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Rodrigues, Ernesto / Carla Santana / Emedio Buchinho / Bruno Parrinha: Distilling Silence (Creative Sources)

An immersive album of understated but incredibly detailed free improvisation from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Emidio Buchinho on electric guitar and Carla Santana on electronics, performing live at Escola Superior de Teatro e Cinema, in Amadora, Portugal for a four part concentration on silence through sound.
 

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product information:


UPC: 5609063407563

Label: Creative Sources
Catalog ID: cs756
Squidco Product Code: 32623

Format: CD
Condition: New
Released: 2022
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Escola Superior de Teatro e Cinema, in Amadora, Portugal, on the May 14th 2022, by Emidio Buchinho and Carla Santana.


Personnel:

Ernesto Rodrigues-viola

Bruno Parrinha-bass clarinet

Emidio Buchinho-electric guitar

Carla Santana-electronics

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Artist Biographies:

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1963, in Luanda, Angola. There, in the seventies, heard rock and local ethnic music in between radio sounds from my father's electricity and radio workshop. Saw a lot of films at open-air cinemas. With the independence of the Portuguese colonies moved to Setúbal.At age 15 commenced as a self-taught guitarist. In 1982 formed an experimental music project with Vitor Joaquim. Attended Classical Guitar and Music courses in the Luísa Todi Music and Fine Arts Academy (Setúbal, Portugal) and studied in the Château-Thierry Municipal Conservatory (France). Member of the choirs of both cities.

Has a degree in Cinema and Sound Engineering at the Lisbon Film and Theatre School (ESTC - Escola Superior de Teatro e Cinema).

Has the Title of Specialist on Sound for Audiovisual and Multimedia, awarded by the Instituto Politécnico de Tomar.

Took part in various workshops and courses on Structures, Forms and New Technologies in Improvised Music, supervised by Carlos "Zingaro", Peter Kowald and Richard Teitelbaum; Music and Sound Design for Film, Video and Games, supervised by Bruce Pennycook; Orchestra of Loudspeakers - Sound Spacialization, directed by Miguel Azguime; Initiation to Real Time Sound Programming and Manipulation in Max/MSP Environment, teached by Isabel Pires.

Assistant to the composer and musician Carlos "Zingaro" between 1997 and 2000.

Participated in concerts and intermedia performances with the likes of Carlos "Zíngaro", Günter Müller, Carlos Santos, Otomo Yoshihide, Nuno Morão, Rudiger Carl, Vitor Joaquim, Ulrich Mitzlaff, Matt Wand, Ernesto Rodrigues, Nuno Rebelo, Mike Beck, Miguel Cabral, Erik M, António Chaparreiro, Phill Niblock, João Silva, Ricardo Guerreiro, Renato Chiunfrini, Pedro Lopes, Pedro Alçada, José Oliveira, Adriana Sá, Ben Rubin, Ludger Lamers, Isabelle Schad, Olga Roriz, Margarida Bettencourt and João Natividade, among others.

Works on a regular basis in the areas of musical composition, performance and production, sound engineering, editing and design for films, documentaries, art installations, stage plays, dance, performance art, intermedia and television advertising in Portugal, Spain, France, Germany and the UK. Collaborations include Jorge Silva Melo, Pedro Sena Nunes, Fernando Matos Silva, Luís Fonseca, Fernando Lopes, José Barahona, João César Monteiro, Paulo Rocha, Sandro Aguilar, Walter Avancinni, Rita Palma, Jeremy Cooper, Margarita Ledo Andion, Paulo Mendes, Julião Sarmento, João Onofre, Susana Soares Pinto, Anabela Costa, Maria Joana Fernandes, Cláudia Bandeira, Antonino Solmer, Fernanda Lapa, Diamantino Ferreira, John Clease, Marco Martins, Miguel Coimbra, Gideon Nell, Edson Ataíde, Keith Rowe, Gush, Roof, Silvia Barrios, Greg Moore, Carlos Bica, Bernardo Devlin, Coty Cream, Osso Exótico, Michael Gira, Current Ninety Three, Antony, Simon Finn, Baby Dee, Six Organs of Admittance, Artistas Unidos, Karnart, Cão Solteiro, Teatro Meridional, Teatro da Cornucópia and Teatro da Comuna.

He is teacher on Sound Techniques and Technologies for Cinema, Audiovisual and Multimedia at the ESTC-IPL - Escola Superior de Teatro e Cinema, ESCS-IPL - Escola Superior de Comunicação Social, and ESTA-IPT - Escola Superior de Tecnologia de Abrantes.

As a Musicain, Sound Designer, Editor and Engineer for Cinema and Audiovisual, taught lessons at ETIC - Escola Técnica de Imagem e Comunicação, RESTART - Instituto de Criatividade, Artes e Novas Tecnologias, Videoteca Municipal de Lisboa, Granular - Associação, Encontros de Viana, Festival de Curtas-Metragens de Vila do Conde, IPA - Instituto Superior Autónomo de Estudos Politécnicos, ESAD-CR-IPL - Escola Superior de Artes e Design, AR.CO - Escola de Artes, including workshops and conferences.

Head of the Sound and Music Department at ETIC - Escola Técnica e Imagem e Comunicação, between 2006 and 2010.

Director and founding member of the GRANULAR Association, between 2002 and 2016.

PhD Student in Science and Art Technology - Computer Music, in the UCP - Universidade Católica do Porto, with the advising of the composer Dr. António de Sousa Dias."

-Emidio Buchinho Website (http://www.emidiobuchinho.com/Emidio_Buchinho/Biography.html)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Carla Santana is a Portuguese electronic artist known for the bands Quarto com Luz, quatroconnection, Isotope Ensemble and Variable Geometry Orchestra.

-Squidco 1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Part I 17:24

2. Part II 9:35

3. Part III 13:37

4. Part IV 7:52
sample the album:








descriptions, reviews, &c.

"Then (presumably) even more recent, Ernesto Rodrigues continues to record together with clarinetist Bruno Parrinha in 2022: The provocatively titled Distilling Silence comes from this past May, i.e. prior to Definitive Bucolic (as reviewed here in July, after being recorded in June...), and turns to a different guitarist: Emidio Buchinho had recorded with Rodrigues already, back in 2016 for the trio album Fall, itself evocatively titled, very sparse and quiet music. (This was also a period when I was lamenting that many "silence"-themed albums were simply too quiet, i.e. quieter than the ambient noise of my apartment and neighborhood, i.e. too quiet to be useful....)

That album was also rounded out by electronics, and here that's accomplished by Carla Santana - new to me, but also already on the new Uranium (recorded last November) by Isotope Ensemble - to form a quartet. While "fall" (i.e. autumn) and "bucolic" suggest outdoor scenes, though, Distilling Silence evokes more in the way of the indoor and its smaller spaces: There's a sense of "lowercase," i.e. of amplifying the smallest, everyday sounds - the sounds of a quiet home (and e.g. Jeff Shurdut had already released an entire series of albums on this theme...) - i.e. of bringing (the potentially ignored) to presence, but not simply as amplified per se, rather as arising reworked by collective instrumental expression.... (In its sense of the everyday, Distilling Silence thus projects an imminent affective quality, contrasting e.g. with the transcendental-metal yearnings of the previous entry....)

One might even recall e.g. Rodrigues' A late evening in the future (noted here in June 2019), a sort of sparse urban outdoor interrogation, but pace the "absolute" orientation here, perhaps a more direct comparison comes from the quintet album Prima pratica (reviewed here in November 2019, and with no other musician in common...), more atmospheric or "outdoor" in its inspirations and perhaps more rambling too.... These covers actually seem to suggest a sequence with Nor, askew now for Distilling Silence (itself lit not unlike A late evening in the future...), another intriguing quartet album (originally discussed here in September 2015) with a frustrating tendency to vanish....

But back to Distilling Silence, a much tighter album than these earlier efforts: There's indeed a real sense of presence brought to the fore here, although one wouldn't call it a foreground, yielding a coherent "musical sweep" that's nonetheless beneath any sense of genre. (In comparison to Metaculture, then, that group employs a more conscious virtuosity or sense of expression, but both can suggest a sort of ambient vibe, rather less naturalistic than is typical for Rodrigues.... And pace notions of "anthropology music," various sounds of the environment have certainly been inspirational for "music history," but there's still a notion of human selection at work, and so specifically of human thought. (And I should also mention the intervening releases including both Rodrigues and Parrinha, the etudes-like quartet album D'Improvviso, featuring new-to-me horn player Michel Stawicki, and a strange experiment in a sort of flat or "unexpressive" virtuosity in the quintet album (with percussion) Unpoem, both including Joao Madeira on bass as well - and both actually recorded in June 2022 too, i.e. subsequent to Distilling Silence.... (The latter was also recorded in multitrack, if that's worth noting, but not HD.)))

Moreover, opening with breath, Distilling Silence develops a sort of post-Cage "sound," a sort of fluttering timbre, slightly echoing, perhaps likely to fade away, but also a sense of deep throbbing (drone?) at times too, forging an ongoing kind of (elevated?) continuity for the space... or for time (and its presencing). There's an intimacy (as canonical lowercase...), and a sort of flow, a feel for pacing... a (non-rhetorical, becoming unconscious...) repose. In short, while nothing is striking, and the album isn't sparse or particularly quiet, there's indeed a sense of Distilling Silence, i.e. of bringing "everyday silence" to presence. Moments don't stand out, expression doesn't stand out, but one's sense of situation and time are thereby slowly transformed. (And "outside" everyday sounds seem almost charming when they do return.)"-" Todd McComb, Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Quartet Recordings
lowercase, reductionist, micro-improv, sound improv, onkyo sound
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