A seasoned quartet of trombonist Robert Morgenthaler, vibraphonist Christopher Dell, bassist Fridolin Blumer, and percussionist Heinz Geisser recorded in Zurich, exploring the essence of free improvisation through deep listening and spontaneous structure, where interplay and attentiveness replace convention, revealing the magic that happens in the space between the rules.

Inspired by Gertrude Stein's experimental poem Yet Dish, Swiss saxophonist Christoph Gallio leads an ensemble with vocalist Sonia Loenne, bassist Vito Cadonau, and percussionist Flo Hufschmid in a nuanced exploration of language and sound, transforming Stein's rhythmic abstractions into vivid musical dialogues where wit, structure, and spontaneity intertwine with poetic precision.

Composed by Cat Hope and recorded live at the Tura and Perth Festival, this striking opera for four vocal soloists, bass orchestra, and community choir unites the visceral voices of Caitlin Cassidy, Judith Dodsworth, Sage Pbbbt, and Karina Utomo under conductor Aaron Wyatt in a profound, wordless protest against the inhumanity of refugee detention and a moving appeal to shared compassion.

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A fierce live collision of Jaap Blonk's phonetic vocal and electronic inventions and Jasper Stadhouders' raw guitar improvisation, forging a surreal language of sputtered syllables, scraped strings, and disruptive humor, where meaning dissolves into texture and every gesture feels simultaneously unhinged and meticulously alive.

Elliott Sharp unites six electric guitarists in a powerful, overtone-rich work built from droning harmonies, graphic scores, shifting rhythms, and open improvisation, transforming his long-running compositional ideas into a vibrant, resonant soundscape that channels the tension of our present moment into bold, electrifying musical energy.

The duo Senso di Voce, with Esin Gunduz on voice and Paul J. Ferington on oboe, create an immersive chamber work of voice, oboe, and electronics whose movements balance the ancient and the contemporary, weaving resonances, silence, and philosophical imagery into a meditative and exploratory sound world that rewards repeated listening with new layers of detail and emotional depth.

A four-part work for two pianos, clarinets, bass clarinets, violas, cello, and double bass, unfolding through quietly repeated dyads, chance-shaped harmonies, and sparse, non-directional gestures, as Reinhard's ensemble traces near-silent textures that accumulate, recede, and hover in a state of delicate, slowly evolving stillness.

A debut solo album of eight songs for voice and guitar from Japanese singer-songwriter Shoko Numao, blending poetic introspection, translucent vocal timbres, and quietly expressive melodies shaped through years of performance, as she crafts intimate, subtly shifting pieces that balance lyrical clarity with a gentle, atmospheric sense of stillness.

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Recorded at The Bunker Studio in Brooklyn in 2025, this first document of Peter Evans (trumpet), Joe Morris (bass), and Tyshawn Sorey (drums) captures four expansive improvisations where Evans's quicksilver trumpet, Sorey's architecturally detailed drumming, and Morris's tensile bass cohere into a lucid, high-energy trio language that balances raw edge with striking clarity.

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Joined by bassist Mark Helias and drummer Eric McPherson, pianist Russ Lossing presents a deeply intuitive trio performance that balances structure and freedom, unfolding through intricate yet unforced improvisations that reveal profound emotional depth, rhythmic sensitivity, and melodic imagination, affirming his mastery of spontaneous musical dialogue and expressive subtlety.

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Reuniting pianist Pandelis Karayorgis with bassist Nate McBride and drummer Randy Peterson, and featuring composer-pianist Eric Moe, this microtonal project bridges jazz and contemporary composition through Werntz's Capricious Nocturnal Variations, as Karayorgis' trio expands its themes with richly textured interplay and fluid explorations of the uniquely tuned Werntz Nocturne Scale.

Recasting theatre music composed by Szilárd Mezei along with a Hungarian folk song arranged by Mezei in an intimate live improvisation from a duo of violin/voice and viola, drawing out folk-tinged motifs and open forms into tensile dialogues, balancing chantlike lines and earthy drones with quicksilver bow work to reveal a spare, luminous chamber language that breathes beyond the stage.

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Founded in 2001 and reunited after their last album in 2007, the quartet of Satoko Fujii (piano), Natsuki Tamura (trumpet), Hayakawa Takeharu (bass), and Tatsuya Yoshida (drums) unleashes a high-energy blend of avant jazz-rock, shifting from atmospheric fragments to dense, electric-edged turbulence, driven by sharp contrasts, ferocious rhythms, and the group's volatile, genre-bending interaction.

Blending acoustic trio writing, subtle electronics, and everyday vocal gestures, Argentine composer Santiago Diez Fischer's decade-spanning set of five works for Gyre Ensemble shapes a raw, sculptural, and "punk-poetic" sound world where baritone sax, accordion, and percussion merge with the composer's vocal and electronic interventions to reveal music poised deliberately between rough material and refined form.

A brooding work for ten musicians, Jürg Frey's crepuscular score intertwines Japanese haiku and poems by Anne Perrier through hushed voices, fragile instrumental colors, and suspended textures, inviting ensemble]h[iatus, led by Le Quan Ninh and Martine Altenburger, into a slowly unfolding landscape where uncertainty, breath, and quiet tension shape a haunting world on the edge of darkness.

Originally released in 1983 as Jean-Marc Foussat's sole solo statement for the next 18 years, Abattage is a frenetic musique concrète collage of Synthi AKS & VCS3 electronics, tapes, voice, guitar, piano and field recordings, reissued in a deluxe remastered edition with 32-page booklet that restores the intensity and inventiveness of his groundbreaking debut.

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Captured live in the Manila studio, the duo of Swiss drummer/percussionist Christian Bucher and alto saxophonist Rick Countryman engage in improvisation built on the idea of musical phrasing as syntax, where saxophone lines, punctuated drums and responsive space converge into a series of sound-sentences in which tone, pause and gesture become elements in a live lexicon of form.

Alone with his newly acquired 1947 Steinway Model M, Downtown New York pianist Anthony Coleman crafts an intimate set of solo explorations that probe touch, resonance, and the piano's physical poetry, transforming his long-fraught relationship with the instrument into a deeply personal study of sound, nuance, and the possibilities revealed by playing at home.

Reinventing his compositional voice, Clevenger charts a reflective and lyrical suite for a deep Bay Area ensemble, the writing balancing chamber-like colour and improvisational space as reeds, low flutes, brass, cello, vibes, marimba, drums and bass articulate an expansive journey of personal discovery and renewed purpose.

Led by alto saxophonist Jorrit Dijkstra, BLINK embraces collective improvisation over solo display, blending microtonal tuning, layered rhythmic cycles, and ensemble interplay inspired by insect swarms, African High Life, and minimalist rock, resulting in an inventive, off-balance sound that thrives on tension, texture, and spontaneous cohesion.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.

Expanding to a nine-piece ensemble, Leap of Faith Orchestra with PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Dennis Warren, and Joel Simches, transforms through broad palette improvisations where horns, strings, guitar, bass, percussion, electronics, and real-time processing converge into a richly layered orchestral improvisation.

With PEK and Glynis Lomon joined by John Fugarino, Eric Dahlman, Michael Caglianone, Tor Snyder, Albey onBass, Scott Samenfeld, Cliff White, and Joel Simches, Leap of Faith expands into a richly textured septet where strings and horns form the core dynamic, augmented by percussion, electronics, and processing in an improvisation that evolves through a vast range of sonorities.

Recorded live at Saint Augustine's Wrangthorn in Leeds, UK, the duo of saxophonist Ed Jones and drummer Emil Karlsen bridge free jazz and free improvisation in a dynamic, low-key but deeply interactive session, emphasizing collective phrasing, evolving structures, and subtle momentum in an hour-long exploration of nuanced, expressive dialog.

Recorded live at the 2022 Vision Festival in Brooklyn, Jason Kao Hwang conducts a remarkable ensemble of strings, guitars, bass, and percussion in a work that blends notated passages with conduction-driven improvisation, forging a powerful and fluid language that transcends cultural and stylistic boundaries while illuminating collective individuality and truth.

A collection of Yoshio Machida's soundtracks for NHK documentaries on artists Shinro Ohtake, Junichiro Tanizaki, and Maruyama Okyo recorded between 2020 and 2023, presenting a wide stylistic range from acoustic chamber works and dreamy piano reverberations to glitch electronics, steel pan melodies, funk beats, and jazz, highlighting Machida's versatility as composer and performer.

An evocative solo album from Yoshio Machida, who performs and overdubs steelpan, piano, bass, drums, and electronics in serene, poetic soundscapes where the transparent timbre of steelpan and keys weave ambient textures of nostalgic beauty, influenced by Buddhist notions of emptiness and form, recalling the refined aesthetics of ECM while creating a deeply personal aural refuge.

An overview of Montreal's Ensemble Supermusique celebrating their 40th anniversary, drawing on works from founders Joane Hétu, Diane Labrosse, and Danielle Palardy Roger and their projects including Wondeur Brass, Les Poules, Justine, &c., realized by 40 instrumentalists in 8 groups of 3 to 8 players; masterful sophistication with a sense of humor and wonder — exceptionnelle!

Drawing from Moravian folk songs transcribed by her great-grandfather, vocalist Julia Úlehla leads the Vancouver ensemble Dálava in a haunting and emotionally charged set blending Czech and English vocals with experimental improvisation, as Aram Bajakian, Peggy Lee, and Joshua Zubot weave a deeply layered, otherworldly sonic journey that bridges ancestry and avant sound.

A beautifully lyrical and introspective trio recording from saxophonist Rob Hall, keyboardist Tobias Weindorf, and guitarist Philipp van Endert, sharing compositional duties across a set of chamber-like modern jazz works recorded in Germany, where nuanced improvisation, melodic sensitivity, and a refined sense of space define this elegant and democratic debut from the pan-European Tret Trio.

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Inspired by Maggie Nelson's reflections on freedom, this intuitive and boundary-defying quintet — featuring saxophonists Simona Castria and Angelo Manicone, Carlo Mascolo on no-input trombone, Valerio Metteo on organismic synthesizers, and João Pedro Viegas on bass clarinet — explores collective improvisation as a form of resistance, creating a deeply expressive tapestry untethered from ego or hierarchy.

A fiercely expressive and genre-defying second release from Matt Hollenberg's Shardik, blending avant-garde classical, math metal, free jazz, and world music in a searing and politically charged statement performed with virtuosic intensity by Hollenberg, Nagano, Jost, and Sher, delivering complex forms, daring harmonies, and relentless creative fire.

Recorded live at Evil Clown Headquarters, the quartet Leap of Faith — David Peck, Glynis Lomon, John Fugarino, and Tom Swafford — delivers a masterful chamber improvisation balancing strings, winds, percussion, electronics, and an extraordinary palette of acoustic and electro-acoustic instruments, blending seasoned creativity into a vivid, expansive, and tightly woven sonic exploration.

Boston-based improvisational ensemble Leap of Faith, led by multi-instrumentalist David Peck (PEK) and cellist Glynis Lomon, presents a drummerless seven-piece configuration recorded live at Evil Clown Headquarters, navigating expansive free improvisation with horns, strings, electronics, and unconventional percussion in an explorative chamber-like performance of subtle dynamics and spontaneous interplay

An expansive octet of seasoned improvisers from the Evil Clown collective — including PEK (David Peck), Glynis Lomon, Michael Caglianone, and Albey onBass — navigate pure improvisation through a sprawling live session of rich, shifting textures, contrasts, and unexpected sonic juxtapositions, ranging from subtle ea-improv to full-out ensemble peaks across a transforming soundscape.

A deeply personal meditation rooted in the composer's time as artist-in-residence at Homestead National Historical Park, this four-movement string quartet performed by Chihiro Ono, Amalia Young, Bridget Carey, and Anton Lukoszevieze weaves archival fragments, traditional forms, and minimalist textures into a contemplative, resonant work of memory, place, and lineage.

A cross-cultural instrumental suite uniting British and Australian musicians, featuring the resonant didgeridoo and rhythmic sticks of Paul Rider-Boon, the rich woodwinds of Susie Hodder-Williams and Chris Caldwell, atmospheric electronics and guitar from Sam Hodder, and the expressive voice of Clifton Bieundurry, spiritually merging indigenous sound with contemporary improv and electronica.

The second set of compositions from Christopher Fox emulating the Subharchord's sonic architecture through acoustic means, performed by Dominic Lash on double bass, Elisabeth Flunger on bass drum, and Kathryn Williams on bass flute, drawing deep resonance from extended techniques and elemental gestures in a richly textural exploration of dissent, descent, and transformation.

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A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording.

An intimate and exploratory solo recording from NY flutist Laura Cocks, known for their work with TAK Ensemble, presenting a poetic and deeply focused album where breath, silence, and sound merge into fragile, resonant gestures — Cocks bends time and expectation with extended technique and stillness, inviting the listener into a space of presence and emotional depth.

Italian composer and multi-instrumentalist Matteo Ciminari leads an adventurous sextet through a labyrinth of polyrhythms, dissonant harmonies, and unexpected textures, with virtuosic contributions from Maurizio Moscatelli, Simone Maggio, Mattia Borraccetti, Michele Sperandio, and Luca Orselli, creating an unpredictable yet lyrical fusion of progressive structure, free jazz, and playful experimentation.

Recorded live in Lisbon in 2025, this quietly immersive quartet session from Ernesto Rodrigues, Ana Albino, Hernani Faustino, and Carlos Santos unfolds as a single extended movement of enigmatic timbral interplay, blending modular synth, electric guitar, viola and bass in a sparse, introspective soundscape shaped by mystery, fluidity, and subtle dynamic shifts.

In a live performance emphasizing minimalism and lowercase improvisation, Ernesto Rodrigues (viola, crackle box), Bruno Parrinha (bass clarinet), and Andrew Levine (Theremin, modular synth, crackle box, stereo field) engage in a nuanced exploration of subtle textures and sonic interactions, resulting in an immersive and introspective auditory experience.

Recording in the studio in Milan, the trio of Riccardo Luppi on tenor & soprano saxophones and flutes, Simone Massaron on guitar & electronics, and Daniel Studer on double bass engage in a textural and exploratory dialogue, blending extended techniques, electronic manipulations, and spontaneous interplay across seven distinct ""Takes", each offering a unique approach to collective free improvisation.

The final recordings of Un Drame Musical Instantané with co-founder Bernard Vitet, compiling sessions from 1998 to 2000 with the Machiavel Quartet and guests including Baco Mourchid and Nem, blending free jazz, electroacoustic experimentation, and multimedia spontaneity into cinematic improvisations that showcase the ensemble's enduring commitment to collective creation and sonic innovation.

The Cologne-based free improvising trio Der Vierte Zustand — vocalist Hanna Schörken, guitarist Christina Zurhausen, and drummer Ramon Keck — om a compelling blend of experimental soundscapes, noise rock influences, and free jazz energy, driven by Schörken's acrobatic wordless vocals, Zurhausen's effects-laden guitar textures, and Keck's dynamic rhythms.

Ensemble Supermusique, Montreal's premiere open-minded improvising ensemble, here led by saxophonist & vocalist Joane Hetu and conducted by percussionist Danielle Palardy Roger, present a live concert of graphic scores dating back to 1920, with works from Fred Frith (Stone, Brick, Glass, Wood, Wire), Luigi Russolo, Maxime Daigneault, Emilie Girard-Charest & Anestis Logothetis.

Improvising over strings, winds & percussion from the Portuguese quintet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Joao Madeira on double bass, Bruno Parrinha on flute & bass clarinet and Monsieur Trinite on percussion, in a studio session of active, often pointillistic interaction offset with periods of introspection, reflecting concepts of Baudelaire & The Surrealists.

The third Spiegel, or mirror, takes the Portuguese acoustic octet led by violist Ernesto Rodrigue through an extended improvisation and its reflection, captured live at the 2021 CSFest XV, at O'Culto da Ajuda, by performing and recording their performance in a first pass, and then playing over the first improvisation, layering and extending their work.

Continuing their exploration of isotopes, here focusing on the unstable element Uranium, the Portuguese Isotope Ensemble led by violist Ernesto Rodrigues presents two stunningly detailed concert performances from the 2021 CSFest XV at O'Culto da Ajuda in Lisbon, with some of Europe's leading improvisers taking on U92 in both "Electroacoustic" and "Acoustic" properties.

Performing live at SMUP, in Parede, Portugal in 2022, the bass-oriented chamber quintet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Joao Madeira on double bass, Hernani Faustino on double bass and Jose Oliveira on percussion balance jazz and contemporary compositional approaches to their sophisticated and extremely detailed improvisations.

The sixth release by Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, with Guilherme Rodrigues on cello, Nuno Torres on alto sax, Antonio Chaparreiro on electric guitar, Carlos Santos on computer and Jose Oliveira on percussion & inside piano, is this impressive performance at "Temporada Miso Music 2009" in Lisbon.

A uniquely configured electroacoustic trio recording live in the studio in Lisbon in 2018 between Mexican flutist and founding member of the improv collective Generación Espontánea, Wilfrido Terrazas, and Portuguese improvisers Mariana Carvalho on prepared piano and Abdul Moimeme using two electric guitars and objects, balancing introspective moments with periods of uninhibited excitement.

An unusual trio configuration for violist Ernesto Rodrigues, joined by Bruno Parrinha on soprano & alto saxophones, and by electric guitarist Flak, who brings an experimental almost ea- approach to their 3-part improvisation, aptly named for it's deceptively calm setting, gradually becoming intricate and active through colored motion like a curious breeze that builds and recedes.

A four-part suite from the Creative Sources string core of violist Ernesto Rodrigues and cellist Guilherme Rodrigue, recording in Berlin in 2021 with free jazz trombonist Matthias Muller and trumpeter Brad Henkel, through each movement approaching their playing through a balance of nonidiomatic and free jazz, subtly understated and meticulously intricate.

While NY trombonist Steve Swell and alto saxophonist Rob Brown were in Paris, flutist Michel Edelin, who has recorded and performed with Swell over more than a decade, organized this session with Paris-based American ex-pats, drummer John Betsch and bassist Peter Giron, recording three Swell compositions, two by Brown, one from Edelin and four collective improvisations; magnifique!

A great set of 11 succinct songs and instrumentals from multi-instrumentalist, prog icon Bob Drake of Thinking Plague, The Science Group, VRIL, and Peter Blegvad fame, vignettes that play with pop formats in insidious ways around recurring Drake themes including a Planet of Dogs, three rustic tales, and a perturbing room in the tower, all noted in a colored foldout poster with lyrics.

Baritone saxophonist Josh Sinton continues his deep engagement with Steve Lacy's saxophone etudes in this 2-CD release, presenting fifteen spontaneous solo improvisations on Couloir, alongside a meticulous yet personal interpretation of Lacy's Book of Practitioners Vol. 2 "W", a suite of six structured études that explore sonic character through repetition, variation, and improvisation.

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Aptly described as chiaroscuro--a veritable play of light and shadow in quick-witted--through nearly microscopic and highly interactive acoustic improvisation from the quartet of Ernesto Rodrigues on viola, Maria da Rocha on violin, Bruno Parrinha on clarinet & bass clarinet and Jose Oliveira on percussion, performing live at Galeria Monumental, in Lisbon in 2022.

A joint release with the Berlin record label Maybee Records run by cellist Hui-Chun Lin & Shuichi Chino and Creative Sources, this 2021 concert at Berlin's Kuhlspot Social Club brings together four cellist for an incredible and somewhat vicious display of free improvising string interaction using incredible technique, texture, and intent listening; wild!

Continuing Rodrigues' post-Cage series of single-track acoustic improvisations, this 2025 quintet with Miguel Mira, Flak, Tiago Varela, and Manuel Guimaraes blends viola, cello, electric guitar, fan organ, melodica, and piano in an evolving tapestry of mysterious breath, subtle continuity, and fragile sonic space recorded live in Lisbon with profound delicacy and restraint.

A live recording of free improvisation recorded at Theater im Viertel, in Saarbrucken, Germany in 2021 from the SteDaJoDa quartet of Daniel Studer on double bass, Stefan Scheib on double bass, Daniel Weber on drums and Johannes Schmitz on guitar, the dark double bass foundation and floating ("Schwebend") percussion work balanced by Schmitz' blues oriented electric.

A reductionist set of spartan improvisation performed live at Casa da Cultura, in Setubal, Portugal in 2021 from the trio of Ernesto Rodrigues on viola, João Silva on trumpet and Andre Hencleeday on piano, applying extended techniques on their instruments in a dark night, quiet but intently close listening conversation from three authoritative voices.

Italian and Portuguese musicians meet in the studio in Berlin for a set of studio free improvisations, from Creative Sources father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello meeting trombonist Davide Piersanti and vocalist Ligia Liberatori for twelve exceptionally open, informed and unusual conversations.