns with this exceptional album merging rock and improv Downtown NY style.
Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.
The Convergence Quartet with Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dominic Lash (bass) and Harris Eisenstadt (drums) performing live at the Vortex Jazz Club in November, 2011 as part of the London Jazz Festival.
Brooklyn based bassist Stephan Crump (Rosetta Trio) and guitarist Mary Halvorson (MAP, Braxton, &c) perform duos recorded at Butler Plaza in Brooklyn, 2011, thoroughly modern improvisation from two of NY's finest young players.
The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.
The duo of Anne Guthrie and Richard Kamerman in 5 large canvases of sound using field recordings, domestic recordings, composition, improvisation, processing - unhurried work of great detail and diversity that captivates the attentive listener.
Trumpeter/composer Ben Holmes' 2nd album as a leader with fellow Brooklyn musicians Curtis Hasselbring (trombone), Matt Pavolka (bass) and Vinnie Sperrazza (drums), presenting 9 original compositions showcasing the band's improvisational prowess and conceptual unity.
The remarkable Swiss improvising trio Koch-Schutz-Studer collaborates with NY improvising vocalist artist Shelley Hirsch for an amazing album of voice and electronic and acoustic improvisation with few boundaries and incredible insight.
The first in a series of releases from Bug Incision's archive of late saxophonist Dan Meichel, from recordings in Calgary in 2008 showing Meichel's articulately heavy style against Dadge's inventive drumming and percussion.
1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation.
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland.
Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.
Excellent free improvisation from the quartet of Els Vandeweyer (vibraphone), Fred Van Hove (piano / accordion), Paul Lovens (percussion), Martin Blume (percussion) recording at Kunstencentrum BELGIE & Cultuurplatform Motives for Jazz.
Percussionist Robair placed an Ebow over a street-sweeper blade or a short length of guitar string, and then placed those on the head of a snare drum or floor tom, recording without effects to allow natural rhythms and harmonic modulation to come forth.
Keith Rowe first met Graham Lambkin at erstwhile's 2007 Amplify 2011 festival in NYC, playing again in 2013, and recording this album at Lambkin's house that same year, creating something unusual and unique from each player's perspective.
Recorded the same day as Brotzmann's "Nipples", pianist Schlippenbach's 2nd album was released on his own Quasar label in 1969, featuring Brotzmann(sax), Manfred Schoof (cornet), Michael Pilz (reeds), Paul Rutherford (trombone), Buschi Niebergall (bass) and Han Bennink (drums).
Konkurrent's 9th release of the "In The Fishtank" series pairs Sonic Youth (less Kim Gordon) with ICP (Instant Composers Pool) and Luc & Terrie of The Ex, recording in the studio while Sonic Youth was in Amsterdam for the 2001 Holland Festival.
Trumpet, synthesizer and microphones from the ea-improv duo of Graham Stephenson and Aaron Zarzutzki, an unusual palette of sounds mutating both instruments with both vengeance and guttural humor, a fascinating display of sound and momentum.
Featuring Argentinian composer and improviser Andrew Raffo Dewar on soprano saxophone and the great Garrison Fewell on guitar, trombonist Swell leads this trio through the 10 part "Estuaries" based on a graphic score and poem written by Swell.
Pianist Takase continues her tributes to great American jazz musicians with a solo album of Ellington interpretations, taken from her unique perspective and style, played with great feeling and insight.
The Inframince/Immensity split CD is the first in a series of discs exploring the work of musicians based in Berlin, a city which has been one of the most vibrant centres for improvised and contemporary music since the 1960's.
Omri Ziegele, saxophonist, composer and und leader of the small orchestra Billiger Bauer presents a duo with younger Zurich pianist Yves Theiler, presenting melodic compositions from both players performed with beautiful intuitive dialog.
Tenor saxophonist Sam Hillmer (The Diamond Terrifier) takes NYC's Zs into a new direction as a trio with guitarist Patrick Higgins and percussionist Greg Fox, presenting the two part "Grain", a massive work of reorganized sound.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Drummer/percussionist Tony Buck and saxophonist John Butcher are the common elements in these two trios, one with guitarist Burkhard Stangl, and one with pianist Magda Mayas, using imaginative and unusual approaches to improvisation.
Reedists Chris Speed and Oscar Noriega, bassist Trevor Dunn and drummer Jim Black return for their 2nd album of contemporary jazz blending melodic and free playing with intricate interplay in a great set of tunes referencing Lester Young, Leah Paul, Teddy Wilson, Paul Motian, &c.
New York bassist and composer Devin Gray leads the quartet of Ellery Eskelin on tenor sax, Dave Ballou on trumpet, and Michael Formanek also on bass, playing 8 original compositions of melodic creative jazz.
Three recent sound works by Yannis Kyriakides using source material highlighting specific vocal traditions - Turkish pop music, Cypriot epic song, and Baroque opera - making extensive use of other forms of speech and vocal acts.
Pianist Magda Mayas and saxophonist Christin Abdelnour recorded these 2 tracks at a concert organised by Radio France at Meteo Festival, Mulhouse, idiosyncratic and distinctive playing using extended and unusual techniques.
Poet John Sinclair, leader of the anti-racist White Panther Party, reads his poetry with the NYC quintet of Ras Moshe (sax), Elliott Levin (sax), Alex Obert (bass), Ander Nilssen (guitar) and Michael Wimberly (drums).
Using extended saxophone (Guionnet), microphones, prepared recordings & laptop (La Casa) and electronics, field recordings & laptop (Samartzis) this release comprises various live recordings made in 2007 while on tour in France, Germany and Italy.
Saxophonist Quentin Biardeau and cellist Valentin Ceccalid, also on percussion, are Durio Zibethinus, a duo from Orleans, France using traditional and unusual instruments to present unique free improvisations balancing powerful technique and just plain creative fun.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
The free improvising quartet of Jack Wright on alto and soprano sax with three electronic artists--Andrea Pensado, Stephanie Lak, and Walter Wright--recording in the studio in Philadelphia PA for two extended pieces of unusual character and dynamic.
The first 2009 release for French The Swarming label is the trio of saxophonist Jean-Luc Guionnet, and electronic artists Eric La Casa and Philip Samartzis, using unusual procedures and investigations to create impressive and dynamic sonic journeys.
The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.
Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.
Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.
From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!
Restored and mastered from the original archived 1/4" tape that captured Evan Parker's dynamic, innovative 1978 solo performance on soprano sax at Vancouver's Western Front, the last of 29 dates during his North American tour.
A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.