Putting less focus on the strings and more into sonic environments, French guitarist Pierre Gerard releases a set of eight abstract compositions for voice, guitar, cello, piano, violin, bass clarinet, electronics & field recordings, intended for random playing, employing silence and active sections to catch the passive or background listener off guard.

In the same character as a Wandelweiser/Jürg Frey work, guitarist Pierre Gérard offers up five minimalistic or reductionist improvisations, sparse works that follow the patterns of his mind and his improvisatory method, allowing his thoughts to linger and follow a music that is curiously compelling; an idiosyncratic companion to a quiet evening or afternoon.

Using guitars, violin, electronics, field recordings, abstract voice, and a "sound knife in the sand", Pierre Gerard recorded this set of 13 works in Liege, Belgium, and Wimereux, France, in 2019, using intuitive approaches to his minimalist electroacoustic compositions as he assembles his elements to convey human gesture and architectural form in sound.

Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo partner of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations.