Ingar Zach in a trio with Spanish accordionist Esteban Algora and Italian flutist Alessandra Rombola in 6 varied pieces recorded in a stone church.

A smaller than usual Freezone Appleby Festival, 2007 presents duos and trios with the excellent lineup of Paolo Angeli, Evan Parker and Ned Rothenberg.

The first studio album in 8 years from pianist Michael Jefry Stevens and bassist Joe Fonda, with Gebhard Ullman and George Schuller, performing accomplished and impressive modern improvisation.

Recordings from early DIY electroacoustic improviser and instrument inventor, the late Hugh Davies, accompanied in live performance by Adam Bohman, Lee Patterson, and Mark Wastell.

Limited edition archive CDR of 1960's instrument inventor the late Hugh Davies, solo and with Richard Orton, to accompany the Another Timbre release "For Hugh Davies".

Understated and exquisite improvisation using trumpet, violin, bass clarinet, flute and field recordings from three forward-thinking performers.

Clever and sublime improvisations based on odd meters, tricky tempo relations and challenging passages, engaging and satisfying music from three masters.

Bassist and composer Trevor Dunn with found soundtracks to films by Peter Bolte, Cameron Vale and Holly S. Neuberg, with players Chris Speed, Kenny Wollesen, Rob Burger, &c.

Virtuoso double bassist John Eckhardt in eight performances of polyphonic and other-worldly explorations showing the instrument's breadth of sonic potential.

The idiosyncratic master of the guitar, this album is pure Fred Frith, playing solo acoustic guitar over a range of styles including classical, blues, folk, gypsy and free improvisation.

Jack's son is an avant hip-hop/breaks project created at the end of 2003 by Diego Martinez, Mexican young producer who also works under the name Lumenlab.

Four improvisations from the London Improvisers Orchestra's monthly appearances at the Red Rose with Harry Beckett, Evan Parker, Steve Beresford, Lol Coxhill, &c. &c.

An incredible Vancouver-Seattle-Cork coming together of three experienced experimental improvisers in a mix of free jazz, free rock, Korean Court Music and electronics.

Electronic ambience, minimal techno and acid house with groovy basslines, soundscapes and vocals mixed by Signal Deluxe, DJs from the Mexican electronic scene.

The excellent trio of Alfred Harth on sax, Kevin Norton on percussion, and the late Wilber Morris on bass, performing at the 2001 Vision Festival VI in New York City.f

Core Anode is Otomo's roaring-sound project, 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006).

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Darkly disturbed Aleister Crowley inspired sound work from the Greek Heavensore, who mix drone, black metal and thick grinding rock, or 'drone metal'.

3 works by composer Luigi Nono: "A Carlo Scarpa" for orchestra; "A Pierre..." for bass flute, bass clarinet and live elektronics; and "Guai ai Gelidi Mostri" for ensemble, voices and live elektronics.

Limited edition CDR from AT's Byways series, a stunning piece for solo cymbal, demonstrating an extraordinary variety and musicality from such limited means.

Drawing on American creative music, Mbira music of Zimbabwe, and traditional Chinese music, trumpeter Leo Smith's ensemble with drummer Pheeroan akLaff and pipa player Min Xiao-Fen perform 5 extraordinary compositions of lyrical vision.

This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Finally remastered, this is one of Smith's most obscure and satisfying early recordings with Kahil El'Zabar, Louis Myers, Joe Fonda, John Powell, Mchaka Uba, & Bobby Naughton.

A live and studio rendition of Gifonni's solo composition for portable synth and analog filter, themed on the South American large vulture of the name Zamuro.

Two large works from Italian composer Luigi Nono, recorded at Germany's Experimentalstudio des SWR under the direction of Andre Richard.

Jos Smolders is an abstract soundsculptor using a vast array of electroacoustic technique to create diverse sonic constructions and amazing aural environments.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

An all-improvised transnational collaboration recorded in the studio and live at Les Instants Chavires in France, between Mike Ladd (vocals/synthi), Carol Robinson (clarinets/voice), Dave Randall (guitar) and Dirk Rothbrust (drum/percussion).

This laptop trio create a dense and scurrying sound world of a surprising freeform nature that avoids cliches by combining sound-generation tools for ever-shifting results.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Urgent and inspired free improvisation from New Yorkers Futterman, Fielder and Levin in a studio release of their trio's original and spontaneous compositions.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

A superb trio of NY improvisers and composers whose collective work bridges the divide between free playing and jazz tradition, a kind of avant swinging bebop.