Exploring chaotic metallic rhythms, this ensemble has become one of Evil Clown's most prolific groups, blending gongs, chimes, Tibetan bowls, and horns spanning a dynamic range of sounds, here in a sextet configuration with drummer Steve Niemitz and special guest Chris Alford on guitar, offering a powerful fusion of rock elements within the ensemble's electroacoustic approach.
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David Peck (PEK)-clarinet, contralto & contrabass clarinets, alto & tenor saxophones, glissophone, tarota, bass tromboon, [d]ronin, 17 string bass, moog subsequent, novation peak, Linnstrument controllers, ms 20, rubber chicken, soma pipe, noise tower, Tibetan bowls, gongs, plate gong, almglocken, chimes, orchestral chimes & anvils, Englephone, danmo, brontosaurus & tank bells, log drums, wood & temple blocks, seed ped rattle, 5 hole wood flute, recitation
Michael Caglianone-soprano, alto & tenor saxophones, clarinet, flute, hulusi, rubber chicken, wind siren, ocarina, vuvuzela, moog subsequent, novation peak, Linnstrument controllers, brontosaurus & tank bells,flex a tone, shakers, slide whiste, tiny slide whistle, balafon, log drums, wood & temple blocks, cow bells, Tibetan bell
Bob Moores-Fretless baritone electric guitar played through Zoom multi efx pedal, Electric trumpet with electric mouthpiece played through Zoom multi efx pedal and additional efx chain, Donner Essential B1 Analog Bass Synthesizer and Sequencer, Vaux Flores Eyetron pocket synthesizer, Synthasette pocket synthesizer, Carry on digital wind instrument, 2 LFO drone generator with eft, Signal generator with eft, Wobble box, Small wooden flute/whistle, Bamboo flute, Wooden flute, Animoog Z app on iPad, minielectric trumpet with effects, ocarina, nord stage 3, prophet, gongs, plate gong, wood blocks, temple blocks, cow bells
Eric Woods-analog synthesis, nord stage 3, nord stage 3, moog subsequent, novation peak, ms 20, Linnstrument controllers, balafon, xylophone, almglocken, noise tower
Chris Alford-guitar, Tibetan bowls, wood blocks, cow bells, log drums, chimes, xylophone, balafon, almglocken
Mike Gruen-purple sparkles six string electric bass, signal processing
Steve Niemitz-drums, shakers, wood blocks, cow bells, brontosaurus & tank bells, chimes, log drums
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Label: Evil Clown
Catalog ID: 9384
Squidco Product Code: 35532
Format: CDR
Condition: New
Released: 2024
Country: USA
Packaging: Digipack
Recorded live at Evil Clown Headquarters in Waltham MA on July 8, 2024 by Joel Simches.
"Metal Chaos Ensemble was formed in early 2015 by PEK and Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments. I had started to amass the Evil Clown Arsenal of percussion, electronic and wind instruments and we needed a workshop to develop this universe of sounds for the Leap of Faith Orchestra. It was immediately obvious that Metal Chaos Ensemble had a sound to itself and over the last nine years has been one of the most prolific Evil Clown ensembles. We have produced over 50 albums covering a wide range of sonority sets, but always with the presence of gongs, chimes, glockenspiel, Tibetan bowls and many other metallic sounds and the horns of PEK.
More recently, MCE has been a recurring sextet unit with most of the sessions having exactly the same six performers. With drums and electric bass and electronics, this unit contains the most rock elements of any of the Evil Clown ensembles. Since Yuri retired from Evil Clown, drummer Steve Niemitz has been holding down the drum chair. He drives into Boston from Western Mass, so we don't do quite as many sets as we did back in the day, but it tends to make them a bit special.
For this set, the sextet welcomes special guest Chris Alford on guitar. Chris lives in New Orleans, but is originally from the Boston area. Albey onBass, a long-time Evil Clown regular, played with many of the Evil Clown ensembles in 2015 and 2016 and then moved with his wife Jane to New Orleans. While there he met Chris and they played together. After a few years Albey moved back to New York, splitting his time between NYC and the Boston area. When Chris and his wife made a trip to the area a few years back Albey brought him over to Evil Clown Headquarters for a few sessions. I told Chris that he should let me know when he was going to be in town, and I would get him into the schedule. This is now his third trip here and this time he will be around for a month. In addition to this Metal Chaos Ensemble set I scheduled two Leap of Faith sets for next week - Albey will be coming up from New York for those.
Chris is an excellent example of some great players who love to play on Evil Clown sessions, but who make relatively few sessions due to distance. We welcome these contributors when they can make it. Chris' debut effort here with Metal Chaos Ensemble is excellent - along with a stellar performance by the ensemble regulars."-David Peck, from the liner notes
Artist Biographies
• Show Bio for David Peck (PEK) "PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds. PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language. During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone. PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe. At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period. Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015. Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles). The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below. The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail. For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November. The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature). Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve." ^ Hide Bio for David Peck (PEK) • Show Bio for Michael Caglianone Michael Anthony Caglianone is an American sax player, producer, recording, mixing & mastering engineer, voice-over actor, co-founder of Studio 7A West. Based out of Boston, MA. He is known for the band Zen Bastards. ^ Hide Bio for Michael Caglianone • Show Bio for Bob Moores "Bob Moores Having spent most of his life flying under the radar working on obscure projects that may some day come to the light of day, trumpeter/guitarist/composer/improviser/artist/photographer/poet/conceptualist Bob Moores has finally started to emerge into the light playing in the free improvisation collective Fable Grazer and through his solo project Resonator. Having played every kind of music imaginable on trumpet in every kind of setting from classical to funk to blues to R&B to pop punk and metal to jazz, in small and large ensembles, Bob has settled on playing only freely improvised music at this stage of his evolution, both in group situations and as a solo artist. Moores is an exponent of what he calls unschooled primitive coloristic guitar having started to play in earnest with Fable Grazer. He has been composing music since he was a child and composes and arranges for a variety of ensembles types, instrumentations and genres." ^ Hide Bio for Bob Moores • Show Bio for Eric Woods "Originally trained as an electric bassist in funk and jazz in high school, Eric's interest in new music began after studying at Northeastern's Music Technology program, composing acousmatic music on the computer, with an interest in mixed electronic works for live performance, as well as algorithmic and chance operations. While at Northeastern, Eric honed his improvisation skills in the Electronic Music Ensemble, performing pieces such as John Zorn's "Cobra" and Stockhausen's "From the Seven Days". After college, Eric began playing mandolin as a founding member of the improv collective Fable Grazer. Craving more of the sonic flexibility of his earlier computer music work, Eric was drawn to modular synthesizers in 2012, which has became his primary instrument. He records and performs solo work under the moniker Machine Machine that are largely unedited, improvised recordings. Last year, Eric went on his first nation-wide tour as the synth player in the psychedelic electronic folk trio Vilicon Sally." ^ Hide Bio for Eric Woods • Show Bio for Chris Alford "New Orleans based improviser/guitarist/composer Chris Alford utilizes a spherical approach in his artistry. In one hemisphere is the deep tradition of jazz and blues languages of the past and in the other is avant-garde, unconventional, creative syntax. Warping the old with the new, Alford keeps his feet rooted in the ground all the while looking beyond the horizon. He is just as likely to galvanize an audience with peculiar, angular, sharp flourishes as he is to allure with luscious, atmospheric harmony and melodies. An openness to sound and collaboration allows Alford to shape and guide the music in an organic flow. Alford earned music degrees from The Chicago College of Performing Arts and Belmont University. Alford has had the opportunity to study with Henry Johnson, Regi Wooten, John McLean, Joe Morris, Hank Mackie and Chester Thompson. Chris Alford has performed with legends of jazz and creative music including: Cassandra Wilson, Ra Kalam Bob Moses, 2Face Idibia, Jerry Jemmott, Rhonda Richmond, Leslie Hunt, Ezra Brown, James Singleton , Tim Berne, Albey Balgochian, John Sinclair, Reginald Veal, Algerbra Blessett, Jeb Bishop, Mino Cinelu, Dennis Warren, Mike Burton, Tim Green, Mike Dillon, London Branch,Luke Stewart, Aurora Nealand, Rob Cambre, Hellen Gillet, Gregoire Maret, Robert Walter, Grayhawk Perkins, Evan Gallagher, Matt Ulery, Reed Mathis, Michael Vatcher, Simon Berz, Dr.Jeff Albert and many more. Alford fulfills his passion for creative music education through his teaching, both in the community and at the University of Southern Mississippi, where he was on the Jazz department faculty from 2007- 2019." ^ Hide Bio for Chris Alford • Show Bio for Mike Gruen Mike Gruen is a Boston-area bassist, known for the band Red Tail Hawk, and Metal Chaos Ensemble. ^ Hide Bio for Mike Gruen • Show Bio for Steve Niemitz "Steve Niemitz is a percussionist and pianist with over 15 years of performing experience, 12+ years of recording experience, and 5 years of teaching experience. Well versed in a variety of musical styles including jazz, rock, punk, metal, classical, and experimental/avant-garde, Steve's teaching philosophy emphasizes creativity and independence as well as a solid foundation in practical skills such as music reading, drum rudiments, and technique. Steve has studied drumset with Jerome Deupree (Morphine, Either/Orchestra, Bourbon Princess), Luther Gray (Tsunami, Ida, Jenny Toomey) and Jeff 'Siege' Siegel (Sir Roland Hanna Trio, Ron Carter, Kenny Burrell, Ravi Coltrane), and has been playing piano/keyboards for over a decade." ^ Hide Bio for Steve Niemitz
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Track Listing:
1. The Coffee Failed to Arrive 5:43
2. One Step Beyond Logic 1:10:29
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Improvised Rock
Rock and Related
Boston Area Improvisers
Sextet Recordings
New in Improvised Music
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