The Squid's Ear Magazine


Bailey, Derek / Tony Coe: Time [VINYL 2 LPs] (Honest Jons Records)

An unusual pairing between UK non-idiomatic improvising legend Derek Bailey and clarinetist Tony Coe, best known for his work with Franz Koglmann (heard on Hatology) his work with Tony Oxley, and work in avant classical settings; here they find common ground in a miniature chamber improv approach of both technical virtuosity and atonal lyricism.
 

Price: $32.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 32.00 units

Sample The Album:





product information:

Personnel:



Derek Bailey-guitar

Tony Coe-clarinet


Click an artist name above to see in-stock items for that artist.




UPC: 769791972353

Label: Honest Jons Records
Catalog ID: HJR 208LP
Squidco Product Code: 27180

Format: 2LPs
Condition: New
Released: 2019
Country: UK
Packaging: 2 LPs in a cardstock sleeve
Sides A and B recorded at Riverside Studios, in London, England, on April 23th and 24th, 1979.

Sides C and D recorded at the BBC in London, England, on April 4th and May 11th, 1979, for the Jazz in Britain radio programme presented by Charles Fox. Originally released in 1979 on vinyl LP on the Incus label as Incus 34.

Descriptions, Reviews, &c.

"Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe's playing here is something else.

It's worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek Bailey enjoyed taking to task in his book Improvisation. You might think the Frenchman's uncompromising serialism and the free playing Bailey defended with such passion all his life would have little in common, yet both men were hugely influenced by Anton Webern. It's an influence you can hear right through Bailey's career in his obsessive exploration of tight parcels of registrally-fixed pitches, notably those trademark ringing harmonics. Meanwhile, Coe's meandering semitones and sinuous arabesques here recall both Boulez's clarinet writing in Domaines, and the harmonic world of Boulez's own teacher Olivier Messiaen.

Still, no traditional classical musical notation could ever render the extraordinary rhythmic subtlety and timbral complexity of this music. It's at one and the same time dazzlingly virtuosic - Coe and Bailey are on stellar form throughout, and have enough sense to, yes, accompany each other where needs be - and supremely lyrical and spacious. An absolute delight."-Honest Jon's Records


Artist Biographies

"Derek Bailey (29 January 1930 - 25 December 2005) was an English avant-garde guitarist and leading figure in the free improvisation movement.

Bailey was born in Sheffield, England. A third-generation musician, he began playing the guitar at the age of ten, initially studying music with his teacher and Sheffield City organist C. H. C. Biltcliffe, an experience that he did not enjoy, and guitar with his uncle George Wing and John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, dance hall bands, and so on, playing with many performers including Morecambe and Wise, Gracie Fields, Bob Monkhouse and Kathy Kirby, and on television programs such as Opportunity Knocks. Bailey's earliest foray into 'what could be called free improvised music' was in 1953 with two other guitarists in their shared flat in Glasgow. He was also part of a Sheffield-based trio founded in 1963 with Tony Oxley and Gavin Bryars called "Joseph Holbrooke" (named after the composer, whose work they never actually played). Although originally performing relatively "conventional" modal, harmonic jazz this group became increasingly free in direction.

Bailey moved to London in 1966, frequenting the Little Theatre Club run by drummer John Stevens. Here he met many other like-minded musicians, such as saxophonist Evan Parker, trumpet player Kenny Wheeler and double bass player Dave Holland. These players often collaborated under the umbrella name of the Spontaneous Music Ensemble, recording the seminal album Karyobin for Island Records in 1968. In this year Bailey also formed the Music Improvisation Company with Parker, percussionist Jamie Muir and Hugh Davies on homemade electronics, a project that continued until 1971. He was also a member of the Jazz Composer's Orchestra and Iskra 1903, a trio with double-bass player Barry Guy and tromboneist Paul Rutherford that was named after a newspaper published by the Russian revolutionary Vladimir Lenin.

In 1970, Bailey founded the record label Incus with Tony Oxley, Evan Parker and Michael Walters. It proved influential as the first musician-owned independent label in the UK. Oxley and Walters left early on; Parker and Bailey continued as co-directors until the mid-1980s, when friction between the men led to Parker's departure. Bailey continued the label with his partner Karen Brookman until his death in 2005[citation needed].

Along with a number of other musicians, Bailey was a co-founder of Musics magazine in 1975. This was described as "an impromental experivisation arts magazine" and circulated through a network of like-minded record shops, arguably becoming one of the most significant jazz publications of the second half of the 1970s, and instrumental in the foundation of the London Musicians Collective.

1976 saw Bailey instigate Company, an ever-changing collection of like-minded improvisors, which at various times has included Anthony Braxton, Tristan Honsinger, Misha Mengelberg, Lol Coxhill, Fred Frith, Steve Beresford, Steve Lacy, Johnny Dyani, Leo Smith, Han Bennink, Eugene Chadbourne, Henry Kaiser, John Zorn, Buckethead and many others. Company Week, an annual week-long free improvisational festival organised by Bailey, ran until 1994.

In 1980, he wrote the book Improvisation: Its Nature and Practice. This was adapted by UK's Channel 4 into a four-part TV series in the early '90s, edited and narrated by Bailey.

Bailey died in London on Christmas Day, 2005. He had been suffering from motor neurone disease."

-Wikipedia (https://en.wikipedia.org/wiki/Derek_Bailey_(guitarist))
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Anthony George Coe (born 29 November 1934) is an English jazz musician who plays clarinet, bass clarinet, flute, and soprano, alto, and tenor saxophones.

Coe began his performing career playing with Humphrey Lyttelton's band from 1957 to 1962. In 1965 he was invited to join Count Basie's band ('I'm glad it didn't come off - I would have lasted about a fortnight') and has since played with the John Dankworth Orchestra, the Kenny Clarke-Francy Boland Big Band, Derek Bailey's free improvisation group Company, Stan Tracey, Michael Gibbs, Stan Getz, Dizzy Gillespie, and Bob Brookmeyer, and performed under Pierre Boulez as well as leading a series of groups of his own, including Coe Oxley & Co with drummer Tony Oxley. He played clarinet on Paul McCartney's recording of "I'll Give You a Ring" released in 1982 and saxophone on John Martyn's 1973 album Solid Air.

Coe has also worked with the Matrix, a small ensemble formed by clarinettist Alan Hacker, with a wide-ranging repertoire of early, classical, and contemporary music, the Danish Radio Big Band, Metropole Orchestra and Skymasters in the Netherlands.

Coe has recorded on soundtracks for several films, including Superman II, Victor/Victoria, Nous irons tous au paradis, Leaving Las Vegas, Le Plus beau métier du monde and The Loss of Sexual Innocence. He also composed the film score for Camomille.

In 1975 a grant from the Arts Council enabled him to write Zeitgeist, a large-scale orchestral work fusing jazz and rock elements with techniques from European Art Music. He received an honorary degree and the Danish Jazzpar Prize (1995)."

-Wikipedia (https://en.wikipedia.org/wiki/Tony_Coe)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Kuru 2:23

2. Sugu 1:25

3. Itsu 3:01

4. Koko 2:18

5. Ima 2:04

6. Sarinu 2:13

7. Omoidasu 6:04

SIDE B



1. Chiku 4:03

2. Taku 4:33

3. Toki 13:20

SIDE C



1. Burgundy

2. Bourbon

3. Dumaine

4. Chartres

SIDE D



1. Lafitte

2. South Rampart

3. Basin

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Free Improvisation
London & UK Improv & Related Scenes
Duo Recordings
Guitarists, &c.
Recordings by or featuring Reed & Wind Players
Bailey, Derek
Jazz Reissues

Search for other titles on the label:
Honest Jons Records.


Recommended & Related Releases:
Other Recommended Releases:
Company
Trios [VINYL 2 LPs]
(Honest Jons Records)
Nine improvisers--Joelle Leandre, J.D.Parran, Ernst Reyseger, Hugh Davies, Jamie Muir, Peter Brotzmann, Evan Parker, Vinko Globokar, & John Corbett--joined Derek Bailey for this 1983 Company week, recording at the I.C.A. in London over 4 days in 1983, mostly performing in trio configurations, with one duo between Bailey & Reijseger, and a final ensemble with all 9 players.



Customers Who Bought This Item Also Bought:
McKenzie II, Donald Sturge Anthony (feat. Nels Cline / Arnold Lee / Melvin Gibbs / David Hofstra / Vernon Reid / CX Kidtronik)
Silenced [VINYL]
(577 Records)
A six track album from drummer Donald Sturge Anthony McKenzie II written about the abuse of force from those charged to protect us, in a series of duos with amazing performances from guitarist Nels Cline, saxophonist Arnold Lee, bassist Melvin Gibbs, bassist Dave Hofstra, guitarist Vernon Reid, and drummer/keyboardist CX KIDTRONIX; disturbing and important work.
Polyorchard (Estoppey / Jackson / Menestres / Ruccia)
Black Mountain
(Out & Gone Records)
The North Carolina improvising collective Polyorchard, wrote this set of unusual and diverse improvisation for the 8th {Re}HAPPENING at Black Mountain College on March 31, 2018, this album a studio recording of that music featuring saxophonist Laurent Estoppey, Michael Thomas Jackson on clarinet and radio, David Menestres on bass and objects, and Dan Ruccia on viola and piano.
Polyorchard (Pence / Jackson / Menestres / Ruccia / Phaneuf)
Sommian
(Out & Gone Records)
The North Carolina improvising collective Polyorchard is heard in this exceptional studio album, configured as a quintet with Michael Thomas Jackson on clarinet, David Menestres on double bass, Crowmeat Bob Pence on bass clarinet, Charles Phaneuf on clarinet, and Dan Ruccia on viola, for the 6 lettered "Sommian" suite of collective and far-ranging experimental improv.
Turbulence
Flow Across Scales
(Evil Clown)
A larger than previous Boston collective's Turbulence ensemble with 6 of the regular horn players from Leap of Faith Orchestra, performing multi-reedist and instrumentalist PEK's extended framework, with drummer percussionist Yui Zbitnoff; the ensembe breaks down to three duos and guest saxophonist Bob O'Brien, captured live at Outpost 186, in Cambridge, MA in August 2018.
Houben / Rodrigues / Rodrigues
The Haecceity Of Things
(Creative Sources)
A mysterious album of viola, viola d'amore, organ, and field recordings, merging the compositional minimal approach of Wandelweiser artist Eva-Maria Houben with Creative Sources performers Ernesto & Guilherme Rodrigues, the field recordings creating a virtual setting of environmental stillness, evoking slow motion in the unique "thisness" of haecceity.
Bradford, Bobby / Hafez Modirzadeh / Roberto Miranda / Vijay Anderson
Live At The Blue Whale [VINYL]
(NoBusiness)
Cornetist Bobby Bradford leads this quartet with soprano saxophonist Hafez Modirzadeh, also playing karna and khaen; bassist Roberto Miguel Miranda; and East Coast drummer Vijay Anderson, in a live concert at the Blue Whale in Los Angeles in 2017, a sophisticated avant jazz outing including a set of variations for Ornette Coleman, a great example of modern creative form.
Chadbourne, Eugene
Country All The Way
(Chadula)
A mix of songs and instrumentals, with 11 country classic covers, recorded in the studio and on tour from 2017-2018 in Germany, Italy, Switzerland, Slovenia, and Bulgaria, and the UK including one track from Cafe Oto, in the company of Titus Waldenfels (guitar), Thilo Kuhn (keys), Schroeder (drums), Gary Cherwonka (pedal steel) and Steven De Bruyn (harmonica).
Chadbourne, Eugene Contemporary Rock Band
Sounds Of The Now Generation
(Chadula)
Doc Chad took his Contemporary Rock Band, here as a quintet with Schroeder on drums, Fisten Titus Waldenfels on fiddle, Jan Fitsen on bass, and Marcello Del Bosco on drums, on a tour of Germany, Italy, Switzerland, Slovenia, Bulgaria, here presenting the best of the tour with recordings of Pink Floyd, Jimi Hendrix, plus a solo piece recorded on a vintage acoustic guitar.
Das Rad (Archer / Robinson / Dinsdale)
Das Rad
(Discus)
Influenced by progressive rock, kosmiche, and fusion forms, the UK trio Das Rad of Nick Robinson on guitars & electronics, Martin Archer on sax, reeds, winds, keys and electronics, Steve Dinsdale on drums and percussion, and Julie Archer on voice, bringing 70s sounds to modern sensibilities and superb creative playing, a great achievement.
De Saram, Mandhira / Benoit Delbecq
Spinneret
(Confront)
Delicate improvised interaction based around a day of meditative composing from London-based violinist Mandhira de Saram, a founding member and leader of the Ligeti Quartet, and French pianist Benoit Delbecq, an active improviser also involved in theater, dance, and visual arts; here the two use profound control and mastery to create intensity without excess.
McKenzie II, Donald Sturge Anthony (feat. Elliot Sharp, Bill Laswell, Vernon Reid)
Silenced II - Views from the Auction Block [VINYL + DOWNLOAD]
(577 Records)
Drummer Donald Sturge Anthony McKenzie II trades off duos with a set of masterful musicians in the second volume of his "Silenced" project, here with guitarist Elliott Sharp for a complex and inspired dialog; with bassist Bill Laswell for a rich and moody soundscape; and with guitarist Vernon Reid in a piece for McKenzie's daughter; plus one solo drum piece.
Andersen, Arild / Clive Bell / Mark Wastell
Tales Of Hackney
(Confront)
World instrumentation of shakuhachi, thai flute, shinobue, thai mouth organ, and shruti box blends with western orchestration of double bass, percussion and electronics as Clive Bell, Arild Andersen, and Mark Wastell come together in the studio after their well-received concert at Cafe Oto in London to develop these beautifully lyrical improvisations.
Halvorson, Mary Quintet
Saturn Sings
(Firehouse 12 Records)
Halvorson's quintet in a new book of music exploring close knit and dissonant harmonies for her ensemble of trumpeter Jonathan Finlayson, saxophonist Jon Irabagon, bassist John Hebert & drummer Ches Smith.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC