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![Garcia / Moimeme / Reviriego / Rodrigues / Santos: Mars Reveri (Creative Sources) Garcia / Moimeme / Reviriego / Rodrigues / Santos: Mars Reveri (Creative Sources)](https://www.teuthida.com/productImages/misc4/34651.jpg)
An intense album of pyschedelic and subliminally detailed electroacoustic improvisation from the Portuguese quintet of Miguel A. Garcia on electronics, Abdul Moimeme on guitar & metals, Alex Reviriego on double bass, Ernesto Rodrigues on piano harp & viola and Carlos Santos on electronics, a powerful live set recorded in 2018 at Le Larraskito Kluba in Rekalde, Bilbao.
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Miguel A. Garcia-electronics
Abdul Moimeme-guitar, metals
Alex Reviriego-double bass
Ernesto Rodrigues-piano harp, viola
Carlos Santos-electronics
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UPC: 5609063408188
Label: Creative Sources
Catalog ID: cs818
Squidco Product Code: 34651
Format: CD
Condition: New
Released: 2024
Country: Portugal
Packaging: Cardboard Gatefold
Played live at Larraskito 2018.
"[...] Mars Reveri does make an impression, particularly with its strong opening, grains & static soon suggesting (quasi-Braxtonian) locale, "tinkling" feelings of ascent beginning... & soon plunging into a sort of sonic maw below. Evocations turn to doom, post-industrial again (even glitchy...), perhaps suggesting the more recent Behenii (& Trilla again...) in some ways, albeit there with aggressive horn at least to open.... Versus Sitsa then, lines unwind (less layered or étude-like...), becoming longer arcs, opening sweeping & colorfully twisting vistas....
(Per the cover art, we are supposed to imagine reveling on Mars? The music actually seems more equivocal, the martial reference looming... i.e. as return to war.) And then the unknown "Ibonrg" joins on voice for track #4 (of 5), emphasizing bass (e.g. growling, perhaps pace Phil Minton...), lending some novel textural aspects. Both there & in parts of the longer opening track, there're some unique & compelling textures, finally ending loudly (as if we're finally inside the machine...). "-Todd McComb's Jazz Thoughts, 8 April 2024
Get additional information at Todd McComb's Jazz Thoughts
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Artist Biographies
• Show Bio for Miguel A. Garcia "Miguel A. García (aka Xedh) from the Basque country, is one of the most dynamic sound artists in the Spanish scene. His work focuses mainly on the composition and electro-acoustic improvisation. He uses sounds taken from electronic devices residues, often interrelated with field recordings or acoustic instruments, in the search of an intimate, intense and immersive experience. A music of adventurous forms, full of contrasts and having nevertheless a sense of humor. His background comprises fine arts and audiovisual technology, having created projects such as Válvula Antirretorno, Baba Llaga or Mubles, questioning the borders between electro-acoustic academic music, industrial music and the so called outsider music. With his solo project, he has participated in experimental music festivals all over Spain, as Ertz (Navarra), Experimentaclub (Madrid), Lem (Barcelona), Mem (Bilbao) or Sonikas (Vallecas), and he has played in diverse scenarios such as Auditorio Nacional de Música (Madrid), or museums such as Artium (Vitoria), Guggenheim (Bilbao), Macuf (A Coruña) or Vostell Malpartida (Cáceres). Outside Spain, he has played in festivals in Germany, Belgium, USA, France, The Netherlands, Norway, Poland and Portugal. His work has been released worldwide by labels as Copy for your records (USA), Homophoni (USA), Pilgrim Talk (USA), Slaughter Recs (Italy), Trait Central (USA), Triple Bath (Greece), Zeromoon (USA), or White Line (UK). Still a young member of the international free improvisation scene, he works regularly with Ilia Belorukov, Alfredo Costa Monteiro, Oier Iruretagoiena, Xabier Lopez, Alvaro Matilla, Seijiro Murayama or Hector Rey. He has collaborated with arists such Lali Barriere, Heddy Boubaker, Alexander Bruck, Raul Dominguez, Jean-Luc Guionnet, Richard Kamerman, Kurt Liedwart, Nick Hoffman, Wade Matthews, Jorge Nuñez, Carlos Suarez or Valentina Vuksic, and bands like Cooloola Monster, Gora Japon, maDam or Hamburguesa Vegetal. As a promoter, amongst other projects, is the founder of the Club Le Larraskito and director of the Zarata Fest, both platforms dedicated to the broadcast of challenging art and music." ^ Hide Bio for Miguel A. Garcia • Show Bio for Abdul Moimeme "Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain. In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon. In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects. His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews. In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic. In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music." ^ Hide Bio for Abdul Moimeme • Show Bio for Alex Reviriego Alex Reviriego is a Spanish double bassist known for the groups Memoria Uno with Agusti Fernandez, Phicus, Pindio, Völga, and Alguns Homes Bons. ^ Hide Bio for Alex Reviriego • Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Carlos Santos "Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production. Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces. Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise." ^ Hide Bio for Carlos Santos
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/26/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
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Track Listing:
1. Daudin Eoquissiv 13:37
2. Formons 5:46
3. Ressilien 10:54
4. Tulse Dunn 8:23
5. Coepilice 7:48
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Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Quintet Recordings
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