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Zingaro, Carlos / Ernesto Rodrigues / Guilherme Rodrigues / Hernani Faustino / Jose Oliveira : Penta (Creative Sources)

An impressive highly interactive and extended improvisation focused mostly on strings, with label leader Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, plus Red Trio's Hernani Fasutino on double bass and legendary Portuguese violinist Carlo Zingaro, with Jose Oliveira adding active percussive interaction, captured live at the CreativeFest XIII in 2019.
 

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product information:


UPC: 5609063406429

Label: Creative Sources
Catalog ID: cs642
Squidco Product Code: 28754

Format: CD
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live during the CreativeFest XIII at O'Culto da Ajuda, in Lisbon, Portugal, on November 20th 2019, by Miguel Azguime.


Personnel:

Carlos Zingaro-violin

Ernesto Rodrigues-viola

Guilherme Rodrigues-cello

Hernani Faustino-double bass

Jose Oliveira-percussion

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Artist Biographies:

"Carlos Zíngaro (or Carlos "Zíngaro" Alves, born 1948 in Lisbon, Portugal) is a Portuguese violinist and electronic musician active in free improvisation.

He studied classical music in Lisbon and began working with a number of leading improvisers in the mid-1970s, becoming one of the European top improvisers presently. He has worked with such musicians as Richard Teitelbaum, Joëlle Léandre, Peter Kowald, Barre Phillips, Daunik Lazro, Derek Bailey, Jon Rose, Ken Vandermark, Ken Filiano, Rodrigo Amado, Ned Rothenberg, Rüdiger Carl, Dominique Regef, Evan Parker, Annick Nozati, Theo Jörgensmann and Paul Lovens.

Zíngaro has performed at new and improvised music festivals in Europe, Asia, and North America, produced several film scores, and collaborated with dance companies.

He is also a prolific illustrator and comics author."

-Wikipedia (https://en.wikipedia.org/wiki/Carlos_Zingaro)
9/16/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
9/16/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
9/16/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
9/16/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Polivalent artist with conections to the Fluxus movement, José Oliveira is well known, besides music by his "mail art" creations, performance and poetry.

As an improvisor, his aproach to percussion is similar to Paul Lovens, Roger Turner, Lê Quan Ninh and Paul Lytton. He prefers a non conventional "set", where he uses instruments and objects as raw materials to create an improvised language rich in terms of timbre and textures. To this he adds sometimes inside piano manipulations and prepared guitar, in the same way as John Cage: the objects are placed on the strings or in between them in real-time performance, and not according to a previous plan.

He belonged to Sei Miguel collective between 1989 and 1996, played with Carlos Bechegas and Pedro Roxo and has a regular activity with Ernesto Rodrigues."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
9/16/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Pentahedron 29:49
sample the album:








descriptions, reviews, &c.

"[...] In particular, the new string-focused quintet album Pentahedron, dating from CreativeFest XIII this past November, offers yet another collective interaction around a member of Red Trio: Bassist Hernâni Faustino had appeared elsewhere with Rodrigues, e.g. in Octopus on Mimus (as discussed here in January 2019), but he's much more a pole of the interaction on Pentahedron, to the point that I found myself spontaneously asking on first audition, "Wait, is that a bass solo?" In that sense, the music on Pentahedron is then rather more traditionally jazzy than e.g. that with the Lisbon String Trio (perhaps recalling some of the idioms from the first phase of Rodrigues' III Phases series, as coincidentally also noted here in January 2019) - such an impression being bolstered by the other musical pole on Pentahedron, Carlos Zingaro on violin. (Zingaro had of course already appeared with Rodrigues & LST on Theia, first discussed here in July 2018.... But the actual ensemble here, albeit around rather different formal investigations, is much more similar to the quintet with percussion around João Camões on Chant....)

There's thus very much a sense of (e.g. FMP) tradition, as well as an investigation of momentum - including somewhat uncharacteristically around groove - more generally, via almost a world-weary working-through, (at times) pace some traffic figures & extended string timbres, especially from the middle of the texture. (There's also a sense of completion that arrives several minutes prior to the real close to the proceedings, resulting in a more timbrally transformative approach being engaged, nonetheless soon coming to reconfigure around momentum again, before fading to close.... One might thus speak of two tracks, although the total album length remains under half an hour....) And those middle textures are, in part, where Rodrigues has been so transformative in general, here with Guilherme Rodrigues (cello) as well, in addition to José Oliveira on percussion - the latter generally taking a more traditionally rhythmic "accent" approach, after being absent from the Creative Sources catalog for quite some time, especially relative to his early involvement (during which Oliveira appeared on the first three albums released by the label - & on the first five to include Ernesto Rodrigues himself).

The result is that Pentahedron is relatively aggressive for much of its length, somewhat in keeping with e.g. the "concerto" style on Sediments with Gabriel Ferrandini on drums (as discussed here in December 2019), and certainly with the quasi-extroverted presentation on Rhetorica with Rodrigo Pinheiro on piano (as already discussed here in August 2019), such that it forms something of a set (i.e. around Red Trio) with those two (most recent, as it happens) LST issues. (That the participation of Faustino on bass would conflict with Alvaro Rosso of LST thus apparently figures this particular combination, although that's more about the way the bass specifically functions on Pentahedron: Generally adding another bassist to LST seems feasible to me, although it hasn't occurred....) Anyway, it doesn't seem that Pentahedron is especially innovative, at least compared to some of Rodrigues' other work, but it does make for an enjoyable, and presumably relatively approachable, release featuring more improvised string music in a virtuoso concert setting. Might it even be described as a crowd pleaser?"-Todd McComb's Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Stringed Instruments
European Improvisation and Experimental Forms
Quintet Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers


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