"Dominique Pifarély modernized jazz violin, combining extraordinary technical skills with an inclusive idea of music-making. He has been soon very in-demand as a straight jazz player, but was soon in some of the more adventurous groups in Europe, too, including Mike Westbrook's band (On Dukes' Birthday, hatART) and the Vienna Art Orchestra.

In 1979, he began touring with bassist Didier Levallet and guitarist Gérard Marais as a trio. In the 1980s he began leading his own bands, as can be heard on 2 records, Insula Dulcamara (1988) et Oblique (1992).

In 1985, Pifarély started to work with reedist Louis Sclavis and in 1992, they formed the Sclavis/Pifarély Acoustic Quartet, featuring guitarist Marc Ducret and bassist Bruno Chevillon, and recorded for ECM. In the late 1990s, he started a duo work with pianist François Couturier, and they recorded a prominent album (Poros, ECM, 1997).

In the 2000's, Dominique Pifarély leads different personal projects. Impromptu is a development of the collaboration with François Couturier, adding counter tenor Dominique Visse and a work on contemporary poetry. He initiated numerous text/music experiences with french writer François Bon and actors Violaine Schwartz and Pierre Baux. The Dédales Ensemble is a acoustic nine piece band. He founded in 2007 a trio with keyboard player Julien Padovani and drummer Eric Groleau, and the Dédales Ensemble ("Time Geography", Poros éditions, 2013), played in duo with Michele Rabbia or Vincent Courtois,

In his mature style, the classical violin tradition and the swing lessons combine with a contemporary European sonic exploration ; his technical mastery and quick imagination allow him to move seamlessly between these worlds.

Dominique Pifarély created in 2014 a new quartet with Antonin Rayon on piano, Bruno Chevillon on double bass and François Merville on drums ("Tracé provisoire", ECM, 2016), and gives solo recitals. Then he is part, since 2015, of the collaborative trio Sclavis/Pifarély/Courtois ("Asian fields variations", ECM, 2017).

He regularly performs in whole Europe, and has been touring in USA, Canada, Japan, India, Middle East, Latin America or Africa."

Izumi Kimura, piano: "As a contemporary pianist, I am attracted to the things that live in the cracks between composed and improvised music. Between abstract and concrete, variations of the forms the Nature takes, our roles, cultures, languages, attitudes, things unknown, things in between, invisibles and inaudibles, all these things are vibrations I try to listen, through the act of playing the piano.

I was born in Yokohama, Japan, and have been playing the piano since I was little and the whole time I spent in Japan, which was up to 1995. As soon as I graduated from Toho University of Music in Tokyo I moved to Ireland. It took a long time and some turbulence of life before my music and life started to grow together. Very slowly, life and music started becoming intertwined with each other, and they are becoming one.

I have been lucky to work with lots of great musicians and wonderful people from both classical and jazz/improvised music fields. Musicians and ensembles I worked with include RTECO, Crash Ensemble, Ergodos, Music 21, Michael d'Arcy, Bill Dowdall, Kenneth Edge, Ben Dwyer, Cora Venus Lunny and many more from the world of classical music, and Ronan Guilfoyle, Barry Guy, Gerry Hemingway, Tommy Halferty, Michael Buckley, Dominique Pifarély, Benoît Delbecq, Stéphane Payen, Sarah Buechi and many more from the world of jazz/improvised music. The festivals I enjoyed performing in Ireland and abroad include RTE Living Music Festival, Boyle Arts Festival, Dublin Dance Festival, Dublin Fringe Festival, Bray Jazz Festival, Kilkenny Arts Festival, Ghent Street Festival of New Music in Belgium, Music 21's 'Brazil Now', 'Artes Da Irlanda' in Sao Paolo, Brazil, and Creative Connexions in Sitges, Spain, and many more."