Their first release in 2000 performing Cornelius Cardew's "Treatise", for 20 years the Formanex quartet of sound artists, conceptualists and experimenters Anthony Taillard, Christophe Havard, Emmanuel Leduc, and Julien Ottavi are heard here in collaborations with Keith Rowe, Kasper T. Toeplitz, Ralf Wehowsky, Seth Cluett, Michael Pisaro, Radu Malfatti, &c.

Presenting LA-based composer Michael Pisaro's recent work "Barricades", a 63-minute piece in 13 Studies for piano performed by Israeli-based pianist Shira Legmann, with electronics performed by Pisaro, punctuated by two electronic Interludes from Pisaro; a rich and reflective work enveloping and intertwining the electronics around solidly articulate piano expression.

Two compositions, one by composer Michael Pisaro-Liu and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.

An unusual album for American composer Michael Pisaro-Liu: six works based almost entirely on samples, punctuating more characteristic work in keeping with his Wandelweiser and EMW work with rhythmic and popular forms, albeit with Pisaro's characteristic inclusions, surprising the listener in an illusionary approach yielding serious electroacoustic compositions.

Largely derived from piano recordings by Netherlands pianist Reinier van Houdt, a member of both the Ensemble MAE and the Ives Ensemble and heard on the Wandelweiser label, expanded by several field recordings recorded by Michael Pisaro-Liu in Syros (Greece), creating a work in three pieces of rich environments that contrast peaceful passages with powerful ambiance.

A collaboration between composer Michael Pisaro-Liu and AMM guitarist/improviser Keith Rowe, with each bringing scores which they improvised over, creating 13 discrete sections including samples from Shostakovich's 13th String Quartet, balancing activity, space and silence in patient ways that only two such experienced composer/improvisers could.

The MaDam Electroacoustic Improvisation Collective based in Spain performs the first in Pisaro's 34 piece Harmony Series, which attempts to create the conditions for a harmonic situation without giving any actual notes, just numbers, durations of tones, and pauses; this work is based on "swell piece (for alison knowles)" (1967) by James Tenney.

Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).

During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro-Liu.

Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".

A fascinating collaboration from two minimalist/Wandelweiser figures: Christian Wolff on prepared piano, whistles, and stones, and Michael Pisaro-Liu on guitar, harmonica and stones, recording together in Caimbridge, MA for two extended works, "Looking East" and "Looking West".

A collection of materials for solo guitarist, written by Michael Pisaro-Liu and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.

Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Michael Pisaro-Liu & Greg Stuart collaborate on a work scored for bowed crotales and sine tones in 4 large pieces, a challenging work that provide hallucinatory overtones that shift with the listener's perspective.

Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections.

The third part of composer and performer Michael Pisaro-Liu's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.

Three versions of Pisano's composition based on Wallace Steen's poem: a reissue of the original version; an alternate version with different field recordings; and one with the percussion parts alone for the listener to add their own fields recordings.

An investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar in the form of ten three-minute episodes.