Eight duo improvisations on acoustic guitar and piano, with pianist Kawai preparing the piano with bolts, threads, &c. and Akiyama switching between prepared and slide guitar.
A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.
A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.
The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.
Deviant beauty from the trio of Heddy Boubaker (sax), Ernesto Rodrigues (viola) and Abdul Moimeme (prepared electric guitar), dark and sinister improv using extended techniques and a quietly turbulent approach.
Clarinetist John Carter and cornetist Bobby Bradford in a reissue of their 1991 HatArt release with bassist Richard Davis, drummer Andrew Cyrille, and Don Preston on keys, unusual jazz that stands the test of time.
Inspired by the work of Otomo Yoshihide, Martin Tetreault, and Ruins, Broken Record Chamber create and deconstruct music using and abusing turtables, guitars, electronics and drum machines.
Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces.
Eugene Chadbourne in a trio with tenor saxophonist Darren Williams and multi-reedist, brass player and drummer Scott Henderson in studio recordings of new Chadbourne original numbers.
The debut solo CD from in-demand pianist Kris Davis (Paradoxical Frog, Novela, Good Citizen, Anti-House), an absorbing and innovative album of original numbers and standards played inside and out of the piano.
Using alto & soprano sax, guitar, live sampling, looping and synths, Ntshuks Bonga and Dave Draper use traditional approaches to instrumental dialog, amplified and modified by the reintroduction of live interactive sound.
A 3 CD set from bassist Benjamin Duboc: a solo disc of low register improv; plus 2 discs in duo and trio settings with Didier Lasserre, Sylvain Guerineau, Jean-Luc Petit, Pascal Battus, Sophie Agnel & Christian Pruvost.
The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.
Quartet recordings from the Victoria Room in Bristol, 2010, from the remarkable grouping of Paul Dunmall on tenor sax, Phil Gibbs on guitar, Paul Rogers on 7-string bass, and Mark Sanders on drums.
Jean Martin and Christine Duncan lead this Toronto collective with more than 60 choir members in a stunning improvisational setting, here performing at Christ Church Deer Park with NY bassist William Parker.
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Reprising the energetic trio on his first jazz recording "Sideways", pianist/composer Bob Gluck is joined by bassist Michael Bisio and drummer/percussionist Dean Sharp for 6 original Gluck compositions.
The third recording from this group of long-time collaborators, with Golia on soprano, alto and tenor sax, Bobby Bradford on cornet, Ken Filiano on bass and Alex Cline on drums in a set of Golia original compositions.
Four recordings of subtle improvisation for saxophone & percussion, recorded for Radio Nationale Slovene in Ljubljana, and in the library of Jean-Paul Manganaro, Paris.
Saxophonist Rob Hall And pianist Chick Lyall in a charming album of modern jazz that reflects their Scottish roots in lilting original compositions of melodic distinction.
Influenced by experimental and electroacoustic practices, Hansen & Krakowiak attack and disseminate turntables and percussion through improvisations built on layers of sound and interpolated instrumentation.
Inspired by the ice storm that ravaged large parts of Quebec and Ontario, "Au Coeur du Litige" is a radiophonic work consisting at its core of a series of solo clarinet improvisations.
Part of a sound installation and exhibition of sculptural work by Reinhard Reitzenstein, the Test Tubes perform with strings, glass instruments, and unique instruments to create music of unusual and complex timbral combinations.
Ten years after his first solo release "Zong Book", baritone saxophonist Daunik Lazro delivers this collection of improvised solo pieces, recorded during the 2010 Europa Jazz Festival and in Paris' Saint-Merry church.
A quiet quartet session intended for loud volume with Jacob Lindsay (reeds), Ava Mendoza (electric guitar), Damon Smith (7-string ergo-bass & lloopp), and Weasel Walter (percussion & bagpipe chanter), unusual tapestries of sound plus a recipe!
Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.
Serbian viola-player/composer Szilard Mezei and his Wind Quartet return with a release that crosses contemporary chamber music, European folk-jazz and improvisation in magnificent ways.
An acoustic trio using ea approaches in a set of distinct tracks using trombone, prepared piano and double bass, a fascinatingly diverse set of improvisations that alternately lull and jar the listener.
Percussionist Seijiro Murayama and Saxophonist Stephane Rives focus on creating drone music while exploring the many subtle variations of texture sounds.
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series.
An historic meeting of four legendary improvisers, recording at Evan Parker's favorite Whistable church, and in New York City; mindblowing electro-acoustic improvisation.
An incredible large group including Ned Rothenberg, Nate Wooley, Henry Kaiser, Okkyung Lee, Briggan Krauss, Steve Swell, Mark Dresser, &c. &c. performing the dark electroacoustic compositions of Alon Nechushtan.
Using clarinet, household objects, field recordings & domestic electronics, Anett Nemeth applies Cage's concepts of indeterminancy and chance as frameworks for two extended compositions.
Drawing from some of the finest of the West Coast and Vancouver scenes, The Now Orchestra present 3 long works in multiple section, with performers including Peggy Lee, Vinny Golia, George Lewis, Dylan van der Schyff, &c. &c.
Members of Tortoise and Supersilent join the hugely talented guitarist Mark O'Leary in a recording that pushes the boundaries on all levels in exciting post-Miles electronic improvisation.
The British improvising trio of tenor saxophonist Paul Dunmall, 7-string bassist Paul Rogers and drummer Tony Bianco performing two long and serpentine improvisations at Delbury Hall, Shropshire in 2010.
Using extended techniques and a remarkable interactive approach, trombonist Matthias Mueller and soprano saxophonist Frank Paul Schubert surprise in 9 distinctive duo recordings.
Reedist Scott Rosenberg's Skronktet quintet with Morgan Guberman (bass), Matt Ingalls (clarinets), Gino Robair (percussion) & John Shiurba (guitar) in a release of seamless improv that transitions between various styles.
T H O M A S is the ongoing brainchild of Toronto's Thom Gill, since 2009 exploring the world of song, at home and abroad, through pieces that blur the lines between pop and avant-garde.
A minimal theater in sound from Taku Unami and Takahiro Kawaguchi and starring Yoko Chosakabe and Kumio Kurachi, recording at the Ueno Okura Theater Older Building.
Bringing together European improvising guitarist Olaf Rupp, Canadian ex-pat bassist Joe Williamson, and Australian drummer Tony Buck from The Necks for an album of busy, fiery, skillful improvisation.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.
The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.
Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.
Three clarinetists - Anthony Burr, Oscar Noriega, and Chris Speed - in an album of improvisational strategies to create graceful and weaving acoustic music from the instrument's beautiful sonorities.
"Anchored" is the debut solo release for Jon DeRosa (Aarktica), a work of cinematic pop in a dark troubadour style reminiscent of Lou Reed or Robert Wyatt, with rich songs belying a quiet and dark lyrical violence.
Silber Records label owner Brian John Mitchell's Remora persona, assisted by Brian Lee McKenzie (Electric Bird Noise) in post-apocalyptic folk songs, drones, and electronic music.
The sophomore release by The Subliminator (Serson Brannen), "Rake" features 11 new tracks of sonic sublimination, spoken word techno-psychedelia with a threatening edge.
Tarbaby (Orrin Evans on piano, Eric Revis on bass, and Nasheet Waits on drums) is joined by saxophonist Oliver Lake and guitarist Marc Ducret for an album inspired by philosopher, psychologist and revolutionary Franz Fanon, a superb album balancing melodic and intense playing.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Drummer Deric Dickens wrote the melodies and concepts for these duos in an Ornette/Cherry mode, recording with fellow New York musicians including Kirk Knuffke, Ben Cohen, Jon Crowley, Jef Lederer, Matt Wilson, and Jeremy Udden.
The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.