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Houben, Eva-Maria : Ensemble Works [2 CDS] (Edition Wandelweiser Records)

Three detailed and fragile compositions from German minimalist composer Eva-Maria Houben reveal themselves over two CDs, performed by the Boston-based experimental music ensemble, Ensemble Ordinary Affects, with Houben herself on organ recording at Memorial Chapel, in Wesleyan University, CT: three movements from "echo fantasy"; "gesang XI"; and "unter anderen".
 

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product information:


UPC: 40117788041122

Label: Edition Wandelweiser Records
Catalog ID: EWR 1904/05
Squidco Product Code: 27520

Format: 2 CDS
Condition: New
Released: 2019
Country: Austria
Packaging: Cardstock 4 page foldover
Recorded at Memorial Chapel, in Wesleyan University, in Middletown, Connecticut, on October 13th and 14th, 2018, by Luke Damrosch.


Personnel:

Ensemble Ordinary Affects-ensemble

Eva-Maria Houben-composer, organ

Morgan Evans-Weiler-violin

Laura Cetilia-cello

J.P.A. Falzone-vibraphone, piano

Luke Martin-guitar

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Artist Biographies:

"Eva-Maria Houben (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 Professor Houben has been lecturing at Dortmund University`s "Institut für Musik und Musikwissenschaft", with both music theory and contemporary music as her focus. Up to now many books were published, concerning contemporary music, contemporary composers and traditional music, listened to with 'new ears'.

Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the "wandelweiser-group" of composers, her compositions are published by "edition wandelweiser", Haan. Her list of compositions up to now includes works for the organ, piano, clarinet, trombone, violoncello and other solo instruments, works for voice and piano, for wind and chamber ensembles, for orchestra and for voice and orchestra, works for choir (www.wandelweiser.de). She publishes on subjects of contemporary music (Steiner, PFAU, Edition Howeg, bis-label Oldenburg)."

-Eva-Maria Houben Website (http://www.evamariahouben.de/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Morgan Evans-Weiler, violinist, composer, improviser and teacher, is currently living in the Boston area working as a freelance musician and teacher.

He completed his bachelor's degree at Western Michigan University with a double degree in Music Composition and Performance studying with Renata Knific, Richard Adams, and Curtis-Curtis Smith. He studied violin further with Laura Bossert and jazz with Peter Cassino in Cambridge, Massachusetts. Currently he studies composition, theory, musicology, history and just about everything else with Peter Evans.

While in Michigan, he co-founded, performed with, and composed for the Nuevo tango band Barefoot Tango and the songwriting collective Blackwater Valley Songs. He also performed with the Traverse City and Battle Creek Symphony Orchestras, and the annual New Music Project. While in the Boston area, he has performed with the Modern American Music String Quartet, Longitude and various jazz and free-jazz groups. He has played in and composed music for performances at The Regattabar, Lilypad, and Pickman Hall (Longy School of Music) in Cambridge, as well as numerous halls and art spaces throughout Michigan.

Recently, he performed a full concert of music at Outpost 186 in Cambridge, Massachusetts. The concert included performances of several of Morgan's new works as well as performances of the works of Ruth Crawford-Seeger, Steve Reich and Ornette Coleman.

He continues to compose and perform in the Boston area."

-Morgan Evans-Weiler Website (https://morganevansweiler.wordpress.com/about/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Cellist and electronic musician Laura Cetilia is a performer, composer, educator, and presenter. A daughter of mixed heritage, she is at home with in-betweeness. As a composer, her music has been described as "unorthodox loveliness" by the Boston Globe and and her debut solo album was hailed as "alternately penetrating and atmospheric" in Sequenza 21. The Grove Dictionary of American Music describes her electroacoustic duo Mem1 as a "complex cybernetic entity" that "understands its music as a feedback loop between the past and present." Mem1 has held artist residencies and toured extensively throughout the U.S. and Europe. In her viola/cello duo, Suna No Onna, she has worked closely with and premiered works by composers André Cormier, Jürg Frey and Antoine Beuger, among others. As a product of the now-dwindling public school music program, Laura believes in the right to accessible music education and is a Resident Musician at Community MusicWorks, a non-profit organization that provides free after-school music education programs for children in urban neighborhoods of Providence, RI. There she teaches cello, is co-director of the media lab and the curator of the Ars Subtilior experimental music series. She is also a proud mother of one."

-Laura Cetilia Website (http://laura.cetilia.org/about/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"J.P.A. Falzone is a keyboard player and vibraphonist, a composer and song writer. He is the coordinator of Providence Research Ensemble and Providence Keyboard Ensemble."

-Squidco 10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Luke Martin is an experimental composer, musician, and poet currently living in Allston, MA (Boston). His work focuses on the concepts of silence, blandness, and community and is primarily interested in exploring the limits of perception. More specifically, he is interested in the combined use of poetry notation and graphic notation, silence and sound, and listening and active sound-making, as equally considered elements in the compositional practice; for instance, the composer's task is not only to consider the parameters of determined sound making, but also - particularly - the parameters of how we listen, and how we may interact with and frame silence. The composer, then, seeks to create situations of possible events which the audience, performer(s), and composer may experience concurrently. Further, it is essential to critically consider the hierarchical roles and power relations at work between composer, performer(s), and audience; or in other words, the nature of the political/social significance of that situation. In short, the composer is not simply someone who composes a musical performance, but rather someone who composes a social situation in which there is, regardless of their desire or intent, sound. Recently inspired by David Dunn's notations for listening and Lasse Thoresen's spectromorphological analysis of electronic music and sound, Luke is developing a notation for the performance and analysis of silence (i.e., incidental sounds, contingency).

Among his many influences, Luke is inspired by the work of Samuel Beckett, John Cage, Morton Feldman, Peter Ablinger, Deleuze and Guattari, Joseph Beuys, the Wandelweiser Collective, and Christian Bok. Luke performs (and has performed) with various groups on no-input mixer, guitar, objects, and other various odds-and-ends including sinecure (Andy Young, Ben Levinson, Isaac Aronson), Variant State (Michael Rosenstein, Howard Martin, Jesse Collins, Chris Johnson), DogStar Orchestra (large ensemble of experimental musicians led by Michael Pisaro), Ordinary Affects (ensemble of experimental musicians, led by Morgan Evans-Weiler), ample parking (trio with John Pax and James Bean), The Readers Chorus LA (a reading group led by Sara Roberts and Jordan Biren), and others. He has an M.F.A. in music composition from California Institute of the Arts, studying with Michael Pisaro, and a B.A. in English and Music from Colby College (magna cum laude, honors in music composition/theory).

Having recently relocated from Los Angeles to Boston, Luke spends his time composing, performing, writing, and working as the grant writer for Monday Evening Concerts (Los Angeles, CA) and The Center for Advanced Musical Studies at Chosen Vale (Hanover, NH), in addition to being the operational assistant for Boston-based experimental music organization Non-Event (Boston, MA) and an associate producer at the Ojai Music Festival (Ojai, CA). Of particular note is his new experimental music residency: co-incidence, an experimental music residency. Developed with Aaron Foster Bresley, this program will have its first season in January 2017, hosted by Non-Event and Washington St. Gallery, in Somerville (Boston), MA. This project is based on an expanded view of what constitutes art, music, and the traditional concert. Following the example of the revolutionary arts community Black Mountain College, it will bring together a group of radical artists operating in the boundary-zones of their practice(s) to take part in a residency curated as 'social scultpure.' Attending will be Co-Directors Luke Martin and Aaron Foster Bresley, Resident Artist Michael Pisaro, and six Guest Artists chosen from a domestic and international pool of applicants (it is also fully open to the public).

On January 8, 2016, Luke released "residues," a CD of graphic score string quartets on FWD: rcrds; on December 7, 2016 he will be releasing a 72-minute piece on Edition Wandelweiser Records; and he has two more projects in the mixing stages, a 3-disc collection of noise and poetry/spoken works, to be released in Spring 2017, and a 72 min piece for solo trumpet to be released in Fall 2017.

Luke is from Massachusetts, has spent and continues to spend time in Maine with family and friends, has lived in L.A. studying and making music for the past couple years, and is currently residing in Boston, MA. He loves playing cribbage and is a sucker for superhero movies and mint chocolate chip ice cream. At one point in his life, he was a top-ranked junior tennis player and a head tennis professional on Cape Cod."

-Luke Martin Website (http://www.lukecmartin.com/about.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


CD1



1. Echo Fantasy I 16:28

2. Echo Fantasy IV 32:04

3. Echo Fantasy V 18:08

CD2



1. Gesang XI 14:22

2. Unter Anderen 29:55
sample the album:








descriptions, reviews, &c.

"Ordinary Affects is a Boston-based experimental music ensemble. Experimental composer/performers J.P.A. Falzone, Laura Cetilia, Luke Martin, and Morgan Evans-Weiler make-up the ensemble, performing on piano/organ/percussion, cello, violin, and guitar/electronics (respectively). The ensemble was formed as a group of musicians seeking to workshop, commission, and perform experimental music. Their work is often aligned with the tradition of John Cage and the Wandelweiser Collective. While the group frequently focuses on the performance of commissioned compositions of living composers, it also serves as a laboratory for improvisation and the compositions of its members. Whenever possible, Ordinary Affects involves the commissioned composer as a performer in the ensemble. Ordinary Affects has commissioned and premiered pieces by Eva-Maria Houben, Christian Wolff, Michael Pisaro, Antoine Beuger, Sarah Hughes, Eva-Maria Houben, Ryoko Akama, Doug Farrand, Patrick Farmer, and Jurg Frey, in addition to performing works by Joseph Kurdika, John Lely, and all ensemble members. In summer 2017, Ordinary Affects attended the Avaloch Residency. Ordinary Affects has recordings on elsewhere, Another Timbre, and forthcoming recordings on Ftarri and Editions Wandelweiser."-Computer Music Center

Related Categories of Interest:


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