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Okuden Quartet (Mat Walerian / Matthew Shipp / William Parker / Hamid Drake)

Every Dog Has Its Day But It Doesn't Matter Because Fat Cat Is Getting Fatter [2 CDs]

Okuden Quartet (Mat Walerian / Matthew Shipp / William Parker / Hamid Drake): Every Dog Has Its Day (ESP-Disk)

Reed player Mat Walerian's 4th album as a leader, in a quartet with Matthew Shipp on piano, William Parker on double bass & shakuhachi, and Hamid Drake on drums, the name "Okuden" meaning "inner teachings, as Walerian's compositions vary from a fully free introspective opener to joyful jazz idiom, a perfect set for this versatile and enlightened set of musicians.
 

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product information:


UPC: 825481503723

Label: ESP-Disk
Catalog ID: ESPDISK 5037CD
Squidco Product Code: 29542

Format: 2 CDs
Condition: New
Released: 2020
Country: USA
Packaging: Digipack - 3 panel
Recorded at Parkwest Studios, in Brooklyn, New York, on May 21st, 2018, by Jim clouse.


Personnel:

Mat Walerian-alto saxophone, bass clarinet, soprano clarinet, flute

Matthew Shipp-piano

William Parker-double bass, shakuhachi

Hamid Drake-drums

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Artist Biographies:

"Mat Walerian. Jazz instrumentalist and Composer.

Mat Walerian is a jazz saxophonist and woodwind player (alto saxophone, bass clarinet, soprano clarinet, flute), composer and bandleader who specializes in improvisation and avant-garde music.

His studies were mostly focused on eastern philosophy and Japanese culture. With the exception of a few lessons he is self - taught musician, occasionally taking lessons from acknowledged masters Matthew Shipp and Hamid Drake, lessons which he has cited as being crucial to his development. His style is firmly in the mainstream of modern jazz and improvised music, somewhere around hard free bop with a tribute to the atonal avant-garde heritage. Classical music, jazz classics and the classical music of Japan and India have all left a distinct impression on his creation. Mat cooperates in diverse musical projects with musician who represent various musical streams; jazz, classical, contemporary, improvised avant-garde music and electronica.

His musical projects include THE UPPERCUT, M-THEORY PROJECT, TOXIC, JUNGLE, OKUDEN, SAINTHUNTER, WHITE LOTUS, ZEN, MUTANT DEFINITION, BLACKADMIN or PREDATOR GONE WILD. In his projects Mat mixes classical chamber music, jazz classics and Asian scales along with the modern expression of improvised music

Mat is an art director for the OKUDEN MUSIC, described as "sound to the deepest" concert series, presenting the mainstream of modern jazz and improvised avant-garde music heritage.

Mat loves nature and experiencing wildlife phenomena."

-Mat Walerian Website (http://www.matwalerian.com/bio.php)
9/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music.

Mr Shipp has reached the holy grail of jazz in that he possesses a unique style on his instrument that is all of his own- and he's one of the few in jazz that can say so. Mr. Shipp has recorded a lot of albums with many labels but his 2 most enduring relationships have been with two labels. In the 1990s he recorded a number of chamber jazz cds with Hatology, a group of cds that charted a new course for jazz that, to this day, the jazz world has not realized. In the 2000s Mr Shipp has been curator and director of the label Thirsty Ear's "Blue Series" and has also recorded for them. In this collection of recordings he has generated a whole body of work that is visionary, far reaching and many faceted."

-Matthew Shipp Website (http://www.matthewshipp.com/bio.html)
9/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
9/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)

He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."

-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
9/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


CD1



1. The Forest Council (18:21)

2. Thelonious Forever (13:50)

3. Magic World Pt. 1 - Study (15:12)

4. Magic World Pt. 2 - Work (12:04)

5. Magic World Pt. 3 - Life (10:54)

CD2



1. Sir Denis (15:51)

2. Business With William (12:11)

3. Lesson II (17:16)
sample the album:








descriptions, reviews, &c.

"A student of eastern philosophy and Japanese culture, reed player/composer Mat Walerian coined the Okuden series name from a Japanese word meaning "inner teachings." Walerian had studied piano at six and taught himself saxophone while in his teens. He expanded his self-taught regime to include clarinet and flute in 2008-9. Walerian has sporadically taken lessons from Matthew Shipp. His musical interests are broad and he had earlier played classical Japanese music, heavy metal, psychedelic, funk, and jazz. Walerian's original music continues to incorporate elements of chamber, jazz masterworks and Asian scales, all while facing to leading-edge statements of improvised music. On the double-CD Every Dog Has Its Day But It Doesn't Matter Because Fat Cat Is Getting Fatter Walerian leads a quartet with Shipp, William Parker and Hamid Drake.

The saxophone quartet is a familiar setting for Shipp and Parker, permanent members of David S. Ware's seminal free jazz group. Drake too appeared on two tracks of Ware's Live In The World (Thirsty Ear, 2005). Each player has also worked with reed artist Daniel Carter. Walerian has an inimitable style shaped by many influences but attributable to none in particular.

Walerian composed the eight pieces on Every Dog Has Its Day..., each running into double digits in length, and the moods vary greatly across the two discs. "The Forest Council" opens the first disc with a portentous Parker solo. Walerian's bass clarinet adds another layer of sinister effects, which neither Shipp nor Drake diminish upon their later entrance. Shipp shares the front line with Walerian on "Thelonious Forever" which features a blistering solo from Drake. On "Magic World Pt. 1," clarinet conjures up the deep roots of the swing tradition, melded with an exploration of the instrument's complete range. The rhythm section's carefree and exuberant groove makes this mini-suite a thirty-eight-minute delight. The album's second disc feels less structured, particularly "Sir Denis" which vacillates wildly between melodies and free playing. Parker adds his shakuhachi (bamboo-flute) giving an exotic feel to "Lesson II," the dreamy, but off-kilter, seventeen-minute closer.

This is Walerian's fourth album as a leader on ESP-Disk. Each has included some configuration of these same artists: The Uppercut: Live At Okuden (2015), a duo with Shipp, Jungle: Live At Okuden (2016) with Shipp and Drake, and Toxic: This Is Beautiful Because We Are Beautiful People (2017) with Shipp and Parker. He also appears in the Matthew Shipp Quartet on the album Sonic Fiction (2018), also on EPS-Disk. Each of his albums has been critically acclaimed and Walerian's music is more intriguing with each successive release. Every Dog Has Its Day... brings together some of the best improvisers in music today; it is Walerian's best work to date and one of the best releases of the year."-Karl Ackermann


Get additional information at All About Jazz
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