Paris-based musician Seijiro Murayama (percussion, voice) and French alto sax and organ player Jean-Luc Guionnet continue their collaboration with this 2023 recording of a 50-minute performance at the Taborkirche church in Berlin, using the resonance of the space to expand Murayama's snare drum, cymbal and voice in tandem with Guionnet's improvisation on the pipe organ.
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Sample The Album:
Seijiro Murayama-snare drum, cymbal, voice
Jean-Luc Guionnet-church organ
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Label: Ftarri
Catalog ID: ftarri-947
Squidco Product Code: 35207
Format: CD
Condition: New
Released: 2024
Country: Japan
Packaging: Cardstock Gatefold Sleeve
Recorded live in the Taborkirche, in Berlin, Germany, on June 11th, 2023, by Jean-Luc Guionnet and Emilio Gordoa.
"Paris-based musician Seijiro Murayama (percussion, voice) and French alto sax and organ player Jean-Luc Guionnet have performed together on a regular basis for many years and released numerous recording of their collaborations. Their duo CDs Mishima, Day & Night (2015) and Idiophonic (2018) were released on the Ftarri label, and the CD Blue Mistake, Red Mistake (with Yan Jun, Guionnet, Matija Schellander and Murayama) cadme out on on Ftarri's sister label Meenna in 2020.
Balcony Inside's single track documents a live performance (50 minutes, 55 seconds) in a church in Berlin in June 2023. Murayama used snare drum, cymbal and voice, while Guionnet played the pipe organ. Each musician produced his own sounds, leaving occasional intervals of silence. Together with the rich reverberation supplied by the church's acoustics, they gave a superb performance that filled the space with subtle and mysterious beauty."-Ftarri"
Artist Biographies
• Show Bio for Seijiro Murayama "Percussionist Seijiro Murayama was born in 1957 in Nagasaki, Japan. He started performing improvised music in 1972, under some influence of Vinko Globokar and musicologist Fumio Koizumi. After graduated from Tokyo University in 1982 in Urdu studies he toured the USA with Keiji Haino as part of the seminal psychedelic band Fushitsusha. Returning to Japan after a period in NYC he continued playing drums and electronics in K.K. Null's noise/rock band A.N.P. (Absolut Null Punkt), while further exploring free improvisation. A relocation to France in 1999 led to collaborations that extended into dance, theatre and performance as well as ongoing partnerships with musicians Jean-Luc Guionnet, Eric Cordier, Michel Doneda, Mattin, Lionel Marchetti, among many others. After over a decade in Europe he relocated back to Japan in 2013. His artistic principal is to work with the idea of the plural or inter-disciplinary relationships between music and other disciplines of art: dance, video, paintings, photos, literature etc. In this way, he collaborates with musicians, composers, and sound artists. Improvisation is always the major concern for him, even if it is not his artistic goal. His approach is based on the attention to space and place, to the energy of the audience and to the quality and perception of silence on various levels." ^ Hide Bio for Seijiro Murayama • Show Bio for Jean-Luc Guionnet "Jean-Luc Guionnet is an elusive figure. A Parisian artist active in many fields (music, visual arts, cinema), he has mostly worked in electro-acoustics but also has a career in free improvisation, playing alto saxophone, soprano saxophone, church organ, and piano. He has collaborated with Éric La Casa, Éric Cordier, and André Almuro on tape music. His main free improv and jazz projects include Hubbub, Schams, Return of the New Thing, and the Joe Rosenberg quintet. Guionnet made scientific studies before shifting to fine arts. He studied musique concrete under Iannis Xenakis and Michel Zbar, but also pursued studies in philosophy (esthetics) with Geneviève Clancy. His first works date from the late '80s and are mostly collaborations with filmmaker André Almuro (some have been issued by Ground Fault). Then came a lasting partnership with electro-acousticians Éric Cordier and Éric La Casa. Together they wrote the series "Afflux." Guionnet also produces the Ateliers de Création Radiophoniques ("creative radio workshops") for France Culture. His eclecticism has kept him at bay of recognition -- because to the eye of the press it strips him from some credibility and because running careers in philosophy (he was co-director for the review Terre des Signes from 1993 to 1996), painting (he exhibited from 1992 to 1997), and music simultaneously tends to be time-consuming. The release of an eponymous CD by Dan Warburton's free jazz quartet Return of the New Thing in 1999 on the respected label Leo Records introduced Guionnet to a wider audience. Since then his activities as an improviser have constantly stretched toward the fringes of experimentalism. His participation in the French-Swiss group Hubbub and his duo with guitarist Olivier Benoit (&Un, 2002) follow the school of Berlin reductionism." ^ Hide Bio for Jean-Luc Guionnet
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Balcony Inside 50:55
Improvised Music
Free Improvisation
Asian Improvisation & Jazz
European Improvisation, Composition and Experimental Forms
Percussion & Drums
Piano & Keyboards
Recordings Utilizing the Natural Resonance of a Space
Duo Recordings
New in Improvised Music
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