The Squid's Ear
Recently @ Squidco:

Binker Golding / John Edwards / Steve Noble:
Moon Day [VINYL - Limited Edition] (Byrd Out)

UK saxophonist Binker Golding (Binker & Moses) in a new trio with the powerful rhythm section of frequent collaborators, double bassist John Edwards and drummer Steve Noble, in a powerful album of free playing with titles referencing Coltrane, conveying a strong sense of both 60s and modern free playing throughout, propelled by tight and near-telepathic interaction. ... Click to View


Mako Sica / Hamid Drake (feat Tatsu Aoki / Thymme Jones):
Ourania [VINYL + DOWNLOAD] (Feeding Tube Records)

The core of Chicago's Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--join forces with Hamid Drake on drums & percussion, Tatsu Aoki on upright bass & shamisen and Cheer-Accident's Thymme Jones on keyboardsm trumpet, balloon and voice for a warmly spiritual album. ... Click to View


Phill Niblock:
NuDaf (XI Records)

An extended electroacoustic composition from composer Phil Niblock based on recordings captured at Marcus Schmickler's Piethopraxis studio in Koln of bassoonist Dafne Vicente-Sandoval, layering her playing and using multiphonics to create beautifully rich textures that slowly evolve, shifting in hypnotic ways as the pieces arches and descends through harmonic interaction. ... Click to View


Beatriz Ferreyra :
Canto+ [VINYL + DOWNLOAD] (Room40)

GRM alumnus and collaborator with Pierre Schaeffer & Francois Bayle, French electroacoustic, acousmatic and musique concrete composer Beatriz Ferreyra is heard in five works from 40 years of compositions, astonishing works of embraceable, radical, strange and inspired sound, including the amazing "Mad Man's Song" and works dedicated to Bayle & Bernard Bashet. ... Click to View


Bruno Duplant:
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits) (Meenna)

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction. ... Click to View


David Birchall / Adam Fairhall / Michael Perrett / Yoni Silver / Otto Willberg:
Aggregate Glows In The Cold (Creative Sources)

Three fully free studio improvisations recorded in Manchester from the quintet of David Birchall on electric guitar, Adam Fairhall on accordion, Michael Perrett on bass clarinet, Yoni Silver on bass clarinet and Otto Willberg on double bass, all masterful performers using a wealth of creative approaches to create unusual motion in rich sonic interaction. ... Click to View


Mara Kolibri / Fredi Proll:
Primus 17 (Creative Sources)

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments. ... Click to View


Fluke-Mogul / Liberatore / Mattrey / Mendoza :
Death In the Gilded Age [CASSETTE w/ DOWNLOAD (Tripticks Tapes)

Brought together by violinist Joanna Mattrey during the dark period of COVID lockdown, four NY free improvisers (Gabby Fluke on Mogul on violin, Matteo Liberatore on acoustic guitar, Joanna Mattrey on viola and Ava Mendoza on electric guitar) explore the implications of the pandemic through separation, loss and new life in 10 succinct and dynamic explorations. ... Click to View


Brainhack Musicbox (Bobrytsky / Lisovsky / Boldenko):
Brownarium (Brainhack Musicbox)

Each track named after a mythical Scottish character, the Ukrainian trio of Stanislav Bobrytsky on modular synth, Pavlo Lisovsky on tenor saxophone and Anton Boldenko on viola create a music merging free jazz principles with modular synthetic drone, creating an orchestral sound that still elucidates the detail of their uniquely orchestrated, rich sonic explorations. ... Click to View


Amalgamated (Bengsten / Newell / Klampe / Richards):
To (Aubjects)

Crossing experimental sound and rhythmic approaches that blend elements of electronic music, krautrock, noise, electronica and indescribable sonic environments, the quartet of Cory Bengtsen, Bob Newell, Phillip Klampe and Mike Richards are heard in their 6th full-length release, an embraceable and well-paced album of compelling beats and sonic surprises. ... Click to View


John Butcher / Dominic Lash / John Russell / Mark Sanders:
Discernment (Spoonhunt)

An album of perceptive free improvisation recorded live at London's Cafe OTO from the quartet of John Butcher on tenor & soprano saxophones, Dominic Lash on double bass, John Russell on guitar and Mark Sanders on drums & percussion, three "discerning" and one "discerned" dialogs of discriminating sophistication that only four such masterful and experienced musicians can convey. ... Click to View


Dominic Lash Quartet (w / Carmona / Tejero / Ward):
Limulus (Spoonhunt)

Honing their conversation in their third release as a band, British double bassist Dominic Lash's Quartet with Javier Carmona on drums & percussion, Ricardo Tejero on alto saxophone and Alex Ward on electric guitar are heard live at Cafe OTO in London, Lash providing all compositions and arrangements over six wide-ranging, edgy and innovative improvisations; outstanding! ... Click to View


Consorts:
Distinctions (Spoonhunt)

Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink! ... Click to View


Mototeru Takagi Quartet:
Live At Little John, Yokohama 1999 (NoBusiness)

Three reed & wind players and a drummer from Japanese saxophonist Mototeru Takagi's collective free improvising quartet with fellow saxophonist Susumu Kongo, Nao Takeuchi on tenor sax plus flute & bass clarinet, and drummer Shota Koyama, recorded live in 1999 at Little John in Yokohama, Japan for three well-paced conversations of weaving winds and rhythmic intervention. ... Click to View


Itaru Oki Quartet:
Live At Jazz Spot Combo 1975 (NoBusiness)

Late Japanese free jazz trumpeter and flute player Itaru Oki, one of the significant and early free jazz players in Japan in the 1970s, moving to France in the mid-70s to seek more opportunities to play, recorded this concert at Jazz Spot Combon as part of his farewell tour, performing with winds player Yoshiaki Fujikawa, bassist Keiki Midorikawa ad drummer Hozumi Tanaka. ... Click to View


Bob Bellerue (feat. Brandon Lopez / Luke Stewart / Jessica Pavone):
Radioactive Desire [2 CDs] (Elevator Bath)

A fascinating work for free chamber music in feedback environments devised by sound artist Bob Bellerue and employing the talents of improvisers Brandon Lopez & Luke Stewart (double bass), Jessica Pavone (viola), Gabby Fluke-Mogul (violin) and Ed Bear (baritone sax), Bellerue performing on electronics, unattended instruments, feedback, suling gambuh, junk metal & cymbals. ... Click to View


Christian Ronn / Bob Bellerue :
Intoku Inversions (Anarchy Moon Recordings/Nishe)

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains. ... Click to View


David Myers Lee:
Reduced to a Geometrical Point (Cronica)

Using feedback matrices, oscillator banks and multi-processing, NYC sound and feedback artist David Lee Myers, A.K.A. Arcane Device, references the quote from metaphysics scholar Frithjof Schuon--"You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God"--which he manifests in four focused works of rich, slowly evolving sound. ... Click to View


PEK Solo:
Completeness for Flutes and Double Reeds (Evil Clown)

Boston improviser and multi-instrumentalist David Peck (PEK) in a solo album using his Quartet of PEKs formats, improvising in the studio through four layers, presenting the final installment of a triptych of albums constrained to one or two woodwind instrument families - this one for flutes and double reeds, along with nadaswaram, shenai, goat horn, dizi, bass tromboon, &c &c. ... Click to View


PEK Solo:
Complex and Real Dimensions (Evil Clown)

Before initiating the live improvisation that makes up Complex & Real Dimensions, reedist and multi-instrumentalist David Peck built a foundation track including electro-acoustic instruments created by Tim Kaiser, particularly the loop-capable "Large Spring Box", creating tone, timbre and interludes over which PEK passionately performs. ... Click to View


Evan Parker Electroacoustic Quartet:
Concert in Iwaki (Uchimizu Records)

Requested to organize a Japanese tour focused on the electroacoustic aspects of Evan Parker's work, the saxophonist distilled his larger Electracoustic Ensemble to the quartet of himself, Paul Lytton on percussion & live electronics, Joel Ryan on computer and Lawrence Casserley on signal processing, heard here in the resonant space of the Iwaki City Art Museum in Fukushima. ... Click to View


Satoko Fujii:
Piano Music (Libra)

A stunning sound collage made from recorded fragments of Fujii's studio piano, captured inside and out using traditional piano sonorities and preparations that often microscopically detail the instrument, then edited into two electroacoustic compositions of startling and unexpected expansiveness and wonder; a unique and fascinating release in Fujii's large oeuvre. ... Click to View


Flying Luttenbachers, The:
Negative Infinity [VINYL] (ugEXPLODE / GOD Records)

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites. ... Click to View


Forbes / Young / Walter:
Hard Living (ugEXPLODE)

Merging Tiger Hatchery's tenor saxophonist Michael Forbes and bassist Andrew Scott Young and newly arrived to NYC Flying Luttenbacher leader & drummer Weasel Walter, for classic hardcore free jazz of articulate and demanding improvisation; this a recently unearthed studio recording from 2010, captured two years after their first encounter in a quartet with Jeb Bishop. ... Click to View


Rodrigues / Carvalho / Rodrigues / Valinho:
Eclipse (Creative Sources)

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways. ... Click to View


Four Letter Words (Piet / Wark / Harris):
Pinch Point (Amalgam)

The first fully improvised album from the Chicago trio of Jake Wark on tenor saxophone, Matt Piet on piano and Bill Harris on drums, recording at Experimental Sound Studios in 2018 for seven numbered and concise improvisations, running the gamut from rapidly active yet controlled interaction and investigatory conversations of confident expression and creative drive. ... Click to View


Yoon-Ji Lee :
Padong (zOaR Records)

Five compositions from Yoon-Ji Lee, whose work employs unconventional and nonlinear structures that focus on quick transformations of language, noise, texture, and tonal color, here with five works, one performed by JACK Quartet & Mivos Quaret, a work for solo Saenghwang, a solo piano work, a string quartet, and a mixed chamber ensemble. ... Click to View


Ciao Ciao Cello:
Quiero Ver A Ese Monstruo (zOaR Records)

The Berlin-based trio of guitarist Beat Keller performing on feedbacker electric guitar & acoustic guitar, innovative tuba improviser Jack Adler-McKean and Spanish vocalist & performance artist Lorena Izquierdo Aparicio take on their monsters in five unique and disturbing improvisations recorded in the studio, as they "dance on the fine line between terror and joy". ... Click to View


Elliot Sharp :
Binibon (Henceforth)

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples. ... Click to View


GPS Trio (Chris Pitsiokos / Luke Stewart / Devin Gray):
Blast Beat Blues (Rataplan Records)

Hard-edged NYC free jazz in a limited EP CD release from the trio of alto saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer & composer Devin Gray, who explains that the music reflects "the modern world we're all trying to live in, with that odd mix of the comfortable and uncomfortable", as heard in the edgy and dynamic power of his group. ... Click to View



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  Charming the Cobra  

A first-hand account of organizing a performance of John Zorn's most famous game


By Eyal Hareuveni 2003-08-20

John Zorn, in the liner notes to the latest recorded version of Cobra, on Tzadik, said of his most popular game-piece that "at its worst it can become psychodrama", but "at its best it's like magic." As it happened, the first official Israeli Cobra was almost doomed to become a kind of political psychodrama. Seventy-two hours before the concert, Zorn, who was supposed to be on hand as the conductor/prompter, decided to cancel his visit to Israel because of the shaky and troublesome situation in the Middle East. Luckily, due to the most creative and wise conduction by the Israeli viola player Nori Jacoby, the Israeli Cobra turned out with many magical moments.

The Israeli Cobra was being planning by Zorn and the Israeli Artistic Director, bass player Jean-Claude Jones, who jammed with Zorn during his 1994 visit to Israel with the Masada quartet (and was thanked on the liner notes of Masada in Jerusalem double disc on Tzadik), for the Israel Festival at Henry Crown Hall on June 7, 2003. For eight months prior to the performance, Jones and I had been assembling the players according to Zorn's suggestions - i.e. at least two female players, two Israeli-Arab players (one of them cancelled a month before the concert), a DJ and players from diverse backgrounds - jazz, improv, classical music, electronics. Zorn wanted playful, adventurous players, and emphasized that he does not care at all about virtuosity.

As we began to look for the players, we found out that most of them have heard of Zorn; vocal artist Maya Dunietz had even played with him an improv nights at Tonic in New York City. Only few of them owned any of his recordings, however, and none knew what the hell Cobra is. The sole exception was Jacoby, who was drafted a month before the concert. Jacobly learned Cobra from a Canadian musician and even conducted and played in some underground performances of the piece. None of the players really understood the rules Zorn sent, and even Jacoby needed a hour-long talk with Zorn, a day before the concert, to fully realize the key dynamics of a successful Cobra. Zorn last word of advise to Jacoby, an hour before the concert were quite short: "Have fun!"

After much preparation, the 13 players met for the first time nine hours before the performance for a quick sound check and a long rehearsal. Some had played with each other before, but not in such a large formation. Some had tried to rehearse the piece a few weeks before the concert. None of the players canceled after hearing that Zorn had decided to stay home. The players were: Jones, one of the best known jazz player in Israel, on bass and electronics; Dunietz on vocals, toys, shoes, percussion and synth; Taiseer Elias, who played in world music ensembles such as Bustan Abraham and Ziryab Trio, on oud; Dana Waxman, a member of the Israeli improv group Tel Aviv Art Ensemble, on cello; Ofer Ganor and Nadav Remez on electric guitars; multi instrumentalist Adam Scheflan on dobro, mini-vibes and kazoo; Daniel Ran on piano; Jeffrey Kowalsky, lead percussion player in the Beer Sheba Symphonietta, and long time collaborator of Steven Horenstein, on vibes, steel drums and darbouka; Hagai Freshtman, a long time collaborator with Assif Tsahar and Ori Kaplan (two Israeli saxophonists living in New York) on drums; video artist Ran Slavin on lap-top; Yoav Bernstein as DJ and special guest Shanir Ezra Blumenkranz (who played in the festival with Daniel Zamir's Satlah) on bass. The youngest player was Remez, only 19 years old. The oldest, at 53, was Kowalsky.

The first characteristic of the Israeli Cobra players that our conductor Jacoby tackled was their insistence on playing all the time. Every time that Jacoby signed 'pool' (as he explained it, the cue means that every player can jump into the pool, but not all players have to jump at the same time) everybody began playing, seeming to enjoy the overall chaos. Then all the players tried to check out how fun the guerilla tactics are, but all was done in a very playful way. Slowly, but in a very confident way, Jacoby turned the rehearsal from a psychotherapeutic workshop for suppressed musicians into a really creative process. It began to seem that Zorn's absence would not hinder the concert.

Cobra was scheduled to open the festival, a free performance that filled the 700-seat hall. More than half the attendees did not know what to expect, believing they had come to see a jazz concert led by a well known Jewish musician (but only a few dozen left during the performance). The beginning of the first piece was hesitant, the players seemed to have lost some of their self-confidence since the last rehearsal, but it quickly evolved into a game of duos and Jacoby kept signing the players almost randomly, sometimes surprising them.

The real magic happened halfway into the concert, during the third piece. Jacoby created an event, selecting Elias on oud, Blumenkranz on bass and Kowalsky on the hand drum darbouka, and the three of them improvised beautifully on a Middle-Eastern scale with Elias leading, while the rest of the players tried to catch up. Jacoby used a lot of jump cuts between the three players and the other musicians and you could feel the kaleidoscopic musical vision of Zorn comes alive with a beautiful cello solo by Waxman, strange e-bow playing on the dobro by Scheflan, gibberish vocals from Dunietz and funny LP selections from Bernstein. The last section focused on the outer worldly laptop playing of Slavin and the piano outbursts of Ran, while the other players improvised in and out of the setting that Slavin and Ran created. Really beautiful music.

After more than 70 minutes the players were exhausted, physically, emotionally, but all of them felt so high, thanking anyone around, from the great sound engineer Uri Barak, to the festival officials, each other, me. All the tension was released. It was a unique experience for all of them, for the spectators, for the festival. The recording of this Cobra will soon be sent to Zorn to let him know what he was missing, and most of the players are planning to stage more Cobras in Israel in the near future.



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Recent Selections @ Squidco:


David Lee Myers:
Reduced to a
Geometrical Point
(Cronica)



Dominic Lash Quartet (
w /
Carmona /
Tejero /
Ward):
Limulus
(Spoonhunt)



John Butcher /
Dominic Lash /
John Russell /
Mark Sanders:
Discernment
(Spoonhunt)



Yoon-Ji Lee :
Padong
(zOaR Records)



Satoko Fujii:
Piano Music
(Libra)



Evan Parker
Electroacoustic Quartet:
Concert in Iwaki
(Uchimizu Records)



Elliott Sharp's
Terraplane:
Century
(zOaR Records)



John Coltrane:
Chasin The Trane,
Revisited
(ezz-thetics by
Hat Hut Records Ltd)



Ongon:
Exuvia
[WHITE VINYL]
(Loup editions)



The Flying Luttenbachers:
Negative Infinity
(ugEXPLODE)



Rodrigo Amado
Motion Trio /
Alexander von Schlippenbach:
The Field
(NoBusiness)



Joel Futterman:
Creation Series
[5CD BOX SET]
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John Cage /
Apartment House:
Number Pieces
[4-CD BOX SET]
(Another Timbre)



Daniel Carter /
Tobias Wilner /
Djibril Toure /
Federico Ughi:
New York United Volume 2
(577 Records)



Joseph Branciforte /
Theo Bleckmann :
LP1
[VINYL]
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Kenneth Kirschner /
Joseph Branciforte:
From the Machine: Volume 1
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Kuzu (
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Dorji /
Damon):
All Your Ghosts
in One Corner
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Sam Rivers Quartet (
feat. Jerry Byrd /
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Werner Puntigam /
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Georg Wilbertz:
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The J. & F. Band (
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Durante /
Grissom /
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Me and the Devil
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