Derek Bailey's Company Week between June 29th and July 3rd in 1982 brought together a superb set of free and open-minded improvisers--including Keith Tippets, Phillip Waschmann, George Lewis, Julie Tippets, Fred Frith, &c--performing "Epiphany" (sides A & B) as a continuous work for all musicians, and "Epiphanies" (sides C & D), shorter pieces of smaller groupings.

"Ke I Te Ki" signifies the sound of an alarm, as frequent collaborators Akio Suzuki and Aki Onda push themselves in a live multi-track recording at the NY Emily Harvey Foundation (former home of Fluxus founder George Maciunas), using field recordings, objects, layers of melody and rhythm, sustained drones, and diverse textures and timbres to create these absorbing recordings.

At the same event in Scotland that John Butcher recorded his excellent "Resonant Spaces" album, he also joined forces with sound artist Akio Suzuki on a variety of objects and sound devices to record the first 5 tracks of this unusual album of very free improv, the last track by the duo recording at the 2015 Ftarri Festival at SuperDeluxe in Tokyo.

Experimental sound performer Lawrence English on drums, electronics and field recordings joins forces with Akio Suzuki on the amazing analapos instrument (see video) for three tracks of unusual and alien sound, punctuated with strange references and percussive devices.

Spring 2013 issue with 9 track CD. On the cover and featured: Akio Suzuki; Featured: Nicolas Bernier and Martin Messier; Featured: Edrem Helvacioglu; Profile on The Ratchet Orchestra. Plus reviews, events, words, &c.

Sound and installation pioneer Akio Suzuki in a work based on field recordings from the bay and caves of Takano, Tango-cho in the northern-most coast of Kyoto, Japan.

Minimal improvisation using a meditative set of instruments including stone flute, small stones, and a "silent toy", from David Toop recording with Akio Suzuki on a rare trip to the UK.