The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.

The second album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue--a noted interpreter of solo works by Feldman, Ferrari, and Cage--here presenting all of Kondo's works for solo piano written from 2001 to 2012, alongside two early works from 1975, exploring a wealth of harmonic, rhythmic, and conceptual ideas from a diversity of projects.

The second album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue--a noted interpreter of solo works by Feldman, Ferrari, and Cage--here presenting all of Kondo's works for solo piano written from 2001 to 2012, alongside two early works from 1975, exploring a wealth of harmonic, rhythmic, and conceptual ideas from a diversity of projects.

Conductor Sebastian Gottschick presents an additional selection of songs and chamber music works from composer Charles Edward Ives that reflect this broad range, 20 mostly brief and innovative works composed between 1898 and 1921, blurring the boundaries between genres through unusual motifs, themes, gestures and phrases that appear in new vocal and/or instrumental contexts.

Conductor Sebastian Gottschick presents an additional selection of songs and chamber music works from composer Charles Edward Ives that reflect this broad range, 20 mostly brief and innovative works composed between 1898 and 1921, blurring the boundaries between genres through unusual motifs, themes, gestures and phrases that appear in new vocal and/or instrumental contexts.

Sebastian Gottschick's adaptations of Ives' songs and short instrumental pieces pay homage to the composer and develop his work further, as conducted by Gottschick with the ensemble fur neue musik zurich.

"Jim" is US drummer & composer Jim Black working in Berlin, and The Shrimps are the trio of bassist Felix Henkelhausen and the two-sax front line of Germans, Asger Nissen on alto and Julius Gawlik on tenor, finding a rapport and common approach to free improv, they formed to perform & record Black's assertive compositions influenced by the tradition of Black American jazz.

In a spontaneously assembled 2009 session at Zürich's DRS studio, trumpeter Russ Johnson, bassist Christian Weber, and drummer Dieter Ulrich sculpt a dynamic and intuitive trio performance, threading balladic lyricism with abstract tension in a deft interplay of trust, fragility, and risk that transforms improvisation into captivating and timeless art.

Theo Jorgensmann's Trio recorded live at the Klub Alchemia in Cracow, Poland in 2006 playing a set of original compositions with 'ecstatic and elastic freedom.'

Clarinetist Theo Jorgensmann's quartet with double bassist Christian Ramond, drummer Klaus Kugel, and vibraphonist Christopher Dell recording in the studio in German, 1999.

The second album from Swiss improviser Jason Kahn and Taiwanese experimental vocalist Alice Hui-Sheng Chang, in eight pieces of free vocal improvisation recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan, an unusual collaboration of idiosyncratic interactions using a wide spectrum of vocal techniques.

The 2nd release from Jason Kahn, here on voice and resonator guitar, with Christian Wolfarth on Chinese Cymbal, an antique marching snare and objects, recorded after a series of concerts across Europe in the fall of 2019, Kahn applying a percussionist's perspective to his guitar by playing it as a lap slide, as the two invoke an unusual incantatory spirit from their improvisations.

Recalling the For4Ears era of electroacoustic improvisation, the ea-improv trio of Jason Kahn on electronics, Frantz Loriot on viola and Christian Wolfarth on percussion are heard in this extended improvisation recorded in concert at Plattform nicht dokumentierbarer Ereignisse in Atelier Dürrenfeld/Geitel, Köln, Germany, as part of the trio's 2022 European tour.

Captured live at the Werkstatt für Improvisierte Musik in Zurich, Switzerland, this debut release from Jason Kahn (electronics) and Magda Mayas (piano, objects) presents three improvised pieces that blend their complementary palettes into a poetic and intricately detailed electroacoustic dialogue, reflecting their 13-year collaboration with a mix of introspection, spontaneity, and mutual respect.

Eccentric and engrossing electroacoustic improvisation between Jason Kahn on electronics and Ulrich Krieger using his "acoustic electronic" reed setup, performing on tenor saxophone, contrabass clarinet, and the 15th century double reed crumhorn, processed through his amplification system to create exotic textures and expressions; a truly unique set of dialogs.

Sound experimenter and electroacoustic organizer Jason Kahn revisits previous works and expands on them with the book and CD release, with an essay on his approach towards public space interventions and text / sound installations, a track listing, photographs from the locations of his field recordings, and texts and prose poems to accompany the listener.

Swiss sound artist Jason Kahn chronicles his 37-solo concert tour through North America from the US to Canada, exploring the state of DIY experimental music scenes post-pandemic, including a CD of concert recordings in Portland and Chicago in 2022 using local radio and field recordings from each city, along with mod synths, tube amp, electromagnetic transducers and contact mics.

Recorded live at Kunstraum Walcheturm in Zurich, Jason Kahn's voice presents four improvised pieces blending voice, modular synths, and electronics, creating immersive soundscapes that explore sound's spatial and psychological dimensions, released in a limited edition of 100 hand-painted CDs by Editions.

Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.

Jason Kahn developed these graphic scores, commissioned by the 2012 now NOW Festival in Australia, to push these specific players into situations outside of their comfort zone, as heard in this double LP which includes copies of the score plus notes and interviews.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

West Coast composer and saxophonist Noah Kaplan, associated with Anthony Coleman, David Tronzo, Peter Erskine, Rinde Eckert, Joe Morris, Mat Maneri, Joe Maneri, &c., here in his 3rd album with his Noah Kaplan Quartet, in a set of original compositions and one standard performed with Joe Morris (guitar), Giacomo Merega (electric bass) & Jason Nazary (drums, electronics).

Pianist Stephen Clarke plays seven works for solo piano by Estonian-born, Canadian-naturalized composer Udo Kasemets that focus on specific designs of micro-detail.

Improvised music using traditional Alpine horn music as its roots, as performed by a quartet of alphorns, büchels, and voice.

The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.

The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation.

The long-running duo since 1987 of spouses, pianist Hildegard Kleeb and trombonist Roland Dahinden, are joined by Swiss-born/ Berlin-based percussionist & vibraphonist Alexandre Babel for an album of interweaving and contrasting instrumental lines, blurring the boundaries between contemporary music and improvisation through exceptional mastery and dialog.

The long-running duo since 1987 of spouses, pianist Hildegard Kleeb and trombonist Roland Dahinden, are joined by Swiss-born/ Berlin-based percussionist & vibraphonist Alexandre Babel for an album of interweaving and contrasting instrumental lines, blurring the boundaries between contemporary music and improvisation through exceptional mastery and dialog.

Singular but not strange improvisational intersections from this Swiss trio of open-minded and masterful musicians--Hans Koch on clarinet, Frantz Loriot on viola and Jonas Kocher on accordion--highly compatible collaborators who have developed a unique language of chamber-oriented free improvisation that experiments at the convergence of compositional and chamber jazz forms.

Born from a project from the "Jazz in Chur" association where Swiss jazz musicians team up with a musical partner from a country with a different language and cultural region, here between Swiss saxophonist Hans Koch and Lebanese saxophonist Christine Abdelnour, the two recording their half of the duo independently, joined in the studio and split left & right for a stunning and unanticipated collaboration.

A limited release capturing the duo of two generations of improvisers — Hans Koch on clarinet and soprano saxophone, and Florian Stoffner on guitar — recorded in Koch's private Swiss studio, presenting six playful dialogs of remarkable mastery and pacing, where space becomes a third element, allowing their conversation to evolve with organic sophistication.

1992 live performances demonstrating masterful freedom in improvisation, recorded while on their first tour as a duo after working together in larger ensembles, from Hans Koch on clarinet, bass clarinet and tenor & soprano saxophones, and Paul Lovens on drums, cymbals, gongs & musical saw, in four live improvisations from Bulgaria presented in the order recorded.

With a superb septet of improvisers also versed in contemporary music, trumpeter Franz Koglmann presents sophisticated compositions that interject the concept of "solitude" in the three-part title track, alongside Koglmann compositions and Jimmy Giuffre's "Finger Snapper", using striking orchestration of trumpet, sax, clarinet, bassoon, oboe, french horn, cello and double bass.

With a superb septet of improvisers also versed in contemporary music, trumpeter Franz Koglmann presents sophisticated compositions that interject the concept of "solitude" in the three-part title track, alongside Koglmann compositions and Jimmy Giuffre's "Finger Snapper", using striking orchestration of trumpet, sax, clarinet, bassoon, oboe, french horn, cello and double bass.

Presented in two versions--a stereo mix and a binaural mix for headphones--flugelhorn improviser and composer Franz Koglmann leads his septet of exceptional players through 10 original Koglmann compositions, sophisticated works that show influences from Ellington to Franz Joseph Haydn or Johann Strauss, in pieces influenced by or tipping the hat to modern artists, musicians and writers.

Reissue and fresh master of saxophonist Lee Konitz, pianist Don Friedman and guitarist Attila Zoller's great 1995 Hat release, original compositions of live melodic interplay.

The Die Unwucht (The Imbalance) duo of saxophonist Christopher Kunz and drummer Florian Fische was formed to explore jazz tradition while looking for ways to break down restrictive boundaries and create their own forms of expression, achieving a great balance and equality in Kunz' lyrical playing with a Getz/Desmond sound against Fische's active interactions.

German saxophonist Christopher Kunz and drummer Florian Fischer capture the essence of German forests in their outdoor recording, titled to translate as 'The Unbalance, Desperation and Focus,' where sauntering saxophone and dynamic drums blend with environmental sounds to evoke a profound intimacy, growing with each listen and inviting deep engagement with nature's wild and humane aspects.

Recorded live in Lugano in 1984, Steve Lacy's trio with guitarist Barry Wedgle and bassist Jean-Jacques Avenel reimagines his compositions in an intimate and transparent setting, where Lacy's masterful soprano saxophone carves precise yet expressive lines, drawing on influences from poetry, Monk, and visual art to create a striking balance between structure and improvisation.

The late soprano saxophonist Steve Lacy performing his final solo set in 2003 at the Unerhort! Festival in Zurich, a very personal and introspective set that goes straight to the heart.

Exploring the trio format of clarinetist Jimmy Giuffre and his groundbreaking drumless trio, clarinetist & saxophonist Jürg Bucher and guitarist Samuel Leipold, both members of the Swiss Jazz Orchestra, joined with double bassist Luca Lo Bianco to perform this set of Leipold compositions, alongside Giuffre's "Afternoon" and "Three Clarinet Pieces I" by Stravinsky.