The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

A strange and bizarrely beautiful "fanzine" of three CDs, one each from hurdy gurdy drone artist Yann Gourdon, bass guitarist Maxime Petite, and Jean Luc Guionnet on organ, with illustration by artists Fredox, Celine Guichard, and 38Fillette; an odd and absorbing package.

A beautiful 2 picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext (radiotext) I, and Rotoradios I & II.

Referencing the collective NY Loft scene of the 1980's, the trio of Jean-Jacques Avenel on bass, Siegfried Kessler on piano, keys & ring modulator and Daunik Lazro on alto sax & tuba sax, are heard in a Béziers Jazz Action concert recorded in the crypt of a Franciscan theater, in two suites of collective improvisation, the 2nd adding unusual electronics from Kessler.

Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014.

A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

Guillermo Gregorio produces a series of compositions that reinterprets the structural concepts of Constructivism, Concretism, and Madi, focusing on the physicality of sound.

Following the traditions of the saxophone trio, tenor & baritone player Jonas Kullhammar releases this studio album of irrepressible compositions performed with bassist Tobjorn Zetterberg and drummer Espen Aalberg.

Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersen on lap steel, and NO Moore on guitar.

After reedist Ken Vandermark's residency at The Stone in 2016, he went into the studio with improvisers Nate Wooley on trumpet, Sylvie Courvoisier on piano, and Tom Rainey on drums to record this spectacular album of forward-reaching jazz using stunning technique and wonderful lyrical complexity, as they run through compositions from Wooley, Vandermark and Courvoisier.

The Norwegian & Danish freejazz-noise-rock trio Yes Deer of Anders Vestergaard on drums, Karl Bjora on guitar and Signe Dahlgreen on sax, in their second album of high energy, cacophonous and brutally joyful (they say "enthusiastic despair") collective improvisation.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.