Composer/percussionist Danielle Palardy Roger's musical satire about capitalism, performed with some of Montreal's finest improvisers using conventional & unconventional instruments and voice, captured live at the Gesu Amphitheater, in Montreal in 2018: Michel F Cote, Andre Duchesne, Joane Hetu, Elizabeth Lima, Isaiah Ceccarelli, Alexander St-Onge, and Ida Toniato.

Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.

Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.

Montreal's most creative large ensemble, led by Joane Hetu & Daniell Palardy Roger, in their 5th release presenting works composed between 1976-2015 featuring twenty musicians playing in different combinations, showing the creative breadth and skills of this amazing band.

Jean Derome, Joane Hetu, Danielle Palardy Roger, Alexandre St-Onge and Martin Tetreault each composed works for this stellar group of nine Montreal-based musique actuelle players, a startling and wonderful release of style, approach and concept.

Composer Danielle Palardy Roger presents a work for a 13-voice mixed choir, two speakers, two soloists, and two percussionists in a satirical elegy that is an account of a man's last agonizing moments.

A collection of 14 excerpts taken from five different concerts between 1998 and 2004 by Ensemble SuperMusique that include improvised and composed music as well as improvisation frameworks.

Nine new works from the trio of Joane Hetu (sax, voice), Diane Labrosse (sampler, voice), and Danielle Palardy Roger (percussion, voice) with a moody and haunting atmosphere.

CD reissue of the 1990 concept LP based on themes of man and machine, programming and intuition. A strange synthesis of freedom and imagination.