The collective Who Trio of pianist Michel Wintsch, bassist Bänz Oester and drummer Gerry Hemingway take on the music of Billy Strayhorn & Duke Ellington in eight studio recordings and one live performance, interpreting in a collective fashion rather than straight readings of each work, allowing a unique level of freedom to be applied to these essential jazz compositions.

A constantly evolving electro-acoustic composition for percussion and microphones from the Swiss-based duo of Vincent Glanzmann and Gerry Hemingway, using cymbals, floor tom & percussion, directed by both graphic and collective compositional approaches while applying carefully controlled amplification to prodigious extended techniques on their instruments.

Performing together since 1989, at first frequently and now as very special events, this concert at Concertgebouw in Brugge of pianist Georg Graewe, cellist Ernst Reijseger, and drummer and marimba player Gerry Hemingway, is a superb example of the both telepathic and confidently confrontational interplay of their chamber-oriented and superbly paced improvisation.

Since 2015 Chicago's Experimental Sound Studio has hosted a series of concert followed by a discussion with the artist, with funding for the series assisted by Corbett vs. Dempsey; this CD collects recordings from the last year, including Susan Alcorn, Gerry Hemingway, Greg Kelley, Kris Davis, Wayne Horvitz, Ingrid Laubrock, LaDonna Smith, Sandy Ewen, Douglas Ewart, &c &c.

Performing at St. Ann's Church in Dublin, Ireland, the trio of Japanese pianist living in Ireland, Izumi Kimura, is joined by London bassist Barry Guy and Swiss based drummer Gerry Hemingway for 8 superb improvisations, including renderings of Guy's "Blue Horizon", "Ancients" and "Finding It" and Agusti Fernandez' "How to Go Into a Room You Are Already In".

Twelve dialogs of burning, intuitive and astute free improvisation from three players steeped in the form--Simon Nabatov on piano, Barry Guy on double bass, and Gerry Hemingway on drums & marimba, performing live at LOFT in Cologne, Germany in 2015, an essential example of modern creative playing that surprises and enlightens with repeated listens.

After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.

After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.

Compositions 159, 148, 161, 158 and John Coltrane's "Impressions", performed with Marilyn Crispell, Mark Dresser and Gerry Hemingway.