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[SNDNG STTNS] Kifpfmuller / Janek feat. Ernesto Rodrigues / Guilherme Rodrigues : Case Study: Sertao (Creative Sources)

Since 2014 the collective [SNDNG STTNS] has explored theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing, this work featuring cellist Guilherme Rodrigues bridges the art of the brazilian "violeros" with contemporary music, acoustic and electronic composition and improvisation.
 

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product information:


UPC: 5609063406658

Label: Creative Sources
Catalog ID: cs665
Squidco Product Code: 29759

Format: CD
Condition: New
Released: 2020
Country: Portugal
Packaging: Cardboard Gatefold
Recorded in Berlin, Germany, in 2019.


Personnel:

Milena Kipfmuller-tapes

Klaus Janek-double bass, electronics

Guilherme Rodrigues-cello

Ernesto Rodrigues-viola

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Artist Biographies:

"Milena Kipfmüller was born in Brazil, Porto Alegre and grew up in Göttingen and São Paulo. She studied oboe and piano (São Paulo/USP), musicology and history of arts (Uni Heidelberg) and finished her diploma in applied theatre studies in Gießen and Paris in 2009, where she studied with Heiner Goebbels, Xavier Le Roy, Mathilde Monnier, Antonio Araújo and where she focused on sound, radioplays and dramaturgical work. Currently she lives in Berlin and works internationally as a freelance director, soundartist, dramaturgue and producer working as well with Gob Squad, matthaei&konsorten, Sophiensaele and the International Institute of Political Murder/Milo Rau. Her works blend different medias together and approach often political and current questions. She was scholarship holder on the program for young European curators and producers (Festival in Transition), founded and curated a residency space for artistic experiments that run between 2012-14. Her radioplay "Hate Radio" about the Rwandan genocide won the Hörspielpreis der Kriegsblinden 2014. Since 2014 she is working with Klaus Janek in the duo "sounding situations" where sound, composition and words as musical material are substantial part of staging a performative situations."

-Milena Kipfmuller Website (http://www.milenakipf.de/vita/)
11/25/2020

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"Klaus Janek (born November 26, 1969 in Bozen, Italy) is an Italian double bass player of improvised music and composer of experimental electronic music. He lives in Berlin.

Janek first learned to play the flute and then to play the trumpet. Since 1988 he turned to the classical double bass, which he studied with Mauro Muraro. He attended master classes and workshops with Dave Holland, Peter Kowald, Butch Morris and Jaribu Shahid. He plays the acoustic double bass as well as the electronically processed double bass.

He has performed with Kowald's local ensemble and at the Vision Festival with an ensemble led by Bill Dixon. Since 1994 he has also given solo concerts; after his first solo album Caspar² (2001) he presented another solo album Caspar² in 2004. Further albums were created for edel classics, minor music, Solponticello and Ubiquity.

His sound research and work as a soloist, in various formations and for dance and theater productions is recognized and appreciated internationally. For the piece Apud of Thierry Niang Company, Marseille, he composed the suite Lettera Amorosa (2002-03). With Claudio Rocchetti he was on tour to Southeast Asia (album Hong Kong Pavilion ). He improvised with musicians such as Borah Bergman, Toshinori Kondō, Johannes and Conny Bauer, Joe and Mat Maneri, Wolfgang Fuchs, Michael Zerang,Klaus Kürvers, Florian Bramböck, Christoph Irmer, Agustí Fernández, Andreas Paolo Perger, Roger Turner, LaDonna Smith or Wilbert de Joode. He also performed with the 17 hippies.

He also works as a sound designer for architecture and media ( arte, ZDF and 3sat ); he also composed film scores for documentaries. He was married to the dancer and choreographer Britta Pudelko."

-Wikipedia (Translated by Google) (https://de.wikipedia.org/wiki/Klaus_Janek)
11/25/2020

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"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/25/2020

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/25/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Almenrauschen 46:32

sample the album:








descriptions, reviews, &c.

"Sounding Situations work is a careful composition of staged situation in urban spaces and live music placed theatrically in what can be discovered in loco. Since 2014 the collective explores theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing. Often radio, transducers and mobile loudspeakers are installed or move with the audience through a theatre, through cities, join a walk or a longer hike through a metropolis till a mountain valley. A focus of the work lies in the live processing of original musical material, field recordings and language sounds, that, interconnected, change their original definition and become a net of sounding meanings. By the use of compositional and performative strategies the perception of the audience is shifted between the reality and a fictive acoustic imaginary.

[SNDNG STTNS] works as a collective and follows an ongoing artistic research developing "performative instruments" under the perspective of their philosophical, conceptual and artistic production processes. Therefore the work looks always for a strong relation to the environment in its material, acoustic and political context. Collaborations range from musicians to choreographers, visual artists, authors and theatre and film directors.

The longterm ongoing work in residencies and commissions brought [SNDNG STTNS] to create various adventurous performative situations and to give academic lectures in universities around the world, such as Germany, Italy, Belgium, Canada, Brasil, Israel and Rwanda."-[SNDNG STTNS]

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