A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.

Four realisations of composer John Lely's simple but brilliant composition 'The Harmonics of Real Strings', a very slow glissando along the full length of one bowed string, performed by Anton Lukoszevieze; one realization for each string of the cello.

Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.

A split CD presenting contrasting aspects of 'Berlin reductionism': "Roananax 1999" - from the quartet of Axel Dorner, Robin Hayward, Annette Krebs and Andrea Neumann; and "Obliq 2014" from the current Berlin group of Pierre Borel, Hannes Lingens and Derek Shirley.

A split CD from Berlin-based flautist and composer Sabine Vogel: a composition using recordings made at various exterior locations as part of her work with Landscape Quartet; and a recording of a live improvisation as part of the 2012 NOW now festival in Sydney.

The Second in a series of split discs highlighting the experimental music scene in Berlin, presenting a solo work by Annette Krebs, and a powerful duo for voice and electronics by Christian Kesten and Mark Trayle."

Composer Martin Iddon in a work of new conceptual modes of music making, with a ritualistic approach building strange sounds and stange actions in dense layers and intense timbres that demand a unique physicality from the player.

Three strange and wonderful sound pieces from the Chicago-based duo of Noe Cuellar and Joseph Clayton Mills, commissioned to make music from objects found in the basement of a local thrift store, evoking a sense of the lives embedded in those objects.

A composed piece from guitarist Fages for a small ensemble of instruments and live electronics using shifting sinetones alongside sustained sounds from the acoustic instruments to create shimmering music that unfolds slowly and gracefully.

Seven recent works from UK composer Richard Glover, whose process music is based on the exposition of simple harmonic patterns which transform in deceptive ways, gradually altering the nature of the overall sonority.

A live recording at Cafe Oto in 2013 from this sextet in an extended and dynamic piece in which the musicians develop material they had presented in small groups in the first half of the concert, mixing improvised and prepared elements.

Hong Kong composer Lee Ingrid in four pieces from subtle beauty to harsh power, including a duo for piano and accordion, a piece for vibrating amplified snare drums, a work for piano, electric guitar and percussion, and one for string quintet and vibraphone.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

Christoph Schiller's first solo work for spinet, amplified objects and piano, using a simple but brilliant structure which combines improvised pieces in a unique chain-like pattern of repetition and development.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

The Inframince/Immensity split CD is the first in a series of discs exploring the work of musicians based in Berlin, a city which has been one of the most vibrant centres for improvised and contemporary music since the 1960's.

ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).

Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.

Three improvisers, Pascal Battus (rotating surfaces, found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) recorded while playing at a working building site in Paris and also in studio.

Six musicians from around the world (Chabala / Jones / Martin / Mukarji / Nakamura) created this 50-minute track over the course of a year by collaborating and file-sharing online.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

Osvaldo Coluccino's "Atto" uses various acoustic objects but no musical instruments or electronic manipulation, here in 5 pieces recorded near Milan, Italy in 2011.

An improvisation for two laptop computers performed by Tim Blechmann and Klaus Filip, recorded live in Vienna at "neue musik in st ruprecht", 2010, contrasting minimal tones with massive bass rumble and frothing frequencies.

Performing on cello, piano, prepared guitar, tapes, and the mixing desk itself, Anthea Caddy, Magda Maya, and Annette Krebs present two improvisations, one from the studio and one live in Boston.

A unique realisation of John Cage's 'Four6', plus two improvisations by Stephen Cornford (amplified piano), Patrick Farmer (turntable & electronics), Sarah Hughes (chorded zither), and Kostis Kilymis (electronics).

A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstuck for solo bass.

6 works from a series of minimal compositions loosely based on the art & writings of Sol LeWitt, performed by the Edges Ensemble: Philip Thomas, James Saunders, Tim Parkinson, Angharad Davies, Stephen Chase & Rhodri Davies.

A 2nd outing for this electronics-based trio using field recordings, zithers, turntables, amplified knitting machine, &c.; a 60 minute improvisation recorded in concert in Hull in November 2010.

The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

Two instruments - Bertoncini on violin; Lehn on analogue synth - with totally different histories come together and look for a connection across two great sets from 2006 & 2010.

Pianist Agnel, saxophonist Gauguet, and electronic/piano frame artist Neumann in 4 beautifully crafted pieces recorded using a spatialised sound system developed by Benjamin Maumus.

Looper (Nikos Veliotis, Martin Kuchen and Ingar Zach) in Another Timbre's Silence and After series, layered and slowly moving sound work of great depth and subtlety.

Six delicate, complex and suubtle studio compositions from the trio of Rhodri Davies on harp & electronics, David Toops on guitar and percussive devices, and Lee Patterson on amplified devices.

A live performance of saxophonist Bhob Rainey, electronics artist Bonnie Jones and percussionist Chris Cogburn performing live at AAMP in Austin, TX, and at Crolwey Theatre, Marfa, TX.

Virtuosic French-based trombonist Mathias Forge and Brussels-based electroacoustic composer-turned improviser Olivier Toulemonde recording live in Sheffield, 2010.

The unlikely combination of tuba and spinet from Carl Ludwig Hubsch and Christoph Schiller (Millefleurs) taking each instrument beyond their traditional sound through extended technique and style.

Incredible, understated improvisation from two masters of the form - Axel Dorner on trumpet and Angharad Davies on violin - in three commanding tracks of atmospheric momentum.

Luigi Nono associate Roberto Fabbriciani on hyperbass flute improvising with Berlin-based tuba player Robin Hayward at the Basilica di San Domenico in the Tuscan hilltown of Arezzo.

The dual alto saxophones of Martin Kuchen and Seymour Wright meet guitarist Keith Rowe for an impressive journey of free improvisation with Rowe taking the lead.

ap'strophe began working together in 2006 in search of a common sonoric space, which they found in the investigation of distinctive timbres between acoustic guitar and zither.

This duet between cellist Altenburger and guitarist Russell was recorded at the Musique en Mouvement Festival Theatre du Jarnisy in 2008, an intense and intricate dialog of great dynamics.

A reference to rays of sunlight that appear to radiate from a single point in the sky around dusk or dawn, as heard through a combination of acoustic guitar, objects and no-input mixing board.

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Pianist John Tilbury is captured with remarkable clarity by Sebastian Lexer as he performs works by composers Terry Jennings and John Cage (with Lexer on electronics); superb performances!

Berlin pianist Magda Mayas, working with Tony Buck as recording engineer, performs inside and out of the piano in an amazing display of timbre and technique.

Unconvention improvisation fueled by the influence of contempary compositions from bassist Simon H. Fell, pianist Philip Thomas, and prepared pianist Chris Burn.