Three accordion players, Alfredo Costa Monteiro, Jonas Kocher, and Luca Venitucci, form 300 Basses, an unconventional trio that explores new ways to play this traditional instrument.

Young Italian artist Piero Bittolo Bon (saxophones) with his new band, the Original Pigneto Stompers (Massaron, Sorrentini, Scettri) and special guest Jamaaladeen Tacuma (electric bass) in a powerful improvised session.

Italian saxophonist and composer Daniele Cavallanti and drummer/percussionist Tiziano Tononi produced these two enterprising suites played here by a powerful octet that includes Jenny Scheinman.

The 5th release from the Japanese quartet of trumpeter Natsuki Tamura, Satoko Fujii, here on accordian, the late bassist Norikatsu Koreyasu, and guitarist Kazuhiko Tsumura, beautiful free form improvisation performed live in concert in 2011.

Improvisers Craig Green (guitars, electronics) and Dave King (drums, percussion, organ) recorded and mixed this haunting album in two days, successfully creating a dark and moody virtual soundtrack.

A double CD of bassist Giovanni Maier's quartet of ambitious and compelling electric jazz, one CD featuring two guitarists - Marc Ribot and Simone Massaron - and both albums featuring a double keyboard lead.

A collection of solo recordings by acoustic guitarist Jim McAuley, an improviser who redefines the classic instrument and whose music embodies aspects of jazz, blues, folk, and contemporary classic.

Canada's premiere music magazine in their Summer 2012 issue with articles including Jean-Francoise Laporte; Rose Bolton; Cassandra Miller; Derek Charles; plus a 10 track CD with tracks from those and other artists.

Free jazz pioneers and electronic improvisers Alan Silva and Burton Greene together playing vintage synthesizers and keyboards, exploring new sounds and pushing boundaries.

Two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Six musicians from around the world (Chabala / Jones / Martin / Mukarji / Nakamura) created this 50-minute track over the course of a year by collaborating and file-sharing online.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

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Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.