The Squid's Ear Magazine
The Squid's Ear Magazine


Galiay, Frederick (Viard / Sebastien / Boudart / Galiay): Time Elleipsis (Ayler)

Dramatic, darkly thrilling music with moments of sheer beauty from French electric bassist Frederick Galiay and his Camaeleo Vulgaris ensemble, a sextet performing Galiay's compositions in a potent mix of electric guitar, electrified baritone sax, synthesizer, and two drummer/percussionists, recorded after a dozen live concerts honing the material to this riveting studio version.
 

Price: $16.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





Product Information:

Personnel:



Antoine Viard-electrified baritone saxophone

Jean-Sebastien Mariage-electric guitar

Julien Boudart-analog synthesizer

Frederick Galiay-composition, direction, electric bass

Sebastien Brun-drums, acoustic percussion, electronic percussion

Franck Vaillant-drums, acoustic percussion, electronic percussion

Click an artist name above to see in-stock items for that artist.



UPC: 7320470215661

Label: Ayler
Catalog ID: aylCD-161
Squidco Product Code: 28611

Format: CD
Condition: New
Released: 2020
Country: France
Packaging: Cardboard Gatefold
Recorded in Moulins-sur-Ouanne, France, Summer 2019, by Antonin Rayon.
Descriptions, Reviews, &c.

Artist Biographies

Antoine Viard is a French saxophonist, known for the groups, Hippie Diktat, ITHAK, Pipeline, Urban Sax, and Umlaut Big Band. He is also a member of Frederick Galiay's Camaeleo Vulgaris.



"COAX Collective's Artistic Director, Antoine Viard develops a singular saxophone practical based on the sound and its componants. Electric or acoustic, he enforces his rough/free playing with bands like Hippie Diktat, Chameleo Vulgaris, Uns, in his solo project Tumulus or in improvising collaborations with Peter Brötzmann, Eve Risser, Frederick Galiay, Guillaume Orty..."

-Squidco, Hippie Diktat Website (http://hippiediktat.com/HippieDiktat_Website/About.html)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Paris in 1973 and raised in the middle class suburbs, it's on the clotheslines at the end of the garden that Jean-Sébastien Mariage gets introduced to the guitar, well before the transmutation of his BEPC in black Stratocaster, changed very quickly for the Gibson Les Paul he has not dropped since. At 17 and up to 23, he follows the improvisation workshops of the one he still considers today as his music master, Patricio Villarroel. From his brief stint at the Sorbonne, a musicology course, he will remember little more than having heard, during the acoustics lessons, recordings of songs by Amazonian Indians or Vatican bells : it is that at the same time, true musical adventure began - first professional experience at age 19 with a dance company, then meeting at 20's Frederick Galiay, bassist with whom he founded Chamæleo Vulgaris, and first concerts under the aegis of Instants Chavirés. He goes on concerts, then thinks it would be good for him to enter the concervatory (sic), since that's where you learn to play concerts : he studied classical guitar for six years , until the national contest in 2000. There followed a good twenty recordings and hundreds of concerts, solo or in various formations, stamped free improvisation, free rock, even free jazz or noise, with the greatest achievements of French and international improvisers - not to mention collaborations with dance (Karol Armitage or Yukiko Nakamura), theater, poetry and visual arts, but also with composers such as Rhys Chattam, Elianne Radigue, Stephen O'Malley, Frederick Galiay, Peter Ablinger.... In short, a journey is, according to, purist or monomaniac : there has never been, there is, and there will never, probably, that the guitar, he can only do that, but knows how to do everything with it - especially what he is the only one who can do, of course. To know : calmly, with authority, to emerge from the chaos a matter, whatever it is to accept it, to welcome it even, then conscientiously to work it, to polish it... but always to the maximum, and then to a blow of one make him make throat. Leave the earth. Tear the time."

-Inversus Doxa (http://www.inversus-doxa.fr/Biography?lang=fr)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Julien Boudart is born in Paris in 1978. In 1995 he began to experiment on analog synthesizers and DIY electronic instruments some specific mixture of techno, free jazz and cinematic narrative music. At the same time he also started a theorical activity that never stopped since then. In the following decade, he focused on improvisation, blending his electronic sounds with the ones of acoustic musicians. He developped on the Korg MS-20 (instrument he's playing since 1996) a very personnal, vocal, sound. He has since been involved in many kind of projects, from musical theater to radiophonic creation, from martian rockabilly to some energic though abstract free improvisation. The ceremonial, political and magical aspects of music are the main concern of most of his present projects and researches."

-Zip Event (https://www.zipeventapp.com/e/fog-fire-presents-julien-boudart-mintpark-akabakh-unheardrecords-spacemonkey-iii-stylishnonsense)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Frederick Galiay is an electric bassist, composer and video director, based in Paris, France. He has been a member of groups Big (Drum & Bass), Chamæleo Vulgaris, and Pearls Of Swines.

-Discogs (https://www.discogs.com/artist/260651-Frederick-Galiay)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Seb Brun hits drums, metal things few buttons, merging acoustic textures and electronics effects with a singular and rough playing. He works on repetitions & stacking. Stacking universes, musics, spaces, speeds, images, rythmes, medias, sounds & energies.. Drummer, composer, producer, & programmer, he is an activist of an underground noise & jazz french scene.

He also spent time in Ethiopia, India (Rajasthan) & La Réunion to study traditional and classical music.

Since 2009 he drives is own label "Carton Records" and his own (often trans-medias) projects: Ar Ker, Parquet, Horns.

He used to play with IRèNE, Jeanne Added, Tilt's Joce Mienniel, Vincent Courtois, Le Bruit du sign, Pierre Alexandre Tremblay, Woland Athelic Club, OK, Batlik, Yasmine Hamdan, Liset Alea, Mamani Keita..."

-Sebastien Brun Website (Translated by Google) (https://www.sebbrun.com/about)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Franck Vaillant: Artist-musician

..

Self-taught drummer, Franck Vaillant is first and foremost, a musician who loves adventure in the broad sense.

.. ..

Also a composer and sound designer, he composed and produced 7 albums under his name which remain unclassifiable.

.. ..

He is an original and creative musician who adds his personal touch to all his collaborations. He knows how to use the different "colors" that a drum set can offer, because in addition to making us stomp while listening to it, he colors the music like a percussionist.

..

He likes to combine everything that is impactable, from traditional batteries to personalized, tampered with, electrified batteries.

.. ..

Franck has participated in more than 70 albums and performed around the world with a multitude of musicians of all stripes."

-Franck Vaillant Website (Translated by Google) (https://www.franckvaillant.com/about)
11/9/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Sextet Recordings
Staff Picks & Recommended Items
Jazz & Improvisation Based on Compositions
Contemporary and Composed Modern Jazz

Search for other titles on the label:
Ayler.


Recommended & Related Releases:
Hippie Diktat
Black Peplum [VINYL]
(BeCoq)
Using raw and primal rhythms, deep textures from amplified baritone saxophone and trance approaches to rock instrumental music balancing Steve Reich and Sunn O))), the French Hippie Diktat trio of Antoine Viard on baritone sax, Julien Chamla on drums and Richard Comte on guitar has toured Europe since 2011, here in recordings at l'Ecluse, in Reims from 2013.
Hippie Diktat
Fire On
(Self Released)
Six raw instrumentals bridging free jazz and free rock forms, clearly influenced by both Brötzmann and Sunn O))) (as referenced in the track "SunnA)))") from the French Hippie Diktat trio of Antoine Viard on amplified baritone sax, Julien Chamla on drums and Richard Comte on guitar, recording at l'Ecluse, in Reims in 2013 for six ruggedly inspired tracks.
Hippie Diktat
Gran Sasso
(nunc.)
Stripping down their performance matter to its most minimal expression, their work developed since 2011 as they've toured the European alternative scene, the Hippie Diktat trio of Richard Comte on electric baritone guitar, Julien Chamla on drums and Antoine Viard on amplified baritone saxophone work an energetic and heavy set of Steve Reich-ian grooves.
Jauniaux / Charles / Mariage
L'amour
(Ayler Records)
Three consummate improvisers--Catherine Jauniaux on voice, Xavier Charles on clarinet and Jean-Sebastien Mariage on electric guitar--met at la Muse en Circuit in Alfortville, France after touring, recording this authoritative version of their profound and extended work, which uses lyrics excerpted from Marguerite Duras' 1971 cinematic novel L'amour.
Boiron, Baptiste / Bruno Chevillon / Frederic Gastard
La [2 CDs]
(Ayler)
During a residency in 2020 at the Domaine de Kerguehennec in Brittany, saxophonist and composer Baptiste Boiron developed this repertoire for the trio Lá of Boiron on soprano, alto & tenor saxophones, Bruno Chevillon on double bass, and Frederic Gastard on bass saxophone, Boiron's compositions applying a wealth of creative approaches merging contemporary and improvised playing.
Pinkish Black & Yells at Eels
Vanishing Light...
(Ayler)
Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.
Ikui Doki (Bernado / Mayot / Rinaudo)
Ikui Doki
(Ayler)
Winners of the Jazz Migration and tour JMF 2018, the chamber jazz trio of Sophie Bernado (bassoon), Hugues Mayot (saxophone & clarinet) and Rafaelle Rinaudo (harp & effects) share their passion for creative music that embraces composition and improvisation, springboarding off composers like Debussy while transferring warmth and vision into free jazz; magnificent.
Cappozzo, Cecile Trio (Grente / Ziemniak w/ Jean-Luc Cappozzo)
Sub Rosa
(Ayler)
The French free improvising trio of pianist Cecile Cappozzo, double bassist Patrice Grente, and drummer Etienne Ziemniak are heard in performance at "la Maison en Bois" in Abbeville-la-Riviere in 2018, with trumpeter Jean-Luc Capozzo joining them on the title track, as they bring order to the 4 part "Chaos" through superb collective improvisation.
Monniot, Christophe & Grand Orchestre du Tricot
Jericho Sinfonia
(Ayler)
A unique ensemble performing a long-form composition by French saxophonist Christophe Monniot with the 12-piece Grand Orchestre du Tricot, 12 movements that are punctuated by layered spoken words, a subtle and sophisticated work realized with performers including Roberto Negro, Florian Satche, Quentin Biardeau, Jean-Baptiste Lacou, &c.
Lazro, Daunik / Jean-Luc Cappozzo / Didier Lasserre
Garden(s)
(Ayler Records)
The trio of Daunik Lazro on baritone and tenor saxophone, Jean-Luc Cappozzo on trumpet & flugelhorn and Didier Lasserre on drums, alternate jazz standards from Duke Ellington (Sophisticated Lady; Hop Head), John Coltrane (Lonnie's Lament), Albert Ayler (Angels), with original compositions and the 3-part "Garden", all in the varied traditions of jazz.
Helary, Sylvaine
Spring Roll / Printemps [2 CDs]
(Ayler)
A hybrid of theater, music, sound poetry and political manifesto from Sylvaine Helary, focused on the "Arab Spring" in Egypt, using intertwining words and voices around the quartet performances of Hugues Mayot, Sylvain Lemetre, Antonin Rayon and Sylvaine Helary.
Charles, Xavier / Bertrand Denzler / Jean-Sebastien Mariage / Matthieu Werchowski
Metz
(Creative Sources)



Customers Who Bought This Item Also Bought:
Sarian, Michael (Liebson / Kenney / Ellman-Bell)
In This Desert [2 CDs]
(Burning Ambulance Music)
Trumpeter Michael Sarian leads his quartet Esquina with Santiago Liebson, Marty Kenney, and Nathan Ellman-Bell through seven expansive electric jazz explorations, blending processed trumpet, analog keyboards, effects-laden bass, and fluid drumming into hypnotic, psychedelic improvisations influenced by Miles Davis's electric period and the atmospheric textures of trip-hop.
Smith, Wadada Leo (Courvoisier / Laswell / Gibbs / akLaff / &c.)
Constellations And Hemispheres
(Burning Ambulance Music)
Trumpeter Wadada Leo Smith assembles recordings from 2017-2022 with Sylvie Courvoisier, Marcus Gilmore, Bobby Naughton, Lamar Smith, Bill Laswell, Melvin Gibbs, Pheeroan akLaff, and percussionists, moving between intimate acoustic improvisation and electrified ensemble exploration, with layered bass, distorted guitar, and expansive rhythms shaped through inventive studio composition.
Dahl / Kawabata / Neval
DicKiN
(Metaparadigm Music)
Acid Mothers Temple founder Kawabata Makoto joins New York avant-garde bassist Tim Dahl and underground percussionist Nandor Nevai for a ferocious collision of psychedelic noise rock, space metal, and free improvisation, combining heavily treated guitars, electric and washtub bass, guzheng, percussion, and unruly vocalizations in a volatile, confrontational trio session recorded in December 2024.
Borges, Sofia / Yedo Gibson
Puxe Means Pull
(Relative Pitch)
Portuguese percussionist Sofia Borges and Brazilian saxophonist Yedo Gibson explore seven spontaneous improvisations recorded in Lisbon, combining prepared percussion, metallic objects, tenor and soprano saxophones, and extended techniques in a restless dialogue of breath sounds, fragmented phrases, shifting rhythms, and delicate resonances, balancing playful interaction with abstract textures and expressive restraint.
Sbatax + Gross
Lapilli
(Relative Pitch)
French tenor saxophonist Bertrand Denzler and drummer Antonin Gerbal expand their volatile free jazz duo Sbatax with Jean-Philippe Gross on electroacoustic devices, delivering two extended improvisations of relentless rhythmic drive, muscular saxophone, feedback, and crackling electronics, where explosive acoustic energy collides with dense electronic textures in a fiercely physical and tightly coordinated performance.
Gulf Of Berlin (Gschlossl / Ullmann / Leipnitz / ...)
For Timothy
(ESP-Disk)
Berlin's GULF of Berlin sextet, featuring Antje Messerschmidt on violin, Gerhard Gschlössl on trombone and tuba, Gebhard Ullmann on reeds, Maike Hilbig on bass, Jan Leipnitz on drums, and Michael Haves on live electronics, creates nine collective improvisations blending free jazz, chamber abstraction, ambient textures, noise, and evolving rhythms through real-time electronic transformation.
Lamisovski, Santiago Trio
Perel
(ezz-thetics now)
Argentine bassist and composer Santiago Lamisovski makes his debut as a bandleader with Perel, joined by pianist Nataniel Edelman and drummer Fermín Merlo in seven original compositions that draw on the harmonic adventurousness of Herbie Nichols and Andrew Hill, blending lyrical modern jazz, rhythmic complexity, and spontaneous trio interplay developed through years of collaboration.
Eubanks, Bryan / Gert-Jan Prins / Tetuzi Akiyama / Toshimaru Nakamura
Spring
(Meenna)
Four major electroacoustic improvisers — Bryan Eubanks on soprano saxophone, electronics and modular synthesizer, Gert-Jan Prins on electronics and percussion, Tetuzi Akiyama on guitar, and Toshimaru Nakamura on no-input mixing board — each recorded separate solo performances, assembled by Prins, Eubanks and Nakamura into four distinct collective works of shifting textures and sonic interplay.
Hertenstein, Joe / Anthony Coleman / Jon Irabagon
Future Drone
(ezz-thetics now)
Drummer Joe Hertenstein joins Anthony Coleman on Hammond B3 organ and Jon Irabagon on tenor saxophone for a dynamic live performance at Vienna's Porgy & Bess, exploring four original compositions built on riffs, melodic fragments, and open-ended structures, with the trio transforming Hertenstein's material through adventurous collective improvisation, rhythmic interplay, and richly contrasting textures.
Blumer, Fridolin / Christopher Dell / Heinz Geisser / Robert Morgenthaler
Live At Loft Koln
(ezz-thetics now)
Recorded live at Cologne's Loft in 2025, the quartet of trombonist Robert Morgenthaler, vibraphonist Christopher Dell, bassist Fridolin Blumer, and percussionist Heinz Geisser delivers six adventurous improvisations, blending their individual voices into a richly interactive acoustic dialogue shaped by collective listening, spontaneous structure, and an evolving sense of musical connection.
Muruaga, Gon
Lines In The Sky
(577 Records)
A live Helsinki performance bringing together Lithuanian saxophonist Liudas Mockunas, Argentinian electric guitarist Gon Muruaga, and Finnish drummer Teemu Mustonen for seven collective improvisations, balancing lyrical passages, abstract textures, and shifting rhythmic interplay through attentive listening and spontaneous interaction, including a reflection on Ornette Coleman's "Lonely Woman."
Hawkins, Alexander / Taylor Ho Bynum
A Near Permanent State Of Wonder
(RogueArt)
Performing two Bill Dixon works alongside pieces by pianist Alexander Hawkins, Hawkins and cornetist Taylor Ho Bynum unite in a deeply intuitive duo recorded live in New Haven, their spacious and lyrical exchange balancing improvisational freedom with structural grace as two distinct voices attuned to form, texture, and expressive subtlety.
Denio, Amy
Variete
(Klanggalerie)
A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording.
Glenn's, Jordan BEAK
The Party
(Queen Bee Records)
An electrifying fusion of diverse musical traditions, this evening-length composition showcases the dynamic interplay of guitarists Karl Evangelista and David James, bassist Lisa Mezzacappa, vibraphonist Mark Clifford, percussionist Robert Lopez, drummer Jon Arkin, and Val Esway, seamlessly blending composed structures with spontaneous improvisation to capture the ensemble's innovative spirit.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC