A relatively brief live recording from 2012 of the trio of Gunter Muller, Jason Kahn and Norbert Moslang, featuring a varied pallet of analog and digital sound sources. A subdued whine sets up a level playing field upon which various structures are erected and then dismantled, as several discreet dialogues appear and then crumble under the weight of expectancy. Background and foreground shift and become confused, and sudden eruptions further complicate matters. Bursts of static over sweeping, heterodyning winds. Choppy throbs amid foreign drones, buzzes, hums and whines. A recurring bass pulse and chattering crackles.

The whole seems very much like the residue of radio and television signals, along with cell phone chatter and emissions from a myriad other electronic devices, combined and degraded by time and distance. The ever-evolving song of our constructed reality, gaining weight and pressure as time passes. If you know any of these gentlemen's previous works you may be able to pick out who is doing what. Whether or not this "helps" is entirely subjective, of course. I find it easier to just hang out with the unfolding. Kudos to Mikroton, who seem to be batting higher than average with their releases.