The Squid's Ear Magazine


Nagl, Max Ensemble: Quartier Du Faisan (Hatology)


 

Price: $18.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:


product information:

Personnel:



Max Nagl-alto saxophones, melodica

Clemens Salesny-alto saxophone, bass clarinet

Franz Hautzinger-quarter tone trumpet

Lorenz Raab-trumpet

Martin Ptak-trombone

Clemens Wenger-piano

Josef Novotny-electronics, piano

Achim Tang-doublebass

Lukas Knofler-drums

Luis Ribeiro


Click an artist name above to see in-stock items for that artist.




UPC: 752156062127

Label: Hatology
Catalog ID: Hatology621
Squidco Product Code: 5327

Format: CD
Condition: New
Released: 2005
Country: Switzerland
Packaging: Cardstock gatefold sleeves inside cardboard fold-around
Recorded live at the Porgy & Bess by martin Vetters & Christoph Burgstaller on May 15th and June 27th, 2004

Descriptions, Reviews, &c.
"Quartier du Faisan isn't merely a compilation of stylistic curiosities but a clear stance on modern orchestra music, an eccentric version of an alpine big band. Perhaps this isn't jazz at all - but without the slightest doubt it is a hymn to jazz. Max Nagl says his music comes about intuitively, he listens, and he picks and chooses to structure it into something that has been unheard of so far. To him, all that matters are colours, iridescent exceptions, surprising sounds. Thus, jazz is a pool of ideas, a stimulus, a source, no more no less."-Tilman Urbach

Artist Biographies

"Born 1980 in Lower Austria; study at the 'Universität für Musik und darstellende Kunst' in Vienna. 2001, 2006 and 2009 Hans Koller Prize, 2013 Harry Pepl Prize. 2004 So-founder of the 'JazzWerkstatt Wien', since 2009 - teacher of saxophone and ensemble/live performance at the VMI-Vienna Music Institute, various workshops (Jazzseminar Schönbach, Musikforum Viktring).

International concerts and collaboration with Harry Pepl, Bumi Fian, Herbert Joos, Steven Bernstein, Eddie Henderson, Joe Zawinul, Michael Mantler, Kirk Lightsey, Jerry Gonzalez, Oliver Lake, Sunny Murray, Uri Caine, Elliott Sharp, Max Nagl, Wolfgang Reisinger, Andy Manndorff, Thomas Gansch, Georg Breinschmid, Peter Herbert, Wolfgang Mitterer, Franz Hautzinger, Armin Pokorn, Michel Godard, Jean-Paul Bourelly, Denis Colin.

(...) His characteristic sound, his energetic virtuosity on his instruments and his stylistic diversity as a frontman or sideman constantly impress his audience (...) - Jury of the Hans Koller Prize.

Album releases (Selection): Harry Pepl & Salesny/Bayer/Frosch/Heginger, Salesny/Schabata/Preuschl/Joos 'Live', Clemens Salesny Electric Band 'Live At JazzWerkstatt', Salesny/Schabata/Preuschl + Herbert Joos, Clemens Salesny/Clemens Wenger 'Die wilden Jahre', Clemens Salesny/Bumi Fian Quintett 'Always Blue', Die Strottern & JazzWerkstatt Wien 'Wo fangts an', Synesthetic Octet 'Rastlos', Michael Mantler 'The Jazz Composer´s Orchestra Update', Max Nagl Ensemble 'Live At Porgy & Bess Vienna', Studio Dan 'Dekadenz'.

In main study lessons, beside the work on sound, embouchure and technique, we focus on the different aspects of improvisation (changes, free, modal etc.) and (saxophone, clarinet) styles. The focus in the ensemble is on improvisation and the relationship between conventional repertoires and contemporary playing concepts. (Clemens Salesny)"

-Vienna Music Institute (https://www.vmi.at/lecturers/index.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Detours often lead to more thrilling goals because they open up new perspectives. Franz Hautzinger has taken long and bendy detours and turned to many dead ends, he has spent years without instrumental activity and has made a hopeful new start. All this, those victories and defeats, this "History from the Total Crash to 'Emergency Individualism'", as he himself described it, made Franz Hautzinger the highly profiled musical personality that he is today.

Born on March 11, 1963 in Seewinkel, Burgenland, a Hannibal Marvin Peterson concert at Jazzgalerie Nickelsdorf was the young trumpeter's "awakening experience". He studied at the Jazz department of today's Art University in Graz from 1981 to 1983 until lip palsy forced him to take a six year total break from trumpeting. After moving to Vienna in 1986 he started in 1989 to explore the trumpet in his very own and un-academic way. He became attached to the circles around Christoph Cech and Christian Mühlbacher, played in the Big Band "Nouvelle Cuisine" and the octet "Striped Roses"; the CD "Zong of se Boboolink", which he recorded with saxophonist Helge Hinteregger and which was influenced by sampler collages was the first personal CD statement. His 10 month stay in London provided new ideas and contacts, amongst others Kenny Wheeler, Henry Lowther, John Russel, and Steve Noble. Hautzinger assimilated the stimuli in very different ways: in "Regenorchester" ("Rain Orchestra") with its changing instrumentation, in the quartet with Helge Hinteregger, Oren Marshall and Steve Noble as well as in the trio "Speakers' Corner" with guitarist Martin Siewert and drummer Wolfgang Reisinger.

The conscious decision to avoid electronic sound sources but to still comprehend the development of digital music on the trumpet - the quarter tone trumpet purchased in 1997 - were decisive stages for the creation of Franz Hautzinger's sensational solo trumpet CD "Gomberg" (2000) on which he presented this new until then unheard cosmos of sound that he had developed on his instrument. Hautzinger positioned himself with "Gomberg" at the front line of the international improvisation avant-garde; collaborations and CD records with Derek Bailey, the "AMM" veterans Keith Rowe and John Tilbury as well as Axel Dörner, Christian Fennesz or Otomo Yoshihide, and Sachiko M followed. The step into the world of decelerated sound microscopy and from 2003 on the re-discovery of musical sensualism, the confrontation of his trumpet sounds with groove and tunes ("Regenorchester XI" and XII) can be considered as important stages in his development. Franz Hautzinger teaches at the Vienna Music University since 1989, is a member of the Berliner Ensemble "Zeitkratzer" since 1999 and received comissions from Klangforum Vienna amongst others. He is a globetrotter whose unmistakeable musical signature is known from Vienna to Berlin, London to Beirut, or in Tokyo, New York, and Chicago. Franz Hautzinger has shown that even in times where postmodernism is history an instrument can still be reinvented."-(Andreas Felber, translated by Astrid Donaubauer)

-Franz Hautzinger Website (http://www.franzhautzinger.com/PR_Bio.htm)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Josef Novotny: "Keyboards as interface between early and contemporary music. Improvisation experience as a connecting link between present and past customs. The bridge from keyboards as 'sound machines' to electronics, to the synthesizer and to the computer. This is the frontier land where the Upper Austrian musician Josef Novotny composes, improvises, experiments and researches."-Hannes Löschel

-Josef Novotny Website (Klingt) (https://novotny.klingt.org/index_en.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Achim Tang was born in Berlin in 1958.early musical experiences playing recorder, trumpet, guitar and bassguitardouble bass since 1984classical training in Basel (with Walter Imholz) and Berlin (with RandallNordstr¿m)after 1987 studies with Wayne Darling at the Hochschule fŸr Musik unddarstellende Kunst in Graz (Jazzdepartment). Graduated summa cumlaude.1993 until 2004 as a freelancing musician in Vienna/Austria.Collaborations with numerous musicians from various aesthetic backgrounds, invitations to many international festivals in Germany, France, USA, Korea, China, Scandinavia, Czech Republik, Poland and other countrys, many CD releases as a sideman, personal projects, compositions for dance, theater and film1998 bis 2001 part of the educational project "Klangnetze" in Vienna, led by professor Hans Schneider and the guitarist Burkhard Stangl.after 2004 in Cologne: intensification of the educational work. Different projects with children and teenagers based on own conceptions, awarded by the Sparda Stiftung and the local government of NRW. Yet continuous activities as a freelancing musician, founding member of the musicians cooperative ZAM e.V., collaboration with the new music network in cologne, interdiciplinary projects with national and international artists, incresing involvement in the issues of art and societyafter 2008 artistic director of the educational project "Grundschule mit Musikprofil Neue und Improvisierte Musik" for the Offene Jazzhausschule Cologne, conceptional and pedagogic cooperation with the educational program of the international moers festival, intense cooperation with the Hochschule fŸr Musik und Tanz and the university of cologne (teaching assignments)in 2011 living in Moers as the 4th "Improviser In Residence" of the moers festival-Achim Tang Website (http://www.achimtang.com/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



Max Nagl-alto saxophones, melodica

Clemens Salesny-alto saxophone, bass clarinet

Franz Hautzinger-quarter tone trumpet

Lorenz Raab-trumpet

Martin Ptak-trombone

Clemens Wenger-piano

Josef Novotny-electronics, piano

Achim Tang-doublebass

Lukas Knofler-drums

Luis Ribeiro

Related Categories of Interest:

Hat Art
Jazz
European Improvisation, Composition and Experimental Forms
Improvised Music
Before April-2006
Friends of Squid

Search for other titles on the label:
Hatology.


Recommended & Related Releases:
Papenheim, Torsten
Hellerau
(Creative Sources)
A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).
Hautzinger, Franz / Eric Normand
Unbelievably Late
(Tour de Bras / Inexhaustible Editions )
Having originally met in 2016 when Viennese trumpeter Franz Hautzinger and Quebec electric bassist Éric Normand formed Torche! with Michel F Cote, Philippe Lauzier and Xavier Charles, the two improvisers developed this collage during the pandemic from asynchronous recordings, creating six dramatic and explorative compositions of incredible and unusual technique.
Uruk (Duthoit / Hautzinger / Drake / Zerang)
Ame: Live at Artacts [VINYL]
(Trost Records)
Two long-standing duos--Isabelle Duthoit on clarinet & voice and Franz Hautzinger on quarter tone trumpet plus Chicago percussionists Hamid Drake and Michael Zerang, both on percussion and frame drum--joined together in 2020 for a European tour, recording this wildly informed homage to the Mesopotamia city Uruk live at Artacts in Alte Gerberei, St. Johann, Austria.
Regenorchester XII
Relics
(Trost Records)
Franz Hautzinger formed the orchestra in 1995 as an ensemble for experimental music, developing into an advanced improvising band that incorporates a shifting and diverse set of styles, heard here at Klangspuren Festival in 2019 with Hautzinger on trumpet, Christian Fennesz on guitar & laptop, Otomo Yoshihide on guitar & turntables, Luc Ex on bass, and Tony Buck on drums.
Nagl, Max Ensemble
Ramasuri
(Hatology)
Musician and composer Max Nagl in his first release that breaks away from his standard miniaturist compositions and is played with a broad-band ensemble.
Nagl, Max Ensemble
Quartier Du Faisan
(Hatology)
Charles, Xavier / Michel F Cote / Franz Hautzinger / Philippe Lauzier / Eric Normand
Torche!
(Tour de Bras)
An exceptional free improvising quintet of Montreal & Quebec improvisers--bassist Eric Normand, drummer Michel F. Cote, and bass clarinetist Philippe Lauzier--with French clarinetist Xavier Charles and German trumpeter Franz Hautzinger, performing live during the 2016 Festival de Musique de Creation, creating fascinating commotion with incredible restraint.
Hautzinger, Franz / Mazen Kerbaj
Abu Tarek
(Creative Sources)
An album of extended and unusual techniques between German trumpeter Franz Hautzinger and Beirut trumpeter Mazen Kerbaj, opening with only the errata of their instruments through breath and thump, slowly adding identifiable brass sounds contrasted with rich utterance and elusively electronic-sounding output, always maintaining a solid and fascinating dialog
Hubsch, Carl Ludwig
Rowetor 04 | Rowetor 03
(Tour de Bras)
Ensemble leader and tuba player Carl Ludwig Hubsch created this musical concept inspired by the guitar player Keith Rowe, exploring one static sound in the ensemble, maintaining it and in the same time interacting with utmost care and openness for any necessary change, in a 22-piece ensemble of exceptional players.
Nagl, Max Ensemble
Ramasuri
(Hatology)
Musician and composer Max Nagl in his first release that breaks away from his standard miniaturist compositions and is played with a broad-band ensemble.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Other Recommended Releases:
Duthoit, Isabelle / Franz Hautzinger
Dans le Morvan
(Relative Pitch)
French free vocalist Isabelle Duthoit and world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger continue their collaborations at GMEA Centre National de Creation Musicale, in Albi, France to record these 11 unusual duos, using outrageous technique and inexplicable intent to create aberrant accompaniments to your most subtle and frightening dreams.
Hautzinger, Franz
Gomberg III-V - Airplay
(Trost Records)
Creating a persona to "overcome his own limitations", Austrian trumpeter Franz Hautzinger adopts the name of Gomberg as an alter-ego, releasing this engaging and unconventional set of 22 succinct recordings made between 2006-2018, selected and sequenced from occasion-related compositions and commissioned works, performed on quartertone trumpet, electronics, zither, voice & percussion.
Studio Dan / Anthony Coleman
...Im Gebirg
(ROS)
In 2019, the Ensemble Studio Dan commissioned Downtown New York composer and pianist Anthony Coleman for a new work, fluctuating in fascinating ways between contemporary music and jazz forms, premiered at the Saalfelden Jazz Festival and also presented in Vienna at the Jeunesse Special 2019, live at Porgy and Bess, from which this album was superbly recorded.
Studio Dan / Michel Doneda
Fanfare III
(ROS)
Based on the improvisations and sounds generated by soprano/sopranino saxophone player Michel Doneda, composer and Studio Dan director Daniel Riegler developed this work, at the intersection of Doneda's radical tonal language and Riegler's idiosyncratic music, performed live at Stanica Zilina in Slovakia in 2012 with an ensemble including Doneda himself.
Papenheim, Torsten
Hellerau
(Creative Sources)
A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).
Ulher, Birgit / Franz Hautzinger
Kleine Trompetenmusik
(Relative Pitch)
Translating to "Little Trumpet Music", the duo of trumpeters Birgit Uhler and Franz Hautzinger, Uhler also performing on radio & objects, use extreme techniques and approaches to their improvisations, focusing on extraneous sounds from their instruments in enigmatic and captivating ways, expansively defining reductionism in masterfully idiosyncratic ways.
Lewis, George / Ozana Omelchuk (Studio Dan)
Breaking News
(ezz-thetics by Hat Hut Records Ltd)
Two works commissioned by the Austrian Studio Dan ensemble: "As We May Feel" by George Lewis, referencing visionary engineer Vannevar Bush's concepts of data linking & association, in a work reminding how music recombines and associates; and Oxana Omelchuk's double concerto for two trombonists, "Wow and Flutter", taking listeners on a profound journey through recording technologies.
Duthoit, Isabelle / Franz Hautzinger
Lily
(Relative Pitch)
French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger.
Nanoschlaf
Die Trockene Familie
(Creative Sources)
The trio of bassist Achim Tang, prepared pianist Philip Zoubek, and trombonist Matthias Muche extended with Sven Hahne on computer and Christian Thome on drums and electronics in a freely improvised electroacoustic album of subtle pacing and diverse approaches, with many of the rhythmic elements imparting a gamelan feeling.



Customers Who Bought This Item Also Bought:
McIntosh, Andrew
A Moonbeam Is Just A Filtered Sunbeam
(Another Timbre)
Intended to be played continuously without a break, composer and violinist Andrew McIntosh's long-form composition features field recordings of pine woods in his home state of California in performance with violin, viola, piano, wine glasses, slate and electronics, an ethereal work combining improvisation, open tunings, just intonation and sympathetic resonance.
Winter, Michael / Liminar
Single Track
(Another Timbre)
Working with Liminar, one of the premier new music ensembles in Mexico, German/US composer Michael Winter wrote this dynamic and extended work pursuing a method of enumerating all ways of articulating a 6-note chord with 7 instruments bound by certain constraints, using the computer science concept of "Gray Code" switches to create shifts within the piece's progressions.
Schmid, Silvan Quintet
At Gamut
(Hatology)
Swiss trumpeter Silvan Schmid is a cofounder of the Gamut Kollektiv, organizing festivals and concerts, here caught live in 2016 at Gamut Series No 1 at Amboss Rampe in Zurich with his own quintet of Tapiwa Svosve on sax, Silvan Jeger on cello, Vincent Glanzmann on drums, and Lucas Wirz on tuba performing 6 Schmid compositions of profoundly lyrical free jazz.
Paul, Leah
We Will Do The Worrying
(Skirl)
LA flutist Leah Paul began these works as through-composed chamber pieces, with lyrical content evolving as each song took shape, performed in a hybrid band of improvisers and chamber players with Afton Hefley singing about meditation of dreams and childhood memories.
Dahinden, Roland / Hildegard Kleeb
Stones
(Hatology)
Married and working as a duo since 1987, Swiss pianist Hildegard Kleeb and trombonist Roland Dahinden have a rare telepathic link in their freely improvised duos, informed by their work with Anthony Braxton, Alvin Lucier, John Cage, Pauline Oliveros, Christian Wolff, &c. &c.
Harrison, Jackson Trio
Sintering
(Hatology)
Melodic and texturally rich jazz from the trio of pianist Jackson Harrison with Ben Waples on double bass and brother James Waples on drums, a lyrical album of original compositions named for the process of coalescing a powder into a solid by heating it without liquefaction.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC