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Ivo Perelman / Matthew Shipp:
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A summit of master improvisers as tenor saxophonist Ivo Perelman joins the Matthew Shipp String Trio — Shipp on piano, Mat Maneri on viola, and William Parker on bass — for a profound studio session of dynamic, four-way conversation that balances drama with hope, forging a richly textured and deeply expressive work of improvised chamber jazz. ... Click to View


Evan Parker / Jean-Marc Foussat:
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Nakama (Holm / Roysum / Tanaka / Wildhagen / Svendsen):
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Under the alias Dream Weapon, Australian visual artist Ben Björk crafts a lush and immersive sonic journey recorded over five years across five continents, blending ambient, new age, shoegaze, and field recordings into a tropical "AmbienGaze" soundscape that drifts from sunrise serenity to twilight unease in a single day's arc. ... Click to View


Juice Machine:
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+DOG+:
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Abrasion Addict / Animal Machine:
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John Butcher / John Edwards:
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Jerome Deupree / Sylvie Courvoisier / Lester St. Louis / Joe Morris:
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Izumi Kimura / Lina Andonovska / Dominique Pifarely:
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Lava Quartet feat. Almut Kuhne / Jordina Milla / Goncalo Almeida / Wieland Moller:
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Joe McPhee / Susanna Gartmayer / John Edwards / Maria Portugal:
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Kim Jae Jung:
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A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression. ... Click to View


Signe Emmeluth / Ingebrigt Haker-Flaten / Axel Filip:
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Amy Cimini:
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The first solo album from West Coast violist Amy Cimini, blending amplified distortion, percussive textures, and spacious effects into a deeply personal and genre-blurring performance that channels experimental noise, tuneful abstraction, and the spirit of feminist rock and protest music into a resonant and evocative sonic journey. ... Click to View


Makoto Kawashima :
arteria (Relative Pitch)

A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation. ... Click to View


Marco Eneidi Quintet (w / Johnston / Finkbelner / Smith / Anderson):
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A fiery and tightly woven 2004 quintet session led by alto saxophonist and composer Marco Eneidi, recorded before his move to Europe, with trumpeter Darren Johnston, guitarist John Finkbeiner, bassist Damon Smith, and drummer Vijay Anderson performing dynamic, sharply articulated compositions that balance exuberant improvisation with finely honed structure. ... Click to View


Eric Shorter:
Shorter Bendian Shields (577 Records)

A dynamic debut from multi-talented saxophonist Eric Shorter, joined by pianist David Shields and percussionist Gregg Bendian in a spirited trio session that replaces the traditional bass role with open, aleatoric freedom, creating an engaging interplay of spontaneous composition, expressive lyricism, and inventive harmonic exploration. ... Click to View


Ernesto Rodrigues / Ana Albino / Hernani Faustino / Carlos Santos:
A Glimpse To An End Of A Cycle (Creative Sources)

Recorded live in Lisbon in 2025, this quietly immersive quartet session from Ernesto Rodrigues, Ana Albino, Hernani Faustino, and Carlos Santos unfolds as a single extended movement of enigmatic timbral interplay, blending modular synth, electric guitar, viola and bass in a sparse, introspective soundscape shaped by mystery, fluidity, and subtle dynamic shifts. ... Click to View


Paula Sanchez:
Pressure Sensitive (Relative Pitch)

Recorded in Switzerland in 2021, Argentinian cellist and interdisciplinary artist Paula Sanchez pushes the cello to its sonic limits through six radical performances that merge acoustic and processed sound, combining cello, cellophane, and ring modulation to evoke a visceral, poetic, and at times merciless exploration of embodied sound and ephemeral transformation. ... Click to View


Camila Nebbia / Kit Downes / Andrew Lisle:
Exhaust (Relative Pitch)

Recorded live in Berlin, the debut from Camila Nebbia's working trio with Kit Downes and Andrew Lisle captures six dynamic, unrestrained pieces that navigate shifting textures and rhythms, fractured lyricism, and tightly woven interplay, avoiding individual soloing as the group explores contrast and transformation through raw energy, deep listening, and collective momentum. ... Click to View


Le Vice Anglais (Pires / Parrinha):
vas-y (4DaRecord)

A fiercely expressive debut from Portuguese duo Ricardo Guerra Pires and Bruno Parrinha, blending electric guitar, alto saxophone, subtle electronics, and noise-infused improvisation into a raw yet controlled exploration of sonic extremes, channeling the spirit of free jazz, punk energy, and avant-garde texture into six powerful and provocative pieces. ... Click to View


Marc Baron / Eric La Casa:
Contrefacons (Swarming)

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception. ... Click to View


Francisco Lopez :
Untitled (2021-2022) [2 CDs] (Bu Lang Tribute Cake)

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes. ... Click to View


Eventless Plot | Haarvol:
The Subliminal Paths [CASSETTE + DOWNLOAD] (Innovo Editions)

An intimate, restrained electroacoustic collaboration between Eventless Plot and Haarvöl, unfolding in two extended, meditative movements that explore a nuanced dialogue between piano, field recordings, tapes, and electronic expression, gradually revealing layered sonic detail and immersive depth through spacious, dramatic momentum. ... Click to View


Eternities:
Rides Again [CASSETTE] (Sacred Realism)

The duo of Katie Porter on bass clarinet and Bob Bellerue on electronics, zither, and feedback create rich, multidimensional drones through live performance, blending harmonic wind tones with resonant feedback and overtone manipulation in two expansive recordings from Berlin and NYC that explore the porous boundary between intention and indeterminacy. ... Click to View


Elka Bong (Margolis / Wright / Bouchard):
Without Walls (Love Earth Music)

Integrating live coding, field recordings, IFM synthesis, and an array of electroacoustic instrumentation, the trio of Al Margolis, Walter Wright, and Sara Bouchard craft an unbounded and exploratory work that embraces technological transformation and sensory disruption, channeling Marshall McLuhan's insights into a richly layered and prophetic sonic landscape. ... Click to View



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  Frequency Disasters (Beresford / Magaletti / Martino) 
  Frequency Disasters
  (Confront) 


  
   review by Marc Medwin
  2021-08-30
Frequency Disasters (Beresford / Magaletti / Martino): Frequency Disasters (Confront)

What's the writer to do when confronted with an album like this, one where genre becomes the plaything of liberty-taking improvisers on the loose? A difficult proposition to be sure, as there aren't many trios like this! Listening to the quirky "Low Gulp," the album's opening piece, you might be tempted to put them in an open living space with the far-fabled Alterations. As Steve Beresford adds his wonderfully whimsical voice to this trio which also contains drummer Valentina Magaletti and bassist Pierpaolo Martino, the comparison works very nicely. Whatever mad drones and erector-set intrigues occur, there are those peaceful triadic harmonies at 5:49 to consider. As it turns out, they're a seed planted. "Studded Shirt" bears no resemblance to its predecessor as it bops Monkishly along, save for those bits of triad that swing in and out of focus. Also interesting is that the track's recorded in mono, almost like black and white amidst swirling colors.

The rest of the album fares similarly, or is similarly unfair to the sad scribe in search of a descriptive word or two. The musicianship is top shelf, that's certain, but everything else is in flux. Whatever genre abounds, however fleetingly, it's a joy to hear Magaletti and Martino interact on "Tuttodipunta"'s bouncily multidirectional rhythms, while Beresford's doing whatever sliding gliding thing he's doing after he gives up on the multiregistral pointillisms he initially lays down. All of a sudden, it's basically punk. Motoric and slyly repetitive, thrashing delightfully in the face, it's punk just as "A Clumsy Title" is polka, or at least in its initial stages, before a funky Martino bassline is abruptly faded. Redemption comes, after a fashion, in the slinky bassline of "The Delusion Metabolist," which also sports some of Magaletti's delicate but delightfully punchy call-and-response percussion and Beresford's electronic anti-wizardry. As for questions of genre, if it walks like a spider and barks like a spider, it must be! This delightfully outsider album got the smile going from ear to ear.



Frequency Disasters (Beresford / Magaletti / Martino): Frequency Disasters
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Recent Selections @ Squidco:


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(Relative Pitch)



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