The Squid's Ear
Writing about improvised, contemporary, experimental and unusual music,
following the activities of Squidco...
  •  •  •     Join Our Mailing List!



The Squid's Ear




Heard In

Reviews of artist releases:
cd's, books, magazines, &c.


  Christina Carter 
  Original Darkness
  (Kranky) 


  
   review by Max Schaefer
  2008-11-20
Christina Carter: Original Darkness (Kranky)

Generally art may be considered a commerce with darkness, with obscurity; meant to grip or mesmerize, and rarely, if ever, inform. Noted singer and musician Christina Carter's Original Darkness, however, is not a giving up of the self to anonymity, to some prehuman milieu of the elemental, but an aperture to her interiority, to her own stirring about a primordial existential attitude. As such it's billed as "honestly human"; in betraying herself Carter would have it that certain inner recesses of ourselves are made more plain or intelligible.

Carter's intentions at first come across as somewhat misguided; and her strategy of countering the play of forms with the politeness of the heart is a tad naive. The album is also rather limited in that it's almost wholly caught up in trying to provide listeners with little more than mirror images of themselves. It becomes something of a requirement, then, that one enters into an engagement (indulgence?) with such an explicit economy.

Grievances aside, Carter does carry it off well. Her trepidation's don't remain inert and simply aspire to life, but often embody it, and on pieces such as "In Prisoned Body" and "Suffering", with her tender and strong voice, they're fleshed out with real forcefulness, too. Where the work attains its greatest success, though, is in the framing of these concerns. In general, austere guitar plucking is steadily stacked into complete phrases. There is also the gleaming ping of keyboard chords as they nestle together in harmonies on "Re-found Mary" or unfurl in broad strokes alongside ripples of heavenly ascension to form a cloud-staring space during "Capable of Murder". In both cases, the instruments impinge on and tickle the senses while simultaneously displacing Carter's figure, creating a sort of second dress or shadow that haunts and breaks up the nakedness of her lyricism. In this light, Carter's storytelling psychology seems less than necessary; her arrangements pared down and refined as they are, capitalize with some consistency on the harmonious interplay of all elements.





Comments and Feedback:



More Recent Reviews, Articles, and Interviews @ The Squid's Ear...


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Bobby Bradford/
Mark Dresser/
Hafez Modirzadeh:
Sonic House Reunion
(NoBusiness)



Marion Brown (
Brown/
Hampel/
Phillips/
McCall):
Live in Europe
1968 & 1972
(NoBusiness)



John Zorn (
w/ Julian Lage/
Gavin Riley):
Seven Sonnets
(Tzadik)



[ahmed] (
Thomas/
Grip/
Gerbal/
Wright):
Play Monk
[2 CDs]
(Otoroku)



Michael Formanek (
w/ Hawkins/
Halvorson/
Fujiwara/
O'Gallagher/
Doxas/
Almeida):
New Digs
(Intakt)



Sylvia Lim:
Flare
(Another Timbre)



Ava Mendoza:
Alive Alone,
Alive Together
(Burning Ambulance Music)



John Cage (
Wegmann/
Debacker):
Two2 (
1989) for 2 Pianos
(ezz-thetics by
Hat Hut Records
Ltd)



Myra Melford/
Satoko Fujii:
Katarahi
(RogueArt)



Matthias Muche Bonecrusher:
Densities -
for 12 trombones
& percussion
(ezz-thetics by
Hat Hut Records
Ltd)



Columbia Icefield (
Wooley/
Alcorn/
Mendoza/
Sawyer):
A Silence Opens
(Out Of Your Head Records)



Marta Warelis (
w/ LaMar Gay/
Baars/
Ng/
Haker Flaten/
Rosaly):
Still Life
with Lemons
(Relative Pitch)



Klaus Lang/
Apartment House:
Geschrieben In Wasser
(Another Timbre)



Machinefabriek:
Samen
(Machinefabriek)



Ivo Perelman/
Damon Smith:
Duologue:
Core of Existence
(Squid Note Records)



Marty Ehrlich:
Cartographies of Flight:
Lines Set Afloat
Towards Hope
(Corbett vs. Dempsey)



Mike Westbrook Orchestra:
The Cortege
Live At The BBC
1980
[2CDs]
(Cadillac Records)



JOSILEMI (
featuring Joe Fonda/
Silke Eberhard/
Emil Gross):
Hear This
(Listen! Foundation (
Fundacja Sluchaj!))



Centrifugal Quartet (
feat Mia Dyberg/
Antonio Borgini/
Michael Griener/
Antonio Borghini):
Industry
(Listen! Foundation (
Fundacja Sluchaj!))



Lazro/
Leandre/
Lovens:
For Baritone Sax, Double Bass and Drumset
(Relative Pitch)







Squidco
Click here to
advertise with
The Squid's Ear






The Squid's Ear pays its writers.
Interested in becoming a reviewer?




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © Squidco. All rights reserved. Trademarks. (11581)