The mystifying duo of Axel Dorner (trumpet, electronics) and Mark Sanders (drums, percussion) blurs the line between electronic and acoustic in this enthralling album.

New York-based trumpeter Nate Wooley and London-based saxophonist Seymour Wright in a series of 9 duos using the fringes of their instruments in exploratory and introspective dialog of great depth and intensity.

Two live sets of exemplary improvisation: the first revelatory encounter of pianist Sebastian Lexer and drummer/percussionist Steve Noble from 2011, and a more considered and spacious meeting in 2014, both from London's Cafe OTO.

A meeting between two accomplished saxophonists recorded live at Kernel Brewery, in London in 2014, and at The Studio in Derby, with Seymour Wright on alto saxophone and Evan Parker on both alto and soprano, criss-crossing and combining in exuberant and astonishing ways.

Three superb London improvisers, two from the new generation of free improv--bassist John Edwards and drummer Mark Sanders--in a trio with legendary pianist John Tilbury in a two part work of tension and release, performed live at Cafe Oto in 2013.

Recorded for the release concert of their 2013 album Exta, the trio of John Butcher on saxophones, Thomas Lehn on analog synthesizer and John Tilbury on piano captured this extraordinary live concert at Cafe Oto in London, only the second time the group had performed together, recording in two extended sets but segmented into four exceptional and dramatic improvisations.

After "Exta", where saxophonist John Butcher and electronics artist Thomas Lehn met with pianist John Tilbury, the duo now meet with New York pianist Matthew Shipp for a distinct improvisational entanglement of Butcher's dense streams, Lehn's rich sound floor, and Shipp's thick repetitions.

Marking their 39th year together, pianist Chris Abrahams, drummer Tony Buck, and bassist Lloyd Swanton expand their immersive approach to improv across three discs of evolving intensity, recording in the studio in Australia, where four long-form pieces unfold with hypnotic patience, microscopic detail, and The Necks' hallmark balance of restraint, texture, and boundless improvisational discovery.

The legendary trio Joseph Holbrooke — guitarist Derek Bailey, bassist Gavin Bryars, and drummer Tony Oxley — reunited after decades for one final performance in 2001, captured in this historic live recording that highlights their uncompromising commitment to free improvisation, the set resonating with both the radical spirit of their 1960s origins and the profound artistry of three pioneering voices in avant-garde music.

Following their acclaimed 2024 album Samsara, Painkiller returns with Mick Harris (beats, electronics), Bill Laswell (bass), and John Zorn (alto saxophone) delivering six intense and genre-blurring tracks that fuse jazz, grindcore, metal, noise, and techno into an exhilarating, multilayered sonic journey inspired by the magickal practices of Aleister Crowley.

Featuring some of composer John Zorn's most lyrical work, the duo of guitarists Gyan Riley and Julian Lage continue their collaboration in the series that started in 2015 with The Bagatelles and continues through Midsummer Moons (2017), Book Beri'ah (2019), and Quatrain (2023), as they render Zorn's beautiful merging of eclectic forms inspired by William Shakespeare.

Two spontaneously composed original improvisation from the collaborative partnership of Ike Levin on tenor saxophone and Joel Futterman on piano & Indian flute, their long history together allowing great depth of connection, passionate expression and periods of reflective contemplation, weaving their playing with meticulous detail inside an impressive and masterful journey.

Referencing the collective NY Loft scene of the 1980's, the trio of Jean-Jacques Avenel on bass, Siegfried Kessler on piano, keys & ring modulator and Daunik Lazro on alto sax & tuba sax, are heard in a Béziers Jazz Action concert recorded in the crypt of a Franciscan theater, in two suites of collective improvisation, the 2nd adding unusual electronics from Kessler.

Recordings from 2000 at Instants Chavires in Montreuil, France from the free improvising trio of Peter Kowald on double bass, Daunik Lazro on alto & baritone sax, and Annick Nozati on voice, in a uniquely informed dialog representing the only time this masterful trio performed.

Four free players from the assertive history of French free jazz--Jean Querlier on alto saxophone & soprano oboe, Jouk Minor on baritone & sopranino saxophones, Rachid Houari (the original drummer for Gong) on drums and Joseph Traindl on trombone--are heard in this exceptional and determined set performing two compositions by Jouk Minor at the 1st Massy Independent Festival in 1975.

The duo of bassist Jean-Jacques Avenel and alto saxophonist Daunik Lazro are captured live in 1980 at the Massy Library in France in an essential document of French free music, a marvel of liberated improvisation where Lazro's uncompromising voice meets Avenel's inspired and multifaceted playing, captured with clarity by engineer Jean-Marc Foussat in a performance both intense and deeply authentic.

Reissuing the 2002 Potlatch release of this exceptional free improvising quartet of Daunik Lazro on alto & baritone saxophones, Carlos Alves "Zingaro" on violin, Joëlle Léandre on double bass and Paul Lovens on percussion & musical saw, some of the most notable of European improvisers captured live during the 2001 "Banlieues Bleues" Festival.

Four journeys in passionately rich sound merging synthetics, acousmatic sources, field recordings and acoustic violin from the duo of Anne Foucher, who has worked with the Acousmaki collective, on violin and electronics, and Jean-Marc Foussat on Synthi AKS, piano, toys and voice, captured live in 2022 at rue Floreal, in Montpellier and at rue de Genac, in Bignac, France.

Bringing together two masterful and legendary players from the European Free Improv scene -- French double bassist and vocalist Joëlle Léandre and UK drummer & percussionist Paul Lovens -- heard in this live performance at Les Temps du Corps, in Paris, free playing in two parts with an incredible sense of communication, timing, humor, virtuosity and finesse.

Across six CDs and more than six hours, Kevin Drumm develops a vast electroacoustic environment of drones, micro-acoustic detail and shifting frequency structures, balancing stasis and motion through gradual transformations in density, resonance and spatial depth, for an immersive study in the physical and perceptual qualities of sound; mastered by Jim O'Rourke.

A massive archive of drone & ambient composer Phill Niblock's films and music, from recordings made between 2013 and 2016 in festivals and studios around the world, orchestrated with primarily acoustic instruments using rich and closely related harmonics, paired with moving images of people from around the world engaged in work; hypnotic and engrossing.

IMJ offshoot label Hitorri presents Sachiko M's minial solo work of dual oscillator eruptions.

Core Anode is Otomo's roaring-sound project, 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006).

Masters of tonality, in their 2nd release the dual clarinets of Kai Fagaschinski and Michael Thieke are heard without any guest musicians, making a rich, gorgeous album of tense timbres.

Part of Japanese composer Taku Sugimoto's Solo for Strings series, these works focus on bowed stringed instruments played only with natural harmonics, arranged with clarinets and flute, using long tones and repetition that allow the performer decisions on their length, performed by a Berlin-based octet including Catherine Lamb, Johnny Change, Samuel Dunscombe, &c.

Legendary Japanese free jazz reedist Akira Sakata's first release on the Ftarri label, in a concert with sound artist and synthesist Ken Ikeda, recording live at Fatrri's own Tokyo space in two improvised performances of approximately 30 minutes each of subtle, expressive interactions through even-tempered discourse and spacious patience, punctuated by Sakata's bell.

Impeccably recorded inside the Brønshøj Water Tower, in Copenhagen, Denmark, a highly resonant space built 100 years ago, where UK tenor and soprano saxophonist John Butcher continues his investigations into spaces with natural delay and decay, through 11 improvisations of discriminating pacing as he finds incredible beauty in floating and shifting tones and instrument errata; exquisite.

Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.

At the same event in Scotland that John Butcher recorded his excellent "Resonant Spaces" album, he also joined forces with sound artist Akio Suzuki on a variety of objects and sound devices to record the first 5 tracks of this unusual album of very free improv, the last track by the duo recording at the 2015 Ftarri Festival at SuperDeluxe in Tokyo.

Three solo tracks by Zhao Cong, who develops suspenseful sonic environments over which she inventively and patiently adds daily objects, sounds from her mixer, condenser microphone, her voice, a cardpaper tube, no input feedback, contact microphones, and a home ballroom light, each piece evolving with a unique disposition towards certain associative sounds; fascinating.

Assembled in London to improvise music for Stewart Morgan's film Eddie Prevost's Blood, this release adds much more material beyond the soundtrack, in a superb example of free and charged creative improvisation seeking unique combinations of expression, from Jennifer Allum on violin, John Butcher on saxophones, Ute Kanngiesser on cello and Eddie Prevost on percussion.

A singularly beautiful and quirky album of electroacoustic improvisation from long-time collaborators and organizers of Japan's "Meeting at Off Site", Tetuzi Akiyama on acoustic guitar and Toshimaru Nakamura on no-input mixing board, their second duo album since 2009's Semi-Impressionism on the Spekk label, here recording in the studio for five dialogs of lovely eccentricity.

A rich and unusual interpretation of Ornette Coleman's "Lonely Woman" recorded in Boswil, Switzerland in 1981 with McPhee, Pierre Favre, Irene Schweizer, Radu Malfatti, Daniel Bourquin, &c., in its first-ever release.

Unreleased for more than 39 years, these remarkably creative live solo performances on trumpet, flugelhorn, flute, steelophone, percussion and gongs from improvisor and composer Wadada Leo Smith were recorded in Los Angeles in 1977, during his visionary Kabell Records years.

Founded in 1967 by pianist Misha Mengelberg, drummer Han Bennink, and saxophonist & clarinetist Willem Breuker, this double CD documents the earliest years of the ICP collective through live & studio recordings from 1966-71, with an impressive cast of jazz and contemporary compositional players creating a delightfully diverse set of approaches to improvisation.

Cornetist Josh Berman's trio with Jason Roebke on bass and Chris Corsano on drums brings Chicago's jazz lineage into sharp contemporary focus, balancing compact composition and expansive interaction through playful, adventurous music that draws on early jazz, AACM-rooted invention, melodic swing, textural abstraction, and volatile rhythmic exchange.

Calling his music jazz and not jazz, bassist Brandon Lopez demands of his listeners to dance, as the quartet of Lopez, Steve Baczkowski on saxophones, Gerald Cleaver on percussion and Cecilia Lopez on synthesizer are heard in this energetic live concert at Roulette Intermedium in Brooklyn, blurring free jazz with experimental sound that never loses its strong grooves.

In 1978 after recording his acclaimed solo album Monoceros, saxophonist Evan Parker embarked on a solo tour of the US and Canada, in New York City performing at the legendary loft space Environ, his first-ever solo performance in NYC and a masterpiece of extended techniques, circular breathing and spectacular control on the soprano and tenor saxophones.

A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.

Recorded at Nevessa Studio in New York, Camila Nebbia joins Marilyn Crispell and Lesley Mok in a fiercely intuitive trio session blending open scores and full improvisation, where elastic group interplay, textural sensitivity, and eruptive momentum allow the music to breathe as a single organism while leaving space for sharply defined individual voices to emerge.

A fierce, spontaneous duo of Camila Nebbia on tenor saxophone and Chris Corsano on drums, recorded in Berlin in 2025, merging Nebbia's searching lines, breath-driven textures and unstable lyricism with Corsano's explosive, highly detailed percussion language, moving between delicate abrasion, surging intensity, fragmented melody and raw improvised exchange.

The third recording from this group of long-time collaborators, with Golia on soprano, alto and tenor sax, Bobby Bradford on cornet, Ken Filiano on bass and Alex Cline on drums in a set of Golia original compositions.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

A tour de force saxophone duo between two masterful New York players--alto saxophonist Tim Berne and drummer Nasheet Waits--recording live at The Sultan Room in Brooklyn NY in 2019, in two impressive dialogs: "Tensile" for nearly 40 minutes of articulate expression and powerful rhythmic interaction; and the more introspective "5See" of impressive technique and intention.

The debut of the advanced and innovative collaboration between improviser and prominent double bassist Barre Phillips, British saxophonist John Butcher and Norwegian drummer, percussionist and improviser, Stale Liavik Solberg, recording at the Blow out Festival in Oslo, Norway in 2019, and at Offene Ohren, Einstein Kultur, in Munchen, Germany in 2018.

The 2nd release from Magda Mayas' Filamental octet of Mayas, Zeena Parkins, Michel Thieke, Christine Abdelnour, Angharad Davies, Rhodri Davies, Aimée Theriot and Anthea Caddy, is a fascinating studio composition developed from individual recordings provided by each musician, assembled into two detailed and cohesive works of impressive contours and almost ceremonial beauty.

Using viola, effects, and on one track, voice, New York improviser and Anthony Braxton ensemble member Jessica Pavone presents a uniquely voiced solo album, approaching the instrument through simple means that become increasingly twisted and unforseen as they advance.

The first duo recordings from fellow New York jazz musicians, trombonist Steve Swell and pianist Matthew Shipp, having brushed shoulders together with Whit Dickey, Dom Minasai, Jemeel Moondoc, Allen Lowe &c., they bring a wealth of familiar knowledge and language to their binary concentration, through twelve concise dialogs themed around the dark expanse of space; masterful and intimate.

Recording in the Merkin Concert Hall on a Steinway Grand Piano, New York pianist Matthew Shipp's seventeen numbered tracks of "The Data" takes listeners through a virtual history of jazz and contemporary improvisation, from beautifully lyrical moments to rapidly complex matrices of expression, balancing his approaches into an absorbing and rewarding album.

39 tracks make up this compelling 3-part solo percussion work from Swiss improviser and composer Christian Wolfarth, using a game approach where some sequences are determined by the roll of a dice for note values, rest and tempo, Wolfarth performing on dead wood, a drum or 39 pine cones, augmented with recordings of stones, water, footsteps, church bells, &c.

An extended electroacoustic piece recorded in 2011 and named as an apt description of the bubbling, dense and intense flow of sound Chrysakis generates using electronic devices, acoustic sounds and field recordings, an absorbing work of audio flux and percolation.

A fascinating double album uniting guitarist Gene Torchia on amplified classical guitar and John Stowell on electric guitar, recorded in the studio between 2023 and 2025, blending composed works written for modern classical guitar and flute with Stowell's improvisations to create a rich and stylistically diverse dialogue spanning blues, Latin, Irish, baroque, and avant-garde forms.

After 25 years, saxophonist, flutist, and pianist Sam Rivers reunites his groundbreaking trio of Dave Holland on bass and Barry Altschul on drums for a fully improvised concert at Miller Theatre.

Marc Ribot's highly anticipated debut as a leader in a band with Henry Grimes on bass and Chad Taylor on drums, performing at the iconic Village Vanguard, with material including Albert Ayler, John Coltrane, &c.

Marking 50 years for Chicago's most important and innovative ensembles, formed in 1969 to advance creative musicians as part of the AACM, is this tribute to and based on music written by late members Lester Bowie, Malachi Favors, and Joseph Jarman, performed by 15 innovative musicians young and old, and presented in 2 CDs: one in the studio and one live at the 2018 Edgefest.

Three CDs in a beautifully constructed fold-out cross with liner notes and recording data from NY drummer Kate Gentile, in a set of 41 studio recordings with her working band of Matt Mitchell on piano & keys, Kim Cass on acoustic & electric bass and Jeremy Viner on reeds, each disc exploring a distinct yet connected approach to her fascinating compositions and group interaction.

Great record from Threadgill's Zooid ensemble, an all-acoustic group with guitar, cello, oud, tuba and drums, along with the leaders saxophone and flute. Beautiful compositions, nicely played.

Threadgill's 2nd Volume with Jose Davila, Liberty Ellman, Elliot Humberto Kavee, and Stomu Takeishi, intelligent and cutting-edge music exploring the boundaries of composition & improvisation.

Henry Threadgill and his Zooid band follow up the 2 part "This Bring Us To" series with this exceptional album of NY jazz, abstracting the jazz idiom in persuasive and stunning ways through great writing and playing.

Welsh composer Secondson reduces his electroacoustic palette to tape recorder and turntable for two extended works exploring repetition, degradation, vinyl surface noise and analogue resonance, creating slowly evolving environments between musique concrete, drone and minimalism from a 2023 session at Sail Loft Studios in Cardiff, UK.

Five years after their debut, co-leaders Anna Webber and Angela Morris return with a 19-piece large ensemble recording that showcases their next-level compositional voices, unfolding through the "Just Intonation Etudes for Big Band" suite and a series of richly orchestrated works that balance drones, contrapuntal density, rhythmic blasts, and lyrical themes in an adventurous exploration of sound and structure.

Meeting in the studio in Germany, Fred Frith's electric guitar & effects combine with Johannes Tonio Kreusch's classical & prepared guitars and brother Cornelius Claudio Kreusch's piano & keyboards in an expansive trio improvisation balancing drones, atmospheric textures and volatile interaction, moving fluidly between meditative restraint, abstract sound exploration and explosive free improv.

Meeting in the studio in Germany, Fred Frith's electric guitar & effects combine with Johannes Tonio Kreusch's classical & prepared guitars and brother Cornelius Claudio Kreusch's piano & keyboards in an expansive trio improvisation balancing drones, atmospheric textures and volatile interaction, moving fluidly between meditative restraint, abstract sound exploration and explosive free improv.

David Moss revisits a key document of New York's early-1980s Downtown scene, joining Arto Lindsay, Fred Frith, Bill Laswell, Jamaaladeen Tacuma, John Zorn, Christian Marclay, Phil Minton and others in nineteen concise, rapidly shifting studies that fuse percussion, reeds, guitars, turntables, electronics, manipulated voice, groove and free improvisation into a restless collage of experimental composition and performance.

David Moss leads a remarkable cross-section of New York's 1980s Downtown scene with Fred Frith, John Zorn, Tom Cora, Arto Lindsay, Christian Marclay and Jules Moss, merging percussion, theatrical vocals, electronics, turntables and improvisation with tightly constructed rhythmic forms in a volatile collision of experimental rock, noise, free improvisation and infectious groove, newly remastered for its 40th anniversary.

Blending cellist Miguel Mira's structural premeditation with the spontaneity of free improvisation, the trio of Mira, saxophonist Yedo Gibson, and drummer Felice Furioso crafts a richly textural and architectonically inspired session, recorded in Lisbon, where extended techniques and expressive interplay shape a dynamic sonic vision of figurative expressionism in sound.

An inspired meeting between Portuguese double bassist João Madeira and pioneering violinist Carlos Zingaro, recorded in 2023 in Barreiro, Portugal, their duo exploring a vast sonic terrain of lyrical interplay, textural bow work, and spontaneous counterpoint, moving from delicate introspection to angular abstraction with an intuitive rapport that bridges risk and curiosity.

Two deep basses come together in this recording of a live performance at O'Culto de Ajuda, Lisboa, Portugal between Red Trio double bassist Hernani Faustino and Ensemble MIA/String Theory double bassist Joao Madeira, mixing bowed and plucked styles along with preparations and extended techniques in a three part suite of powerfully imposing improvisation.

A great set of 11 succinct songs and instrumentals from multi-instrumentalist, prog icon Bob Drake of Thinking Plague, The Science Group, VRIL, and Peter Blegvad fame, vignettes that play with pop formats in insidious ways around recurring Drake themes including a Planet of Dogs, three rustic tales, and a perturbing room in the tower, all noted in a colored foldout poster with lyrics.

Recorded live at Moosham Castle in Austria in 1976, Cecil Taylor's solo piano performance is an unyielding exploration of percussive intensity and harmonic abstraction, unfolding in torrents of kinetic energy, intricate melodic leaps, and structural invention, demanding deep engagement as he fuses free jazz and contemporary classical influences into a towering and uncompromising artistic statement.

Recorded live at the 2023 Music Unlimited Festival in Wels, Austria, this powerhouse quartet of Joe McPhee, Susanna Gartmayer, John Edwards, and Maria Portugal delivers an electrifying set of spontaneous composition, blending fierce improvisation, commanding technique, and bold interplay in a dynamic performance brimming with vitality and creative approaches to improv.

Drawing on a 20-year musical partnership, Chicago-born saxophonist Frank Trompeter joins drummer, percussionist and wood flutist Richard Gilman-Opalsky for an impassioned studio duo of free jazz and creative improvisation, moving from melodic and swinging exchanges to raw, turbulent intensity shaped by deep familiarity, spontaneous interplay and an explicitly antifascist spirit.

An all-star lineup for European free jazz with Evan Parker, Sten Sandell, Ingebrigt Haker-Flaten and Paal Nilssen Love on a double CD recorded live at Belleville.

Two pianists dedicate to their instruments at the Gallus Hall of Cankarjev Dom during the 57th Jazz Festival Ljubljana: Paris-based pianist Eve Risser (Umlaut, En-Corps, &c) and Slovenian pianist Kaja Draskler (I/O, Draskler Octet, &c.), to record these inventive duos, weaving their keys together or working inside and out of the piano in incredible sonic approaches.

Recording in the Bay Area at the Mills College Chapel in Oakland, the Drone Trio of Fred Frith on electric guitar, Phillip Greenlief using extended techniques on alto & tenor saxophones, and Evelyn Davis on the Chapel's pipe organ, use the natural resonance of the chapel and their masterful skills as improvisers to evolve fervid and powerfully sonorous environments.

The Empty Cage Quartet in 2 compositions that incorporate improvisational systems based on harmonic palindromes & melodic sequences derived from the cycles of the Mayan calendar

From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.

The "Inner Landscape" of cellist Daniel Levin's playing in a 6-part solo release of pure improvisation as Levin finds his music in real time through spontaneous play and surprise.

The New York duo of saxophonists Rudresh Mahanthappa and Steve Lehman in their co-led quintet with Liberty Ellman on guitar, Matt Brewer on bass and Damion Reid on drums.

The sixth album as a leader from the Vancouver-born, Brooklyn-based pianist Davis, composing for the inspired working group of Mat Maneri (viola), Ingrid Laubrock (sax), Trevor Dunn (bass) and Tom Rainey (drums & glockenspiel).

Reedist Louis Sclavis' new cooperative trio with keyboardist Craig Taborn and drummer Tom Rainey in a mix of studio and live recordings from Casa da Musica, Porto.

For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation.

The debut recording of the NY based trio of London-transplant saxophonist Ingrid Laubrock, drummer Tyshawn Sorey and pianist Kris Davis, refreshingly unconventional improvisation.

NY Saxophonist Tony Malaby's Paloma Recio with Ben Monder on guitar, Eivind Opsvik on double bass, and Nasheet Waits on drums in a studio album performing Malaby's 4-part "Incantation Suite", lyrically free improvisation with a shimmering essence invoking dreamlike states.

A live performance from Culturgest in Lisbon, Portugal, 2015 of Portugese trumpeter Susana Santos Silva and Slovenian pianist Kaja Draksler, presenting six free improvisations that showcase both the technical skills and the strong creative powers of both improvisers.

Drawing from some of NYC's finest - Tim Berne, Tony Malaby, Mary Halvorson and Andrea Parks - drummer Ches Smith's band takes the Downtown NY strategy to bridge experimental rock and avant jazz in unexpected and astonishing ways.

The classic European Free Improv trio of Evan Parker, Barry Guy and Pual Lytton is joined by New York trumpeter Peter Evans for an incredible live concert at Casa de Musica, Portugal.

Trumpeter & composer Sei Miguel's second O Carro De Fogo De Sei Migue continues his merging of electric jazz with ea-overtones, in three live recordings with Fala Mariam on trombone & Rings, Nuno Torres on saxophone & Rings, Bruno Silva on electric guitar, Pedro Lourenco on electric bass, Andre Goncalves on organs & ATMOS and Luis Desirat & Raphael Soares on percussion.

Live from Lisbon's Jazz em Agosto Festival, cornetist Rob Mazurek merges his Chicago and Sao Paulo Underground bands, adding bassist Matthew Lux and jazz legend tenor saxophonist Pharoah Sanders, for a potent blend of modern jazz, electronics, and free improvised music.

Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.

Dublin sound inventor Henry Dagg joins soprano saxophonist Evan Parker for a live concert in Canterbury: fourteen vignettes of electro-acoustic interaction using Dagg's "Stage Cage"--valve test-oscillators, ring modulators, frequency shifter, chromatic zither, and a variable tape delay system--to both generate sound and to transform Parker's improvisations in incredible ways.

Inspired by John Coltrane�s A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.

Swiss turntablist and Sudden Infant founder Joke Lanz joins Fargo-based PCRV electronics artist Matthew Taggart for a compact 7-inch collaboration, bringing Lanz's volatile cut-up language and musique concrète instincts into contact with Taggart's improvised harsh electronics, abrupt textures and noise structures for an intensely concentrated meeting of two underground experimental practices.

Philadelphia sound artist, writer and Street Rat creator Gladys Nobriga transforms a 2020 book of original poetry into an intimate sound work, combining the texts with audio created in 2023-24 through a practice rooted in found objects, contact microphones, analog textures and raw performance, connecting written language, physical materials and deeply personal experimental sound.

Using microphone, tractor, shovel and tape, Henry and Ken's Dead Mallard project turns rural machinery and found objects into raw electroacoustic noise on a winter 2026 recording from Pennsylvania, extending the absurdist farm-equipment experimentation of their self-titled debut through mechanical drone, object percussion, environmental resonance and tape manipulation.

Indonesian sound artist Theo Nugraha shares a split with Steve Davis' long-running +DOG+ project, pairing Nugraha's 15-minute "Dokset" with +DOG+'s equally expansive "April" in a meeting of Samarinda's experimental noise culture and an American project active since 1991, joining two independent approaches to electronics, improvisation, texture and underground sound.

Steve Davis returns to his cryptic Money project with a fifth installment, extending the Love Earth Music series' stark world of dark ambient electronics, glitch, low-frequency vibration and slow-moving noise, an intentionally reduced and enigmatic counterpart to his +DOG+ work where repetition, suspended textures and uneasy electronic stasis become the organizing language.

Drawn together through London's Horse Improvised Music Club, Adam Bohman on amplified objects and strings, Sue Lynch on tenor saxophone, clarinet and flute, and Crystabel Efemena Riley on drums and metallics shape a buoyant, finely balanced trio language of crystalline winds, tactile percussion and eccentric object sound, playful and airy even as the interaction intensifies.

After six albums reimagining Ahmed Abdul-Malik, Pat Thomas, Joel Grip, Antonin Gerbal and Seymour Wright turn their transformative [Ahmed] project toward Thelonious Monk, atomising his compositions across two CDs into volatile, time-bending forms where piano, bass, drums and alto saxophone fracture and reassemble melody, rhythm and space through free jazz intensity, pulse and radical collective invention.

More typically a solo performer, Japanese bluesman Kan Mikami has created a distinctive path for his voice, guitar and poetic lyrics; here he is propelled in an improvisational setting with two powerful UK players--John Edwards on bass and Alex Neilson on drums--captured live at London's Cafe Oto for a growling concert of finesse and brusque attitude.

Expanding the voice into a mutable electroacoustic ecosystem, Ute Wassermann combines breath, multiphonics, growls, whispers and animal-like calls with bird whistles, jaw harps, hydrophones, drums and brass megaphones, creating six vividly spatial pieces where body, object and environment continually merge, fracture and reform.

Reuniting Polish reedist Mikolaj Trzaska on alto saxophone and bass clarinet with the long-integrated British rhythm team of bassist John Edwards and drummer Mark Sanders, this live Cafe OTO performance unfolds as spontaneous collective composition, shifting fluidly between eruptive free-jazz intensity, textured restraint, lyrical exchanges and rapidly redirected momentum.

Paying homage to recordings from Mingus, Sanders, Thornton, &c, albums that shaped his approach to jazz composition and playing, trumpeter Frank London and his band The Elders--Marilyn Lerner, piano; Hilliard Greene, bass; Newman Taylor Baker, drums; and Greg Wall on sax on 3 tracks--perform six sophisticated London compositions that bridge modern improv with 60s post-bop lyricism.

Reuniting after four years, guitarist Hedvig Mollestad with Ellen Brekken and Ivar Loe Bjørnstad deliver six tracks that fuse hard rock riffing, progressive jazz, and psychedelic exploration, balancing raw power with nuanced improv, from searing grooves and shifting meters to poignant balladry, in seamless interplay of exhilaration and deep expression.

A split release between two noise artists from opposite sides of the planet: first Greek sound artist Manos Michaelides, aka Ego Death, in a brutal assault of abrasive sound recorded over a decade; then an amalgamation of a live recording from Hiroshi Hasegawa (C.C.C.C.) performing at IAF shop in Fukuoka, Japan and in the studio at Koenji-Minami Studio, in Tokyo, Japan.

Eight illusory and ethereal sound and noise works from Daniel Sine, aka Le Chien Nu, from beautiful sonic environments to raspy nightmares, putting special emphasis on the latter, with enough diversity between each work to make a complete REM cycle of unsettling sleep offset by moments of beauty.

A journey through drone, abstract sound and concrete elements from Netherlands sound artists and writer Frans de Waard (Vital Weekly), mixed from recordings sessions in 2022 and sourced from small electronics, shortwave radio, aqueous recordings, iPad synths, Walkman and "whatever else", the work suggesting 11 movements through various textures and sonic environments.

A large-scale and meticulously deconstructed sonic exploration from Howard Stelzer, weaving layers of manipulated cassette tapes, tape players, and speakers with extensive processing from sonic luminaries Ralf Wehowsky, Brendan Murray, Linda Aubry Bullock, Bruno Duplant, Fani Konstantidou, and Andrew Zukerman — for a dense and unpredictable landscape where textures dissolve and reform in shifting abstractions.

Experimental composer Caleb Chase presents 15 succinct electroacoustic pieces that delve into intricate sound spatialization and panning techniques, crafting immersive auditory environments where layered textures and dynamic movements reveal hidden sonic details, rewarding attentive listening through headphones or stereo speakers.