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No Mor Musik (ugEXPLODE)

This puzzling display of punk/jazz surrealism is masterminded by Nondor Nevai on drums and vocals, featuring Weasel Walter on bass and legendary journeyman Kenny Millions (aka Keshavan Maslak) on guitar and reeds, a sort of unholy fusion between extreme metal, bludgeoning noise rock, free jazz, black humor and true stream-of-consciousness improvisation.
 

Price: $13.95


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product information:


UPC: 845121021400

Label: ugEXPLODE
Catalog ID: ug41
Squidco Product Code: 29363

Format: CD
Condition: New
Released: 2010
Country: USA
Packaging: Digipack
Recorded at Devils Fork, in Devils Fork, New York, on January 13th, 2010, by Nondor Nevai.


Personnel:

Weasel Walter-bass guitar

Nandor Nevai-vocals, percussion

Maslak-guitar, tenor saxophone, clarinet

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Artist Biographies:

"Weasel Walter (real name Walter Wyzowski) is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with a current member of Cellular Chaos and Behold...The Arctopus. Over the years, The Flying Luttenbachers included noted Dylan Posa, and Michael Colligan, while creating a body of music drawing equally from no wave, death metal, gamelan, noise music, hardcore punk and modern classical. Walter moved to the San Francisco Bay Area in 2003, where he formed the latest of many Luttenbachers lineups, remaining on percussion with the addition of bassist Mike Green (Burmese), and virtuoso guitarist Ed Rodriguez (ex-Colossamite, Gorge Trio). Singular guitar phenomenon Mick Barr (Krallice, Octis, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. On November 25, 2009, Weasel Walter announced that he was moving to New York City to join the band Behold... The Arctopus on drums and will be writing "new, more extreme material from scratch." He also formed Cellular Chaos with Marc Edwards (drummer), Admiral Grey and Ceci Moss."

-Wikipedia (https://en.wikipedia.org/wiki/Weasel_Walter)
11/18/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Nándor Névai is a New York-based vocalist and drummer a member of the trio _ (Underscore) with Rat Bastard (of To Live and Shave in L.A.) on violin, and Dan Hosker (of Harry Pussy) on cello, documented on DMT ROK (Savage Land, 2007). He also released duets with Orthrelm's Mick Barr The Rainbow Supremacy (ugEXPLODE, 2009) and Labyrintha (Savage Land, 2010). He debuted solo with The Wooden Machine Music (ugEXPLODE, 2007) and Three Tocattas (2011), works of grotesquely distorted acid metal."-https://www.scaruffi.com/vol7/nevai.html



"Practitioner of the Hardest Occult Rock. Through-Composer of 'Brutal Classical' Symphony. Songwriter, Lyricist and Vocalist of Relative Pitch. Beatwriter, 'Lead Bass Drum Soloist', Innovator of Asymmetrical Freeblasting toward a Berserkergang Martial Art & 'Konkussor' (Conducting thru Drumstick instead of Baton). Aktionist Danger Performer.

He has been a member of the groups Aborted Christ Childe, Benighted In Sodom, Bubonik Stupefaktion, Evil Moisture, GAVEL ov VINLAND, Hatewave, M.N.D.L.S.B.L.S.T.N.G., Maggot, Miss High Heel, No Mor Musik, SNAUT, The Laundry Room Squelchers, The Many Moods Of Marlon Magas, To Live And Shave In L.A., To Live And Shave In L.A. 2, Vagiant"-Discogs

-Discogs (https://www.discogs.com/artist/650785-N%C3%A1ndor-N%C3%A9vai)
11/18/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. No Mor Song 9:10

2. Liner Notes 16:58

3. Untitled 4:37

4. High*Art 11:46

5. D.I.S.R.E.S.P.E.K.T. 4:15

6. Mor Death 0:04
sample the album:


descriptions, reviews, &c.

"Among the best musicians on earth, Kenny Millions (sax, Guitar) is joined on fretless bass by Weasel Walter in a consummately PUNK-JAZZ asskick produced and percussed by Nandor Nevai who also adds a panoply of vocals from guttural to whispered. The spelling ov the name (and the aesthetic thereby implied) fuses VON LMO with SADISTIK EXEKUTION.

The personnel (Seth Putnam on guest vokills) on the first track alone certify this album as authentic neoclassical noisecore. In largo mode, it reads as some nasty militant no-wave plodding out from the same neighborhood as early SWANS, but with Maslak's pristine museumy saxoponik element that runs stylistik and contextually amok over WW's panfluent low-string-string-pickin'. NN's (audible and well-foley'd) pipe-hit-in-the-parking-lot sleaze factor and curiously disparate drum engineering (by WW) adds a hickory stain like a tipped-over-chewin'-tobaccy-saliva-spill on the Sym- ov Maslak and Walter's -Phonia...even the live material sans Maslak is releasable, and then just Walter and Maslak did another show proving they need no one but their lone pairing to exhibit NO MOR MUSIK to a degree ov severity that must be embarrassing to the approximal "candy-asses in So-ho". N

MM's alloy is not new, it is germane to the ilk ov PAINKILLER and similar; what it brings to the table is the presence ov mutually-exclusive extremes ov high (neoclassical) and low (noise-grind). "-Nándor Névai

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