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Hopkins, Adam: Crickets (Out Of Your Head Records)

A great example of the current Downtown/Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock stylings into an enthusiastic, and technically brilliant album, as bassist Adam Hopkins provides the ompositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums.
 

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product information:


Label: Out Of Your Head Records
Catalog ID: OOYH001
Squidco Product Code: 26645

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Cardboard Gatefold
Recorded at EastSide Sound, in Brooklyn, New York, on January 17th, 2017 by Marc Urselli.

Track 7 recorded at The Forest, on April 26th, 2018 by Nathaniel Morgan.


Personnel:

Adam Hopkins-bass, compositions

Anna Webber-tenor saxophone

Ed Rosenberg-tenor saxophone, bass saxophone

Josh Sinton-baritone saxophone, bass clarinet

Jonathan Goldberger-guitar

Devin Gray-drums

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Artist Biographies:

"Adam Hopkins: Bassist, composer, educator, and semi-professional parallel parker from Baltimore MD-the Land of Pleasant Living. Relocated to Brooklyn NY in 2011, but Baltimore will always be home.

Extended Bio:

Adam Hopkins is a bassist, composer, and educator born and raised in Baltimore MD and relocated to Brooklyn NY in 2011. He has extensive experience performing jazz and improvised music and has played with professional orchestras in Maryland, Virginia, Michigan, Pennsylvania, and the DC metro area.

Adam currently appears in a number of NYC-based ensembles both as a leader and sideman. As a sideman he closed 2017 with performances led by Henry Threadgill as well as a European tour with John Hollenbeck's Claudia Quintet. He performs regularly with BeepHonk, Laila & Smitty, Anna Webber's Rectangles, Danny Gouker's Signal Problems, Christopher Hoffman Trio, Kate Gentile Mannequins, Dustin Carlson's Air Ceremony, Ideal Bread, Patrick Breiner's Double Double & Practical Mysticism. He currently leads three NYC-based bands (Adam Hopkins' Crickets, Bells + Wires, and Party Pack ICE) - for more information about any of these groups please refer to the Projects section of this site. Adam has studied double bass with many great performers and teachers of the instrument, including Michael Formanek, Jeffrey Weisner, Jack Budrow, Rodney Whitaker, and Sam Cross and additional studies with Drew Gress and Gary Thomas.

In August of 2018 Adam will launch his own record label called Out Of Your Head Records, with the intention of releasing his own albums, and albums of music he loves made by his friends. Also there will be t-shirts and stickers, because who doesn't love t-shirts and stickers?

In addition to being a performer he has extensive experience as a curator. In 2009 he co-founded an improvised music collective called the Out of Your Head Collective, which maintained weekly performances in Baltimore for 5+ years at The Windup Space. Upon moving to New York in 2011 he started a Brooklyn-based chapter which involved over 100 of the city's greatest improvisers. He currently co-curates a weekly performance series in Crown Heights called A.E. Randolph Presents, now in its fourth year, and previously curated the weekly performance series 65Fen.

Adam held a faculty position at Loyola University for six years as a professor of double and electric bass, music theory, ear training, and jazz ensembles. Currently he teaches privately in his home studio and designs improvisation-based workshops for business through sfz Creative, a company he co-founded with musical associates Eric Trudel and Danny Gouker. He holds a graduate performance diploma from Peabody Conservatory in Jazz Studies, a master's degree from Michigan State University in Orchestral Bass Performance, and a bachelor's degree from James Madison University in Music Industry."

-Adam Hopkins Website (https://www.adam-hopkins.com/about/)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Reedist Anna Webber, a Brooklynite by way of British Columbia, is one of the most exciting new arrivals on the New York avant-garde jazz scene in the past couple years. Her second album, SIMPLE, demonstrates the inextricable link between her improvising and her compositions; her detail-rich writing recalls the work of elders as disparate as Tim Berne and Henry Threadgill, and her busy motion evokes a fizzy sort of exhilaration.-Peter Margasak, Chicago Reader

Anna Webber is an integral part of a new wave of the Brooklyn avant-garde jazz scene. A saxophonist and flutist who strives for the unexpected, she has furthermore consistently proven herself to be a unique and forward-thinking composer with releases such as 2014's SIMPLE (Skirl Records) and 2013's Percussive Mechanics. Binary, the follow-up to SIMPLE which features bandmates John Hollenbeck and Matt Mitchell, further establishes Webber as a compelling improvisor and composer."

-Anna Webber Website (http://www.annakristinwebber.com/index2.html)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Edward RosenBerg III is a composer/performer currently residing in New York City. He studied saxophone at the Eastman School of Music, composition at Queens College and counterpoint with Paul Caputo. Edward performs regularly as a saxophonist/clarinetist/beat-boxer with a variety of jazz/rock/new-music groups including: Anti-Social Music, the Brooklyn Philharmonic, Asphalt Orchestra, Fireworks Ensemble, Talking Band, The Metawee River Theater Company, Amy Lynn & The Gunshow, Euphonique Saxophone Quartet, Ensemble Signal, Liz Roche Dance Company, and the Bottleote Music Collective in Dublin. In 2013, Edward took up the hammered dulcimer and performed with the Metawee River Theater Company throughout the summer. Ed is a founding member of the instrumental prog-jazz- metal group, Jerseyband. The group has recorded 7 albums and played throughout the US and Europe. Edward also enjoys making grind-core music with Heart of Barf, and meditative drone-based prog-rock with Glue Gun Optimism. In his spare time, Edward likes to write personalized songs for children. In addition to writing music for his own groups, Ed composes regularly in a variety of other contexts. His works have been performed by the Second Instrumental Unit, the Internation Contemporary Ensemble, the Cadillac Moon Ensemble, Anti-Social Music, and the Tokyo Brass Arts Orchestra, among others. Edward has recently worked with the new company Mibblio composing and recording songs to be illustrated for their storybook app of the same name. Ed also teaches privately in New York City. In 2005, he co-authored a method book with Walt Weiskopf entitled Beyond The Horn, published by Jamey Aebersold Jazz. Ed is also occasionally employed as a math consultant for a web design company."

-All About Jazz (https://musicians.allaboutjazz.com/edrosenbergIII)
11/14/2018

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"Josh Sinton, a native of Southern New Jersey, born in 1971, is a creative musician who specializes in playing the baritone saxophone and bass clarinet. Growing up, his musical inspirations were his father's record collection, his brothers' record collections and watching his father play stride piano at parties. There wasn't anyone else playing music so to this day Sinton remains mystified that the music bug stuck at all.

He studied composition at the University of Chicago and improvisation at the AACM in the 1990's and then proceeded to carve out a niche for himself in Chicago writing and performing music for dance (with Julia Mayer) and theater (at Steppenwolf Studio and Bailiwick Repertory) as well as performing and studying with local musicians such as Fred Anderson, Ken Vandermark, Ari Brown and Cameron Pfiffner. He would leave Chicago during this time for extended backpacking trips around Europe and India and found a lot of useful information for his later work.

Determined to overcome his technical shortcomings, he gave all this up and moved to Boston in 1999 to resume studies at the New England Conservatory. He spent five years in Boston and met, played and studied with a variety of folks including Steve Lacy, Ran Blake, Dominique Eade, Jerry Bergonzi, Bob Moses, Jim Hobbs and the Either Orchestra. Despite their encouragement, Sinton was overjoyed when he got to leave Boston in 2004.

Since then, Sinton has lived in Brooklyn, New York. He's been fortunate enough to be a long-standing member of Darcy James Argue's Secret Society, the Nate Wooley Quintet, the Andrew D'Angelo DNA Orchestra and Anthony Braxton's Tricentric Orchestra. With these groups he's travelled to several countries in Europe and South America as well as played many festivals (Moers, Newport, BMW, Bergamo, Tampere Jazz Happening, etc.). Sinton is proud of the collaborators he's been able to work with (Kirk Knuffke, Tomas Fujiwara, Chad Taylor, Mary Halvorson, Ingrid Laubrock, Jeremiah Cymerman, Josh Roseman, Harris Eisenstadt, Roswell Rudd, James Fei, Denman Maroney, Han-Earl Park, Greg Tate, Curtis Hasselbring, Mike Pride, Jon Irabagon) but the list of people he still hopes to play with is vast.

As a long-standing member of the Douglass Street Music Collective, Josh Sinton has hosted hundreds of concerts over the past 7 years Brooklyn. His work has been recognized by Downbeat (Critics' and Readers' Poll), Jazz Times (Critics' Poll) and El Intruso (International Critics' Poll) and has been discussed in The Wire, Signal to Noise, Point of Departure, the New York Times and the New York City Jazz Record.

Sinton defines himself as a "creative musician" rather than a jazz musician and has done so since 2011. His reasons for this are varied and personal, but some of them are outlined here and here. Suffice to say, friendly listeners can label him what they will. Sinton will just continue creating sounds with the goal of wasting nobody's time.

Currently Sinton leads the band Ideal Bread as well playing regularly with the Nate Wooley Quintet and the Tricentric Orchestra. He is busy writing new music for himself and his collaborators as well as contributing essays to the websites of Darcy James Argue, Ethan Iverson's Do The Math, Destination: Out and Sound American."

-Josh Sinton Website (http://joshsinton.com/about/)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guitarist Jonathan Goldberger spent most of his youth on the outskirts of the Everglades in Florida. From there he migrated west to the Rockies (where he studied with musical guru Art Lande and played and toured with the cult spacey/bluesy Fat Mama) before finding his way to Brooklyn in 2001. He has worked extensively in both the music and film worlds, including composing and producing the music for the award winning feature films, Trans and The Hawk is Dying. He performs and tours with artists and bands including Red Baraat, Jim Black (John Zorn's Bagatelles...including a performance at the Village Vanguard), and Joe Russo (Hooteroll, etc) among many others. His most recent recordings range from the acoustic collective Surface to Air (Self Titled) and Red Baraat (Sound the People) to the upcoming organ trio release (Visitors - with JP Schlegelmilch and Jim Black)."

-Jonathan Goldberger Website (http://www.jonathangoldberger.com/bio/)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"An artist interested in multiple musical directions and one who strives for quality and sincerity in his work. His exciting energy has compelled him towards many different musical directions and projects. Considered by his contemporaries as cutting edge, Gray shows promise as an artist that will not only move the music forward, but one who will share his unique musical vision with the world of music.

Devin Gray's fresh approach to modern drumming has enabled him to play with many of America's great jazz musicians. He has performed and recorded with innovative musicians of contrasting styles and backgrounds such as: David Liebman, Tony Malaby, Gary Thomas, Ingrid Jensen, Dave Burrell, Dave Ballou, Michael Formanek, Nate Wooley, Stephan Crump, George Garzone, Chris Speed, Drew Gress, Sam Rivers, Ralph Alessi, John O'Gallagher, Ellery Eskelin, Kris Davis, Ted Rosenthal, Matt Mitchell, Uri Caine, Andrew D'Angelo, Vardan Ovsepian, Bill McHenry as well as many others.

Devin has been fortunate to perform in many places around the globe and continues to make peace with his audiences. He is a top call young drummer in many modern jazz circles in New York City as well as multiple cities on the East Coast of America. Current leader projects include two quartets: "Dirigo Rataplan" featuring Ellery Eskelin, Dave Ballou, and Michael Formanek, and "RelativE ResonancE" featuring Chris Speed, Kris Davis, and Chris Tordini. He is currently living, playing, and composing in Brooklyn, New York."

-http://devingraymusic.com/about (Devin Gray Website)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. They Can Swim Backwards but Sometimes Choose Not To 1:46

2. Crickets/Crime of the Year 8:01

3. Chemiluminescence 1:26

4. Mudball 9:06

5. Haven of Bliss 9:14

6. I Think the Duck Was Fine 3:43

7. The Minnow 1:07

8. Scissorhands 2:52
sample the album:








descriptions, reviews, &c.

"New York bassist Adam Hopkins offers Crickets as his first release in the role of leader, as well as the first release on his new label, Out of Your Head Records. As is increasingly common, the lineup is a supergroup of sorts, with Anna Webber, Ed Rosenberg, and Josh Sinton on saxophones, Jonathan Goldberger on guitar, and Devin Gray on drums. But what is uncommon about this release is Hopkins' blend of free jazz, fusion, and rock stylings.

The triple sax approach provides each track with a thick central focus, even when Webber, Rosenberg, and Sinton break apart into formless diversions. A prime example of this approach is Crickets / Crime of the Year, which begins with a string / sax interlude that would be in place in a modern classical piece. Hopkins, Goldberger, and Gray then lay down a complex rock-oriented rhythm over which the saxes alternate between joining together in angular melodies and splitting apart into individual wailings. A similar mix of composition and improvisation can be found on Mudball, as well as I Think the Duck was Fine - modern jazz with an aggressive guitar-oriented underpinning.

The closest recent comparison that comes to mind in Dan Phillips' Chicago Edge Ensemble, though there is no connection that I am aware of between these groups aside from compelling and unconventional jazz compositions juxtaposed with blowouts. This is a singular release and hopefully the first of many from Hopkins."-Mike, Avant Garde News

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Sextet Recordings
Melodic and Lyrical Jazz
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New in Improvised Music
Recent Releases and Best Sellers


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